DOCSLIB.ORG

Rupaul's Drag Race Experience from the Minute You Walk Through the Doors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rupaul's Drag Race Experience from the Minute You Walk Through the Doors April 21, 2016 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 “RUPAUL’S DRAG RACE” FAN FAVORITES BRING LARGEST “BATTLE OF THE SEASONS” TOUR YET TO PARKER PLAYHOUSE Fort Lauderdale- AEG Live and the Broward Center for the Performing Arts bring the return of the world’s biggest touring drag revue, based on international mega­hit TV franchise RuPaul’s Drag Race, to Parker Playhouse on Wednesday, May 11 at 9 p.m. The Battle of the Seasons tour, now in its third consecutive year, is hosted by series judge Michelle Visage and includes an all­star cast of past winners, runners up and fan favorites from each season of the show. Adore Delano, Alaska, Courtney Act, Ginger Minj, Miss Fame, Pearl, Phi Phi O’hara and Violet Chachki come to the Parker Playhouse in a night filled with sass, sizzle and size twelve stilettos as eight fierce queens battle it out for the spotlight and fight to reclaim the royal drag race crown in the cutthroat world of competitive drag. “Last year the world got merely a taste of RuPaul's queens with the first global Battle of the Seasons Tour,” said Michelle Visage, host of the “Battle of the Seasons” tour and permanent judge on RuPaul’s Drag Race. “This year we are back, and these bitches are bigger and badder than before! Get ready for the ULTIMATE RuPaul's Drag Race experience from the minute you walk through the doors. It is a once­in­a­lifetime extravaganza that you will NOT want to miss!” The tour is produced by Entertainment Group and Sidecar Management, in conjunction with World of Wonder and Logo. The event is intended for mature audiences. Tickets are $36.50 with two special VIP packages available. The RuPaul's Drag Race Superstar VIP ticket for $301 offers early entry into the show, pre- and post- show meet and greets with the cast, exclusive merchandise and the chance via raffle to participate in the live show. The Shantay You Stay VIP ticket for $201 offers early entry into the show, pre­show meet and greet with the cast, and exclusive merchandise. Ticketmaster is the only official ticketing service of the Broward Center, Parker Playhouse and affiliated venues. Buy tickets online at www.BrowardCenter.org, www.ParkerPlayhouse.com, www.Ticketmaster.com; by phone at 954-462-0222; in person at Ticketmaster outlets or the Broward Center’s AutoNation Box Office. Tickets are also available for purchase at the Parker Playhouse box office Tuesday through Saturday from 12 p.m. to 5 p.m. The Parker Playhouse, located in Holiday Park at 707 N.E. Eighth Street in Fort Lauderdale, is an affiliated venue of the Broward Center for the Performing Arts, which provides programming and management of the facility. All dates, times, programs, artists and ticket prices are subject to change without notice. Sun Sentinel is a proud sponsor of the Parker Playhouse. ### ABOUT PRODUCER ENTERTAINMENT GROUP Producer Entertainment Group (PEG) specializes in the career management, brand development, recording and global touring activities of performing artists, entertainers and celebrities. PEG’s clients have toured internationally to thousands of venues and been featured across worldwide television, film, music, and media. On social platforms @PEGmgmt. ABOUT SIDECAR MANAGEMENT Sidecar Management is an entertainment firm that specializes in worldwide representation of a variety of talent including comedians, musicians, reality TV stars, radio personalities and much more. With over 20 years of experience in the music industry, our Artists have appeared on major television shows, hit the Billboard and ITunes Charts, among many other accomplishments. ### CALENDAR BRIEF: – AEG Live and the Broward Center for the Performing Arts bring the return of the world’s biggest touring drag revue, based on international mega­hit TV franchise RuPaul’s Drag Race, to Parker Playhouse on Wednesday, May 11 at 9 p.m. Hosted by series judge Michelle Visage, an all­star cast of past winners, runners up and fan favorites from each season of the show battle it out for the spotlight and fight to reclaim the royal drag race crown in the cutthroat world of competitive drag. The event is intended for mature audiences. Tickets are $36.50 with two special VIP packages available for $201 and $301. Ticketmaster is the only official ticketing service of the Broward Center, Parker Playhouse and affiliated venues. Buy tickets online at www.BrowardCenter.org, www.ParkerPlayhouse.com, www.Ticketmaster.com; by phone at 954-462-0222; in person at Ticketmaster outlets or the Broward Center’s AutoNation Box Office. Tickets are also available for purchase at the Parker Playhouse box office Tuesday through Saturday from 12 p.m. to 5 p.m. The Parker Playhouse, located in Holiday Park at 707 N.E. Eighth Street in Fort Lauderdale. .
Load more

Recommended publications
  • Trixie Mattel and Katya Dating
    UNHhhh ep 5: "Dating PART 2" with Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 4: "Dating" with Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 3: "Traveling" w/ Trixie Mattel & Katya Zamolodchikova. UNHhhh ep 2: "RDR8 Cast Advice" w/ Trixie Mattel & Katya Zamolodchikova. 1 day ago · Trixie and Katya are back with new episodes of UNHhhh Season 5 and they've got the trailer to prove it. Here's everything you need to know about Trixie and Katya. Trixie Mattel is the stage name of Brian Firkus, a drag queen, performer, comedian and music artist best known as a Season 7 contestant of RuPaul's Drag Race and the winner of All Stars Following the success she got thanks to the show, Trixie started presenting a web show with Katya, entitled "UNHhhh", on the WOWPresents' YouTube renuzap.podarokideal.ru later starred on their new show entitled . Jul 15, · Katya: Paint on a different one! Trixie Mattel: This is a window for you, Carolyn, to become the new hot girl in the office right under everyone’s noses. Because you watched a few makeup. Mar 27, · Ever since Katya Zamolodchikova returned to Twitter, fans have been anxiously awaiting to see if the drag star would say anything about her friend and former co-star Trixie Mattel’s win on. Mar 24, · — Trixie Mattel (@trixiemattel) December 20, Trixie hasn’t revealed much about her boyfriend. She protects him from social media users as well. Trixie Mattel Net Worth and TV shows. The drag queen, Trixie Mattel has an estimated net worth of $2 million. Trixie started performing drag in the year at LaCage NiteClub.
    [Show full text]
  • Nicole Faulkner Welcome
    Winter 2020 by Make-up Designory MUD grads win big at the Emmys® Catching up with LA Campus Instructor Stephen Dimmick Grads shining in the Hollywood spotlight From MUD to Pout— Beauty Business Maven Nicole Faulkner Welcome. I am excited to announce the first edition of our new quarterly magazine, Portraits. Since we founded MUD more than twenty years ago, we’ve been endlessly inspired by the ways in which our community of students, grads, instructors and friends has grown and thrived. Today, the MUD community spans the world, with an internationally diverse group of working artists in the fashion, entertainment, beauty and wedding industries. In Portraits, we’ll be celebrating groundbreaking work created by talented members of our community. I look forward to sharing it with you. TateTATE HOLLAND FOUNDER AND CEO, MAKE-UP DESIGNORY Your journey to a world of opportunity. Whether it’s backstage at Paris fashion week, on the red carpet in Hollywood, or heading up a freelance beauty business, we all enter this industry with dreams. When you study at Make-Up Designory (MUD), you can take the first step toward making them come true. MUD was founded as a school for make-up artists, by make-up artists. Today it’s evolved into much more. We offer an educational passport into the world of make-up for the film, television, fashion, beauty and wedding industries, with credits that are transferrable across our global network of MUD Campuses, Studios and Partner Schools. Start at one of our Campuses in Los Angeles or New York, or take a MUD- certified course at a MUD Studio or MUD Partner School closer to home.
    [Show full text]
  • Rupaul's Drag Race All Stars Season 2
    Media Release: Wednesday August 24, 2016 RUPAUL’S DRAG RACE ALL STARS SEASON 2 TO AIR EXPRESS FROM THE US ON FOXTEL’S ARENA Premieres Friday, August 26 at 8.30pm Hot off the heels of one of the most electrifying seasons of RuPaul’s Drag Race, Mama Ru will return to the runway for RuPaul’s Drag Race All Stars Season 2 and, in a win for viewers, Foxtel has announced it will be airing express from the US from Friday, August 26 at 8.30pm on a new channel - Arena. In this second All Stars instalment, YouTube sensation Todrick Hall joins Carson Kressley and Michelle Visage on the judging panel alongside RuPaul for a season packed with more eleganza, wigtastic challenges and twists than Drag Race has ever seen. The series will also feature some of RuPaul’s favourite celebrities as guest judges, including Raven- Symone, Ross Matthews, Jeremy Scott, Nicole Schedrzinger, Graham Norton and Aubrey Plaza. Foxtel’s Head of Channels, Stephen Baldwin commented: “We know how passionate RuPaul fans are. Foxtel has been working closely with the production company, World of Wonder, and Passion Distribution and we are thrilled they have made it possible for the series to air in Australia just hours after its US telecast.” RuPaul’s Drag Race All Stars Season 2 will see 10 of the most celebrated competitors vying for a second chance to enter Drag Race history, and will be filled with plenty of heated competition, lip- syncing for the legacy and, of course, the All-Stars Snatch Game. The All Stars queens hoping to earn their place among Drag Race Royalty are: Adore Delano (S6), Alaska (S5), Alyssa Edwards (S5), Coco Montrese (S5), Detox (S5), Ginger Minj (S7), Katya (S7), Phi Phi O’Hara (S4), Roxxxy Andrews (S5) and Tatianna (S2).
    [Show full text]
  • THE TUFTS DAILY Tufts Dining Workers and Students Are Pictured Marching in the ‘Picket for a Fair Dining Contract’ on March 5
    WOMEN’S LACROSSE Work-study students discuss pressures, commitments see FEATURES / PAGE 4 Jumbos put on offensive clinic in win over Continentals A call for trustee transparency SEE SPORTS/BACK PAGE see OPINION/ PAGE 10 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 HE UFTS AILY VOLUME LXXVII, ISSUE 30T T D MEDFORD/SOMERVILLE, MASS. WEDNESDAY, MARCH 6, 2019 tuftsdaily.com More than 800 people attend picket for dining workers, strike vote set for March 14 KYLE LUI / THE TUFTS DAILY Tufts Dining workers and students are pictured marching in the ‘Picket for a Fair Dining Contract’ on March 5. by Alexander Thompson “Tufts University can afford for one job He said the university hopes to resolve the situ- Trisha O’Brien, a dining services atten- Assistant News Editor to be enough for all workers. It was never ation as soon as possible. dant at Kindlevan Café who held the banner a question of affordability, it’s a question of The dining workers first began their negoti- at the head of the procession as it moved to In a dramatic development in their sev- respect for human dignity,” Lang told the ations with Tufts in August 2018. Dewick-MacPhie Dining Center, said that she en-month campaign for a contract with crowd through a megaphone. “This admin- In an email to the Daily after the latest would vote for the the strike because she the university, Tufts Dining workers will istration is getting increasingly isolated on round of negotiations on Feb. 27, Mike Kramer, thinks negotiations are not going well, and a vote on whether to go on strike on March this campus and in the communities around the lead negotiator for UNITE HERE Local 26, strike is necessary in order for the workers to 14, according to UNITE HERE Local 26 this campus.” wrote that the sticking points were key eco- secure a fair contract.
    [Show full text]
  • Lessons in Neoliberal Survival from Rupaul's Drag Race
    Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary.
    [Show full text]
  • Dragbecomeshim Credits.Pdf
    Opening Title Credits Drag Becomes Him Directed by Alex Berry Produced by Basil Shadid Produced by Jacob Leander Michael Strangeways Starring Jerick Hoffer as Jinkx Monsoon Executive Producers Lara Sanderson Jeff Sanderson billie rain Alix Kolar Closing Credits DIRECTED BY Alex Berry PRODUCED BY Basil Shadid STARRING Jerick Hoffer as Jinkx Monsoon PRODUCED BY Michael Strangeways Jacob Leander EXECUTIVE PRODUCERS Lara Sanderson Jeff Sanderson EXECUTIVE PRODUCERS DUAL POWER PRODUCTIONS billie rain Alix Kolar DIRECTOR OF PHOTOGRAPHY Alex Berry EDITING Alex Berry Basil Shadid ON CAMERA INTERVIEWS Benjimen Blair, Sylvia O’Stayformore Deanne Hoffer, Jerick’s mom Jacob Hoffer, Jerick’s brother Melissa Hoffer, Jerick’s aunt Kevin Kauer, Editor in Chief of Nark Magazine Marc Kenison, Waxie Moon Zan Gibbs, Former SMYRC Coordinator Brian Daniel Peters, Mama Tits Amanda Russel, Jerick’s friend Nick Sahoyah, Collaborator Jessie Underhill, Jerick’s friend Michelle Visage, RuPaul’s Drag Race Judge Jason Wikander, Jerick’s dad Jeremy Wikander, Jerick’s brother Closing Credits PERFORMERS Roxxxy Andrews Richard Andriessen Pandora Boxx Jaxen Brown Peaches Christ Bianca Del Rio Adore Delano Ben DelaCreme Sydni Deveraux Alyssa Edwards Fuchsia Fox Lou Henry Hoover Detox Icunt Kitten Larue Aleksa Manila Coco Montrese Shanghai Pearl RuPaul Cherdonna Shinatra Jamie Von Stratton The Luminous Pariah Alaska Thunderfuck Mama Tits Ivy Winters POST PRODUCTION SUPPORT by JAYA PRODUCTIONS Nikki Jones - Editor Alex Perrault - Editing Supervisor COLORIST Joel Voelker AUDIO
    [Show full text]
  • “Lip-Sync for Your Life” (Abroad)
    volume 9 issue 17/2020 “LIP-SYNC FOR YOUR LIFE” (ABROAD) THE DISTRIBUTION, ADAPTATION AND CIRCULATION OF RUPAUL’S DRAG RACE IN ITALY Luca Barra Dipartimento delle Arti, Università di Bologna [email protected] Paola Brembilla Dipartimento delle Arti, Università di Bologna [email protected] Linda Rossato Dipartimento di Studi Linguistici e Culturali Comparati, Università Ca’ Foscari, Venezia [email protected] Lucio Spaziante Dipartimento di Filosofia e Comunicazione, Università di Bologna [email protected] Abstract: The article aims to critically explore and understand the ways both RuPaul’s star persona and its show, RuPaul’s Drag Race, are distributed in Italy, circulate across, and impact on the Italian television industry and media culture. It also aims to express how many forms of national mediation, professional negotiation and audience reception deeply modify, and re-shape the TV product. To tackle the manifold facets of this case, four aspects will be analyzed: (trans)national distribution; adaptation and dubbing; global/local stardom; reception and cultural impact. Over a decade, the Italian edition and distribution of the show have changed, together with the national media landscape and its audiences. Keywords: Italian television, media industries, reception studies, dubbing, stardom, celebrity 1 Introduction RuPaul’s Drag Race is a TV show, a reality competition with drag queen contestants performing and being evaluated by expert judges, which has reached the eleventh season and given birth to several extensions and spinoffs. In the US, the program has long been broadcast on linear channel Logo (2009-2016), and has then moved to VH1 (2017-), which is part of the same company, Viacom.
    [Show full text]
  • Quest Magazine Volume 17 Issue 19
    'RQ·W /RVH 6OHHS 2YHU ,W *HW 7HVWHG ,W·V )UHH $W QR FRVW WR \RX ZH SURYLGH U -/ ÌiÃÌ} >` ÌÀi>ÌiÌ vÀ i° U i«>ÌÌÃ E 6>VV>ÌÃ vÀ }>Þ À LÃiÝÕ> i° U i«>ÌÌÃ 6>VV>ÌÃ vÀ ÃÌÀ>} Ì i >` Üi° U ÞÕÃ À >i >ÃÃV>Ìi` 6 ÌiÃÌ} >` VÕÃi}° +RXUV 0RQGD\V 7XHVGD\V SP SP :DQQD SOD\ 'RFWRU" 1XUVH" 0D\EH 3KOHERWRPLVW" :H DUH ORRNLQJ IRU OLFHQVHG PHGLFDO VWDII YROXQWHHUV WR DGPLQLVWHU YDFFLQDWLRQV EORRG GUDZV DQG ZRUN LQ RXU 67' FOLQLF (DVW %UDG\ 6W 0LOZ FRQWDFWXV#EHVWGRUJ GREEN BAY COUNCIL POSTPONES RESOLUTION TO JOIN DP SUIT by Bruce McKay At a council meeting in October, Sortwell in - Green Bay - Just 24 hours after the polls had sisted that City Hall needed to contribute attorneys closed on Election Day, the first fruit of Wisconsin's to battle what he sees as an ongoing moral war. steer to the political right blossomed at Green Bay "The people of Green Bay want marriage to only City Hall. The City Council voted to indefinitely consist of one man and one woman. This is a di - postpone a proposed resolution to join a lawsuit rection violation of what the people want." He told against Wisconsin's Domestic Partners laws. the Council that he'd spoken with the plaintiffs and The alderman who wanted the council to en - that they'd welcome the free legal aid. dorse a lawsuit to overturn the state's DP benefits The staff attorney for the council told Sortwell said the election results had changed his mind.
    [Show full text]
  • Run Date: 08/30/21 12Th District Court Page
    RUN DATE: 09/27/21 12TH DISTRICT COURT PAGE: 1 312 S. JACKSON STREET JACKSON MI 49201 OUTSTANDING WARRANTS DATE STATUS -WRNT WARRANT DT NAME CUR CHARGE C/M/F DOB 5/15/2018 ABBAS MIAN/ZAHEE OVER CMV V C 1/01/1961 9/03/2021 ABBEY STEVEN/JOH TEL/HARASS M 7/09/1990 9/11/2020 ABBOTT JESSICA/MA CS USE NAR M 3/03/1983 11/06/2020 ABDULLAH ASANI/HASA DIST. PEAC M 11/04/1998 12/04/2020 ABDULLAH ASANI/HASA HOME INV 2 F 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA DRUG PARAP M 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA TRESPASSIN M 11/04/1998 10/20/2017 ABERNATHY DAMIAN/DEN CITYDOMEST M 1/23/1990 8/23/2021 ABREGO JAIME/SANT SPD 1-5 OV C 8/23/1993 8/23/2021 ABREGO JAIME/SANT IMPR PLATE M 8/23/1993 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 8/04/2021 ABSTON CHERICE/KI OPERATING M 9/06/1968 2/16/2021 ABSTON CHERICE/KI REGISTRATI C 9/06/1968 8/09/2021 ABSTON TYLER/RENA DRUGPARAPH M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA USE MARIJ M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OWPD M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA IMPR PLATE M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SEAT BELT C 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON
    [Show full text]
  • DRAGS THURSDAY, MAY 16, 2019 the ALI FORNEY CENTER (AFC) Is the Nation’S Largest Provider of Housing, Safety and Essential Services to Homeless LGBTQ Youth
    AN ANNUAL BENEFIT FOR THE ALI FORNEY CENTER An unforgettable night of performances by New York City’s top drag talent THIRD ANNUAL DRAGS THURSDAY, MAY 16, 2019 THE ALI FORNEY CENTER (AFC) is the nation’s largest provider of housing, safety and essential services to homeless LGBTQ youth. There are an estimated 3,800 homeless youths on the streets of NYC, with 40% self-identifying as LGBTQ. As we enter our 16th year of service, we continue to expand our mission to protect LGBTQ youth from the harms of homelessness. DRAGS launched in 2017, born from a book of portraits by photographer Gregory Kramer. All proceeds from the book, including drag legends Sasha Velour, Lady Bunny, Peppermint, Murray Hill, and Charles Busch, benefit the Ali Forney Center. The first two DRAGS events have collectively drawn over 1,000 supporters, and raised $80,000.00 nearly $80,000, providing over 40,000 meals for AFC’s RAISED homeless young people. Back for a third year, DRAGS 2019 will feature new (and slightly used) talent from New York City’s remarkable drag 40,000 MEALS scene, all of whom donate their time and efforts to this PROVIDED incredible night of fundraising and theatrics. Date: Thursday, May 16, 2019 Anticipated attendance: 500+ Previous performers include: Sasha Velour • Monét X Change Scarlett Envy • Murray Hill • Gould Cummings • Linda Simpson • Ragamuffin • Sherry Vine • Mrs. Smith • Shequida Daphne Always • Emi Grate • Vigor Mortis • Wang Newton Miz Jade • Ruby Roo • Princess Bytch • Flotilla DeBarge Destiny • Horrorchata • Crimson Kitty • Mr. Lee VaLone Duelling Bankheads • Merry Cherry • Lal Batti Ginger • Sugga Pie Koko • Goldie Peacock Kim Ono • Fllyod • Sultana • Pixie Aventura Zeta Jones • Glace Chase Thee Suburbia • Pearl Harbor Audience Reach DRAGS performers commit to ongoing social media support when they sign on to the event, guaranteeing you impressions with a large, diverse, and influential audience.
    [Show full text]
  • General Editors' Introduction
    General Editors’ Introduction PAISLEY CURRAH and SUSAN STRYKER une 2016 saw the US‐based multinational bank Goldman Sachs flying the J pink, white, and blue transgender flag outside its Manhattan headquarters. It saw the United Nations Human Rights Council passing a resolution to appoint an “Independent Expert” to study violence and discrimination based on sexual orientation and gender identity. It saw Pentagon officials announcing the end of the ban on transgender people serving in the US armed forces. No longer occu- pying a position on the margins of civic and economic life, transgender people, it would seem, are increasingly valued as employees, as consumers, as victims in need of saving, and now in the United States, as potential warriors. Valued is right. The recognition of transgender as a source of value, not only for corporations but also for nonprofit sectors that have embraced the rhetoric of the market, has become a popular theme for the ideologues of the current capitalist moment. Whether rescuing trans “victims,” profiting from the creativity of gender‐diverse employees, or carving out new transgender‐specific consumer markets, the neoliberal creed now presents discrimination against trans (and GLB) people as “an enormous waste of human potential, of talent, of cre- ativity, of productivity, that weighs heavily on society and on the economy” (Park 2015: 1). As the head of the largest GLBT advocacy group in the United States explained at the Davos World Economic Forum, “Around the world, businesses have far outpaced lawmakers in embracing the basic premise that the hard work and talents of all their employees—regardless of who they are or whom they love—are rewarded fairly in their workplaces.
    [Show full text]
  • A Killjoy's Introduction to Religion
    Buzzsprout MY PODCASTS MY PROFILE HELP LOG OUT Keeping It 101: A Killjoy's Introduction to Religion Episodes Players Website Directories Resources Podcast Settings Stats Back to Episode Transcript Export Done, Back to Episode Episode: Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Last Saved 14 minutes ago. Ilyse Keeping It 101: A Killjoy's Introd… This is Keeping it 101, a killjoy's introduction to religion podcast. Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Megan What's up nerds? Share Info 00:00 | 59:11 Ilyse Hi. Hello. I'm Ilyse Morgenstein Fuerst a professional and professorial killjoy living, Speakers working, and raising killjoys on the traditional and ancestral lands of the Abenaki Ilyse people. I'm a scholar of Islam, imperialism, racial ization of Muslims and the history of Megan religion Located at the University of Vermont. RPDR Megan Simpsons Hi. Hello. I'm Megan Goodwin, the other unapologetic feminist killjoy on keeping at ADD SPEAKER 101 Broadcasting. Get it From the Land of the Wabenaki Confederacy, the Abenaki and the Aucocisco Peoples. I'm a scholar of gender, sexuality, white supremacy, minority religions, politics and America, located at Northeastern University--slash currently, my couch--and I coordinate Sacred Writes, public scholarship on religion, a Luce funded project that helps scholars and nerds like yourself share their expertise with folks who don't talk and study and think about religion all the time. Megan Hey, it's an extracurricular episode. Schools fun and all, but it's after school when the magic of learning really happens.
    [Show full text]