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Lab THEATRE PRIME TIME 2013-2014 SEASON Light Board Operator: Lei Ishikawa Sound Board Operator: Devon Lzumigawa Stage Crew: Adrienne Seet

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Lab THEATRE PRIME TIME 2013-2014 SEASON Light Board Operator: Lei Ishikawa Sound Board Operator: Devon Lzumigawa Stage Crew: Adrienne Seet Production Staff Stage Manager: Lani McGettigan Winskye' EARLE ERnST Assistant Stage Manager: Noi'a Aguirre Dance Captains: Danielle Allaire. Jonathan Clarke Sypert Fight Captain: Jonathon Clarke Sypert lAB THEATRE PRIME TIME 2013-2014 SEASON Light Board Operator: Lei Ishikawa Sound Board Operator: Devon lzumigawa Stage Crew: Adrienne Seet. Randal Yamaguchi Properties Crew: Leah Koeppel Lab Theatre Technical Director: Meg Hanna Assistants to the Scenic Designer: Amy Johnson. Rachael Smith Set Construction and Electrics Crew: THEA 343 Class and students of THEA 240. 221. and 101. Montana Rizutto. Lia Nakao. Justin Fragiao. Jen Eccles. Joseph D. Dodd Costume Shop Manager: Hannah Schauer Galli Assistant to the Costume Designer: Amber Lehuo Costume Construction Crew: Kelsie Bartolome. Calli Brennan, Amber Lehua. Kaitlyn Patrick. Samantha Shields Wardrobe Crew: Xia Gu. Elizabeth Hamilton. Julia Stember Faculty Consultants: Mark Branner. Joseph D. Dodd. Paul Mitri. Lurana Dannels- O'Malley, Brian Shevelenko. Cheri Vasek front of House Staff Staff Theatre Manager: Marty Myers Box Office Supervisor: Nicole Tessier Box Office Staff: Jenny Lynn Bucao. Heather Kalehuawehe. Keola Nakamoto. Leah O'Gorman Publicity Director: Matthew Kelty Publicity Assistant: Benedict Juliano Graphic Designer: Alex Young Photographer: Chesley Cannon Lab Theatre House Managers: Kina Ranoa. Elise Shuford. Montana Rizzuto Department Office Staff: Lori Chun. Tana Marin Department Chair: Gregg Lizenbery Director of Theatre: Elizabeth Wichmann-Walczak D<knowledgMents The UHM ticket program is supported in part by a grant from the Student Activities and Program Fee Board. Kennedy Theatre is a member of the Hawai'i State Theatre Council. Special Thanks: October 23. 24. 25. 26 at 8pM Bree Bumatai. Katie Howington. Kim Nelson. Sarah Sparks. Tracy Trevorrow October 27 at 2pM The Wild Par ty was partially developed and received readings at The O'Neill Theater Center post-show rap: October 25 during the 1997 National Music Theatre Conference. Originally produced in New York City by The Manhattan Theatre Club UNIVERSITY of HAWAI ' I Andrew Lippa's Wild Party is presented through special arrangement with Music Theatre International (MTI). MANOA All authorized performance materials are also supplied by MTI. 421 West 54th Street. New York, NY 10019 1 Phone: 212-S41-4684 1 Fox: 212-397-4684 I www.MTIShows.com Department of Theatre and Dance College of Arts and Humanities Artistic Staff Director 's Notes Director: Brittni Michele Shambaugh* The studio flickered with uneasy light. Two sunken candles mode of a fight Musical Directors: Richard Bragdon. Wigbur Torres Against grim. overwhelming night. Choreographers: Michelle Johnson, Kathryn Holt Their flames flared. Scenic, Costume and Properties Designer: Meg Hanna Whirled up gyrating; Lighting Designer: Ray Moschuk And a crowd of shadows hovered. Sound Designer: Brian Shevelenko Waiting. - The Wild Party (Original Poem) Fight Choreographer: Amanda Stone Joseph Moncure March Setting: New York City Joseph Moncure March wrote his epic poem The Wild Party in 1926. Time: 1926 though he was unable to find a publisher brave enough to release it until Cast 1928. Even then. only 750 copies were printed. and it was largely banned Queenie Leiney Rigg across the Unit ed States. The subject-matter was considered too sexual. Burrs Garett Toketo too violent. and too graphic. The US was. perhaps. not ready for such on Kate Kyle Scholl* unfiltered glance at the culture that was all too prevalent in societ y at that Black Lavour Addison time. a culture in which lawfulness went out the door with Prohibition. Since its release. there hove been multiple motion pictures inspired by the Madelaine True Stacey Pulmano poem and two musicals (oddly enough. both released in the some 1999- Eddie Joe Winskye 2000 season. one on Broadway and another- our version- Off-Broadway). Mae Amy Johnson The famous Beat writer William Burroughs even credits The Wild Party Oscar D'Armano Isaac Ligsay as being the piece of literature that mode him wont to become a writer. Phil D'Armano Ka lau Crisostomo It is in a league of its own. It is charming. moving. gritty, terrifying. shocking. Jackie Jonathan Clarke Sypert appalling. hilarious. passionate. sexual and dangerous. It is the kind of writing Max Geovante Joseph that you hove to read in one sitting. because you simply cannot put it down. Nadine Danielle Allaire In working on this particular production. I hove tried to remain as true Dolores Pualani Armstrong t o the original poem as possible. while also respecting the brilliance that Sam Leon Sheen is Andrew Lippa's composition. I chose this version because I felt that the music captured the rawness of the inspiration material in a real. visceral Jezebel Ashlynn Duncan way, and that every character t ruly hod something for which to fight. I was Alex Eric Hiro blessed to find on absolutely amazing cost. full of extraordinarily talented Daniel Luigi Du ?rt i ~ts who were willing to dig deep and go to uncomfortable places. They Genevieve Sharlene Whang 1nsp1re me every day and I om lucky to hove hod the chance to work with each and every one of them. Musicians As on audience. I hope that you will set aside your expectations of what Piano Richard Bragdon musical theatre "should be, " and open your minds to the possibility of being Percussion Justin Campos affected by the party. Love it or hate it. that's up to you; I'm just glad you Tenor Sax, Clarinet, Bass Clarinet Jon lmai ore here to experience it with us. Now: Keyboard Diana Chan Are you ready to Iough? Are you ready to smile? Alto Sax, Baritone Sax Bryce Kim Are you ready to sing and donee for a while? Guitar James Mares Alto Sax, Soprano Sax, Flute Alex Munro Tris show is dedicated to the loving memory of Glenn Cannon. who Trumpet Daniel Sananikone a ways called me on my crap and constantly pushed me to be the Bass Skyler Sponberg best artist I could be. D ree '0~s show will be performed w it h an intermission and includes adult content and simulated smoking. 1 *In partial fulfillment of the requirements of the Master of Fine Arts eg~~-~~_e_otap1ng or other video or audio recordinq of this production is strictly prohibited. .
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