The-Wild-Party-Program.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

The-Wild-Party-Program.Pdf A CITY OF SHOWSTOPPERS Credit: Nasher Sculpture Center Sculpture Nasher Credit: The Dallas Tourism Public Improvement District (DTPID) is dedicated to supporting Dallas’ arts and culture community. Since DTPID started in 2013, it has provided more than $5 million in funding, making Dallas a top destination for tourism and conventions. Tourism Playbill Ads - Nasher 8.5x11 03062019.indd 1 3/6/19 10:22 AM Presents THE WILD PARTY Book, Music, and Lyrics by: ANDREW LIPPA Based on the Poem by Joseph Moncure March Partially Developed and Received Readings at The O’Neill Theater Center during the 1997 National Music Theatre Conference Originally Produced in New York City by The Manhattan Theatre Club Direction & Musical Staging by Adam Adolfo Musical Direction by Casidy Castillo-Wilson Choreography by Isaiah Harris October 10 – 27, 2019 The Bishop Arts Theatre Center is a proud member of Theatre Communications Group. SEASON SPONSORS The Wild Party is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. This playbill is a production of PERFORMING ADS PRODUCTION TEAM Director ...................................................................................................................Adam Adolfo Musical Director .....................................................................................Casidy Castillo-Wilson Choreographer ........................................................................................................Isaiah Harris Stage Manager ................................................................................................... Katelyn Kocher Intimacy Director ...................................................................................................Hannah Fuller Scenic & Lighting ................................................................................................Davis Lighting Costume Designer ..............................................................................................Tamara Ballard Props Designer .............................................................................................. Kristin M. Burgess ADMINISTRATIVE STAFF Executive Artistic Director ..................................................................... Teresa Coleman Wash Director of Education ........................................................................................ Tiffany Jackson Director of Marketing & Community Engagement ...........................................Adam Adolfo Executive Assistant ................................................................................... Samantha Anderson BOARD OF DIRECTORS Mayela Calvillo, Chair Vicky Daneman, Secretary Deepika Ramesh, Asst. Secretary James D. Paine, Treasurer Scott Daneman, Development Chair Emma S. Rodgers, Programming Chair C. W. Whitaker, Nominating Chair Chuck Chambers Boderick Hall Marva O’Bannon Quodesia Johnson COMMUNITY PARTNERS SPECIAL THANKS Alexandre’s Bar Lakeside Community Theatre Rover Dramawerks Chuck Chambers Kimberly Oliver Star Sound Selmore Haines Onstage in Bedford Chris Widomski THE CAST Queenie .............................................................................................................. Kristin Colaneri Burrs ........................................................................................................................Nolan Spinks Black .................................................................................................................. Antonio Thomas Kate .................................................................................................................... Ashley Ragsdale Madelaine True .......................................................................................................Sarah Powell Eddie ........................................................................................................................Gen Donnell Mae .....................................................................................................................Alex Sutherland Oscar ......................................................................................................................... Joe Rhoads Phil ......................................................................................................... William Tennent Cheek Jackie .................................................................................................................... Jason Hallman Max ....................................................................................................................... Shane Morgan Dolores ............................................................................................................. Damara Williams Nadine ...............................................................................................................Karrington Davis Sam ........................................................................................................ Alexander Sudhir Joshi THE BAND Keyboard ..................................................................................................Thiago X. Nascimento Guitar ......................................................................................................... Christopher Williams Trumpet .................................................................................................................... Kipp Brewer Bass ............................................................................................................................Tony Ballard Drums ......................................................................................................Casidy Castillo-Wilson THE SETTING & TIME Manhattan. Backstage at a vaudeville theatre. 1928. MUSICAL NUMBERS ACT I Queenie Was A Blonde ................................................................Queenie, Burrs, & Company The Apartment ................................................................................................. Queenie & Burrs Out Of The Blue ............................................................................................... Queenie & Burrs What A Party ..........................................................................................................The Company Raise The Roof ...................................................................................Queenie & The Company Look At Me Now ....................................................................................................................Kate He Was Calm ............................................. Queenie, Phil, Max, Oscar, Mae, & The Company Poor Child ....................................................................................Kate, Black, Queenie, & Burrs An Old-Fashioned Love Story ...................................................................................Madelaine By Now The Room Was Moving ..........................................................................The Company The Juggernaut .....................................................................................................The Company A Wild, Wild Party........................ Queenie, Max, Oscar, Phil, Eddie, Burrs, & The Company Two of a Kind ...........................................................................................................Eddie & Mae Helpless, Drowning ...............................................................................................................Kate Out of All the Luck ...............................................................................................................Black Maybe I Like It This Way ................................................................................................ Queenie What Is It About Her? .......................................................................................................... Burrs There will be one fifteen-minute intermission. ACT II Entr’acte .........................................................................................................................The Band The Life of the Party ...............................................................................................................Kate Who Is This Man? ........................................................................................................... Queenie The Gal For Me .....................................................................................................................Black I’ll Be Here .............................................................................................................................Black Listen to Me .................................................................................Black, Burrs, Kate, & Queenie Let Me Drown ................................................................................Burrs, Kate, & The Company The Fight ................................................................................................................The Company Take A Hit ..................................................................................................................Kate & Burrs Come with Me .......................................................................Black, Queenie, & The Company Jackie’s Last Dance .......................................................................................................The Band Make Me Happy ..................................................................................
Recommended publications
  • New Audiobooks 1/1/05 - 5/31/05
    NEW AUDIOBOOKS 1/1/05 - 5/31/05 AVRCU = AUDIOBOOK ON CASSETTE AVRDU = AUDIOBOOK ON COMPACT DISC [ 1] Shepherds abiding :with Esther's gift and the Mitford snowmen /by Jan Karon. AVRCU3876 Karon, Jan,1937- [ 2] Kill the messenger /by Tami Hoag. AVRCU3889 Hoag, Tami. [ 3] Voices of the Shoah :remembrances of the Holocaust /[written by David Notowitz]. AVRDU0352 [ 4] We're just like you, only prettier :confessions of a tarnished southern belle /Celia Rivenbark. AVRCU4020 Rivenbark, Celia. [ 5] A mighty heart /by Mariane Pearl with Sarah Crichton ; narrated by Suzanne Toren. AVRCU4025 Pearl, Mariane. [ 6] The happiest toddler on the block :the new way to stop the daily battle of wills and raise a secure and well-behaved one- to four-year-old /Harvey Karp with Paula Spencer. AVRCU4026 Karp, Harvey. [ 7] Black water /T.J. MacGregor. AVRCU4027 MacGregor, T. J. [ 8] A rage for glory :the life of Commodore Stephen Decatur, USN /James Tertius de Kay. AVRCU4028 De Kay, James T. [ 9] Affinity /Sarah Waters. AVRCU4029 Waters, Sarah,1966- [ 10] Dirty laundry /Paul Thomas. AVRCU4030 Thomas, Paul,1951- [ 11] Horizon storms /Kevin J. Anderson. AVRCU4031 Anderson, Kevin J.,1962- [ 12] Blue blood /Edward Conlon. AVRCU4032 Conlon, Edward,1965- [ 13] Washington's crossing /by David Hackett Fischer. AVRCU4033 Fischer, David Hackett,1935- [ 14] Little children /Tom Perrotta. AVRCU4035 Perrotta, Tom,1961- [ 15] Above and beyond /Sandra Brown. AVRCU4036 Brown, Sandra,1948- [ 16] Reading Lolita in Tehran /by Azar Nafisi. AVRCU4037 Nafisi, Azar. [ 17] Thunder run :the armored strike to capture Baghdad /David Zucchino. AVRCU4038 Zucchino, David. [ 18] The Sunday philosophy club /Alexander McCall Smith.
    [Show full text]
  • The Wild Party by Andrew Lippa
    Pan 1 Margaret Pan Prof. Anne Fleche Introduction to Drama 21L.005 Play Review: The Wild Party by Andrew Lippa The stage is awash in a soft red glow, seductive and sinister. The sheer backdrop, haphazardly adorned in empty picture frames, just barely shrouds the silhouettes of the backstage musicians. Picasso-esque paint splatters mark every surface, from the stage floor to the set’s monolithic furniture pieces. The lights begin to dim, and then all is silent but the orchestra’s quiet shuffling. It’s opening weekend for the MIT Music Theatre Guild’s production of The Wild Party, a provocative musical by Andrew Lippa based on an eponymous 1928 poem by Joseph Moncure March. The Music Theatre Guild (MTG), which formed in 1981, boasts itself as the “oldest and largest theatre organization at MIT,” and they certainly did not disappoint. The production was seamless, from the costuming, to the props, to the lighting and the music and beyond. Over the course of two and a half hours, the MTG cast takes the audience on a transformative journey of seduction, suffering, and scandal. The play’s opening number introduces its protagonists—Queenie, a beautiful and feisty young woman seeking a lover to satisfy her lust, and Burrs, a clown by profession but a womanizer by habit. In true musical fashion, the two enter the act separately with their own verses and introductions, and as the song progresses, their voices—and their fictional lives—intertwine in a beautiful harmony. Fast forward three years—as their love grows stale and passion gives way to abuse, Queenie plots to win back her lover and Pan 2 rekindle her relationship once and for all by throwing the grand party.
    [Show full text]
  • Wild Party: the Lost Classic Free Ebook
    FREEWILD PARTY: THE LOST CLASSIC EBOOK Joseph Moncure March | 120 pages | 01 May 1999 | Random House USA Inc | 9780375706431 | English | New York, United States The Wild Party: The Lost Classic by Joseph Moncure March Wild Party: The lost classic by. Joseph Moncure March; drawings by Art Spiegelman. p. cm. ISBN. 1. Spiegelman,. Art II. March, Joseph Moncure. Nov 17, - The Wild Party: The Lost Classic by Joseph Moncure March ( Pantheon Graphic Library) [Art Spiegelman] on *FREE* shipping on. Art Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from Full display page Wild Party: The lost classic by. Joseph Moncure March; drawings by Art Spiegelman. p. cm. ISBN. 1. Spiegelman,. Art II. March, Joseph Moncure. Nov 17, - The Wild Party: The Lost Classic by Joseph Moncure March ( Pantheon Graphic Library) [Art Spiegelman] on *FREE* shipping on. NO STOCK IMAGES USED!! EVER!! All images on this listing have been made of the actual book or other item listed. All photographs and scans are produced. Art Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from Nov 17, - The Wild Party: The Lost Classic by Joseph Moncure March ( Pantheon Graphic Library) [Art Spiegelman] on *FREE* shipping on. NO STOCK IMAGES USED!! EVER!! All images on this listing have been made of the actual book or other item listed. All photographs and scans are produced. Art Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from Wild Party: The lost classic by.
    [Show full text]
  • A Video Conversation with Pulitzer Prize Recipient Art Spiegelman
    Inspicio the last laugh Introduction to Art Spiegelman. 1:53 min. Photo & montage by Raymond El- man. Music: My Grey Heaven, from Normalology (1996), by Phillip Johnston, Jedible Music (BMI) A Video Conversation with Pulitzer Prize Recipient Art Spiegelman By Elman + Skye From the Steven Barclay Agency: rt Spiegelman (b. 1948) has almost single-handedly brought comic books out of the toy closet and onto the A literature shelves. In 1992, he won the Pulitzer Prize for his masterful Holocaust narrative Maus— which por- trayed Jews as mice and Nazis as cats. Maus II continued the remarkable story of his parents’ survival of the Nazi regime and their lives later in America. His comics are best known for their shifting graphic styles, their formal complexity, and controver- sial content. He believes that in our post-literate culture the im- portance of the comic is on the rise, for “comics echo the way the brain works. People think in iconographic images, not in holograms, and people think in bursts of language, not in para- graphs.” Having rejected his parents’ aspirations for him to become a dentist, Art Spiegelman studied cartooning in high school and began drawing professionally at age 16. He went on to study art and philosophy at Harpur College before becoming part of the underground comix subculture of the 60s and 70s. As creative consultant for Topps Bubble Gum Co. from 1965-1987, Spie- gelman created Wacky Packages, Garbage Pail Kids and other novelty items, and taught history and aesthetics of comics at the School for Visual Arts in New York from 1979-1986.
    [Show full text]
  • Wild Party: the Lost Classic Pdf, Epub, Ebook
    WILD PARTY: THE LOST CLASSIC PDF, EPUB, EBOOK Joseph Moncure March | 120 pages | 01 May 1999 | Random House USA Inc | 9780375706431 | English | New York, United States Wild Party: The Lost Classic PDF Book All images on this listing have been made of the actual book or other item listed. Other offers may also be available. Return policy. Learn More - opens in a new window or tab Any international shipping is paid in part to Pitney Bowes Inc. If you've changed your mind about a book that you've ordered, please use the Ask bookseller a question link to contact us and we'll respond within 2 business days. This amount is subject to change until you make payment. We guarantee the condition of every book as it's described on the Abebooks web sites. Hidden categories: Articles needing additional references from December All articles needing additional references. Shipping costs are based on books weighing 2. Help Learn to edit Community portal Recent changes Upload file. Please enter a number less than or equal to 1. Handling time. Have one to sell? They decide to have one of their parties, complete with illegal bathtub gin and the couple's colorful, eccentric and egocentric friends, but the party unfolds with more tumultuous goings-on than planned. You are covered by the eBay Money Back Guarantee if you receive an item that is not as described in the listing. Sell now - Have one to sell? No missing pages. Subject to credit approval. Published by Pantheon, New York, Shipping cost cannot be calculated.
    [Show full text]
  • Art Spiegelman in Conversation and with Phillip Johnston: Martin Scorsese WORDLESS!
    2014 Winter/Spring Season JAN 2014 Bill Beckley, I’m Prancin, 2013, Cibachrome photograph, 72”x48” Published by: BAM 2014 Winter/Spring Sponsor: BAM 2014 Winter/Spring Season #FRANLEBOWITZ #WORDLESS Brooklyn Academy of Music Alan H. Fishman, Karen Brooks Hopkins, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Adam E. Max, Vice Chairman of the Board Fran Lebowitz Art Spiegelman in Conversation and with Phillip Johnston: Martin Scorsese WORDLESS! BAM Howard Gilman Opera House Words / Music / Comix Jan 19 at 7pm BAM Howard Gilman Opera House Approximate running time: one hour and 30 minutes; no intermission Jan 18 at 7:30pm Approximate running time: one hour and 30 minutes; no intermission Picture stories by Frans Masereel, H.M. Bateman, Lynd Ward, Otto Nuckel, Milt Gross, Si Lewen, and Art Spiegelman Music by Phillip Johnston Originally commissioned by Sydney Opera House for GRAPHIC BAM 2014 Winter/Spring Season sponsor: Fran LebowitzinConversationwithMartin Scorsese Fran Public Speaking Public Fran Lebowitz. Photo courtesy Fran Who’s Who FRAN LEBOWITZ portant that you emphasize similarities... there is practically nobody willing to identify themselves as American anymore because everybody is too Purveyor of urban cool, witty chronicler of the busy identifying themselves with the area of their ”me decade,” and the cultural satirist whom lives in which they feel the most victimized.” On many call the heir to Dorothy Parker, Fran aging: “At a certain point, the worst picture taken Lebowitz remains one of the foremost advocates of you when you are 25 is better than the best of the Extreme Statement.
    [Show full text]
  • Th E Wild Par T
    based on the poem by book, music, and lyrics by PARTY WILD THE DANCE, AND PERFORMANCE STUDIES PRESENTS SCHOOL OF THEATRE, UMD JOSEPH MONCURE MARCH ANDREW LIPPA UNIVERSITY of MARYLAND November 4 - 11, 2016 KOGOD THEATRE at The Clarice SCHOOL of THEATRE DANCE and PERFORMANCE1 STUDIES THE CALL by Tanya Barfield Eleanor Holdridge, director KAY THEATRE SEPTEMBER 30- OCTOBER 8, 2016 MFA DANCE THESIS CONCERT WAKING DARKNESS. WAITING LIGHT. by Colette Krogol and Matt Reeves KOGOD THEATRE OCTOBER 7-9, 2016 THE WILD PARTY Book, Music, and Lyrics by Andrew Lippa Based on the Poem by Joseph Moncure March Alvin Mayes and Scot Reese, directors KOGOD THEATRE NOVEMBER 4-11, 2016 MFA DANCE THESIS CONCERT RENDER EDIT by Sarah Beth Oppenheim FULL CIRCLE: BRIDGING THE GAP by Chris Law DANCE THEATRE DECEMBER 9-11, 2016 THE IMPORTANCE OF BEING EARNEST by Oscar Wilde Amber Paige McGinnis, director KOGOD THEATRE FEBRUARY 10-18, 2017 THE AMISH PROJECT by Jessica Dickey Mitchell Hébert, director KAY THEATRE FEBRUARY 24-MARCH 3, 2017 THE SCHOOLING OF BENTO BONCHEV by Maksym Kurochkin translated by John Freedman Yury Urnov, director KOGOD THEATRE APRIL 28-MAY 6, 2017 UMOVES: UNDERGRADUATE DANCE CONCERT Christopher K. Morgan, director DANCE THEATRE MAY 5-7, 2017 16-17 SCHOOL OF THEATRE, DANCE, AND PERFORMANCE STUDIES SEASON DANCE, 16-17 SCHOOL OF THEATRE, UMD School of Theatre, Dance, and Performance Studies Leigh Wilson Smiley, Producing Director THE WILD PARTY book, music, and lyrics by Andrew Lippa based on the poem by Joseph Moncure March Friday, November 4, 2016 . 7:30PM Saturday, November 5, 2016 .
    [Show full text]
  • Lachiusa, Michael John (B
    LaChiusa, Michael John (b. 1962) by Greg Varner Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com In 2004, Michael John LaChiusa was described in an article in The Washington Post as "the most prolific composer in New York during the past 10 or so years." He does not object to the characterization. "I do write a lot," he says. "I enjoy it." Along with Ricky Ian Gordon and a handful of other composers, LaChiusa has been identified as an heir to Stephen Sondheim's brilliant legacy in the American musical theater. LaChiusa frequently creates works that demand intellectual involvement on the part of the auidence; and, like Sondheim's, his works for the musical theater are often described as "operatic." LaChiusa was born July 24, 1962, in Stockwell, New York, where he first began writing songs at the urging of his fourth-grade teacher. While still in his teens, LaChiusa made his way to New York City with the ambition to compose for the theater. He came to early notice in 1993 with First Lady Suite, a look at the hidden lives of presidential wives Jackie Kennedy, Mamie Eisenhower, and Eleanor Roosevelt, whose lesbian lover, Lorena Hickock, figures prominently in the piece. (A revival production of 2002 was recorded for a CD released in 2003.) In 1994, LaChiusa solidified his reputation as a brilliant young composer with Hello Again, a musical suggested by Arthur Schnitzler's La Ronde and produced at Lincoln Center with a first-rate cast including John Cameron Mitchell, Donna Murphy, Judy Blazer, and Michele Pawk.
    [Show full text]
  • Spiegelman Studies Part 2 of 2: Breakdowns, No Towers and the Rest of the Canon
    Literature Compass 12/10 (2015): 509–516, 10.1111/lic3.12263 Spiegelman Studies Part 2 of 2: Breakdowns, No Towers and the Rest of the Canon Philip Smith* Loughborough University Abstract Art Spiegelman is one of the most-discussed creators in Comic Book Studies. His Pulitzer-winning work Maus (1980 and 1991) was, alongside The Dark Knight Returns (1986) and Watchmen (1987), the catalyst to a sea change in the commercial and critical fortunes of the alternative comic book during the mid-1980s. It has been a landmark text in critical discourse on comics ever since. The purpose of this and its companion paper is to offer a synthesis and reinvestigation of both the existing critical literature on Spiegelman as well as, perhaps most importantly, the lacunae within that literature. The aims of these two papers, then, are two-fold: firstly, to establish where we have got to and, secondly, to suggest some directions for the fu- ture of Spiegelman scholarship. The first paper concerned Maus. This, the second of the two, is devoted to In The Shadow of No Towers (2004), Breakdowns (1977 and 2008), and Spiegelman’s other works. Spiegelman’s Maus is, inarguably, one of the most important comics in the history of the medium and has accordingly, as we saw in Part 1 of this survey, attracted a great deal of critical attention. His subsequent works In the Shadow of No Towers (2004) and the reissue of his first collection Breakdowns (originally 1977, reissued in 2008) have generated considerable further interest. Breakdowns is Spiegelman’s first collection of comics.
    [Show full text]
  • Moma EXHIBITION AUTOMATIC UPDATE EXPLORES THE
    MoMA’s NINTH ANNUAL INTERNATIONAL FESTIVAL OF FILM PRESERVATION SHOWCASES NEWLY RESTORED MASTERWORKS AND REDISCOVERIES Festival Features Films by Roger Corman, Forugh Farrokhzad, George Kuchar, Alberto Lattuada, Louis Malle, Agnes Martin, Georges Méliès, Michael Powell and Emeric Pressburger, Jean Rouch, and Seijun Suzuki Guest presenters include Joe Dante, Walter Hill, Alejandro Jodorowsky, Elaine May, Mario Montez, Thelma Schoonmaker, and Martin Scorsese To Save and Project: The Ninth MoMA International Festival of Film Preservation October 14–November 19, 2011 The Roy and Niuta Titus Theaters NEW YORK, September 20, 2011—The Museum of Modern Art presents To Save and Project: The Ninth MoMA International Festival of Film Preservation, the annual festival of preserved and restored films from archives, studios, and distributors around the world, from October 14 through November 19, 2011. This year’s festival comprises over 35 films from 14 countries, virtually all of them having their New York premieres, and some shown in versions never before seen in the United States. Complementing the annual festival is a retrospective devoted to filmmaker Jack Smith, featuring 11 newly struck prints acquired for MoMA’s collection and introduced on November 13 by Mario Montez, star of Smith’s Flaming Creatures (1962–63) and Normal Love (1963–65). To Save and Project is organized by Joshua Siegel, Associate Curator, Department of Film, The Museum of Modern Art. Opening this year’s festival is Joe Dante’s digital preservation of The Movie Orgy (1968). Dante, who created some of the best genre-bending movies of the past 40 years, including Piranha, The Howling, Gremlins, and Matinee, will introduce a rare screening of The Movie Orgy on October 14.
    [Show full text]
  • The Wild Party Music, Lyrics, and Book by ANDREW LIPPA
    MUSICAL THEATRE LIZA GENNARO, ASSOCIATE DEAN AND DIRECTOR The Wild Party Music, Lyrics, and Book by ANDREW LIPPA Based on the Poem by Joseph Moncure March Partially developed and received readings at the O’Neill Theater Center during the 1997 National Music Theatre Conference Originally produced in New York City by the Manhattan Theatre Club Chloe Treat, Director and Choreographer Dan Garmon, Music Director Friday, February 21, 2020 | 7:30 PM Saturday, February 22, 2020 | 7:30 PM Sunday, February 23, 2020 | 2:30 PM The Riverside Theatre Friday, February 21, 2020 | 7:30 PM THE CAST Saturday, February 22, 2020 | 7:30 PM Sunday, February 23, 2020 | 2:30 PM Black Samuel Dickin The Riverside Theatre Burrs Steven Martella Dolores Sofia Faus Eddie Austin Prebula Kate Christa Steiner The Wild Party Madelaine True Mary Kate Petsky Music, Lyrics, and Book by ANDREW LIPPA Mae Cat Tron Sam Sam Johns Based on the poem by Joseph Moncure March Oscar D’Armano Zane Zapata Phil D’Armano Pantelis Karastamatis Partially developed and received readings at the O’Neill Theater Desi Miller Center during the 1997 National Music Theatre Conference Queenie Nadine Libby Johnston Daniel Lawrence Originally produced in New York City by the High Tenor Manhattan Theatre Club Jackie Ryan Spataro Chloe Treat, Director & Choreographer ENSEMBLE Dan Garmon, Music Director TaylorRae Carter Willie Beaton Hana Culbreath Liam Collins Megan P. G. Kolpin, Set and Props Coordinator Sarah Denison Daniel Lawrence Fan Zhang, Costume Coordinator Jessica Morilak Robert Leaks Oliver Wason, Lighting Designer Scott Stauffer, Sound Designer Savannah Sinclair Joey Miceli Olivia Mancini, Production Stage Manager Kristin Vario Andrew Morgan Tinc Productions, Production Management Alysia Velez There will be one ten-minute intermission.
    [Show full text]
  • |||FREE||| Wild Party: the Lost Classic
    WILD PARTY: THE LOST CLASSIC FREE DOWNLOAD Joseph Moncure March | 120 pages | 01 May 1999 | Random House USA Inc | 9780375706431 | English | New York, United States Full display page Item Information Condition:. Any international shipping is paid in part to Pitney Bowes Inc. Save for Later. Help Learn to edit Community portal Recent changes Upload file. See terms. Joseph Moncure March. List this Seller's Books. An altered quote from the first two lines of "Part II, ch. See all. Visit store. He was co-founder and editor of Rawthe acclaimed magazine of avant-garde comics, and is currently a staff artist for The New Yorker and comix editor at Details magazine. Related sponsored items Feedback on our suggestions - Related sponsored items. Back to home page. They decide to have one of their parties, complete with illegal bathtub gin and the couple's colorful, eccentric and egocentric friends, but the party unfolds with more tumultuous goings-on than planned. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This Wild Party: The Lost Classic includes applicable customs duties, taxes, brokerage and other fees. Skip to main content. See details. He indicates that the conversation was stilted until Spiegelman asked if the elderly Burroughs had ever encountered March's poem. The Wild Party. A lust so savage, they could have wrenched The flesh from bone, and not have blenched. It's the book that made me want to be a writer. Please see scans. It featured about fifty black-and-white illustrations by Wild Party: The Lost Classic Spiegelmana long-time admirer Wild Party: The Lost Classic the poem.
    [Show full text]