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FOR THE WEEK OF APRIL 30 - MAY 6, 2017 #//+s%!4s$2).+ Every Wednesday in the Star-Advertiser HIGHLIGHTS THIS WEEK attempts to manipulate the mystery woman. Portia TODAY TUESDAY de Rossi also stars. Shades of Blue Great News KHNL 9:00 p.m. KHNL 8:00 p.m. FRIDAY Blue Bloods Harlee (Jennifer Lopez) is shocked when she discov- Andrea Martin returns to network television as Carol, ers that someone has been texting Cristina (Sarah Jef- a mother who decides to take an internship at her KGMB 9:00 p.m. fery) as her dead ex in a new episode of “Shades of daughter Katie’s (Briga Heelan) news show in the new Blue,” airing today on NBC. Also, Wozniak comedy “Great News,” airing Tuesday on NBC. The Reagan family protects the people of New York (Ray Liotta) targets a local dealer who uses underage In this new episode, Chuck (John Michael Higgins) City in the season finale of “Blue Bloods,” airing Friday “mules” to transport his product. misses a day of work for the first time ever. on CBS. Led by patriarch Frank Reagan (Tom Selleck), the Reagans include cops Danny (Donnie Wahlberg) and Jamie (Will Estes), and Assistant D.A. MONDAY WEDNESDAY Erin (Bridget Moynahan). Kevin Can Wait Criminal Minds KGMB 7:00 p.m. KGMB 8:00 p.m. SATURDAY Nate & Jeremiah By Design Kevin (Kevin James) goes Members of the BAU pursue the nation’s most twist- undercover when he agrees ed criminals in the hopes of stopping them before they TLC 9:00 p.m. -
THEATRE DVD & Streaming & Performance
info / buy THEATRE DVD & Streaming & performance artfilmsdigital OVER 450 TITLES - Contemporary performance, acting and directing, Image: The Sydney Front devising, physical theatre workshops and documentaries, theatre makers and 20th century visionaries in theatre, puppets and a unique collection on asian theatre. ACTING / DIRECTING | ACTING / DEVISING | CONTEMPORARY PERFORMANCE WORKSHOPS | PHYSICAL / VISUAL THEATRE | VOICE & BODY | THEATRE MAKERS PUPPETRY | PRODUCTIONS | K-12 | ASIAN THEATRE COLLECTION STAGECRAFT / BACKSTAGE ACTING / DIRECTING Director and Actor: Passions, How To Use The Beyond Stanislavski - Shifting and Sliding Collaborative Directing in Process and Intimacy Stanislavski System Oyston directs Chekhov Contemporary Theatre 83’ | ALP-Direct |DVD & Streaming 68’ | PO-Stan | DVD & Streaming 110’ | PO-Chekhov |DVD & Streaming 54 mins | JK-Slid | DVD & Streaming 50’ | RMU-Working | DVD & Streaming An in depth exploration of the Peter Oyston reveals how he com- Using an abridged version of The works examine and challenge Working Forensically: complex and intimate relationship bines Stanislavski’s techniques in a Chekhov’s THE CHERRY ORCHARD, the social, temporal and gender between Actor and Director when systematic approach to provide a Oyston reveals how directors and constructs within which women A discussion between Richard working on a play-text. The core of full rehearsal process or a drama actors can apply the techniques of in particular live. They offer a Murphet (Director/Writer) and the process presented in the film course in microcosm. An invaluable Stanislavski and develop them to positive vision of the feminine Leisa Shelton (Director/Performer) involves working with physical and resource for anyone interested in suit contemporary theatre. psyche as creative, productive and about their years of collaboration (subsequent) emotional intensity the making of authentic theatre. -
Biography of Eugene O'neill
Biography of Eugene O’Neill Trevor M. Wise Eugene Gladstone O’Neill was born on October 16, 1888, at the Barrett hotel in New York city, New York, son of James o’Neill, a well-known matinee idol, and Mary Ellen (Ella) Quinlan. Much of O’Neill’s youth was spent in the wings of the theater as he toured the country with his parents and older brother Jamie, watching his father perform his most famous role—the Count of Monte Cristo. When not touring the country with his family, O’Neill attended Catholic boarding school at St. Aloysius Academy at Mount Saint Vincent in the Bronx borough of New York. he then spent four years at Betts Academy, a non-sectarian prep school in Stamford, Connecticut. O’Neill spent the summers with his family at the Monte Cristo Cottage in New London, Connecticut, the only permanent home O’Neill knew as a child. in 1903, at the age of fifteen, o’Neill became aware of his mother’s morphine addiction and was introduced to alcohol by his brother Jamie, setting him on a path of heavy drinking and alcohol abuse. in the fall of 1906, o’Neill enrolled in princeton University, only to be expelled in the following spring for his poor academic per- formance. in october 1909, o’Neill secretly married Kathleen Jenkins, his first of three wives. Shortly after the wedding, o’Neill set sail for honduras to prospect for gold, but found none. While abroad, O’Neill lived the life of a waterfront derelict, working odd jobs and drinking heavily, until he contracted malaria and was forced to return to the United States. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Brand-New Theaters Planned for Off-B'way
20100503-NEWS--0001-NAT-CCI-CN_-- 4/30/2010 7:40 PM Page 1 INSIDE THE BEST SMALL TOP STORIES BUSINESS A little less luxury NEWS YOU goes a long way NEVER HEARD on Madison Ave. ® Greg David Page 11 PAGE 2 Properties deemed ‘distressed’ up 19% VOL. XXVI, NO. 18 WWW.CRAINSNEWYORK.COM MAY 3-9, 2010 PRICE: $3.00 PAGE 2 ABC Brand-new News gets cut theaters to the bone planned for PAGE 3 Bankrupt St. V’s off-B’way yields rich pickings PAGE 3 Hit shows and lower prices spur revival as Surprise beneficiary one owner expands of D.C. bank attacks IN THE MARKETS, PAGE 4 BY MIRIAM KREININ SOUCCAR Soup Nazi making in the past few months, Catherine 8th Ave. comeback Russell has been receiving calls constant- ly from producers trying to rent a stage at NEW YORK, NEW YORK, P. 6 her off-Broadway theater complex. In fact, the demand is so great that Ms. Russell—whose two stages are filled with the long-running shows The BUSINESS LIVES Fantasticks and Perfect Crime—plans to build more theaters. The general man- ager of the Snapple Theater Center at West 50th Street and Broadway is in negotiations with landlords at two midtown locations to build one com- plex with two 249-seat theaters and an- other with two 249-seat theaters and a 99-seat stage. She hopes to sign the leases within the next two months and finish the theaters by October. “There are not enough theaters cen- GOTHAM GIGS by gettycontour images / SPRING AWAKENING: See NEW THEATERS on Page 22 Healing hands at the “Going to Broadway has Bronx Zoo P. -
O'neill and Nietzsche: the Making of a Playwright and Thinker
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 O'Neill and Nietzsche: The Making of a Playwright and Thinker Regina Fehrens Poulard Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Poulard, Regina Fehrens, "O'Neill and Nietzsche: The Making of a Playwright and Thinker" (1974). Dissertations. 1385. https://ecommons.luc.edu/luc_diss/1385 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Regina Fehrens Poulard 0 'NEILL AND NIEI'ZSCHE: THE MAKING OF A PI.A'YWRIG HT AJ.'JD THDl'KER by Regina Foulard A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy June 1974 ACKNOWLEIGMENTS I wish to thank the director of llzy" dissertation, Dr. Stanley Clayes, and llzy" readers, Dr. Rosemary Hartnett and Dr. Thomas Gorman, for their kind encouragement and generous help. ii PREFACE Almost all the biographers mention Nietzsche's and Strindberg's influence on O'Neill. However, surprisingly little has been done on Nietzsche and O'Neill. Besides a few articles which note but do not deal exhaustively with the importance of the German philosopher1 s ideas in the plays of O'Neill, there are two unpublished dissertations which explore Nietzsche's influence on O'Neill. -
Ah, Wilderness! by Eugene O’Neill
By Eugene O’Neill Directed by Douglas C. Wager Spring 2002 Guthrie on Tour Study Guides are made possible by STUDY GUIDE T H E G U T H R I E T H E A T E R J O E D O W L I N G Artistic Director The Guthrie Theater receives support from the National Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from the National Endowment for the Arts. ============================================================================================================ Ah, Wilderness! by Eugene O’Neill With this production, the Guthrie honors the generosity of Target, Marshall Field's Project Imagine and the National Endowment for the Arts with support from the Heartland Arts Fund. =============================================================================================================== A S T U D Y G U I D E published by The Guthrie Theater Senior Editor: Michael Lupu Editor: Belinda Westmaas Jones Research: Dramaturg: Michael Maletic Kate Bredeson Jason Brown Sam Chase Produced with the support of: Jo Holcomb Jo Holcomb Belinda Westmaas Jones Sheila Livingston Michael Lupu Catherine McGuire Michael Maletic Julie McMerty Shane R. Mueller Carla Steen Patricia Vaillancourt Website Layout and Maintenance: Patricia Vaillancourt All rights reserved. No part of this Study Guide may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. -
The Theatre of Eugene O'neill: American Modernism on the World Stage
The Journal of American Drama and Theatre (JADT) https://jadtjournal.org The Theatre of Eugene O'Neill: American Modernism on the World Stage The Theatre of Eugene O’Neill: American Modernism on the World Stage. Kurt Eisen. Methuen Drama Critical Companions Series. London: Methuen Drama, 2017; Pp 242 + xiv. Kurt Eisen’s excellent The Theatre of Eugene O’Neill: American Modernism on the World Stage appears as part of the Methuen Drama Critical Companions series, a series that “covers playwrights, theatre makers, movements and periods of international theatre and performance” and gives “attention to both text and performance” in critical surveys of the work of individual authors. Other contributions to the series include books on Beckett and Tennessee Williams and on the American stage musical and twentieth-century verse drama in England. Eisen here gives a succinct but rich account of O’Neill’s plays, captures well the breadth and range of O’Neill’s achievement, outlines key thematic concerns, and opens up interesting questions for both established scholars and those new to O’Neill’s vast, endlessly intriguing body of work. Essays by William Davies King, Alexander Pettit, Katie Johnson and Sheila Hickey Garvey offer additional and complementary critical perspectives. A comprehensive bibliography identifies all the major critical works and also points towards useful further reading. In other words, the book is a fine addition to the large volume of material in print on O’Neill as well as a suitable beginning point for students and scholars. From the beginning, Eugene O’Neill took himself and the American theatre seriously: one is struck, in placing O’Neill in the company of other Modernists, by how little mischief there is in O’Neill and how lacking the work is in frivolity. -
Spring 2015 Issue of the Foundation’S Newsletter
April 2015 SOCIETY BOARD PRESIDENT Jeff Kennedy [email protected] VICE PRESIDENT J. Chris Westgate [email protected] SECRETARY/TREASURER Beth Wynstra [email protected] INTERNATIONAL SECRETARY – ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY – Provincetown Players Centennial, 4-5 The Iceman Cometh at BAM, 6-7 EUROPE: Marc Maufort [email protected] GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] Jackson Bryer [email protected] Michael Burlingame [email protected] Robert M. Dowling [email protected] Thierry Dubost [email protected] Eugene O’Neill puppet at presentation of Monte Cristo Award to Nathan Lane, 8-9 Eileen Herrmann [email protected] Katie Johnson [email protected] What’s Inside Daniel Larner President’s message…………………..2-3 ‘Exorcism’ Reframed ……………….12-13 [email protected] Provincetown Players Centennial…….4-5 Member News………………….…...14-17 Cynthia McCown The Iceman Cometh/BAM……….……..6-7 Honorary Board of Directors..……...…17 [email protected] The O’Neill, Monte Cristo Award…...8-9 Members lists: New, upgraded………...17 Anne G. Morgan Comparative Drama Conference….10-11 Eugene O’Neill Foundation, Tao House: [email protected] Calls for Papers…………………….….11 Artists in Residence, Upcoming…...18-19 David Palmer Eugene O’Neill Review…………….….12 Contributors…………………………...20 [email protected] Robert Richter [email protected] EX OFFICIO IMMEDIATE PAST PRESIDENT The Eugene O’Neill Society Kurt Eisen [email protected] Founded 1979 • eugeneoneillsociety.org THE EUGENE O’NEILL REVIEW A nonprofit scholarly and professional organization devoted to the promotion and Editor: William Davies King [email protected] study of the life and works of Eugene O’Neill and the drama and theatre for which NEWSLETTER his work was in large part the instigator and model. -
O'neill Society News
Boston Chosen as Site for Next International Conference in 2020 Fall 2018 O’Neill Society News The official newsletter of the Eugene O’Neill International Society Contents • O’Neill in New York and LA .............1 • Boston selected as the site of the 2020 conference .................................1 • Nancy, France Conference 2018....2 • ALA Conference May 2018 in San Francisco ................................................3 • “One Festival, Two Countries” in Danville, CA & New Ross, Ireland ..4 • News From Our Members ...............5 • ALA Conf 2019 Call for Papers .......5 • O’Neill One-Acts in Japan ................5 • Flock Theatre revives production of Long Day’s Journey into Night ....6 • Photos from O’Neill Events .............7 • Membership Renewals due Jan 1 .7 • MLA Conference participants ........8 • Rob Dowling tours China ................8 New York & Los Angeles Theatres • Upcoming Events in Society ..........8 filled with the sounds of O’Neill New York audiences were given the gift of two major productions of Boston Selected as plays by Eugene O’Neill in the spring of 2018. First, The Iceman Cometh the Site of the 2020 was given a Broadway staging with O’Neill Conference Denzel Washington in the lead role of Theodore “Hickey” Hickman and The membership of the O’Neill direction by George C. Wolfe. The play “laughed more often than I teared up,” Society voted at their May 26, 2018 opened at the Bernard Jacobs Theatre contrasting with other productions that business meeting that the site of the on April 26, and the cast featured some “tend to elicit adjectives like ‘searing’ next Eugene O’Neill International of Broadway’s most accomplished and ‘devastating’ (on the positive side) Conference will be Boston, MA. -
Remember We Had Just Had Some Argument Worried He Had Got Involved in Producing Side the Bed, and Sitting There, Me in My Underwear,’ He Said.”
nouncement, I’ve just written, said; and when he bent over to “Part of a Long Story,” by Ag- ‘The curtain falls’ as he finishes! kiss me good night, he kissed the nes Boulton, just published by “The Straw”. Some of the pages little black head, too, and I saw a Doubleday Company, has creat- of “Part of a Long Story” reflect real tenderness in his eyes.” ed a great stir in Provincetown. the happiness of the days when Everywhere people are reading the O’Neills lived in the John The book has released a torrent and talking about it, and no won- Francis building at the East End, of “remembrance of things past,’’ der. For the book captures the and at Peaked Hill, in the old life and this week we talked to Mary living, breathing atmosphere of saving station which Mabel I Heaton Vorse and Harry Kemp the old days” here, when the Dodge had previously owned and who were among the closest genius of the Provincetown Play- turned into a jewel of a house. friends of the O’Neill’s. Mrs. ers first burst upon the world, and Vorse had this revealing comment revolutionized the American thea- The Bad Days on O’Neill’s drinking and that of tre. The great and the near-great Some of the pages, too, reflect some others at the time. “Almost are alive in these pages, and most the bad days when O’Neill was on everybody drank too much during of all, of course, Eugene O’Neill, one of his drinking bouts; and Prohibition,” she said, “but there to whom Miss Boulton was mar- Miss Boulton is to be admired for was another side to it, so far as ried.