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PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/reprisal/ Rating: Rated R for violence and language U.S. Release Date: August 31st, 2018 (In Theaters and On Demand) Run Time: 89 minutes For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] 1 REPRISAL LIONSGATE PREMIERE Publicity Materials: http://lionsgatepublicity.com/theatrical/reprisal/ Hashtag: #Reprisal Genre: Action Thriller Rating: Rated R for violence and language U.S. Release Date: August 31st, 2018 (In Theaters and On Demand) Run Time: 89 minutes Cast: Frank Grillo, Bruce Willis, Olivia Culpo, Johnathon Schaech Directed by: Brian A. Miller Written by: Bryce Hammons Produced by: Randall Emmett, p.g.a., George Furla, p.g.a., Mark Stewart, p.g.a. SYNOPSIS: Jacob (Frank Grillo), a bank manager haunted by a violent heist that took the life of a coworker, teams up with his ex-cop neighbor, James (Bruce Willis), to bring down the assailant. While the two men work together to figure out the thief’s next move, Gabriel (Johnathon Schaech), the highly-trained criminal, is one step ahead. When Gabriel kidnaps Jacob’s wife (Olivia Culpo) and daughter, Jacob barrels down a path of bloodshed that initiates an explosive counterattack and brings all three men to the breaking point. Action legend Bruce Willis (the Die Hard series), Frank Grillo (Captain America: The Winter Soldier, TV’s Kingdom) and Johnathon Schaech (TV’s Legends of Tomorrow) team up in the tense dramatic thriller REPRISAL. The film will be released in theaters and on demand by Lionsgate Premiere on August 31st, 2018. -
Instructions
MY DETAILS My Name: Jong B. Mobile No.: 0917-5877-393 Movie Library Count: 8,600 Titles / Movies Total Capacity : 36 TB Updated as of: December 30, 2014 Email Add.: jongb61yahoo.com Website: www.jongb11.weebly.com Sulit Acct.: www.jongb11.olx.ph Location Add.: Bago Bantay, QC. (Near SM North, LRT Roosevelt/Munoz Station & Congressional Drive Capacity & Loadable/Free Space Table Drive Capacity Loadable Space Est. No. of Movies/Titles 320 Gig 298 Gig 35+ Movies 500 Gig 462 Gig 70+ Movies 1 TB 931 Gig 120+ Movies 1.5 TB 1,396 Gig 210+ Movies 2 TB 1,860 Gig 300+ Movies 3 TB 2,740 Gig 410+ Movies 4 TB 3,640 Gig 510+ Movies Note: 1. 1st Come 1st Serve Policy 2. Number of Movies/Titles may vary depends on your selections 3. SD = Standard definition Instructions: 1. Please observe the Drive Capacity & Loadable/Free Space Table above 2. Mark your preferred titles with letter "X" only on the first column 3. Please do not make any modification on the list. 3. If you're done with your selections please email to [email protected] together with the confirmaton of your order. 4. Pls. refer to my location map under Contact Us of my website YOUR MOVIE SELECTIONS SUMMARY Categories No. of titles/items Total File Size Selected (In Gig.) Movies (2013 & Older) 0 0 2014 0 0 3D 0 0 Animations 0 0 Cartoon 0 0 TV Series 0 0 Korean Drama 0 0 Documentaries 0 0 Concerts 0 0 Entertainment 0 0 Music Video 0 0 HD Music 0 0 Sports 0 0 Adult 0 0 Tagalog 0 0 Must not be over than OVERALL TOTAL 0 0 the Loadable Space Other details: 1. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
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Efm 2017 Results 20 Lo and Behold: Reveries of the Connected World 34 New Films the Road 20 the Lovers and the Despot 34 Satanic 21 Mr
EFM 2017 RESULTS 20 LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD 34 NEW FILMS THE ROAD 20 THE LOVERS AND THE DESPOT 34 SATANIC 21 MR. UNTOUCHABLE 34 ALIVE AND KICKING 5 THE SEAT FILLER 21 NOT QUITE HOLLYWOOD 35 THE EYES OF MY MOTHER 6 STANDBY 21 PETER AND THE FARM 35 IN LOCO PARENTIS 7 SYNCHRONICITY 22 OUTRAGE 35 SHOT: THE PSYCHO-SPIRITUAL TANGERINE 22 REJOICE AND SHOUT 36 S&MAN 36 MANTRA OF ROCK 8 TIM & ERIC’S BILLION DOLLAR MOVIE 22 TIME CRIMES 23 SMASH HIS CAMERA 36 XX 9 SQUARE GROUPER: THE GODFATHERS OF GANJA 37 TOUCHY FEELY 23 SURFWISE 37 TROLL HUNTER 23 TED: THE FUTURE WE WILL CREATE 37 NARRATIVE TURISTAS 24 TICKLED 38 TWO LOVERS 24 WITHOUT THE KING 38 THE ABC’S OF DEATH 11 THE WAR WITHIN 24 THE WOLFPACK 38 ABCS OF DEATH II 11 WE OWN THE NIGHT 25 THE WRECKING CREW 39 THE ARCHITECT 11 WHAT JUST HAPPENED 25 BLACK CHRISTMAS 12 BROKEN ENGLISH 12 AXS TV THE BURNING PLAIN 12 DOCUMENTARIES DIGGERS 13 ACROSS AMERICA 41 180 DEGREES SOUTH 27 DOWN TERRACE 13 ART MANN PRESENTS 41 AMERICAN SWING 27 THE ECLIPSE 13 THE BIG INTERVIEW Dan Rather 41 AND EVERYTHING IS GOING FINE 27 THE EX 14 BIKINI BARBERSHOP JERSEY 41 BEST OF ENEMIES 28 CELEBRIDATE 42 FAY GRIM 14 BIGGER STRONGER FASTER 28 DAN RATHER PRESENTS 42 FEEL THE NOISE 14 BIG STAR: NOTHING CAN HURT ME 28 DAN RATHER REPORTS 42 GOD BLESS AMERICA 15 CASINO JACK AND THE UNITED STATES OF MONEY 29 THE GOOD DOCTOR 15 CHEVOLUTION 29 DEADLINE 42 GOOD NIGHT AND GOOD LUCK 15 COCAINE COWBOYS II 29 DISCOVERING LUCY ANGEL 43 GRACIE 16 COCAINE COWBOYS II: HUSTLIN’ WITH THE GODMOTH- DRINKING MADE EASY WITH ZANE LAMPREY 43 HONEYMOON 16 ER 30 THE FERRIS WHEEL 43 COCAINE COWBOYS: RELOADED 30 HUMPDAY 16 FIGHTING WORDS WITH MIKE STRAKA 43 CONAN O’BRIEN: CAN’T STOP 30 I’M STILL HERE 17 GEEK TO FREAK 44 DANNY SAYS 31 JACK & DIANE 17 GET OUT! 44 ENRON: THE SMARTEST GUYS IN THE ROOM 31 GOTHAM COMEDY LIVE 44 JOHN DIES AT THE END 17 GONZO: THE LIFE AND WORK OF HUNTER S. -
Vol 35 Issue 2 Final(1)
Victor Valley College Inside: Kiss Me Kate Pg. 6 RamPage March 8, 2013• Volume 35, No. 2 Rams Baseball “All our dreams can come true – if we have the courage to pursue them.”~Walt Disney Pg. 8 Campus Communication Day is held to inform faculty that this is VVC’s last chance to come off of probationary status Story By Kristen Martin Student Learning Features Editor Outcomes, commu- nication on campus, and budget. Victor Valley College is clos- The school has ing in on the end of the Accredi- until Oct. 15 to pro- tation probation that has been in vide evidence to the effect for approximately two ACCJC that they years. The first of four Campus have fully met every Communication Days for spring recommendation; if semester focused on addressing the school has not issues with accreditation. met all recommenda- At the meeting held Feb. 25, tions, VVC will lose seven panelists gave briefs and its accreditation. were able to answer questions “Campus Commu- asked by the audience. The pan- nication Day is an elists included Mark Clair, Jus- event used to com- tin Gatewood, Christopher municate infor- O’Hearn, Jessica Gibbs, Peter mation amongst all Allan, David Gibbs, and GH employees at VVC,” Javaheripour. said history profes- “We’re at an interesting time sor Jessica Gibbs. “It in our life, and we’re going to is video-recorded so be fine,” said Superintendent that those that may Peter Allan explains the remaining recommendations VVC must fulfill before the probationary O’Hearn. O’Hearn has not once not have the oppor- status is lifted. -
Basin Instinct CHERRY BLOSSOMS SPECIAL SECTION: the Trees Have Yet to fl Aunt Their Petals, but Already the Masses Feel the Primal Pull of Spring
A PUBLICATION OF TWP | MARCH 22-24, 2013 | FREE DAILY Basin Instinct CHERRY BLOSSOMS SPECIAL SECTION: The trees have yet to fl aunt their petals, but already the masses feel the primal pull of spring. Join them, won’t you? PAGES 14-25 JOHN S. DYKES/FOR EXPRESS March Madness: Hoyas jump into the fray, plus an NCAA TV guide 10-12 2 | EXPRESS | 03.22.2013 | FRIDAY CHRIS RADBURN/GETTY IMAGES eye openers STICKY FINGERS Police Find Baffled Thieves Stuck to Getaway Vehicles Thieves are illegally tapping maple trees on private property in Maine and stealing sap that is used to make maple syrup. Forest Ranger Jeff Currier says the Maine Forest Service has gotten a dozen complaints from landowners finding taps in their trees with buck- ets or jugs underneath to collect the sap. (AP) PAYING IT FORWARD “We are always on the lookout for ways to recycle.” — KATHY COX, OF DOGS ALOUD, A DOG-GROOMING SALON IN ENGLAND, WHICH IS ENCOURAGING RESIDENTS TO TAKE HAIR FROM THE SALON AND LEAVE IT OUTSIDE THEIR HOMES FOR BIRDS TO MAKE NESTS WITH, THE BLACKPOOL GAZETTE REPORTED THURSDAY REVIEWS ‘That Was the Priciest Bumper-Car Ride Ever’ San Diego police are searching for a couple who crashed a $250,000 Lamborghini only hours after it was purchased. KGTV-TV reported that police were called Monday after witnesses said a 2008 black Lam- borghini Murcielago left Interstate 5 at a high speed ‘KATE NEEDED THE CARRIAGE’ Queen Elizabeth II boards a train Wednesday and crashed; they said a man and woman got out and on her way to Baker Street Underground Station, where she was to mark the 150th ran off. -
Asian Extreme As Cult Cinema: the Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies
Asian Extreme as Cult Cinema: The Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies, Wilfrid Laurier University MA Film Studies, University of British Columbia A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Communications and Arts Hughes 2 Abstract This thesis investigates the way Western audiences respond to portrayals of excess and otherness in Japanese Extreme cinema. It explores the way a recent (2006-2016) cycle of Japanese Splatter (J-Splatter) films, including The Machine Girl (Noboru Iguchi, 2008) and Tokyo Gore Police (Yoshihiro Nishimura, 2008), have been positioned as cult due to their over-the-top representations of violence and stereotypes of Japanese culture. Phenomenological research and personal interviews interrogate Western encounters with J-Splatter films at niche film festivals and on DVD and various online platforms through independent distributors. I argue that these films are marketed to particular Western cult audiences using vocabulary and images that highlight the exotic nature of globally recognised Japanese cultural symbols such as schoolgirls and geisha. This thesis analyses J-Splatter’s transnational, cosmopolitan appeal using an approach informed by the work of Ernest Mathijs and Jamie Sexton, Matt Hills, Henry Jenkins, and Iain Robert Smith, who read the relationship between Western audiences and international cult cinema as positive and meaningful cultural interactions, demonstrating a desire to engage in more global experiences. The chapters in this thesis use textual analysis of J-Splatter films and case studies of North American and Australian film festivals and distribution companies, which include interviews with festival directors and distributors, to analyse the nature of the appeal of J- Splatter to Western audiences. -
WWE® Reports 2013 Fourth Quarter and Full Year Results
FOR IMMEDIATE RELEASE Contacts: Investors: Michael Weitz 203-352-8642 Media: Tara Carraro 203-352-8625 WWE® Reports 2013 Fourth Quarter and Full Year Results STAMFORD, Conn., February 20, 2014 - WWE (NYSE:WWE) today announced financial results for its fourth quarter ended December 31, 2013. Revenues totaled $118.4 million as compared to $115.1 million in the prior year quarter. Operating loss was $12.2 million as compared to income of $2.6 million in the prior year quarter. Net loss was $7.9 million, or $0.10 per share, as compared to income of $0.6 million, or $0.01 per share, in the prior year quarter. OIBDA in the fourth quarter 2013 decreased to a $5.6 million loss from income of $8.5 million in the prior year quarter. The decline in OIBDA and Operating income was primarily attributable to increased investment in staffing, talent and marketing to support our strategic content initiatives, including the launch of WWE Network. Lower sales of new DVD releases and a corresponding shift in product mix to lower priced catalog titles, as well as compressed television production margins that derived from changes in the mix of programming also contributed to the year-over-year decline. “During the past year, we laid the foundation for future growth and enhanced our brand strength,” stated Vince McMahon, Chairman and Chief Executive Officer. “We have now announced the renewal of our television distribution agreement in the U.K., are continuing the negotiations regarding our domestic content, and are poised to launch our global WWE Network in the next few days. -
Dead Man Down Il Sapore Della Vendetta
presenta DEAD MAN DOWN IL SAPORE DELLA VENDETTA di Niels Arden Oplev con Colin Farrell Noomi Rapace Dominic Cooper Terrence Howard Isabelle Huppert uscita 14 marzo 2013 Tutti i materiali sono scaricabili dalla sezione luckypress del sito luckyred ufficio stampa Via Chinotto, 16 tel +39 06.3759441 fax +39 06.37352310 Georgette Ranucci (+39 335.5943393 [email protected]) Olga Brucciani (+39 388.4486258 [email protected] ) Gabriele Barcaro (+39 340.5538485 [email protected] ) CAST ARTISTICO Collin Farrell Victor Noomi rapace Beatrice Terrence Howard Alphonse Dominic Cooper Darcy Isabelle Hupper t Valentine Armand Assante Lon Gordon F.Murray Abraham Gregor CAST TECNICO Niels Arden Oplev Regista JH Wyman Sceneggiatore Paul Cameron Direttore della Fotografia Niels Sejer Scenografo Renee Kalfus Costumista Frederic Thoraval Montatore Neal Moritz Produttore durata 117 min. 2 CREDITI NON CONTRATTUALI SINOSSI Victor (COLIN FARRELL) è il braccio destro di un boss, Alphonse (TERRENCE HOWARD), che è preso di mira da qualcuno che uccide sistematicamente uomini della sua gang. Un amico di Victor, Darcy (DOMINIC COOPER), anche lui alle dipendenze di Alphonse, è ossessionato dall’idea di scoprire chi sia il killer così da ingraziarsi Alphonse e farsi strada nei ranghi dell’organizzazione. Intanto Victor incontra Beatrice (NOOMI RAPACE), una misteriosa donna francese che vive con la madre, Valentine (ISABELLE HUPPERT), nel palazzo di fronte al suo. Ma non appena Victor comincia a provare attrazione per lei, si rende conto che Beatrice è stata vittima di un crimine e ha bisogno dell’aiuto di Victor per punire chi le ha fatto del male. E ben presto anche Beatrice scopre che Victor è un uomo in cerca di vendetta nei confronti di chi, anni prima, ha causato la morte della moglie e della figlia. -
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake. -
Female Characters in Psychological Horror
SLEZSKÁ UNIVERZITA V OPAVĚ Filozoficko-přírodověděcká fakulta v Opavě Veronika Hušková obor: Angličtina Female Characters in Psychological Horror Diplomová práce Vedoucí diplomové práce: Opava 2020 PhDr. Diana Adamová, Ph.D. Abstract This thesis deals with female characters in selected horror novels and their film adaptations from 1970 to 2019. Each chapter recounts the development of the horror genre in each decade and then highlights the selected novels in the decade’s context. The analytical part introduces the selected texts’ authors briefly and proceeds to analyze the female characters and their roles in the text, and how the filmmakers managed to translate the essence of these characters onto the big screen. The aim of this thesis is to provide a concise overview of the genre, categorize each female character and determine if and how did the portrayal of female characters change with time. Key words: horror, modern cinematography, American literature, British literature, Stephen King, Thomas Harris, Clive Barker, Jeff VanderMeer, female characters, Carrie, The Shining, Hellraiser, Misery, Silence of the Lambs, The Mist, It, Annihilation Abstrakt Tato práce se zabývá ženskými postavami ve vybraných hororových knihách a jejich filmových adaptacích od roku 1970 do roku 2019. Každá z kapitol nejdříve pojednává o vývoji hororového žánru v jednotlivých desetiletích a poté zasazuje vybraná díla do jejich kontextu. Analytická část nejprve krátce představuje autora knihy, dále se zaměřuje na analýzu ženských postav a jejich rolí v daném textu a jak se filmovým tvůrcům podařilo převést podstatu těchto postav na velké plátno. Cílem práce je poskytnutí stručného přehledu žánru, kategorizace jednotlivých ženských postav a určení toho, zda a jak se vyobrazení ženských postav vyvíjelo.