jonas brothers la download Music from the 3D Concert Experience. Whenever a teen phenomenon hits a peak the cash-in product arrives, and so it is with the Brothers in 2009. Just three years and three after their 2006 debut, It's About Time, the trio has its first top-lined cinematic release, The in 3D, a big-screen spectacle in the vein of Miley Cyrus' 2008 Best of Both Worlds Concert, which featured a small set from the brothers. As an album, Music from the 3D Concert Experience isn't as pure a piece of product as Best of Both Worlds Concert, largely because the brothers sometimes get to act like the band they are, occasionally departing from the script, working in some covers and supporting other singers. Whenever they're singing their biggest hits or Radio Disney staples, the music is almost indistinguishable from the studio albums -- well, apart from the rougher, flatter vocals -- but this soundtrack is best when things get opened up a bit: when the brothers give "BB Good" a breakdown out of Billy Joel's 52nd Street, have Taylor Swift on-stage to duet on her hit "Should've Said No," sing with on the tune "This Is Me," even when they steamroll over Shania Twain's "I'm Gonna Get You Good," which is perhaps a bit flat-footed but still fun. These are the moments that show the Jonas Brothers at their best, while the rest -- including the new studio cut "Love Is on Its Way" -- shows the group as professionals, re-creating recordings on the spot. It's enough to please the fans, if not quite enough to turn into something more than a souvenir for them. Top 10 Jonas Brothers Songs. The Jonas Brothers were a pop boy band made up of a trio of real-life brothers. With a boost from the Disney pop machine, they became mainstream pop stars. Check out these ten top-rated songs this band is known for. 10. "Paranoid" (2009) The Jonas Brothers worked with British singer-songwriter Cathy Dennis on "Paranoid," the first single from their album Lines, Vines, and Trying Times. She is known for her hits "C'mon and Get My Love" and "Touch Me (All Night Long)" as well as co-writing hits for another artist like Britney Spears' classic "Toxic." "Paranoid" moved the Jonas Brothers in a more adult-sounding direction. "Paranoid" barely slipped inside the top 40 on the US pop singles chart, but it did become a top 10 dance hit. "Paranoid" was produced by John Fields who worked extensively on their music. It was accompanied by a music video directed by Brendan Malloy and Tim Wheeler. They were the team behind the trio's video for "Burnin' Up." In the clip, they are beset by a group of clones, wrestlers, and a girl who is after . The album Lines, Vines and Trying Times was the second consecutive #1 charting studio album by the Jonas Brothers. It also became their final studio album before the group broke up. Sales were significantly lower than the two multi-platinum certified studio albums that preceded it. It's About Time. It's impossible to talk about the Jonas Brothers and their 2006 debut, It's About Time, without discussing Hanson. Like Hanson, the Jonas Brothers are not only a trio of siblings -- ranging in age from 17 to 13 at the time of the release of their first album -- who play their own instruments and write (some of) their own songs; they have a relentlessly sunny spirit that hearkens back to the classic '60s and '70s pop as heard on Time-Life compilations. If Hanson learned this sound from those original Time-Life collections, the Jonas Brothers picked up the strand from Hanson and then went to Hot Topic, creating a bubblegum type of mall punk that's considerably heavier on the bubblegum than the punk. But that's not the only difference -- where Hanson worked with such hipsters as the Dust Brothers, the Jonas Brothers work with studio pros Michael Mangini and Steve Greenberg, who both did production work for Joss Stone and help bring a similarly slick but consciously classic vibe to It's About Time as they did to the retro-soul of Joss Stone. Despite these hints of commercial punk flair, the Jonas Brothers are at their core Hanson for the new millennium -- and since Steve Greenberg was the executive producer of that trio's 1997 debut, Middle of Nowhere, that shouldn't come as too big of a surprise, but if you go into It's About Time not knowing any of this, it's kind of a shock to hear 11 fizzy singalongs that sound like reworkings of "MMMBop." Of course, that's hardly a bad thing, since at its best, bubblegum has an effervescence that transcends generations, something that the Jonas Brothers come close to achieving here. They're a likeable bunch of kids singing likeable, ingratiating melodies that are perhaps a little too sweet but are still irresistible -- a little bit like a Hostess Cup Cake. And like a Hostess Cup Cake, if you think about it too much, this album does show some signs of being mass produced: the choruses seem a little bit too close to Kidz Bop territory, the professionally written songs about school and girls are too crassly cutesy, and "" in particular grates, from its maddeningly vague lyrics ("We drove around in a time machine/Like the one in the film I've seen") to its obsession on their own success and how "This song had gone multi- platinum/Everybody bought our seventh album/It had outsold Kelly Clarkson," as if their seventh album -- which would be delivered in 2024 if they take three years between records -- would still have an impact when they're no longer in their teens, or when there are no longer albums for that matter (never mind that if people are still talking about the Jonas Brothers and Kelly Clarkson in the year 3000, that means their work has lasted longer than Shakespeare has to this day, but that's perhaps nitpicking). But, if you don't think about it too hard -- and, really, you shouldn't -- It's About Time is a fun debut, with more hooks than most teen-oriented music in 2006. Stream Top Podcasts. Take yourself back in time. back to high school. The ups and downs, the loves the losses, the struggles the triumphs, being together with your friends. feeling every emotion of it. Is 23 more than just a number to you? Do you respond to people by saying I don't wanna be anything other than what I've been trying to be lately? Do you expect to have life-changing moments while caught in the confetti or the rain? Are you One Tree Hill obsessed. it's OK. we're here for you. You can sit with us. Are Brooke, Peyton and Haley your BFF goals? These Drama Queens are getting back together!! 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Of course, the Jonas Brothers were helped immeasurably by the marketing might of Disney, who turned the group's 2006 stiff into the bona fide 2007 hit Jonas Brothers through saturation play on Radio Disney and countless TV appearances, including a guest-starring spot on Hannah Montana. By the time A Little Bit Longer appeared in late summer 2008, the trio's popularity rivaled that of Miley Cyrus, but they were better poised for a cross-generational crossover than the former Ms. Montana, as they had a stronger grounding in classic pop. A Little Bit Longer trades heavily on that foundation, so much so that it seems it was designed to be a teen pop album adults wouldn't be embarrassed to play. All the lingering goofiness of their first two albums has been stripped away -- there are no songs about taking rocket trips to the year 3000 -- along with any ounce of fat, which gives the album a mildly mature vibe, particularly when the power ballads surge toward overly dramatic choruses. Fortunately, this maturity doesn't dominate, as there is plenty of levity here -- most appealingly on the mellow shuffle of "Lovebug" and the good-natured dig at shallow groupies on "Video Girl" -- and as most of the record is devoted to punchy power pop like the addictive opener, "BB Good," A Little Bit Longer winds up with a nice, skillful blend of bubblegum and ballads, never tipping too far in one direction of another. It's a nifty trick that's much harder to pull off than it seems -- countless other teen pop bands have stumbled as they attempt this balancing act that the Jonas Brothers pull off so effortlessly here -- but the key to its success is that it is pitched perfectly between frivolous, disposable pop and meticulous mature craft, so as the Jonas Brothers continue to grow they might wind up losing that sense of fun that is integral to their music, but with this record they hit all the notes just right.