DOCSLIB.ORG

D O K U M E N T a T I

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
D O K U M E N T a T I Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:00 Seite 1 DOKUMENTATION Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:00 Seite 2 Inhalt Seite 3 Fakten 4 Die 21. Aachener Kunstroute, Aachen am Kunstwochenende 6 Fotos der Ausstellungseröffnung SPEKTRUM 2018 8 Fotos der Aachener Kunstroute 2018 12 Teilnehmerliste 13 Stadtplan 14 Events 15 Gewinner des „Kunstwerks nach Wahl“ und der weiteren Preise 16 Website 18 52 Stationen der 21. Aachener Kunstroute 44 320 Künstler der 21. Aachener Kunstroute 48 Presseankündigungen 50 Presseberichte Aachener Kunstroute 51 Presseberichte Stationen 53 Terminanzeigen 54 Regionale Ankündigungen 57 Überregionale Ankündigungen 62 Die Aachener Kunstroute auf Instagram 2 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:00 Seite 3 52 Stationen laden bei freiem Eintritt ein: Museen, Kunstvereine, Galerien und ausge- wiesene Künstlervereinigungen bieten Hochwertiges. Besuchen Sie Bewährtes und entdecken Sie neue Stationen wie das Büchelmuseum im Haus Rote Burg, das Galerie- atelier Karl von Monschau, Kunst Schoenen, Kunst- und Verlagshaus de Bernardi, die Produzentengalerie BB und weitere. In der »Aula Carolina« ist der Infopoint und die Ausstellung »SPEKTRUM*18« , die zentral einen ersten Einblick in die angebotene Kunst gibt. Meist fußläufig zu erreichen sind Vernissagen, Führungen, Lesungen und Musik. Über 300 ausstellende Künstlerinnen und Künstler, die meisten persönlich anwesend, zeigen Malerei, Zeichnung und Foto, sowie Objekt, Druckgrafik und Digital- druck, bis hin zu Performance, Installation und Graffiti. Gewinnen Sie mit etwas Glück ein Kunstwerk nach eigener Wahl. Heinrich Hüsch ● 52 Stationen ● 6 Museen ● 20 (Produzenten)Galerien ● 9 Künstlergruppen ● 17 Kulturinstitutionen ● Viele Stationen mit verlängerten Öffnungszeiten am Samstag bis 22 Uhr ● Zentraler Infopoint in der Aula Carolina auf der Pontstraße ● Über 50 Künstler in der SPEKTRUM*18-Ausstellung ● 57 Events ● über 20.000 Stationsbesuche ● 20.000 Programmbroschüren, Website und Plakate ● Zusammenarbeit mit dem Kulturbetrieb der Stadt Aachen ● Zusammenarbeit mit dem Fotografen Mika Väisänen ● Sponsoren STAWAG und Hüsch & Hüsch ● Organisation der letzten 8 Jahre durch die Werbeagentur Hüsch & Hüsch ● Mehrere Hundert Stunden Arbeit für Organisation und Durchführung 3 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:00 Seite 4 21. Aachener Kunstroute 2018 · 29./30.9.2018 Aachen am Kunstwochenende Noch mehr Kunst zeigen und dafür begeistern: Das Programm war erstmals am Samstag an manchen Orten bis in die Abendstunden ausgeweitet. Die Auswahl war noch nie so groß, 52 Stationen in der City und deutlich darüber hinaus gestalteten diese 21. Ausgabe mit. Museen, Kunstvereine, Galerien und ausgewiesene Künstlervereinigungen boten Hochwertiges. Werke von über 300 Künstlern waren zu bewundern, und die meisten der Künstler traf man vor Ort. Alle Genres und Themen der Kunstszene waren abgebildet. Aktionen und Performances mach- ten das Programm bunt. Der Startschuss fiel auf der Vernissage der Zentralausstellung „SPEKTRUM*18“. Organisator Heinrich Hüsch und Museumsdirektor Dr. Andreas Beitin eröffneten die Veranstaltung mit über 50 Künstlern vor 700 Besuchern, die einen ersten Einblick in die angebotene Kunst bekamen. Bei freiem Eintritt, auch bei den Museen, ist die Aachener Kunstroute am letzten September- wochenende ein fester Bestandteil im kulturellen Leben der Stadt Aachen und ein Besucher- magnet weit darüber hinaus. Zusammen waren es wieder mehr als 20.000 Stationsbesuche, allein 4.000 in der Aula Carolina bei der SPEKTRUM*18-Ausstellung. DIE STATIONEN DIE ZENTRALAUSSTELLUNG Bei den 52 Stationen aus 6 Museen, 20 Gale- In der Ausstellung „SPEKTRUM*18“ präsen- rien und Produzentengalerien, 9 Künstler- tierten über 50 Künstler rund 100 Werke in gruppen und 17 Kulturinstitutionen und Aus- einer gemeinsamen Ausstellung von 21 Sta- stellungsräumen gab es auch interessante tionen in der Aula Carolina. Vielfältig, hinter- Neuzugänge: sinnig und frech, sensibel und kraftvoll. Heinrich Hüsch sprach ebenso wie Dr. Andreas Beitin, Direktor das August-Pieper-Haus mit einer Falken- 57 EVENTS des Ludwig Forums, für die Ausstellung, der BBK in der Nadelfabrik mit Vernissagen, Lesungen, Kunstcafé, Vorträge, Eröffnung . Fazit: Museen, Gale- vielen Künstlern der Künstlervereinigung, das Diskussionen, Führungen, Music Acts, Work- rien und Künstler zusammen neue Büchel-Museum, das Galerieatelier Karl shops, Shows schaffen eine lebendige und ein- von Monschau, der neue Musik- und Kunst- ladende Kunstszene. raum GRAVIERANSTALT, die renommierte Galerie Kunst Schoenen und das Kunst- und ALLE KUNSTRICHTUNGEN Verlagshaus de Bernardi, der Ausstellungs- Die Themen gingen von Malerei, Zeichnung raum KunsTraum, die Produzentengalerie BB in und Foto, über Objekte und Druckgrafik, bis Kornelimünster, Schauplatz Atelier radar’t und hin zu Performance, Installation, Graffiti und die Duo-Ausstellung von SCHMUCKKUNST. Fotoaktion. Eine der neuen Stationen 2018: Kunst Schoenen 4 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:00 Seite 5 Ein beliebtes Ziel dieses Jahr war die Ateliergemeinschaft Halle 1, die nach ihrem Umbau wieder geöff- net hat. Dort stellte Rainer Bauer aus Stolberg als Gastkünstler aus. Heinrich Hüsch im Belgischen Rundfunk ein Liveinterview. Im WDR2 war die Aachener Kunstroute die Programmempfehlung für das Wochenende. Prisma und Focus-online, die Website NRW-Hits und viele andere berichte- ten online. Die Aachener Zeitung und die Aachener Nachrichten begleiteten die Kunst- route vor und nach der Veranstaltung. Die 52 Stationen luden ihre Kunstinteressier- ten ein. Plakate hingen an Litfaßsäulen, in öffentlichen Einrichtungen, bei den Teilneh- ÖFFNUNGSZEITEN mern und an vielen weiteren Orten. Ein Eine Besonderheit in diesem Jahr waren die Newsletter lud zur Veranstaltung ein. verlängerten Öffnungszeiten. Manche Statio- Bei einem so umfangreichen Event ist eine nen hatten am Samstag, nicht nur bis 18, son- individuelle Planung einer eigenen Route dern bis 22 Uhr geöffnet. Damit hat die Kunst- nötig. Dafür bieten wir eine umfangreiche route auf den Wunsch vieler Besucher reagiert, Website, die über alle angeboten Stationen dass die Ausstellungen in den Abend länger und beteiligten Künstler informiert. geöffnet werden sollen. Die Programmbroschüre wurde in einer Aufla- KUNST NACH WAHL GEWINNEN ge von 20.000 Heften verteilt und von den Ausstellern versandt. Beim Besuch von mindestens vier Stationen der Kunstroute konnten die Besucher an der ORGANSIATION Verlosung eines wertvollen Kunstwerkes »Ihrer Wahl« (und weiteren Preisen wie Kataloge und Die Organisation und Öffentlichkeitsarbeit der Grafiken) teilnehmen. Die zur Verlosung ste- Kunstroute übernahm, wie auch in den letzen henden Kunstwerke waren speziell gekenn- 8 Jahren, die Agentur Hüsch & Hüsch, die mit zeichnet, auf den Stempelkarten trug man die viel Erfahrung und Engagement mehrere Hun- entsprechende Nummer des Favoriten ein. dert Stunden Arbeit investierte. ÖFFENTLICHKEITSARBEIT Die Pressearbeit erreichte Aachen, die Euregio und viele Medien darüber hinaus. So gab 5 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:01 Seite 6 “Die SPEKTRUM-Ausstellung ist dieses Jahr SPEKTRUM besonders schön geworden” – Besucher 2018 Ausstellung vieler Stationen der Aachener Kunstroute in der Aula Carolina 6 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:01 Seite 7 7 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:02 Seite 8 Kunstroute 2018 Ausstellung aller Stationen der Aachener Kunstroute 8 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:03 Seite 9 “Die Qualität der diesjährigen Künstler ist erstaunlich” – Besucher 9 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:04 Seite 10 “Vielen Dank für die tolle Organisation” – Station 10 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:05 Seite 11 11 Doku Kunstroute 2018 (1.0).qxp_A4 Heft 25.10.18 13:05 Seite 12 Stationen Gi Infopoint Aula Carolina Pontstraße 7-9 1SPEKTRUM*18 Zentralausstellung · Aula Carolina, Pontstraße 7-9 G 2018 2A&Z PROZITRON 28 Galerie Freitag 18.30 G Lothringerstr. 91 G Steinkaulstraße 11 3aachenstricktschön 29 Galerie gundolf b. G Kleinmarschierstrasse 48 G Eilfschornsteinstraße 10 4ARTCO Galerie 30 Galerie Hexagone G Seilgraben 31 G Schützenstraße 16 5Artikel 5 31 Galerie il quadro G Am Bahnhofplatz, Bahnhofstraße 33 G Theaterstraße 80 6Atelier + Galerie krr 32 Galerie Ramrath G Jakobstraße 192 G Pontstraße 22 7Atelier 21 33 Galerie.at. v. Monschau G Jülicher Straße 21 G Promenadenstraße 27 8Atelier Lake 34 GRAVIERANSTALT G Blücherplatz 15-27 G Raum f. Kunst+Musik, Ottostr. 85 9Atelier Pasch 35 IZM G im Tuchwerk, Strüverweg 116 G Intern. Zeitungsmuseum, Pontstr. 13 10 Ateliergem. Halle 1 36 KuKuK G Bachstr. 62 G Eupener Straße 420 G11 Atelierhaus Aachen e.V. G37 Kunst Schoenen Talstraße 2 / Depot Wilhelmstraße 103 12 August-Pieper-Haus 38 Kunst- und Verlagshaus G Leonardstraße 18-20 G de Bernardi, Couvenstraße 7a 13 A‘la cARTe 39 Kunsthaus NRW G Oppenhofallee 16 G Kornelimünster, Abteigarten 6 14 BBK in der Nadelfabrik 40 KunsTraum G Reichsweg 30 G Jakobsplatz 4 15 BBK Schaufenster Gal. 41 Logoi G Adalbertsteinweg 123 cd G Institut f. Philosophie..., Jakobstr. 25a 16 B i s m a r c k 3 5 42 Ludwig Forum Aachen G KunstWERTstatt, Bismarckstraße 35 G Jülicher Straße 97-109 17 Blauer Ezel, Galerie 43 Malwerkst. EigenArt F97 G Mathiashofstraße 2 G Friedrichstraße 97 18 Büchel-Museum 44 Neuer Aachener Kunstverein G in der Roten Burg, Büchel 14 G Passstraße 29 19 Burg Frankenberg 45 Produzentengalerie BB G Goffartstraße
Load more

Recommended publications
  • Visual Arts in the Urban Environment in the German Democratic Republic: Formal, Theoretical and Functional Change, 1949–1980
    Visual arts in the urban environment in the German Democratic Republic: formal, theoretical and functional change, 1949–1980 Jessica Jenkins Submitted: January 2014 This text represents the submission for the degree of Doctor of Philosophy (in partial fulfilment of its requirements) at the Royal College of Art Copyright Statement This text represents the submission for the degree of Doctor of Philosophy at the Royal College of Art. This copy has been supplied for the purpose of research for private study, on the understanding that it is copyright material, and that no quotation from this thesis may be published without proper acknowledgment. Author’s Declaration 1. During the period of registered study in which this thesis was prepared the author has not been registered for any other academic award or qualification. 2. The material included in this thesis has not been submitted wholly or in part for any academic award or qualification other than that for which it is now submitted. Acknowledgements I would like to thank the very many people and institutions who have supported me in this research. Firstly, thanks are due to my supervisors, Professor David Crowley and Professor Jeremy Aynsley at the Royal College of Art, for their expert guidance, moral support, and inspiration as incredibly knowledgeable and imaginative design historians. Without a generous AHRC doctoral award and an RCA bursary I would not have been been able to contemplate a project of this scope. Similarly, awards from the German History Society, the Design History Society, the German Historical Institute in Washington and the German Academic Exchange Service in London, as well as additional small bursaries from the AHRC have enabled me to extend my research both in time and geography.
    [Show full text]
  • Visual Saources in the History of Sports
    www.ssoar.info Visual Sources in the History of Sports: Potential, Problems, and Perspectives with Selected Examples of Sporting Art Krüger, Michael Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: GESIS - Leibniz-Institut für Sozialwissenschaften Empfohlene Zitierung / Suggested Citation: Krüger, M. (2018). Visual Sources in the History of Sports: Potential, Problems, and Perspectives with Selected Examples of Sporting Art. Historical Social Research, 43(2), 72-92. https://doi.org/10.12759/hsr.43.2018.2.72-92 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Diese Version ist zitierbar unter / This version is citable under: https://nbn-resolving.org/urn:nbn:de:0168-ssoar-57681-6 Visual Sources in the History of Sports: Potential, Problems, and Perspectives with Selected Examples of Sporting Art ∗ Michael Krüger Abstract: »Bildquellen in der Sportgeschichte: Möglichkeiten, Probleme und Perspektiven der Interpretation anhand ausgewählter Beispiele der bildenden Kunst«. The paper considers the relevance and use of a specific sort of visual source in sport history referred to as sporting art. After some theoretical reflec- tions on sport, sporting actions, and their perception and conversion by the media, the term sporting art is explained and discussed. Following, selected ex- amples are described, analyzed historically, interpreted and contextualized in detail. The focus is on examples of sporting art in Germany and the former German Democratic Republic.
    [Show full text]
  • Anti-Aircraft Fire Reports Circulate Ixermans;
    TUESDAT, SEFTEMBER 24.1940 rWELVB Average Dally Circulation flattrbrsinr Eohtfna XmDk For Um Moath of Aagaot, 1B4B plla h «v « been discovered wbo The iRmbiem Ghib Will hold a Emergency Doctors 6331 Music Lessons otherwise might not have been. public bridge at t^ .E lk a home in Plaao Olaeees Board Studies Membor of Uw Audit - iU>out Town RMkville tomorrow a^moon at Physicians of the Manchester In connection with instrumental HALE'S SELF SERVE Buieaa of OIrenlatloaa 2:30. Mra J. R. Morin^Mr8. Al­ Medical Assoctatlon who will instruction, many pupila have in­ bert Heller, Mrs. Harry Dowdlng, -respond to emergency calls to­ Again Planned quired as to the possibility of AnnualReport The Orijdnfil In New England! Mmiehstfsp—A Ctfy of VtUago Chwrnt piliM Emma Lou Kehl«r, daugh- Mra. Anna Wllleke, Mrs. Jepnle morrow afternoon are Dm. having piano classes formed in the K Mr. and Mm. T. B. Kehler Burke, Mra. W. Burke are the George Lundberg and Alfred ■ sch(X>ls. If any local teacher is in­ MANCHESTER, CONN., WEDNESDAY, SEPTEBIBER 25,1940 ^ B o U d atreet h u returned to Rockville members on the commit'*^ Sundqulst. ____* Sixty-fiveTupHs Are En­ terested in teaching piano classes AudHor^s Suggestions AND HEALTH MARKET VOL. LIX., NO. 304 (ClaaoMod AdvorttMug oa Pago 14) kaca College for the second year tee, and Mrs. John Wilson, Man- In the acbpola, he may apply in her dramatic studies. During . Chester. rolled Already in the writing to Mr. Pearson, ataU ^ hla Are Presented; Other '^tba summer Miss Kehler has been Parents of cnlldrer attending the Sunday school of the Kmanuel Elementary Grades.
    [Show full text]
  • East German Art Collection, 1946-1992
    http://oac.cdlib.org/findaid/ark:/13030/ft538nb0c2 No online items Guide to the East German art collection, 1946-1992 Processed by Special Collections staff; machine-readable finding aid created by Steven Mandeville-Gamble. Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 2002 The Board of Trustees of Stanford University. All rights reserved. Guide to the East German art M0772 1 collection, 1946-1992 Guide to the East German art collection, 1946-1992 Collection number: M0772 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Special Collections staff Encoded by: Steven Mandeville-Gamble © 2002 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: East German art collection, Date (inclusive): 1946-1992 Collection number: M0772 Extent: 21 linear ft. (ca. 1300 items) Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Provenance Purchased, 1995. Preferred Citation: East German art collection. M0772. Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. Historical note The collection was put together by Jurgen Holstein, a Berlin bookseller.
    [Show full text]
  • Programme Forum for Academic Freedom by the Alliance of Science Organisations in Germany
    SCHOLARS AT RISK NETWORK GERMANY SECTION Programme Forum for Academic Freedom by the Alliance of Science Organisations in Germany Supporting the Career Development of Researchers at Risk 18 – 19 March 2019, Berlin 2 | Table of Contents Welcome | 3 Table of Contents Welcome Welcome ............................................................................................................................... 3 Dear guests, Alliance of Science Organisations in Germany .......................................................................... 4 On behalf of the Alexander von Humboldt Foundation, it is my great pleasure to welcome you to the 2019 Forum for Academic Freedom. Convened in cooperation with the Alliance of Science Organisations in Germany and the Scholars at Risk Germany Section, the Forum Agenda & Supporters ............................................................................................................. 5 brings 250 participants from over 20 countries to Berlin to discuss the state of academic freedom in various regions of the world, foster exchange among and about scholar rescue programmes, and examine the imposing challenge of re-building sustainable perspectives for Conference Venue .................................................................................................................. 6 scholars who were forced from their laboratories, their desks, their homes. Programme ........................................................................................................................... 8 At the
    [Show full text]
  • Directories and Lists Jewish National Organizations in the United States
    DIRECTORIES AND LISTS JEWISH NATIONAL ORGANIZATIONS IN THE UNITED STATES *Indicates no reply was received Agudath Israel Youth Council of America Org. Sept., 1922. OFFICE: 616 Bedford Ave., Brooklyn, N. Y. Seventeenth Annual Convention, Oct. 21-22, 1939, New York City. Members, 1,500. PURPOSE: TO unite Jewish youth in the spirit of the Torah and in that spirit to solve the problems that confront Jewry in Palestine and in the Diaspora. OFFICERS: Hon. Pres., Isaac Strahl, 170 Broadway, N. Y. C; Pres., Michael G. Tress; Vice-Pres., Eli Basch; Leonard Willig; Treas., Charles Klein; Sec, Benjamin Hirsch. PUBLICATION: Agudah News. Aleph Zadik Aleph (Junior B'nai B'rith.) Org. May 3, 1924. OFFICE: 1003 K, N. W., Washington, D. C. Sixteenth Convention, June 21-28, 1939, Port Jervis, N. Y. Chapters, 310. Members, 8,500; 9,000 alumni. PURPOSE: Recreational and leisure-time program providing for the mental, moral and physical development of Jewish adolescents between the ages of 15 and 21. OFFICERS: Supreme Advisory Council: Pres., Sam Beber, Omaha, Neb.; Vice-Pres., Jacob J. Lieberman, Los Angeles, Cal.; Joseph Herbach, Philadelphia, Pa.; Treas., I. F. Goodman, San Antonio, Tex.; Exec. Sec, Julius Bisno, Washington, D. C; Asst. Exec. Sec, Ben Barkin, Washington, D. C.; Stanley Rabinowitz, Des Moines, la.; Lowell Adelson, Oakland, Cal.; Hyman Haves, New Haven, Conn.; Leo Bearman, Memphis, Tenn.; Alfred M. Cohen, Cincinnati, O.; Wilfred B. Feiga, Worcester, Mass.; Sidney Kusworm, Dayton, O.; Henry Monsky, Omaha, Neb.; Maurice Bisyger, Washington D. C.; Hyman M. Goldstein, Washington, D. C.; Nicholas M. Brazy, Ft. Wayne, Ind.; Walter Hadel, Los Angeles, Cal.; Jack Spitzer, Holly- wood, Cal.
    [Show full text]
  • Trojan Trivia
    TROJAN TRIVIA AFTER TIES — USC is 36-14-4 in games immediately following a tie. The director. Producers Hilton Green (a team manager) and Barney Rosenzweig (a Trojans have won the last 13 contests they have played after a tie, dating to Yell Leader) also were associated with the Trojan football program . 1968. HOMECOMING — USC has a 55-24-4 record in its Homecoming games, ARTIFICIAL TURF — USC is 22-11-1 in its last 34 games on artificial turf. dating back to the first such event in 1924. AUGUST RECORD — USC has a 5-2 (.714) all-time record while playing HOME JERSEYS — USC wore its home cardinal jerseys for the 2000 Kick- in the month of August. off Classic against Penn State (even though Troy was the visiting team) and for its BIG TEN COMPETITION — USC has won 27 of its last 35 games (and 34 1999 game at Hawaii (at the request of the Rainbows). Before that, the last time of its last 43) against Big Ten opponents. USC has twice played 3 consecutive USC wore cardinal in an opponent's stadium was against UCLA in the Rose Bowl games against Big Ten teams: Northwestern in the 1996 Rose Bowl, then Penn in 1982. By the way, the last time USC wore its road white jerseys at the Coli- State and Illinois in 1996, and Indiana in the 1968 Rose Bowl, then Minnesota seum was the 1960 Georgia game, because the Bulldogs only had red jerseys in and Northwestern in 1968. There have been 5 times (1962-68-72-76-89) when those days (USC also wore white jerseys at home on a regular basis during the USC has faced 3 Big Ten teams during a single season, but not consecutively.
    [Show full text]
  • PRESS KIT Behind the Mask: Artists in the GDR Press Conference On
    PRESS KIT Behind the Mask: Artists in the GDR Press conference on October 26, 2017, at 11 am On the panel: Ortrud Westheider, Director, Museum Barberini Michael Philipp, curator, Museum Barberini Valerie Hortolani, guest curator, Museum Barberini Johanna Köhler, Head of Marketing and PR, Museum Barberini followed by a tour of the exhibition CONTENTS 1. Press release Behind the Mask: Artists in the GDR (pages 2) 2. Facts & figures on the exhibition Behind the Mask: Artists in the GDR (pages 4) 3. Facts & figures on the Museum Barberini collection (page 7) 4. Interview Johanna Pfund (Süddeutsche Zeitung) with Prof. Hasso Plattner on the Museum Barberini collection (pages 8) 5. Press release on the Palace Gallery (pages 10) 6. Publications (page 12) 7. Room notes Behind the Mask: Artists in the GDR (pages 13) 8. Summary of Palace Gallery documentation (pages 15) 9. Digital Visitors’ Book (page 18) 10. Press photos and credits for Behind the Mask: Artists in the GDR (pages 19) 11. Press photos and credits for Palace Gallery documentation (page 22) 12. Sources of loans to Behind the Mask: Artists in the GDR (pages 23) 13. What else is on at the Museum Barberini? (page 25) 14. Events (pages 26) 15. Advance notice: Max Beckmann: World Theater and other exhibitions in 2018 (pages 33) Addition: Complete list of works in Behind the Mask: Artists in the GDR Complete list of works in Palace Gallery documentation Wifi network: Presse; password: Presse285 Visuals available for download in optimized print quality via the link: www.museum-barberini.com/presse Johanna Köhler Museum Barberini gGmbH T +49 331 236014-305 Leiterin Marketing und PR/ Friedrich-Ebert-Str.
    [Show full text]
  • In Woodbridge
    THE MIDDLESEX COUNTY Serving Woodbridge Township, Carteret and Edison ttnttni u M Out Mil At .P. 0. Woodbhdi*. N. J. Published Wtekl; Woodbridge, New Jersey, October 1, 1969 On Wednesday TEN CENT3 Half Century of Service These are The Facts! (An Editorial) Landfill Site Being It has often been said that "prac- for us — and good enough for most Our Woodson Mosley tical politics consists in ignoring of the people in the First Ward. facts." We have known Joe Somers for In our humble opinion the facts more than three decades and al- Turned Into 15-Acre were entirely ignored when a story though this expression may be some- Marks His 50th Year appeared in another newspaper, quoting "a reliable source", that Jo- what old fashioned, Joe Somers' seph P. Somers, candidate for First word is as good as his bond. Ward Councilman, intended to step Whether you are a Democrat or a Park, Says Barone down from office if elected to be re- Republican. Those of you who know With the Leader-Press the First Ward candidate — and WOODBR1DCK - The Wood placed by John Zennario, chairman they are a legion — know that his bridge garhqse dump off upper of the Planning* Board. Nothing Main Street is now m the pro could be farther from the truth. background is one of integrity and 'Figment of ccs of heinc turned into IS acrt Incidently that "Reliable Source" sincerity. He is not the kind of man park, Mayor Ralph P. Baron* is a pretty overworked guy. He must to lie — the truth is bred in him.
    [Show full text]
  • India's Relations with the P.D.R. and G.D.R, SHAUKAT
    India's Relations with the P.D.R. and G.D.R, 1958-1970 THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE BY SHAUKAT ALI Under the supervision of OR. S. A. H. BILGRAMI DEPARTMENT OF POLITICAL SCIENCE ALIGARH MUSLIM UNIVERSITY ALIGARH 1983 T2807 Phones Public :3377 University 266 S. A. H. BILGRAMI CHAIRMAN Ph. D. DEPARTMENT OF POLITICAL SCIENCE DOCTORATE DES SCIENCES PoLiTtquEs ALIGARH MUSLIM UNIVERSITY, ALIGARH 1Q.11.1S83 This lo to cortify thnt ahnulmt All hio comnlotod bis roaonrch undor 'ly OOTDrvitJlon and th-».t Ms thotsls ortltlsa •Inali'D nol'>tiors \-ith Gi^It nnd riiHj 3£)58-70j la, ry 05)inion, euitnblo for subrJ.i»sion for tho doEroe of Doctor of Phllosoi>hy (Ph.D.) IT JS MGMTTBO that there ie a Blight inaccuraoy in the tttJe of the theeia FUG ( federal Republic of Oemeny J te mentioned fM» fkie hm happened due to tjjpino error and 4.aa approved ae mch by th9 appropriate mthorities of the Univeroityp Khich could not be corrected at the tine of submissionrn ERMfiCE AS a atudent o£ PoliticaX science Z h^cmm interested in dhiG stu<3y o£ International Relatione and was attracted to stu<^ che relations between India and ttie two Qmxmm states* Botii the nations have faced aimilar situation in the wake of the world War II» They e35>erienced partition, followed by the problem o£ millions o£ Afugees* Both have tonftwescahlish their economy and indULStryl Germans, after the destruction daring the war, and India after colonial exploitation* 'ilie two nations have to re-strucl^ire their political and econouilc
    [Show full text]
  • The Exhibitionist No
    THE EXHIBITIONIST NO. 10 / JOURNAL ON EXHIBITION MAKING / OCTOBER 2014 THE EXHIBITIONIST OVERTURE CURATORs’ FAVORITES BACK IN THE DAY MISSING IN AcTION ATTITUDE ASSESSMENTS RIGOROUS RESEARCH SIX x SIX REAR MIRROR USD 15 EUR 10 GBP 10 10 NO. 10 / JOURNAL ON EXHIBITION MAKING / OCTOBER 2014 10 The Exhibitionist NO. 10 OCTOBER 2014 CONTENTS Overture Jens Hoffmann, Julian Myers-Szupinska, and Lumi Tan 3 Curators’ Favorites Dominic Willsdon Architecture Versus the Kids 5 Wassan Al-Khudhairi Forceful Change 8 Matthias Muehling Not My Favorite 11 Back in the Day Geir Haraldseth The Lost Tribes of the Moderna: A Discord from 1969 14 Missing in Action Jan Hoet L’Exposition imaginaire— Cindy Sherman Contradiction in terms? 22 Untitled (Secretary), 1978/1993 Sepia-toned photograph Introduced by Chelsea Haines Attitude Martin Waldmeier “I Propose, Therefore I Am”: Notes on the Art World’s Proposal Economy 28 Assessments: Philippe Parreno’s Anywhere, Anywhere Out of the World Florence Ostende One Brain Cannot Take It All 35 Pierre-François Galpin Paris Spleen 36 Anne Dressen Ménage à trois 38 Liam Gillick How-To 47 Rigorous Research Prem Krishnamurthy Selling Socialism: Klaus Wittkugel’s Exhibition Design in the 1950s 49 Six x Six Zoe Butt, Nazli Gürlek, Daniel Muzyczuk, Remco de Blaaij, Patrick D. Flores, Nicolaus Schafhausen 61 Rear Mirror Johanna Burton and Anne Ellegood Too Much, Never Enough: Take It or Leave It: Institution, Image, Ideology 75 Sofía Hernández Chong Cuy Of Whether and Weather: On the 9a Bienal do Mercosul | Porto Alegre 75 The Exhibitionist RIGOROUS RESEARCH SELLING SOCIALISM: KLAUS WITTKUGEL’s EXHIBITION DESIGN IN THE 1950s Prem Krishnamurthy For the artists of the 20th-century European avant-garde, exhibition design played a crucial role.
    [Show full text]
  • Gold Control Plan Boosts Stock Prices
    ' VJ ‘/u Y / , ,', I « v f ^T'“ \ AVDIACa CnOULAtlOlf tar Ik* M*Blk t t H H —rtiir, Iftt 5,246 MANCHEStER, CONN., MONDAY, OCTOBER 23, 1988. (TWELVE PAGES) VOL. U IL, NO. 19. Silk Strikers Searched After Battle With Police PRESIDENT SIGNS GOLD CONTROL PLAN RETAILERS’ CODE ' ' ' P BOOSTS STOCK PRICES Goes Into Effect Week from STATE’S TRUCKMEN Shares Jump $1 to $5 at j -v V ■< Today— Storekeepers in ""iVf - ' ^ Europe Sees a Move PRESENT DEMANDS Opening — Observers Say f > Towns of 2,500 Popnla- « ■ For Sound U, 5. Money Inflation WiO Be Stopped tiop^or Less Exempted. First Meeting of Arbitradon ‘■J/ ' When Prices Reach De­ By ASSOCIATED PRESS ^stablllzatlMx in the plan, one of them Committee Is Held in The announcement of President describin]Ing it Ias a rejection of in- W aahington, Oct. 23. — (A P ) — flatlon w ith " an Inflationary bubble Roosevelt that the United States sired Level— Is Step in President Roosevelt signed the code Hartford Today. y i- y* broken. for the retail stores just before mid­ ~ t' ' would go into the market for the Comment was lacking In Berlin, -..x-v pending a more complete report of Direction of Sound Money. night last night, with an exemption /V-> vv ' purchase of gold was interpreted in some foreign capitals as an the President’s remarks. to the little store keepers in towns H artford , O c t 23.— ( A P ) — The S rf '■'ll®'* indication that America had de­ The Slvening Standard in London o f 2,500 or less. first meeting of the arbitration com­ cided upon stabiUzatton on a sound was sympathetic, saying that “a By Associated Press The act made it possible for the Hands In air, silk mill strikers are shown here, undwgdng search for weapons, after they were routed in a money basis.
    [Show full text]