Racist Groups Use Computer Gaming to Promote Hate
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Deafening Hate the Revival of Resistance Records
DEAFENING HATE THE REVIVAL OF RESISTANCE RECORDS "HATECORE" MUSIC LABEL: COMMERCIALIZING HATE The music is loud, fast and grating. The lyrics preach hatred, violence and white supremacy. This is "hatecore" – the music of the hate movement – newly revived thanks to the acquisition of the largest hate music record label by one of the nation’s most notorious hatemongers. Resistance Records is providing a lucrative new source of revenue for the neo-Nazi National Alliance, which ADL considers the single most dangerous organized hate group in the United States today. William Pierce, the group's leader, is the author of The Turner Diaries, a handbook for hate that was read by convicted Oklahoma City bomber Timothy McVeigh prior to his April, 1995 bombing attack. The National Alliance stands to reap thousands of dollars from the sale of white supremacist and neo-Nazi music. Resistance Records, which has had a troubled history, has been revitalized since its purchase last year by William Pierce, leader of the National Alliance. Savvy marketing and the fall 1999 purchase of a Swedish competitor have helped Pierce transform the once-floundering label into the nation’s premiere purveyor of "white power" music. Bolstering sales for Resistance Records is an Internet site devoted to the promotion of hatecore music and dissemination of hate literature. Building a Lucrative Business Selling Hate Since taking the helm of Resistance Records after wresting control of the company from a former business partner, Pierce has built the label into a lucrative business that boasts a catalogue of some 250 hatecore music titles. His purchase of Nordland Records of Sweden effectively doubled the label’s inventory to 80,000 compact discs. -
Mobilizing White Power
1 MOBILIZING WHITE POWER Music, Culture, and Politics here’s a whole other genre of music out there that no one ever “Thears about and its [sic] real powerful, especially at that awkward stage where no one exactly knows who they are.”1 This California teen- age skin girl is talking about white power music. Resistance Records, once the major distributor in the United States, has dubbed white power music “the soundtrack to the white revolution.”2 Mainstream Americans recently heard more about white power music due to sev- eral high-proÀle hate crimes. Wade Michael Page, the 2012 Sikh Temple shooter, played in multiple white power bands and belonged to Ham- merskin Nation, a racist skinhead group known for its annual music festivals. Paul Craig Cobb, the internationally known white suprema- cist arrested for terroristic threats in Leith, North Dakota, planned to host white power music festivals on his rural land.4 Anders Behring Breivik, who committed the July 2011 terrorist attack on a socialist labor party camp in Norway, also enjoyed white power music, though he reportedly preferred hip hop.5 They are only a few of the individu- als, many of them teenagers, radicalized by white power music often accessed over the Internet. The importance of white power music for an expanding network of white supremacists across the globe should come as no surprise. However, the role of music in politics generally receives too little 1 © 2016 State University of New York Press, Albany 2 TRENDY FASCISM attention from scholars, politicians, and citizens—and white power music is no exception. -
The Sounds of Hate: the White Power Music Scene in the United
The Sounds of Hate The White Power Music Scene in the United States in 2012 The recent tragic shooting spree at the Sikh temple in Oak Creek, Wisconsin, in which Wade Michael Page killed six people before killing himself after a shootout with police, has drawn attention to the shadowy world of white power music. Page, a committed white supremacist and member of the Hammerskins, a hardcore racist skinhead group, was heavily involved in the white power music scene in the United States. He played in a number of white power bands over the previous 12 years, most prominently the bands Definite Hate and End Apathy. Page was just one of hundreds of white supremacist musicians listened to by thousands of white supremacists in the United States and beyond. Today, white power music permeates the subculture of the white supremacist movement. Not all white supremacists enjoy white power music, but many of them do, especially neo-Nazis and racist skinheads. For listeners, white power music is not simply entertainment. It is music with a message, a medium used to express an ideology suffused with anger, hatred and violence. 1 WHITE POWER MUSIC IN THE UNITED STATES Today, white power music is well established in the United States, where it has existed for three decades. Hate music arose originally in Great Britain in the 1970s as the skinhead subculture that originated there diverged into two different streams: a traditional skinhead stream and a racist skinhead stream. As racist skinheads emerged, they created a white supremacist variation of the skinhead-related music genre called Oi! (sometimes also known by the Attendees at Plunder and Pillage 2011 deliberate euphemism “Rock against Communism” or RAC). -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Angry Aryans Bound for Glory in a Racial Holy War: Productions of White Identity in Contemporary Hatecore Lyrics
Angry Aryans Bound for Glory in a Racial Holy War: Productions of White Identity in Contemporary Hatecore Lyrics Thesis Presented in Partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Roberto Fernandez Morales, B.A. Graduate Program in Sociology The Ohio State University 2017 Thesis Committee: Vincent Roscigno, Advisor Hollie Nyseth Brehm Eric Schoon Copyright by Roberto Fernandez Morales 2017 Abstract The Southern Poverty Law Center reports that, over the last 20 years, there has been a steady rise in hate groups. These groups range from alternative right, Neo Confederates, White Supremacist to Odinist prison gangs and anti-Muslim groups. These White Power groups have a particular race-based ideology that can be understood relative to their music—a tool that provides central recruitment and cohesive mechanisms. White supremacist rock, called Hatecore, presents the contemporary version of the legacy of racist music such as Oi! and Rock Against Communism. Through the years, this genre produces an idealized model of white supremacist, while also speaking out against the perceived threats, goals, and attitudes within white supremacist spaces. In this thesis, I use content analysis techniques to attempt to answer two main questions. The first is: What is the ideal type of white supremacist that is explicitly produced in Hatecore music? Secondly, what are the concerns of these bands as they try to frame these within white supremacist spaces? Results show that white supremacist men are lauded as violent and racist, while women must be servile to them. Finally, white supremacist concerns are similar to previous research, but highlight growing hatred toward Islam and Asians. -
Bormpoudakis Dalakoglou Bloodshed Must Be Done
VU Research Portal ‘And Bloodshed Must Be Done’: Heavy metal and neo-Nazism in Greece Bormpoudakis, Dimitris; Dalakoglou, Dimitris published in Journal of Greek Media and Culture 2021 DOI (link to publisher) 10.1386/jgmc_00026_1 document version Publisher's PDF, also known as Version of record document license Other Link to publication in VU Research Portal citation for published version (APA) Bormpoudakis, D., & Dalakoglou, D. (2021). ‘And Bloodshed Must Be Done’: Heavy metal and neo-Nazism in Greece. Journal of Greek Media and Culture, 7(1), 27-48. https://doi.org/10.1386/jgmc_00026_1 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 01. Oct. 2021 JGMC 7 (1) pp. 27–48 Intellect Limited 2021 Journal of Greek Media & Culture Volume 7 Number 1 © 2021 Intellect Ltd Article. English language. https://doi.org/10.1386/jgmc_00026_1 Received 18 January 2020; Accepted 19 June 2020 DIMITRIOS BORMPOUDAKIS University of Kent DIMITRIS DALAKOGLOU Vrije Universiteit Amsterdam ‘And Bloodshed Must Be Done’: Heavy metal and neo- Nazism in Greece ABSTRACT KEYWORDS This article explores the genealogy of the relationship between the discourses heavy metal promoted in the heavy metal music press and neo-Nazi publications in Greece neo-Nazism since the 1980s. -
Racists on the Rampage
law SKINHEADenforcement specialS I reportN AMERICA RACISTS ON THE RAMPAGE INCLUDES: Racist Skinhead Movement History • Timeline • Glossary • Portraits • Symbols • Recent Developments SKINHEADA Publication of the SouthernS IN PovertyAMERICA Law Center RACISTS ON THE RAMPAGE Racist Skinhead Movement History • Timeline • Glossary Portraits • Symbols • Recent Developments a publication of the southern poverty law center KEVIN SCANLON SKINHEADS IN AMERICA Racist skinheads are one of the potentially most dangerous radical-right threats facing law enforcement today. The products of a frequently violent and criminal subculture, these men and women, typically imbued with neo-Nazi beliefs about Jews, blacks, ho- mosexuals and others, are also notoriously difficult to track. Organized into small, mo- bile “crews” or acting individually, skinheads tend to move around frequently and often without warning, even as they network and organize across regions. For law enforcement, this poses a particular problem — responding to crimes and even conspiracies crossing multiple jurisdictions. As these extremists extend their reach across the country, it is vital that law enforcement officers who deal with them become familiar with the activities of skinheads nationwide. What follows is a general essay on the history and nature of the skinhead movement, pre- pared with the needs of law enforcement officers in mind. After that, we reprint recent reports on the contemporary skinhead movement in America, including an overview of the latest developments, portraits of 10 particularly frightening leaders, and a gallery of insignias and tattoos commonly used by racist skinheads. This booklet was prepared by the staff of the Southern Poverty Law Center’s Intelligence Project, which tracks the American radical right and also publishes the investigative magazine Intelligence Report. -
The Rise of the New White Nationalism in America Megan Padgett [email protected]
University of Washington Tacoma UW Tacoma Digital Commons History Undergraduate Theses History Winter 3-10-2019 The Rise of the New White Nationalism in America Megan Padgett [email protected] Follow this and additional works at: https://digitalcommons.tacoma.uw.edu/history_theses Part of the Political History Commons, and the United States History Commons Recommended Citation Padgett, Megan, "The Rise of the New White Nationalism in America" (2019). History Undergraduate Theses. 37. https://digitalcommons.tacoma.uw.edu/history_theses/37 This Undergraduate Thesis is brought to you for free and open access by the History at UW Tacoma Digital Commons. It has been accepted for inclusion in History Undergraduate Theses by an authorized administrator of UW Tacoma Digital Commons. The Rise of the New White Nationalism in America. A Senior Paper Presented in Partial Fulfillment of the Requirement for Graduation Undergraduate History Program of University of Washington Tacoma By Megan Padgett University of Washington Tacoma Winter Quarter 2019 Advisor: Dr. Julie Nicoletta Acknowledgements I would like to show my gratitude to the entirety of the University of Washington Tacoma history faculty for helping prepare me to write this paper, as well as for preparing me for the next stage in my life and education. A special thanks to William Burghart, my history research professor, for his patience and guidance throughout, and after his class as I navigated this paper and its topic. Another special thanks to Julie Nicoletta, my thesis advisor for her assistance in making this paper the best it can be. Of course, I must mention my U.S. -
Neo-Nazi Music Subculture
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/320507395 Neo-Nazi Music Subculture Chapter · October 2017 CITATIONS READS 0 378 2 authors: Steven Windisch Pete Simi University of Nebraska at Omaha Chapman University 17 PUBLICATIONS 12 CITATIONS 58 PUBLICATIONS 535 CITATIONS SEE PROFILE SEE PROFILE Some of the authors of this publication are also working on these related projects: Leadership of the Extreme and Dangerous for Innovative Results (LEADIR) View project Recruitment and Radicalization among US Far-Right Terrorists View project All content following this page was uploaded by Steven Windisch on 19 October 2017. The user has requested enhancement of the downloaded file. 11 Neo-Nazi Music Subculture 11 Neo-Nazi Music Subculture Steven Windisch and Pete Simi Introduction The U.S. white supremacist movement is comprised of multiple overlapping groups such as the Ku Klux Klan, neo-Nazis, Christian Identity, racist skinheads, Posse Comitatus, and segments of the antigovernment militia, patriot, and sovereign citizen movements (Blee, 2002; Simi, 2010). White supremacists are not defined by a formal cohesive structure but, rather, are characterized by numerous groups and individuals scattered throughout the U.S. and abroad. Although there are differences among the various branches in the white supremacist movement, they typically agree on several core tenets (Burris, Smith and Strahm, 2000). One of the most pervasive is the belief that the Aryan race is being polluted by race mixing and multiculturalism. In this way, white supremacists see themselves as victims of a world that is on the threshold of racial conflict (Blee, 2002). -
Willis Carto
Willis Carto This document is an archived copy of an older ADL report and may not reflect the most current facts or developments related to its subject matter. INTRODUCTION Willis Carto has been one of the most influential American anti-Semitic propagandists of the past 50 years. Since emerging as a right-wing organizer in San Francisco in the early 1950s, he has been associated with nearly every significant far-right movement in the country, from neo-Nazism to militias, segregationism to Holocaust denial. Known for his reclusiveness, he has founded and overseen from behind the scenes an intricate network of bigotry whose outlets have included Liberty and Property, Western Destiny, the Noontide Press, American Mercury, National Youth Alliance, the Institute for Historical Review, the Populist Party and, most notably, Liberty Lobby. In 2001, both Carto and Liberty Lobby were bankrupted after Carto lost a long court battle with the Institute for Historical Review (which broke with him in 1993). His editorial staff at Liberty Lobby's now-defunct Spotlight, the most widely read publication on the fringe right, resumed publication under the title American Free Press in August 2001, however. And while Carto is in his 70s and financially constrained, his energy for purveying paranoia and hatred appears to be undiminished. Year of birth: 1926 Headquarters: Washington, D.C. (Carto's home is in Escondido, California) Ideology: Anti-Semitism, racial determinism, conspiratorial anti-government, Holocaust denial Background: Carto has founded and been involved with dozens of far-right organizations and front groups. These include: Congress of Freedom, Liberty and Property, Liberty Lobby, John Birch Society, National Youth Alliance, Institute for Historical Review, Populist Party Publications: Defunct: Right, Western Destiny, Liberty Letter, Washington Observer, American Mercury, The Spotlight, IHR Newsletter, Journal for Historical Review. -
Exploring the Use of Hatecore Song Lyrics As a Recruiting Strategy by The
O som do ódio: explorando o uso das letras da música hatecore como estratégia de recrutamento pelo Movimento da Força Branca* DOI 10.1590/1809-584420147 Belio Antonio Martinez Jr.** Andy Selepak*** Resumo Este estudo utiliza a “Grounded Theory” para examinar o uso de letras de músicas hatecore como uma Comunicação estratégica para difundir ideologia skinhead. Os resultados indicam que as letras retratam as minorias étnicas e religiosas, e os homossexuais como inferiores e subumanos. Os judeus, o governo e os brancos que se opõem à ideologia skinhead são descritos como parte do problema. As letras são usadas para recrutar brancos marginalizados para o movimento, definindo- -os como impotentes e perdendo poder enquanto “outros” o ganham. Também os recrutam por meio de mensagens positivas de orgulho racial branco. Como acontece com outros movimentos sociais, os resultados indicam que o poder de- sempenha um papel central na definição do problema que enfrentam os brancos marginalizados, a causa dos problemas, e as soluções prescritas encontradas nas letras das músicas hatecore. Palavras chave: Comunicação Estratégica. Movimento Social. Música hatecore. Skinheads racistas. Poder. * Tradução de Cristiano Chiarello e Claudia Assis. ** Professor adjunto doutor em Comunicação pela Faculdade de Jornalismo e Comunicações da Universidade de Flórida (UF), Gainesville-Flórida, EUA. Pes- quisador visitante em Comunicação para Desenvolvimento Social do Programa de Estudos de Pós-Graduados em Marketing e Comunicação da Escola de Co- municação e Artes (ECA), da Universidade de São Paulo (USP), São Paulo-SP. E-mail: [email protected] *** Professor adjunto doutor e diretor do Programa de Mestrado em Medias So- ciais da Faculdade de Jornalismo e Comunicações da Universidade da Flórida, Gainesville-Flórida, EUA. -
Hate and the Internet," ABC Nightline, January 13, 1998, Transcript #980 1 130 1-J07
AND THE INTERNET Kenneth S. Stern c. THE AMERICAN JEWISH COMMITTEE Kenneth S. Stern is the American Jewish Committee's expert on antisemitism and extremism. © 1999 The American Jewish Committee All rights reserved TABLE OF CONTENTS Introduction II Chapter One: 1980s and 1990s up to the Oklahoma City Bombing 1 Chapter Two: Web sites of Hate 6 Chapter Three: Combating Hate on the Internet: Law Enforcement 17 Chapter Four: Combating Hate on the Internet: The Problem With "Quick Fixes" 23 Chapter Five: Combating Hate on the Internet: Education 27 Chapter Six: Combating Hate on the Internet: On-Line Approaches 33 Chapter Seven: Using the Internet to Fight Hate In the Real World 38 Conclusion 42 Acknowledgments 46 Endnotes 47 11 "Forten or twenty dollars a month, you can have a potential audience of tens of millions of people. There was a time when these folks were stuck surreptitiously putting fliers under your windshield wiper. Now they are taking the same material and putting it on the Internet." —KenMcVay INTRODUCTION Visit any archive on hate and extremism and you will find a treasure trove of books, newspapers, magazines and newsletters. If you are lucky enough to find original mailers, many will be plain brown or manila wrappings, designed to protect the recipient from inquisitive neighbors and postal workers. If the archive includes material from the 1 980s and early 1 990s, it likely contains videotapes and radio programs, maybe even dial-a-hate messages from "hot line" answering machines. It may also house faxed "alerts" that were broadcast togroup members with the push of one button, in place of old-fashioned telephone "trees." Supporters of the Branch Davidians at Waco used faxes, as did groups involved in some militia confrontations.