Art and Terror
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MEDIA RELEASE Thomas Demand 'Daily Show' 26 September – 13
MEDIA RELEASE Thomas Demand ‘Daily Show’ 26 September – 13 December 2015 21 Woodlands Terrace, Glasgow, G3 6DF Exhibition preview on Friday 25 September, 6 - 8pm Exhibition open: Wednesday – Sunday 12pm – 5pm, until 7pm on Thursday and by appointment. The Common Guild is delighted to announce its next exhibition of 2015: a new solo presentation by renowned German artist, Thomas Demand, one of the most distinctive artists of his generation. The exhibition will include new and recent works from Demand’s series ‘The Dailies’, presented in an installation devised specially for the particular nature of the spaces at The Common Guild and involving a new wallpaper. ‘The Dailies’ is a project that calls to mind the extent to which photography has in recent times become a commonplace, daily and social pursuit – a note-taking, diary-like practice for so many. While the exhibition as a whole prompts questions about the compulsion to make images as well as the contemporary relevance and use of photography. ‘Daily Show’ is an exhibition that sits resolutely in the context of the exponential growth in online image sharing, which now sees thousands of images uploaded to social media sites every second. Demand’s works have often been based on images in widespread circulation, whether in mainstream news media or online, what critic Hal Foster has aptly described as “our shared media memory”. They have included many significant scenes, from the Oval Office to Saddam Hussein’s last hiding place. ‘The Dailies’, however, find their origins in less historic places: for each is based on a photograph taken on Demand’s mobile phone. -
DAN PERJOVSCHI to CREATE SITE-SPECIFIC WALL DRAWING for Moma’S PROJECTS SERIES
DAN PERJOVSCHI TO CREATE SITE-SPECIFIC WALL DRAWING FOR MoMA’S PROJECTS SERIES Drawings on Atrium Wall Will Reflect Current Social and Political Events Projects 85: Dan Perjovschi WHAT HAPPENED TO US? May 2–August 27, 2007 The Donald B. and Catherine C. Marron Atrium, second floor NEW YORK, April 11, 2007—The Museum of Modern Art presents Projects 85: Dan Perjovschi, WHAT HAPPENED TO US?, a site-specific wall drawing for the east wall of The Donald B. and Catherine C. Marron Atrium, as part of the Museum’s ongoing Projects series. For his first solo museum exhibition in the United States, Perjovschi (Romanian, b. 1961)—who has transformed the medium of drawing, making it an object, a performance, and an installation—will spontaneously draw witty and incisive social and political images in response to current events, allowing global and local affairs to inform the final result. Beginning on April 19, he will start drawing on the wall while the Museum is open to the public, allowing visitors to observe the creation of the work. The project is accompanied by a free newspaper created by the artist. A discussion with the artist about his work will be held on April 25 in The Celeste Bartos Theater. Projects 85, on view May 2 through August 27, is organized by Roxana Marcoci, Curator, Department of Photography, The Museum of Modern Art. “Perjovschi’s sketches and skits portray reality with a sense of criticality and pointed humor. Using concise phrases and wordplay, he employs textual puns in his work. This is clear in the work's rhetorical title, WHAT HAPPENED TO US?, in which ‘US’ may refer to either the pronoun ‘us’ or the noun ‘United States of America’,” states Ms. -
Thomas Demand
How to create an impactful side project: Get your tickets for May’s Nicer Tuesdays Online! How to create an impactful side project: Get your tickets for May’s Nicer Tuesdays Online! Championing Creativity Search for something Categories Since 2007 Words Ruby Boddington Photography Damien “My pictures give you an image of Maloney — your future memory”: Thomas 20 May 2019 10 minute read Demand in conversation with It’s In Conversation Nice That Features Art Photography Portrait Sculpture Welcome to the first of our brand new series, In Conversation, a new fortnightly interview with a leading light from the world of creativity. Every other Monday, we’ll publish a new Q&A here on It’s Nice That. Today, for the first instalment, we sent our writer Ruby Boddington to Paris to meet the Los Angeles-based German artist Thomas Demand. “The Louvre, the Centre Pompidou, these galleries are all great but places like Palais de Tokyo are the most exciting. And it has a great bookshop.” This was what Thomas Demand told me to do with my afternoon in Paris after our interview at the city’s Hôtel Lutetia. “What about the Eiffel Tower?” I asked. He responded: “It looks the same as in the photos.” It’s a particularly funny comment coming from Thomas Demand, a man whose work is concerned with exactly that: making things look, in photographs, exactly the same as they do in real life. A German-born sculptor and photographer who now splits his time between Berlin and Los Angeles, Thomas recreates famous scenes from current affairs, to scale and in breathtaking detail and accuracy – entirely out of paper. -
Review of Sarah Colvin. Ulrike Meinhof and West German Terrorism: Language, Violence, and Identity
Xavier University Exhibit Faculty Scholarship Modern Languages 5-2011 Review of Sarah Colvin. Ulrike Meinhof and West German Terrorism: Language, Violence, and Identity. Rochester: Camden House, 2009. Jamie Trnka Follow this and additional works at: https://www.exhibit.xavier.edu/modern_languages_faculty Recommended Citation Trnka, Jamie, "Review of Sarah Colvin. Ulrike Meinhof and West German Terrorism: Language, Violence, and Identity. Rochester: Camden House, 2009." (2011). Faculty Scholarship. 5. https://www.exhibit.xavier.edu/modern_languages_faculty/5 This Book Review is brought to you for free and open access by the Modern Languages at Exhibit. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Exhibit. For more information, please contact [email protected]. German Studies Association Review Reviewed Work(s): Ulrike Meinhof and West German Terrorism: Language, Violence, and Identity by Sarah Colvin Review by: JAMIE H. TRNKA Source: German Studies Review, Vol. 34, No. 2 (May 2011), pp. 468-469 Published by: The Johns Hopkins University Press on behalf of the German Studies Association Stable URL: https://www.jstor.org/stable/41303778 Accessed: 25-11-2019 15:56 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. -
Revisiting Zero Hour 1945
REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs. -
Rote Armee Fraktion (RAF)
Hellmut O. Brunn, Thomas Kirn. Rechtsanwälte - Linksanwälte: 1971 bis 1981 - Das Rote Jahrzehnt vor Gericht. Frankfurt am Main: Eichborn Verlag, 2004. 397 S. ISBN 978-3-8218-5586-8. Gudrun Ensslin, hrsg. von Christiane und Gottfried Ensslin. "Zieht den Trennungsstrich, jede Minute": Briefe an ihre Schwester Christiane und ihren Bruder Gottfried aus dem Gefängnis 1972-1973. Hamburg: Konkret- Literatur-Verlag, 2005. 198 S. EUR 15.00, paper, ISBN 978-3-89458-239-5. Wolfgang Kraushaar, Karin Wieland, Jan Philipp Reemtsma. Rudi Dutschke, Andreas Baader und die RAF. Hamburg: Hamburger Edition, HIS Verlag, 2005. 143 S. , gebunden, ISBN 978-3-936096-54-5. Butz Peters. Tödlicher Irrtum: Die Geschichte der RAF in Deutschland. Berlin: Argon Verlag, 2004. 863 S. , , ISBN 978-3-87024-673-0. H-Net Reviews Klaus Pflieger. Die Rote Armee Fraktion - RAF: 14.5.1970 bis 20.4.1998. Baden- Baden: Nomos Verlag, 2004. 207 S. , broschiert, ISBN 978-3-8329-0533-0. Astrid Proll. Hans und Grete: Bilder der RAF 1967-1977. Berlin: Aufbau Verlag, 2004. 157 S. , broschiert, ISBN 978-3-351-02597-7. Alexander Straßner. Die dritte Generation der "Roten Armee Fraktion": Entstehung, Struktur, Funktionslogik und Zerfall einer terroristischen Organisation. Wiesbaden: Verlag für Sozialwissenschaften, 2005. 426 S. EUR 39.90, paper, ISBN 978-3-531-14114-5. Reviewed by Stephan Scheiper Published on H-Soz-u-Kult (June, 2005) Mit dem Ende der Ausstellung zur Roten Ar‐ „Der Staat“ bot stets den Widerpart in einer mee Fraktion in den Berliner Kunst-Werken ha‐ die gesamte Gesellschaft beschäftigenden Schre‐ ben wir (vorerst) auch die Grabenkämpfe um ihre ckensgeschichte. -
Conceptions of Terror(Ism) and the “Other” During The
CONCEPTIONS OF TERROR(ISM) AND THE “OTHER” DURING THE EARLY YEARS OF THE RED ARMY FACTION by ALICE KATHERINE GATES B.A. University of Montana, 2007 B.S. University of Montana, 2007 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Germanic and Slavic Languages and Literatures 2012 This thesis entitled: Conceptions of Terror(ism) and the “Other” During the Early Years of the Red Army Faction written by Alice Katherine Gates has been approved for the Department of Germanic and Slavic Languages and Literatures _____________________________________ Dr. Helmut Müller-Sievers _____________________________________ Dr. Patrick Greaney _____________________________________ Dr. Beverly Weber Date__________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Gates, Alice Katherine (M.A., Germanic and Slavic Languages and Literatures) Conceptions of Terror(ism) and the “Other” During the Early Years of the Red Army Faction Thesis directed by Professor Helmut Müller-Sievers Although terrorism has existed for centuries, it continues to be extremely difficult to establish a comprehensive, cohesive definition – it is a monumental task that scholars, governments, and international organizations have yet to achieve. Integral to this concept is the variable and highly subjective distinction made by various parties between “good” and “evil,” “right” and “wrong,” “us” and “them.” This thesis examines these concepts as they relate to the actions and manifestos of the Red Army Faction (die Rote Armee Fraktion) in 1970s Germany, and seeks to understand how its members became regarded as terrorists. -
Green New Deal INFORMATIONEN DER HEINRICH-BÖLL-STIFTUNG
Das Magazin der Heinrich-Böll-Stiftung Ausgabe 1, 2009 Green New Deal INFORMATIONEN DER HEINRICH-BÖLL-STIFTUNG Der besondere Tipp Transatlantische Konferenz Blogs Campus-Tour Green New Deal – Investieren in die Zukunft Baustellen der Globalisierung Wissen, was wirkt. Campustour 2009 7. Mai 2009, 11 bis 18 Uhr www.baustellen-der-globalisierung.blogspot.com 23. April – 26. Juni 2009 Beletage der Heinrich-Böll-Stiftung Rainer Falk nimmt im Blog «Baustellen der Globa An rund 25 Hochschulen in ganz Deutschland Gibt es gemeinsame Ziele, Strategien und politi lisierung» – eine Koproduktion des Informations macht die Campustour halt. Die Themen sind viel sche Instrumente für Europa und die USA, um briefs Weltwirtschaft & Entwicklung (W&E) und fältig: Klimawandel und Energieversorgung, Fi nachhaltige Antworten auf die multiplen Krisen zu der Heinrich-Böll-Stiftung – u. a. die Unterregulie nanzkrise, Demokratie und europäische Integration. finden? Wie könnte ein transatlantischer « Green rung der globalen Finanzmärkte und die mangelnde Wissenschaftler/innen, Studierende, Prominente New Deal » aussehen? Mit Gästen aus Obamas demokratische Legitimität in internationalen Insti aus Politik und Wirtschaft kommen miteinander ins Thinktank CAP, Washington D.C. tutionen wie der UN oder der Welthandelsorganisa Gespräch – bei Workshops, Diskussionen, Partys tion in den Blick. u.v.m. Publikation Infos unter www.boell.de/campustour Klima – eine Gerechtigkeitsfrage? Wem gehört die Welt? Zur Wiederentdeckung www.klima-der-gerechtigkeit.de der Gemeingüter. -
RAF) Die Herausforderung Für Das Bundeskriminalamt Als Zentrale Ermittlungsbehörde
60 Jahre Staatsschutz im Spannungsfeld zwischen Freiheit und Sicherheit Rote Armee Fraktion (RAF) Die Herausforderung für das Bundeskriminalamt als Zentrale Ermittlungsbehörde Günther Scheicher, Abteilungspräsident a.D. (BKA) - Es gilt das gesprochene Wort - 1. Einleitung: 60 Jahre Bundeskriminalamt, fast 30 Jahre Ermittlungen gegen die RAF – eine große, bis dahin die größte Herausforderung nicht nur für die Sicherheitsbehörden, sondern für alle gesellschaftlichen Kräfte unserer Republik, vielleicht vergleichbar mit der heute so relevanten Bedrohung durch den islamistischen Terrorismus. 2. Dimension in Fakten und Zahlen In ihrer 30jährigen Terrorgeschichte verübte die RAF ab Mai 1972 26 Anschläge mit verheerenden Folgen. 34 Menschen wurden von der RAF ermordet, und aus ihren Reihen fanden 20 Mitglieder den Tod. Mit dem Zeitraffer erinnere ich an 1972 mit den todbringenden Anschlägen auf Einrichtungen der US-Armee in Frankfurt und Heidelberg, an die Sprengstoffanschläge auf das Bayerische Landeskriminalamt, das Polizeipräsidium in Augsburg, das Springer- Hochhaus in Hamburg und auf den Ermittlungsrichter beim Bundesgerichtshof Buddenberg, dann 1975 an den Überfall auf die deutsche Botschaft in Stockholm, an das Jahr 1977 mit der Ermordung des Generalbundesanwaltes Buback, des Bankiers Ponto, des Arbeitgeberpräsidenten Schleyer, an die Morde und Sprengstoffanschläge der Jahre 1985 bis 1993, stellvertretend für die Opfer in dieser Zeit nenne ich aus dem Bereich des Wirtschaftslebens die Namen Zimmermann, Beckurts, Herrhausen, Rohwedder, aus der Politik von Braunmühl, Tietmeyer, Neusel. 2 Doch wir entsinnen uns nicht nur der bekannten Namen, sondern genauso der Toten und Verletzten aus unseren Reihen und denen der niederländischen Kollegen, und wir denken ebenso an die Soldaten der US-Army wie an ganz normale Menschen, die Opfer der RAF oder ihrer Verbündeten geworden sind. -
Bulletin of the GHI Washington
Bulletin of the GHI Washington Issue 43 Fall 2008 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Stiftung Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. TERRORISM IN GERMANY: THE BAADER-MEINHOF PHENOMENON Lecture delivered at the GHI, June 5, 2008 Stefan Aust Editor-in-Chief, Der Spiegel, 1994–2008 Recently on Route 73 in Germany, between Stade und Cuxhaven, my phone rang. On the other end of the line was Thilo Thielke, SPIEGEL correspondent in Africa. He was calling on his satellite phone from Dar- fur. For two weeks he had been traveling with rebels in the back of a pick-up truck, between machine guns and Kalashnikovs. He took some- thing to read along for the long evenings: Moby Dick. He asked me: “How was that again with the code names? Who was Captain Ahab?” “Andreas Baader, of course,” I said and quoted Gudrun Ensslin from a letter to Ulrike Meinhof: “Ahab makes a great impression on his first appearance in Moby Dick . And if either by birth or by circumstance something pathological was at work deep in his nature, this did not detract from his dramatic character. For tragic greatness always derives from a morbid break with health, you can be sure of that.” “And the others?” the man from Africa asked, “Who was Starbuck?” At that time, that was not a coffee company—also named after Moby Dick—but the code name of Holger Meins. -
Carrie Collenberg-Gonzalez Kleist in the Reception of the Red
Carrie Collenberg-Gonzalez Kleist in the Reception of the Red Army Faction Conspicuous links between the artistic reception of the Red Army Faction and the biography and work of Heinrich von Kleist inform Rainer Werner Fass- binder’s Die Ehe der Maria Braun (1979), Elfriede Jelinek’s Wolken.Heim. (1988), Rainald Goetz’ Kontrolliert (1988), and Dagmar Leupold’s Die Helligkeit der Nacht (2009). This paper focuses on the revolutionary ideas associated with Kleist and their relationship to and influence on representations of radical politics, conclud- ing with a discussion of Frank Lentricchia and Jody McAuliffe’s Crimes of Art and Terror (2003) and the intersections between Kleistian themes, twentieth-century German literature, and the terrorist attacks of 11 September 2011. You are the one and only woman on earth I should wish to see again in the beyond. Not Ulrike? Yes and no: let her own feeling decide. She has not, it seems to me, understood the art of sacrificing oneself, of going under utterly for the one thing one loves […] Adieu!1 — Heinrich von Kleist Aye, yai, yai, Kleist! — Ulrike Meinhof2 Heinrich von Kleist’s two-hundredth birthday celebration on 18 October 1977 coincided with one of the most influential postwar dates in German history and the history of terrorism. On this day — the pinnacle of what is referred to as Deutscher Herbst (German Autumn) — three ongoing events that had been plaguing the Federal Republic of Germany came to an end: 1) A special commando of the German government rescued all eighty-six passengers from a German Lufthansa plane in Mogadishu, Somalia that had previously been hijacked on 13 October 1977 by PFLP terrorists demanding 1 Heinrich von Kleist, Selected Writings, ed. -
Black Hands / Dead Section Verdict
FRINGE REPORT FRINGE REPORT www.fringereport.com Black Hands / Dead Section Verdict: Springtime for Baader-Meinhof London - MacOwan Theatre - March 05 21-24, 29-31 March 05. 19:30 (22:30) MacOwan Theatre, Logan Place, W8 6QN Box Office 020 8834 0500 LAMDA Baader-Meinhof.com Black Hands / Dead Section is violent political drama about the Baader-Meinhof Gang. It runs for 3 hours in 2 acts with a 15 minute interval. There is a cast of 30 (18M, 12F). The Baader-Meinhof Gang rose during West Germany's years of fashionable middle-class student anarchy (1968-77). Intellectuals supported their politics - the Palestinian cause, anti-US bases in Germany, anti-Vietnam War. Popularity dwindled as they moved to bank robbery, kidnap and extortion. The play covers their rise and fall. It's based on a tight matrix of facts: http://www.fringereport.com/0503blackhandsdeadsection.shtml (1 of 7)11/20/2006 9:31:37 AM FRINGE REPORT Demonstrating student Benno Ohnesorg is shot dead by police (Berlin 2 June, 1967). Andreas Baader and lover Gudrun Ensslin firebomb Frankfurt's Kaufhaus Schneider department store (1968). Ulrike Meinhof springs them from jail (1970). They form the Red Army Faction aka Baader-Meinhof Gang. Key members - Baader, Meinhof, Ensslin, Jan- Carl Raspe, Holger Meins - are jailed (1972). Meins dies by hunger strike (1974). The rest commit suicide: Meinhof (1976), Baader, Ensslin, Raspe (18 October 1977). The play's own history sounds awful. Drama school LAMDA commissioned it as a piece of new writing (two words guaranteed to chill the blood) - for 30 graduating actors.