The development of an icon for a Reformed liturgy in a South African context By Fay Clare van Eeden 20193069 Submitted in fulfilment of the requirements for the degree: MTh (Practical Theology) In the Faculty of Theology and Religion, University of Pretoria Supervisor: Prof Cas Wepener Pretoria November 2018 Room 4-1.7, Level 4, Building Univ ersity of Pretoria, Private Bag X20 Hatf ield 0028, South Africa Tel +27 (0)12 420 1234 Fax +27 (0)12 420 5678 Email
[email protected] www.up.ac.za “Experiences of beauty, whether in nature or in art, are among the most precious and powerful given to us. Beauty has the strange effect of at once beckoning us to itself and pointing beyond itself to that which seems tantalizingly unattainable. It draws us to itself and through itself…If God is the giver of all good gifts and contains within Himself all possible perfections, then He must be beauty as much as He is goodness and truth.” − Richard Harries Dedicated to Anna-Marie Bands Gifted iconographer, teacher and mentor i ACKNOWLEDGEMENTS Firstly, I would like to thank my wonderful husband Peet van Eeden for his encouragement, advice and the meals he prepared for me while was working on this dissertation. Thank you to my family and friends for all your support during these two years. A special thank you to my study buddy, Leanie Lemmer, for the many hours together in the library. Francisca du Randt – thank you for patiently combing through my work for mistakes. I would like to express my deepest gratitude to the DRC Lynnwood and Stellastraat congregations for making this academic journey possible.