Edinburgh International Film Festival - 5063

Home , Fifth Avenue Girl, My Man Godfrey, She Married Her Boss

Item no ·€DINBVRGH· Report no THE CITY OF EDINBURGH COUNCIL

Cinemas Act 1985 - variation of licensing conditions - Edinburgh International Film Festival - 5063

Licensing Sub-Committee 22 June 2012

Purpose of report

1 To advise the Committee of a request received for authorisation to screen un certificated films during the Edinburgh International Film Festival 2012, which was dealt with in terms of Council Standing Order 63.

Main report

2 The Council's Licensing Team was notified by the Artistic Director of the Edinburgh International Film Festival (EIFF) of the program of films to be screened during the 2012 Film Festival, at venues throughout the city. 3 In terms of condition 2 of the Council's standard conditions attaching to all grants of cinema licence, only films with certificates from the British Board of Film Classification (BBFC) may be exhibited. Condition 3 of the cinema licence conditions allows the exhibition of any film, if the Council's permission is first obtained. The EIFF provided details of recommended ratings for films which had not been rated by the BBFC.

4 Ordinarily this matter would be reported to Committee for consideration and . approval. Due to the local elections and the timescales involved, this matter was instead dealt with in terms of Council Standing Order 63 (urgent items), whereby the appropriate Head of Service consulted with the Committee Convener.

5 It was agreed that permission would be granted, to enable the un certificated films to be screened on the basis of the recommended ratings as provided by the EIFF organisers.

6 Standing Order 63 requires that this matter be reported to Committee for noting and this report discharges that requirement.

Financial Implications

7 There are no financial implications arising from this report.

Environmental Impact

8 There are no environmental implications arising from this report.

1 Equalities Impact

9 There is no impact on the public sector equalities duty arising from this report.

Recommendations

10 That the Committee note this report.

Susan Mooney Head of Service - Community Safety

Appendices 1. list of uncertificated films screened during Edinburgh International Film Festival 2012 - to be tabled 2. City of Edinburgh Council Licensing Conditions - Cinema Licence

ContactltellEmail Nick Fraser, Senior Solicitor (Licensing) / 0131 5294424/ [email protected]

Wards affected citywide

Single Outcome Supports National Outcome 1 - "We live in a Scotland that is the most attractive Agreement place for doing business in Europe" and Edinburgh outcomes - "Edinburgh is the top performing tourist destination outside of London" and "Edinburgh's Festivals have a global competitive edge".

Background none Papers

2 Title OrlgTltle Director Country Year Section Certification 1 Day Penny Woolcock UK 2009 Special Screenings 15 7 Days in Havana 7 dias en la Habana Benicio Del Toro, Pablo Tra France, Spain 2012 Directors' Showcase 15 99 Unbound, The Dave Osborne UK, Kuwait 2011 Animation PG Age of Consent, The Gregory la Cava USA 1932 Gregory la Cava Retrospec PG Amateur Nestor Frenkel Argentina 2011 looking South PG Ambassador, The Mads Brligger Denmark 2011 Danish Focus 12A Amok lawrence Fajardo Philippines 2011 Philippine New Wave 18 Anton Corbijn: Inside Out Klaartje Quirijns Netherlands, Ireland, Fland 2012 Films on Film 12A Arts & Business / Festivals Edinburgh Event Atmosphere Beyond EIFF Attractive Illusion Elkustike pseudaisthese Petros Sevastikoglou Greece, Nigeria 2012 New Perspectives 15 AuPair Nicole N Horanyi, Heidi Kirr Denmark Danish Focus PG

Awards Ceremony Special Events BAFTA: Careers in Film Production Special Events

Bed of Roses Gregory la Cava USA 1933 Gregory la Cava Retrospec PG Berberian Sound Studio Peter Strickland UK Michael Powell Award Corr 1S Bestiaire Denis Cote Canada, France 2012 Directors; Showcase U Black Box Shorts 1: Surfaces and layers Black Box 12A Black Box Shorts 2: A Sense of Unease Black Box 12A Black Box Shorts 3: Passing Through Black Box 12A Black Box Shorts 4: Particles Black Box 12A Black's Game Svartur a leik 6skarTh6r Axelsson Iceland 2011 New Perspectives 15 Blood of My Blood Sangue do meu sangue Joao Canijo Portugal 2011 New Perspectives 18 Blue Black Permanent Margaret Tait UK 1992 Special Screenings PG

Borrowed Time Jules Bishop UK 2012 British Scenes 12A

Brake Gabe Torres USA 2012 New Perspectives 12A Brave Mark Andrews, Brenda Cha USA 2012 Closing Night Gala U Brockas Gig for Philippine Focus Special Events 15 Buenas noches, Espalia Raya Martin Spain, Philippines 2011 Philippine New Wave 15 California Solo Marshalllewy USA 2012 New Perspectives 12A Careers Event For Young People: Performance Special Events Catch, The Gyoei no mure Shinji Somai Japan 1983 Shinji Somai Retrospective 12A ~ Chapiteau Show Sergey loban Russian Federation 2011 New Perspectives 12A "0 Coal Money + Brutality Factor Spotlight on Wang Bing 12A \)

Coming Up Shorts Industry Events Composers lab Talent labs ~ Day of the Flowers John Roberts UK 2012 Michael Powell Award Corr 12A Cl Demain? Amanhli? Christine laurent France, Portugal 2012 Directors' Showcase 12A differently, Molussia anders, Molussien Nicolas Rey France 2012 New Perspectives 12A 'X .-- Ditch, The WangBing Hong Kong, Belgium, Franc 2010 Spotlight on Wang Bing 15 Don't Expect Too Much Susan Ray USA 2011 Films on Film 12A Dr Seuss' The lorax Chris Renaud, Kyle Balda USA 2012 Special Screenings U Dragon Wuxia PeterChan China 2011 Directors' Showcase 15 Dress Rehearsal for Utopia Ensayo final para utopia Andres Duque Spain 2012 New Perspectives 12A Eddie - The Sleepwalking C Eddie Boris Rodriguez Canada, Denmark 2011 Night Moves 15 Edinburgh Schools Film Competition: Primary Special Events Edinburgh Schools Film Competition: Secondary Special Events EFG Presents: The Cumberland Story Special Events Either Way annan veg, A Hafsteinn Gunnar Sigur6SS1lceland 2011 New Perspectives 12A

Evelyn Isabel de Ocampo Spain, Peru 2012 New Perspectives 15 Exit Elena Nathan Silver USA 2012 New Perspectives 12A

Fable of the Fish Isda Adolfo Borinaga AlixJr Philippines 2011 Philippine New Wave 12A Family Shorts Shorts PG Feel My Pulse Gregory la Cava USA 1928 Gregory la Cava Retrospec PG Fengming: A Chinese Meml He Fengming WangBing China, Hong Kong 2007 Spotlight on Wang Bing 12A Fifth Avenue Girl Gregory la Cava USA 1939 Gregory la Cava Retrospec PG Film School Shorts Special Events First POSition Bess Kargman USA 2011 New Perspectives 12A Flicker Flimmer Patrik Eklund Sweden 2012 New Perspectives 15 Florentina Hubaldo, CTE lav Diaz Philippines 2011 Philippine New Wave 15 Flying Blind Katarzyna Klimkiewicz UK 2012 British Scenes 12A Foreign language Schools Screening Education Forever loved lawas Kan Pinabli Christopher Gozum Philippines 2011 Philippine New Wave 15 Fourth Dimension, The Harmony Korine, Aleksei Fe UK, USA, Russian Federatio 2012 Special Screenings 15 Fred Richard ledes USA 2012 New Perspectives PG Friends, The Natsu no niwa Shinji SOmai Japan 1994 Shinji Somai Retrospective PG Fukushima: Memories of tt Soma kanka: dai ichi bu - ulYojyu Matsubayashi Japan 2011 New Perspectives PG Fusion Shorts Shorts 15 Futu re My love Maja Borg UK, Sweden 2012 New Perspectives PG Gabriel over the White House Gregory la Cava USA 1933 Gregory la Cava Retrospec PG Gate #5 al-Hawd al-Khamis Simon El Habre lebanon, United Arab Emir 2011 New Perspectives U Gattu Rajan Khosa India 2011 New Perspectives PG God Bless America Bobcat Goldthwait USA 2011 Directors' Showcase 15 Gorgon's Dream David Austen Beyond EIFF Grabbers Jon Wright UK, Ireland 2012 Night Moves 12A Guinea Pigs lan Clark UK 2011 Night Moves 15 Hail Amiel Courtin-Wilson Australia 2011 New Perspectives 15

Here, Then Mao Mao China International Feature Film I 15 Here, There Zheli, nai lu Sheng China 2011 New Perspectives 12A Him, Here After Ini Avan Asoka Handagama Sri lanka 2012 Directors' Showcase ' 12A Home for the Weekend Hans Christian Schmid Germany 2012 Directors' Showcase 12A Hospitalite Kantai Fukada Koji Japan 2010 New Perspectives 12A Imposter, The Bart layton UK 2011 Michael Powell Award Corr U In person: BAFTA Scotland Interview Special Events In Person: Ben Rivers, Ben Russell, Andres Duque Special Events In Person: Elliott Gould Special Events In Person: Jim Sroadbent Special Events In Person: Masterdass with Victor Kossakovsky Special Events In Person: Masterdass with Wang Sing Special Events In Person: Seamus McGarvey and John C Reilly Special Events In person: ThinkSync Interview Special Events In person: Variety Interview Special Events Insomnia Erik Skjoldbjaerg Norway 1997 Special Screenings 15 International Animation Animation 12A Intro to Film Studies 1: Documentary Filmmaking Special Events Intro to Film Studies 2: Film Aesthetics Special Events Invader, The l'envahiss,eur Nicolas Provost Belgium, Sweden 2011 New Perspectives 15 Isn't Anyone Alive? Ikiteru mono inai no ka Gakuryu Ishii Japan 2011 Directors' Showcase 12A It looks Pretty from a Dista Z daleka widok jest pillkny Anka Sasnal, Wilhelm Sas", Poland, USA 2011 International Feature Film I 15 It's the Earth not the Moon Ena terra nao e na lua Gon~alo Tocha Portugal 2011 New Perspectives 12A Jackpot Arme Riddere Magnus Martens Norway 2011 Night Moves 18

Kazahana Kaza-hana Shinji SOmai Japan 2001 Shinji Somai Retrospective 12A Kid-Thing David Zellner USA 2012 International Feature Film I 12A Killer Joe William Friedkin USA 2011 Opening Night Gala 18 King of Pigs Dae-gi-eui Wang Sang-ho Yeon South Korea 2011 International Feature Film I 18 Kotoko Shinya Tsukamoto Japan 2011 Spotlight on Shinya Tsukarr 18 lawrence of Arabia David lean UK 1962 Special Screenings PG leave It on the Track Benjamin Pascoe USA 2011 New Perspectives 15 lecture: Gregory la Cava Gregory la Cava Retrospective life and Times of Paul the Psychic Octopus, The Alexandre 0 Philippe USA 2012 International Feature Film I U life Just Is Alex Barrett UK 2012 Michael Powell Award Corr 12A Life Without Principle Dyut meng gam Johnnie To Hong Kong Directors' Showcase 12A lifeguard, The El Sa Ivavidas Maite Alberdi Chile 2011 International Feature Film I 15 lOCOG Films Special Screenings 15 los Marziano Ana Katz Argentina 2011 looking South 12A lost Chapter of Snow: Pass Yuki no dansho - jonetsu Shinji SOmai Japan 1985 Shinji Somai Retrospective 12A love Hotel Rabu hoteru Shinji Somai Japan 1985 Shinji Somai Retrospective 18 lovely Molly Eduardo Sanchez USA 2011 Night Moves 15 low Definition Control- Malfunctions #0 Michael Palm Austria 2011 Black Box 12A luminous Woman Hikaru onna Shinji Somai Japan 1987 Shinji Somai Retrospective 15 Marriage, The El casamiento Aldo Garay Uruguay 2011 looking South 12A Mclaren Animation 1 Animation 18 Mclaren Animation 2 Animation 12A Mclaren Animation 3: For the Family Animation U Mclaren Animation Event: State of the Art; Running Out of Film Animation Media Day 1 Education Media Day 2 Education Media Day3 Education Mirage \I-wo I-do Ga-neun GiI Vang Jung-ho South Korea 2011 New Perspectives 15 Mirror Never lies, The laut bercermin Kamila Andini Indonesia 2011 New Perspectives U MNl143 Emerson Reyes Philippines 2012 Philippine New Wave 15 Modern Studies Schools Screening Education Modest Reception Paziraie sadeh Mani Haghighi Islamic Republic of Iran New Perspectives 12A Mondomanila Khavn de la Cruz Philippines, Germany 2010 Philippine New Wave 18 Moving Ohikkoshi Shinji SOmai Japan 1993 Shinji Somai Retrospective PG Mtlsica campesina Alberto Fuguet Chile, USA 2011 Looking South 12A My Man Godfrey Gregory La Cava USA 1936 Gregory La Cava Retrospec U Never Too Late Af paam 10 meuchar miday Ido Fluk Israel 2011 New Perspectives 15 NFA Steve Rainbow UK 2012 British Scenes 12A Niilo Loy Arcenas Philippines 2011 Philippine New Wave 15 No Man's Zone Mujin chitai Fujiwara Toshifumi Japan, France 2011 New Perspectives PG Nuclear Nation Funahashi Atsushi Japan 2012 New Perspectives PG Of Skies and Earth Sa Kanto Ng Ulap At Lupa Mes De Guzman Philippines 2011 Philippine New Wave 12A Waiter Salles One Mile Away Penny Woolcock UK 2012 Michael Powell Award Corr 15 One Two One Mania Akbari Iran New Perspectives PG Orator, The o Le Tulafala Tusi Tamasese New Zealand 2011 New Perspectives 12A Papirosen Gast6n Solnicki Argentina, USA 2011 International Feature Film I 12A Philippine New Wave: This Is Not a Film Movement Khavn De La Cruz Philippines 2012 Philippine New Wave 15 Philippine Shorts Philippine New Wave 15 Playwright Studio Special Events Postcards from the Zoo Edwin Thailand 2012 New Perspectives 12A PP Rider Shonben raida Shinji SOmai Japan 1983 Shinji Somai Retrospective 12A Primary School Feature Education Primrose Path Gregory La Cava USA 1940 Gregory La Cava Retrospec PG Private Worlds G regory La Cava USA 1935 Gregory La Cava Retrospec PG Pusher Luis Prieto UK 2012 Michael Powell Award Corr 18 Rent-a-Cat Rentaneko Naoko Ogigami Japan 2012 Directors' Showcase PG Rest ofthe World, The reste du monde, Le Damien Odoul France 2012 Directors' Showcase 15 Restoration Panel Special Events Riding Zorro Montando al zorro Juan Ignacio Dominguez Argentina 2011 Looking South 15 Rosalinda + Everybody Says Long Live Bobby Holly Looking South 12A Rose R6za Wojciech Smarzowski Poland 2011 New Perspectives 18 Sailor Suit and Machine Gu S~ra-fuku to kikanjO Shinji SOmai Japan 1981 Shinji Somai Retrospective 12A Saudade Saudilji Katsuya Tomita Japan 2011 New Perspectives 12A Sauna on Moon Chang e Zou Peng China 2011 New Perspectives 15 Sci-Fi Youth Film Challenge Special Events Screen Academy Scotland: The Future of Skills Training Special Events Search for Emak Bakia, The Emak Bakia baita Oskar Alegria Spain 2012 International Feature Film I PG Sexual Chronicles of a Fren· Chroniques sexuelles d'une Pascal Arnold, Jean-Marc B France 2012 Directors' Showcase 18 Shadow Dancer James Marsh UK, Ireland 2012 Michael Powell Award Corr 15 She Married Her Boss Gregory La Cava USA 1935 Gregory La Cava Retrospec PG Shell Scott Graham UK 2012 British Scenes 12A Short Films 1: Identity and Revolution Shorts 15 Short Films 2: Dream Machine Shorts 12A Short Films 3: Strange Geometry .Shorts PG Short Films 4: Salvaging and Scavenging Shorts .18 Short Films 5: Capturing Perception Shorts 12A Short Scottish Documentaries Shorts PG Siblings - For Better or Wor Sadan er slllskende Max Kestner, Mikala Kroug Denmark Danish Focus PG Simon Martin at Collective Beyond EIFF Sleepless Night Jang Kun-jae Korea 2012 International Feature Film I 12A Small Creatures Martin Wallace UK 2011 Michael Powell Award Corr 15 Sodankyla Forever: The Cer Sodankyla ikuisesti: Elokuvi Peter von Bagh Finland 2010 'films on Film 12A

Stills' Film Lounge: La Nostra Terra Italian video from 1980 to today Beyond EIFF Suburban Trilogy: Cake And Steak, The Future Is Behinl Abigail Child USA Black Box 12A Sun Don't Shine Amy Seimetz USA 2012 New Perspectives 15 Swirl Girimunho Clarrissa Campolina, Helve, Brazil, Germany, Spain 2011 International Feature Film I U Symposium: Shinji Somai Shinji Somai Retrospective Tabu Miguel Gomes Portugal, Germany, Brazil, 12012 International Feature Film I 12A Tahrir: Liberation Square Tahrir Stefano Savona France, Italy 2011 New Perspectives 15 Talent Lab Talent Labs Terrible Couple, The Tonda kappuru Shinji Somai Japan 1980 Shinji Somai Retrospective 12A Tetsuo 11: Body Hammer Spotlight on Shinya Tsukarr 18 Tetsuo, The Iron Man Spotlight on Shinya Tsukarr 18 Tim & Eric's Billion Dollar Movie Tim Heidecker, Eric Wareheim Night Moves 18 Tokyo Drifter Tokyo dorifuta Tetsuaki Matsue Japan 2011 New Perspectives PG Tokyo Heaven Tokyo jokO irasshaimase Shinji Somai Japan 1990 Shinji Somai Retrospective 12A Tondo, Beloved: To What I~Tundong Magiliw: Pasaan i~Jewel Maranan Philippines 2012 Philippine New Wave 12A

Typhoon Club TiafO kurabu Shinji Somai Japan 1985 Shinji Somai Retrospective 15 Unconditional Bryn Higgins UK 2012 British Scenes 18 Unfair World Adikos kosmos Filippos Tsitos Greece New Perspectives 12A Unfinished Business Gregory La Cava USA 1941 Gregory La Cava Retrospec PG Unspeakable Act, The Dan Sallitt USA 2012 International feature Film I 15 V/HIS David Bruckner, Adam Win USA 2012 Night Moves 18 iVivan las Antipodas! Victor Kossakovsky Germany, Netherlands, ArE 2011 Directors' Showcase 12A Wait and See Ah, haru Shinji Somai Japan 1998 Shinji Somai Retrospective 12A We Can't Go Home Again N icholas Ray USA 1976 Films on Film 12A What Is This Film Called love? Mark Cousins Mexico, USA, UK, Canada, (2012 Films on Film 12A

Woman's Revenge, A vingan~a de uma mulher, A Rita Azevedo Gomes Portugal 2011 International Feature Film I 12A Wrong Quentin Dupieux USA 2012 Night Moves U Young Dudes DJ Chen Taiwan 2012 New Perspectives 12A Youth Shorts Shorts 12A ·EDINBVR.GH· Cinemas Act 1985 THE CITY OF EDINBURGH COUNCIL CINEMAS

LICENCE CONDITIONS

"Film" in these conditions means "Film exhibition" as defined in the Cinemas Act 1985. "Council" means the Council as Licensing Authority under the 1985 Act.

2 Subject to conditions 3 and 4:-

(a) No film shall be exhibited unless it has received a "U", "PG", "12A", "15" OR "18" certificate from the British Board of Film Classification.

(b) No one under the age of 18 shall be admitted to see a film with an "18" certificate.

(d) No one under the age of 12 years shall be admitted to see a film with a "12A" certificate unless accompanied by a responsible adult.

3 Any film may be exhibited if the permission of the Council is first obtained and any conditions of such permission are complied with.

4 The Council may prohibit the showing of any film by giving written notice to the Licensee.

5 The terms of any certificate given by the British Board of Film Classification shall be shown on the screen immediately before the showing of any film to which it relates.

6 There shall be prominently exhibited at each public entrance whenever premises are open to the public for the showing of films a notice indicating clearly:-

(a) the title of each film to be shown on that day, other than trailers and films of less than 5 minutes duration.

(b) the approximate time of commencement of each film;

(c) whether each film has received a "U", "PG", "12A", "15" OR "18" certificate from the British Board of Film Classification and

(d) the effect of the certificates on the admission of persons under the age of 18 years.

7 The type of certificate received from the British Board of Film Classification shall be clearly indicated by "U", "PG", "12A", "15" OR "18" in any advertisement of the film displayed at the premises.

8 No advertisement displayed at the premises of a film to be exhibited there shall depict any scene or incident not included in the film as certified by the British Board of Film Classification or as approved for exhibition by the Council.

9 Where the Council has given notice in writing to the Licensee objecting to an advertisement, that advertisement shall not be displayed at the premises.

10 The premises shall only open between 8am and 1am the following day unless the written consent of the Council is given to open earlier or later.

11 No animals shall be permitted in the premises during the exhibition of a film except guide dogs. The Licensee shall not refuse admission to patrons with guide dogs.

12 All attendants on duty shall wear a distinguishing uniform or armband, and shall, have in their possession an electric torch in working condition.

13 Films in the "RESTRICTED (18)" category shall not be shown without the consent in writing of the Council. Any consent granted in terms of this condition shall be subject to all the following conditions being complied with and any other conditions the Council consider necessary.

(a) Films in the "RESTRICTED (18)" category shall not be exhibited except at licensed premises being operated as a club.

\ \ liDHIN_ LIC\DATA \REPOSITORY\ L1 ve Da ta \Applica tien Packs \ Word Documents \ J035. doe Last Modified 20111/02 (b) No films in the "RESTRICTED (18)" category shall be shown in a multi-screen complex unless the area used for such films and all facilities (including foyers, lavatories, and refreshment areas) are wholly segregated and accessible only through a separate entrance and box office.

(c) A register of members shall be maintained and made available for immediate inspection by Council officials or police constables. A membership card (with a photograph of the member) shall be issued to each member.

(d) Tickets shall not be sold to persons other than members.

(e) No one shall be admitted to view a film in the "RESTRICTED (18)" category unless a valid membership card for that person is displayed at the time of admission.

(f) Advertising for films in the "RESTRICTED (18)" category shall specify only the title of the film and the category and will not include pictorial material or other information about the names of performers or the plot.

(g) No one under 18 years shall be employed in any capacity at premises showing films in the "RESTRICTED (18)" category.

(h) Membership rules for club cinemas shall include the following:-

(i) Membership shall only be open to people of not less than 18 years of age. Applications for membership, including name and address, shall be in writing and signed by the applicant. Applicants shall provide proof of their age to the Licensee.

(ii) No one shall be admitted to membership until at least 24 hours after the application has been approved by the Licensee.

(iii) Membership cards shall not be transferable.

14 The Licensee or Manager shall be responsible for the day to day running of the premises. There shall be sufficient staff on duty when the premises are open to the public.

15 The Licensee or Manager shall give clear instructions to staff on their duties in the event of fire. A legible statement of such duties shall be posted in conspicuous positions in the premises. The Licensee shall comply with any requirements of the Firemaster.

16 The number of people admitted to the premises shall be strictly controlled to ensure that there is no overcrowding.

17 The general layout and arrangement of the premises shall be such as to allow safe and orderly evacuation to the Council's satisfaction, in the event of an emergency.

18 All approaches, staircases and passageways shall be kept free from obstruction. No seat or other obstruction shall be placed in any of the passageways and no-one shall be allowed to stand or sit in any passageway during performances.

19 All doors and barriers shall open outwards and shall not be fastened or locked except by push bar mechanisms which release the door under pressure.

20 All exit doors in the premises shall be indicated by a fixed lighting transparency bearing the word "EXIT" in letters no less than 10 centimetres high. All exit doors shall be useable at the end of each performance. The transparency shall be illuminated by a maintained system of lighting and must be visible from the auditorium at all times when the premises are open to the public.

21 Any decorative surface finishes shall be either non-combustible or durably flame-proofed.

22 All scenery, curtain drapes and fabrics shall be flame resistant.

23 The use of smoke bombs, smoke generators, flash powder, flash boxes, detonators and similar items is not permitted without the written approval of the Firemaster and the Council.

24 All upholstered furniture shall comply with the Smouldering Cigarette Test and Butane Flame Test in British Standard 5852, Part 2; 1982.

\, \jJ...DHIN~LIC\DAT.4. \REPOSITORY\Li ve Data \Application Packs\ Word Docu1ll0nts\JC35.doe Last Modified 20/11/02 25 The Licensee or the Manager shall intimate every outbreak of fire to the Firemaster immediately.

26 Lasers or other similar devices shall not be used without the Council's written permission.

27 The premises shall be lit to the satisfaction of the Council. A maintained system of secondary lighting shall be provided throughout the building, kept in proper working order and kept on when the premises are open to the public.

28 The electric installation of the premises shall be kept in proper working order to the satisfaction of the Council. No alterations or additions to the electrical installation shall be made without the Council's written approval.

29 No temporary electric lighting installation shall be used in any part of the premises without the Council's written consent. All temporary connections to the permanent installation in the premises shall be disconnected immediately after each performance.

30 All electrical lighting switches to public areas shall be inaccessible to the public.

31 The premises shall be properly ventilated and heated to the satisfaction of the Council. Temporary or moveable forms of heating shall not be used without the Firemaster's written approval.

32 Sanitary accommodation shall be provided to the satisfaction of the Council.

33 The Food Hygiene Regulations and The Health and Safety at Work Act 1974 shall be complied with.

34 Any amplified music and speech shall be controlled so as not to cause annoyance to the satisfaction of the Director of Environmental and Consumer Services.

35 A telephone shall be installed in the premises.

36 The Licensee shall display the Cinema Licence and Conditions in a prominent position.

37 No alteration shall be made to the structure, seating arrangements or exists without the Council's written consent.

38 The Firemaster, any Police Constable and any authorised Council Officer shall be permitted free access to the premises at any time.

39 The Council or Firemaster shall have the power to set a limit on the maximum number of people to be admitted to the premises for any performance.

40 One or more leakage circuit breakers must be installed if live amplified music is to be performed on the premises. The installation should comply with the current Institute of Electrical Engineers Regulations.

- END -

\ \.4DMIN_LIC\DATA \REPOSITORY\Li ve Data \Application Packs\Word Documents\J035.doc Last Modified 20/11/02