HENRY KING at FOX CD 1 CD 3 the GUNFIGHTER the BLACK SWAN CAPTAIN from CASTILE (Con’T) 1

Total Page:16

File Type:pdf, Size:1020Kb

HENRY KING at FOX CD 1 CD 3 the GUNFIGHTER the BLACK SWAN CAPTAIN from CASTILE (Con’T) 1 HENRY KING AT FOX CD 1 CD 3 THE GUNFIGHTER THE BLACK SWAN CAPTAIN FROM CASTILE (con’t) 1. The Shores of Cuba/ 28. Trailer 1. Main Title Villa Rica 29. Main Title 2. Forward 2. Catana’s Dance 30. End Title 3. Over the Wall Into Battle/ 3. Zarabanda Small Haul but an Easy One/ 4. Pledge of Love CD 5 Captured/Inquisition 5. Cempoala LOVE IS A MANY-SPLENDORED THING 4. Locking Away Lord Denby 6. Pedro Moves to Recover 5. Jamie Duels with Leech/ the Jewels 1. Main Title Captain Morgan Intervenes 7. Escape from the Traitors 2. The Moon Festival 6. Port Royal 8. Watching Over Pedro 3. Destiny 7. Sir Henry Morgan 9. Destroying the Armada 4. Waking the Sleeping Tiger 8. Ducking the Ceremony 10. Cholula Hostages/Ominous 5. Give Me Your Hand 9. Lady Margaret’s Pillow Drums/Catana is Enciente 6. Departure 10. Ingram Conspires With 11. Cortez Returns from Villa 7. Chung-King Leech Rica/De Silva Reappears 8. Third Uncle 11. Ingram Warns Fenner and 12. De Silva Murdered 9. The Eurasians Leech 13. Assembly 10. Gifts of Jade 12. Tortuga 14. Conquest 11. The Cablegram 13. Jamie Kidnaps Lady 12. The High Hill Margaret CD 4 13. Macao 14. Articles of Agreement PRINCE OF FOXES 14. Viendras Tu Ce Soir 15. Jamie’s “Bride” 15. The Fortune Teller 16. Maracaibo 1. Prelude 16. Mark and Han Suyin 17. Finale 2. Cesare 17. Mark’s Letter 3. The Gondola (The Song 18. God Has Been Good CD 2 of Venice) (Finale) CAPTAIN FROM CASTILE 4. The Grand Canal 19. Love Is a Many-Splendored 5. Royal Court Thing (source) 1. Main Title 6. Madonna 20. House of Bamboo (source) * 2. Search for Runaway Slave 7. Onward March 3. Aiding the Runaway 8. The Chapel 4. Pedro and Juan 9. The Fortress 5. Pedro Captured by 10. Death Plot Inquisition Guards 11. The Painting 6. The Inquisition 12. Madonna’s Portrait 7. Duel with De Silva and 13. Festival of Spring Escape 14. Attempted Assassination 8. De Vargas Family Escape 15. Into Battle 9. News of the Expedition 16. Death of His Excellency 17. The Truce 18. The Duke’s Offer 19. The Duke’s Entrance 20. The Banquet 21. Of Peasant Birth 22. Madonna Imprisoned 23. The Rescue 24. Finale 25. Main Title (alternate) 26. Chapel Organ 27. The Song of Venice (alternate).
Recommended publications
  • Cr3v05 Maquetación 1
    CAMINO REAL 2:3 (2010): 11-33 Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947) STEPHEN A. COLSTON ABSTRACT The Spanish Conquest of Aztec Mexico (1519-21) forever transformed greater North America, Europe, and regions beyond. In spite of this significance, there is only one extant motion picture that has attempted to portray features of this epic event. Re- leased in 1947 by Twentieth Century-Fox, Captain from Castile was based on a novel of the same title and offers images of the Conquest that are intertwined with fact and fic- tion. Drawing upon the novel and elements of the Conquest story itself, this study se- parates and examines the threads of fact and fantasy that form the fundamental fabric of this film’s recounting of the Spanish Conquest. This analysis is enhanced by infor- mation found in unpublished documents from several collections of motion picture pro- duction materials. Ultimately, the images of the Spanish Conquest that emerge in Captain from Castile reveal some elements of genuine historicity but they more often reflect, in typical Hollywood fashion, the aspirations of a studio more concerned with achieving box office success than historical accuracy. Keywords: film, Hollywood, Conquest, Mexico, Cortés, Aztecs. Stephen A. Colston is an Associate Professor of History at San Diego State University. Colston, S. “Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947).” Camino Real. Estudios de las Hispanidades Norteamericanas. Alcalá de Henares: Instituto Franklin - UAH, 2:3 (2010): 11- 33. Print. Recibido: 27/10/2010; 2ª versión: 26/11/2010 11 CAMINO REAL RESUMEN La conquista española del México azteca (1519 - 1521) transformó para siempre América del Norte, Europa y más allá.
    [Show full text]
  • What's the Use of Wondering If He's Good Or Bad?: Carousel and The
    What’s the Use of Wondering if He’s Good or Bad?: Carousel and the Presentation of Domestic Violence in Musicals. Patricia ÁLVAREZ CALDAS Universidad de Santiago de Compostela [email protected] Recibido: 15.09.2012 Aceptado: 30.09.2012 ABSTRACT The analysis of the 1956 film Carousel (Dir. Henry King), which was based on the 1945 play by Rodgers and Hammerstein, provides a suitable example of a musical with explicit allusions to male physical aggression over two women: the wife and the daughter. The issue of domestic violence appears, thus, in a film genre in which serious topics such as these are rarely present. The film provide an opportunity to study how the expectations and the conventions brought up by this genre are capable of shaping and transforming the presentation of Domestic Violence. Because the audience had to sympathise with the protagonists, the plot was arranged to fulfil the conventional pattern of a romantic story inducing audiences forget about the dark themes that are being portrayed on screen. Key words: Domestic violence, film, musical, cultural studies. ¿De qué sirve preocuparse por si es bueno o malo?: Carrusel y la presentación de la violencia doméstica en los musicales. RESUMEN La película Carrusel (dirigida por Henry King en 1956 y basada en la obra de Rodgers y Hammerstein de 1945), nos ofrece un gran ejemplo de un musical que realiza alusiones explícitas a las agresiones que ejerce el protagonista masculino sobre su esposa y su hija. El tema de la violencia doméstica aparece así en un género fílmico en el que este tipo de tratamientos rara vez están presentes.
    [Show full text]
  • Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
    Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U.
    [Show full text]
  • 34 Writers Head to 7Th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals
    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] 34 Writers Head to 7th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals – 21 Brand New Musicals will be part of this exclusive month-long retreat – This year’s participants boast credits as diverse as: Songwriters of India Aire’s “High Above” (T. Rosser, C. Sohne) Music Director for NY branch of Playing For Change (O. Matias) Composer for PBS (M. Medeiros) Author of Muppets Meet the Classic series (E. F. Jackson) Founder of RANGE a capella (R. Baum) Lyricist for Cirque du Soleil’s Paramour (J. Stafford) Member of the Board of Directors for The Lilly Awards Foundation and Founding Director of MAESTRA (G. Stitt) Celebrated Recording Artists MIGHTY KATE (K. Pfaffl) Teaching artist working with NYC Public Charter schools and the Rose M. Singer Center on Riker’s Island (I. Fields Stewart) Broadway Music Director/Arranger for If/Then, American Idiot, The 25th Annual Putnam County Spelling Bee and others (C. Dean) EAST HADDAM, CONN.,JANUARY 8 , 2019: In what has become an annual ritual, a total of 34 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2019 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 21 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration. The Johnny Mercer Writers Colony at Goodspeed is an unparalleled, long-term residency program devoted exclusively to musical theatre writing.
    [Show full text]
  • Western Movie Trivia Questions
    WESTERN MOVIE TRIVIA QUESTIONS ( www.TriviaChamp.com ) 1> Who plays the sheriff in Unforgiven (1992)? 2> Who is the director and producer of Appaloosa (2008)? 3> Which Native American tribe attacked the village, defended by Dunbar (Dances with Wolves)? 4> Who is Shane from a 1953 movie of the same name? 5> Who really shot Liberty Valance (The Man Who Shot Liberty Valance)? 6> Which tribe adopted Jack Crab, played by Dustin Hoffman (Little Big Man)? 7> Jeff Bridges portrayed famous character of the Dude in Big Lebowski. Which of the following westerns also featured a character named Dude? 8> The Magnificent Seven is a western remake of which famous movie? 9> Owen Thursday is a graduate of which military school (Fort Apache)? 10> What does the name Manco mean (For a Few Dollars More)? 11> Who plays Seth Bullock in TV series Deadwood? 12> John Wayne won an Oscar for his role in which movie? 13> What is Ringo's first name (The Gunfighter)? 14> The action takes place in Rio Arriba in... 15> What is the US title for a Sergio Leone film Duck, You Sucker! ? Answers: 1> Gene Hackman - A memorable quote is 'It's a hell of a thing killin' a man. You take away all he's got and all he's ever gonna have.' 2> Ed Harris - Alan Miller directed a film called The Appaloosa in 1966, starring Marlon Brando. 3> Pawnee - Some of the Pawnee people practiced child sacrifice. 4> A gunslinger - The last living member of the cast, Jack Palance, died in 2006.
    [Show full text]
  • July 1978 Scv^ Monthly for the Press && the Museum of Modern Art Frl 11 West 53 Street, New York, N.Y
    d^c July 1978 ScV^ Monthly for the Press && The Museum of Modern Art frl 11 West 53 Street, New York, N.Y. 10019 Department of Public Information, (212)956-2648 What' s New Page 1 What's Coming Up Page 2 Current Exhibitions Page 3-4 Gallery Talks, Special Events Page 4-5 Ongoing Page Museum Hours, Admission Fees Page 6 Events for Children , Page 6 WHAT'S NEW DRAWINGS Artists and Writers Jul 10—Sep 24 An exhibition of 75 drawings from the Museum Collection ranging in date from 1889 to 1976. These drawings are portraits of 20th- century American and European painters and sculptors, poets and philosophers, novelists and critics. Portraits of writers in­ clude those of John Ashbery, Joe Bousquet, Bertolt Brecht, John Dewey, Iwan Goll, Max Jacob, James Joyce, Frank O'Hara, Kenneth Koch, Katherine Anne Porter, Albert Schweitzer, Gertrude Stein, Tristan Tzara, and Glenway Wescott. Among the artists represent­ ed by self-portraits are Botero, Chagall, Duchamp, Hartley, Kirchner, Laurencin, Matisse, Orozco, Samaras, Shahn, Sheeler, and Spilliaert. Directed by William S. Lieberman, Director, De­ partment of Drawings. (Sachs Galleries, 3rd floor) VARIETY OF MEDIA Selections from the Art Lending Service Jul 10—Sep 5 An exhibition/sale of works in a variety of media. (Penthouse, 6th floor) PHOTOGRAPHY Mirrors and Windows: American Photography Since 1960 Jul 28—Oct 2 This exhibition of approximately 200 prints attempts to provide a critical overview of the new American photography of the past Press Preview two decades. The central thesis of the exhibition claims that Jul 26 the basic dichotomy in contemporary photography distinguishes llam-4pm those who think of photography fundamentally as a means of self- expnession from those who think of it as a method of exploration.
    [Show full text]
  • Circuit Court Facility Docket Hearing Period: 9/3/2021 to 11/30/2021
    Circuit Court Facility Docket Hearing Period: 9/3/2021 To 11/30/2021 Location: Allegany Circuit Court Hearing Date: 09/03/2021 - Friday 09/03/2021 - Friday Facility Judge/Magistrate Start Hearing Case Number Title Case Attorney Name Description Time Category Courtroom 1 Twigg, Michael O 10:30AM Hearing - Emergency C-01-JV-18-000064 Juvenile Atty for: DF - * FRANCOEUR-BREEDEN, Review Placement Atty for: DF - * Public Defender, Al Atty for: FM - * Atty for: FM - * Atty for: PL - * Phillips, Jacquelin Page: 1 of 372 Report Name: - CC171 - Circuit Court Facility Docket Run Date: 9/3/2021 9:35 AM Circuit Court Facility Docket Hearing Period: 9/3/2021 To 11/30/2021 Location: Allegany Circuit Court Hearing Date: 09/03/2021 - Friday 09/03/2021 - Friday Facility Judge/Magistrate Start Hearing Case Number Title Case Attorney Name Description Time Category Courtroom 2 Getty, J S 9:00AM Hearing - Plea C-01-CR-21-000376 State of Maryland vs. JUSTIN Criminal Atty for: DF - MORGAN, JUSTIN DONA * MCKINLEY, DONALD MORGAN GEORGE VE Atty for: PL - State of Maryland * Courtroom 2 Getty, J S 1:15PM Hearing - C-01-CV-21-000219 In the Matter of Nebiyu Fitta Civil Atty for: DF - Thomas B. Finan Cen * Clipp, Morgan Eliza Administrative Atty for: PL - Fitta, Nebiyu * Appeal Hearing Flag: Remote Hearing Flag Comments: See 9/1 Motion Page: 2 of 372 Report Name: - CC171 - Circuit Court Facility Docket Run Date: 9/3/2021 9:35 AM Circuit Court Facility Docket Hearing Period: 9/3/2021 To 11/30/2021 Location: Allegany Circuit Court Hearing Date: 09/07/2021 - Tuesday 09/07/2021 - Tuesday Facility Judge/Magistrate Start Hearing Case Number Title Case Attorney Name Description Time Category Courtroom 1 Twigg, Michael O 9:00AM Hearing - Status C-01-CR-20-000155 State of Maryland vs.
    [Show full text]
  • Programming Ideas
    Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013)
    [Show full text]
  • Robert Duvall
    VOICE Journal of the Alex Film Society Vol. 14, No. 1 February 2, 2008, 2 pm & 8 pm 02/08 of theTHEATRE Gregory Peck By Randy Carter has to age six decades over the course of the film regory Peck has and Zanuck thought Peck always been a could carry it off. Although Gleading man. He the film did well at the never played a waiter box office it didn’t recoup with two lines or a police Zanuck’s $3 million dollar officer who gets killed in investment. But Peck got an the first reel. A California Oscar® nomination for Best boy from La Jolla, he Actor and his position as a went to San Diego State top leading man was minted and Cal, did some college in only his second film. He theatre and headed to New would be nominated three York. A student of Sanford more times in the next four Meisner, he played the years for The Yearling (1946), lead in his first Broadway Gentleman’s Agreement production, “The Morning (1947) and Twelve O’ Clock Star”, a New York version High (1950). of a London hit by the Welsh actor/playwright Emlyn Williams. This was 1942 Gentleman’s Agreement teamed Peck with New Yorker and a few good notices, a round of Hollywood meetings Elia Kazan in a film about Anti-Semitism. Peck actually set up by his agent Leland Hayward, set the stage for played a gentile impersonating a Jew to observe the his first film role in the RKO production of Days of depth of prejudice in America.
    [Show full text]
  • Pioneer Film Director Honored / HENRY KING
    The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment.
    [Show full text]
  • Tyrone Power
    Tyrone Power 66638_Kelly.indd638_Kelly.indd i 227/11/207/11/20 11:15:15 PPMM International Film Stars Series Editor: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema by Gillian Kelly www.euppublishing.com/series/ifs 66638_Kelly.indd638_Kelly.indd iiii 227/11/207/11/20 11:15:15 PPMM Tyrone Power Gender, Genre and Image in Classical Hollywood Cinema Gillian Kelly 66638_Kelly.indd638_Kelly.indd iiiiii 227/11/207/11/20 11:15:15 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]