Western Movie Trivia Questions

Total Page：16

File Type：pdf, Size：1020Kb

WESTERN MOVIE TRIVIA QUESTIONS ( www.TriviaChamp.com ) 1> Who plays the sheriff in Unforgiven (1992)? 2> Who is the director and producer of Appaloosa (2008)? 3> Which Native American tribe attacked the village, defended by Dunbar (Dances with Wolves)? 4> Who is Shane from a 1953 movie of the same name? 5> Who really shot Liberty Valance (The Man Who Shot Liberty Valance)? 6> Which tribe adopted Jack Crab, played by Dustin Hoffman (Little Big Man)? 7> Jeff Bridges portrayed famous character of the Dude in Big Lebowski. Which of the following westerns also featured a character named Dude? 8> The Magnificent Seven is a western remake of which famous movie? 9> Owen Thursday is a graduate of which military school (Fort Apache)? 10> What does the name Manco mean (For a Few Dollars More)? 11> Who plays Seth Bullock in TV series Deadwood? 12> John Wayne won an Oscar for his role in which movie? 13> What is Ringo's first name (The Gunfighter)? 14> The action takes place in Rio Arriba in... 15> What is the US title for a Sergio Leone film Duck, You Sucker! ? Answers: 1> Gene Hackman - A memorable quote is 'It's a hell of a thing killin' a man. You take away all he's got and all he's ever gonna have.' 2> Ed Harris - Alan Miller directed a film called The Appaloosa in 1966, starring Marlon Brando. 3> Pawnee - Some of the Pawnee people practiced child sacrifice. 4> A gunslinger - The last living member of the cast, Jack Palance, died in 2006. 5> Tom Doniphon - The movie ends with a quote 'Nothing's too good for the man who shot Liberty Valance!' 6> Cheyennes - The real Little Big Man was a Native American, known to have fought at the Battle of Little Big Horn. 7> Rio Bravo - Dean Martin, the King of Cool, played dude. 8> Seven Samurai - The theme of protecting a village can be found in many other works, such as Battle Beyond Stars, Wolves of Calla, or Three Amigos. 9> West Point - Henry Fonda is regarded as one of the best Hollywood actors of all time. 10> One armed - Manco is a reference to the fact that Clint Eastwood's character uses one hand through most of his westerns. 11> Timothy Olyphant - Seth Bullock is based on a real person, a U.S. Marshal. 12> True Grit - John Wayne was nominated three times for an Academy Award – True Grit, The Alamo and Sands of Iwo Jima – but won it only once. 13> Jimmy - Initially it was John Wayne, who was supposed to play Ringo. However, due to his bad relationship with the producer Harry Cohn, Gregory Peck was cast instead. 14> The Bravados (1958)? - Currently Rio Arriba is a county in New Mexico. 15> A Fistful of Dynamite - The movie is also known as Once Upon a Time... the Revolution. Links to Free Trivia on the Net Movie Trivia Movie Trivia Questions Elvis Trivia Questions Beatles Trivia Questions .

Copy Link

Recommended publications

Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
[Show full text]
Larry Groupe- Biography
Jack Price Founding Partner / Managing Director Marc Parella Partner / Director of Operations Mailing Address: 520 Geary Street Suite 605 San Francisco CA 94102 Telephone: Toll-Free 1-866-PRI-RUBI (774-7824) 310-254-7149 / Los Angeles 415-504-3654 / San Francisco Email: [email protected] [email protected] Website: http://www.pricerubin.com Yahoo!Messenger pricerubin Contents: Biography Critical Acclaim Credits IMDB Credits Film Lecture Syllabus Larry Groupe- Biography Larry Groupé is one of the most talented and versatile composers working today in the entertainment industry. With an impressive musical résumé in film and television as well as the concert stage, his achievements have received both critical praise and popular acclaim. Larry has completed his latest score for Straw Dogs. Directed by Rod Lurie starring James Marsden, Kate Bosworth and Alexander Skarsgård. Just prior to this was Nothing but the Truth starring Kate Beckinsale, Matt Dillon and Alan Alda. A compelling political drama about first amendment rights. Which followed on the heels of Resurrecting the Champ starringSamuel L. Jackson and Josh Hartnett. All collaborations with writer-director Rod Lurie. Most notably, he wrote the score for The Contender starring Joan Allen, Gary Oldman and Jeff Bridges, a highly regarded political drama written and directed by Rod Lurie, which received multiple Academy Award nominations. This political drama edge led them toCommander in Chief, which became the number one most successful new TV series when launched by ABC. Larry also enjoyed special recognition when he teamed with the Classic Rock legends, YES, co-composing ten original songs on the new CD release, Magnification, as well as writing overtures, arrangements and conducting the orchestra on their Symphonic Tour of the World.
[Show full text]
34 Writers Head to 7Th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] 34 Writers Head to 7th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals – 21 Brand New Musicals will be part of this exclusive month-long retreat – This year’s participants boast credits as diverse as: Songwriters of India Aire’s “High Above” (T. Rosser, C. Sohne) Music Director for NY branch of Playing For Change (O. Matias) Composer for PBS (M. Medeiros) Author of Muppets Meet the Classic series (E. F. Jackson) Founder of RANGE a capella (R. Baum) Lyricist for Cirque du Soleil’s Paramour (J. Stafford) Member of the Board of Directors for The Lilly Awards Foundation and Founding Director of MAESTRA (G. Stitt) Celebrated Recording Artists MIGHTY KATE (K. Pfaffl) Teaching artist working with NYC Public Charter schools and the Rose M. Singer Center on Riker’s Island (I. Fields Stewart) Broadway Music Director/Arranger for If/Then, American Idiot, The 25th Annual Putnam County Spelling Bee and others (C. Dean) EAST HADDAM, CONN.,JANUARY 8 , 2019: In what has become an annual ritual, a total of 34 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2019 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 21 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration. The Johnny Mercer Writers Colony at Goodspeed is an unparalleled, long-term residency program devoted exclusively to musical theatre writing.
[Show full text]
PDF (1.06 Mib)
The Ten Best Movies of the 4. Pulp Fiction '94: Quentin Tarantino's follow-up to Reservoir Dogs was nothing short of spectacular as its unique blend of shocking violence and 1990s: side splitting laughs caused a massive stir at Cannes. Rapid fire style cou- pled with first class writing paved the way for a genre of film still prevalent 10. GOOdfellaS '90: True account of Henry Hill, Jimmy Conway, and Tommy in the industry today. De Vito and their mobster lives in New York during the '60s and '70s. Not The Godfather, but Scorsese's work is explosive, well-acted, and has some- 3. The Ice Storm '97: The best movie you didn't see. As Vietnam approach- thing that many films don't: mass appeal. es its terminus and the Watergate scandal unfolds, life in the real world is in a cocked hat. Beautifully written tale of sexual exploration as well as the 9. Fearless '93: Excellent introspective journey by director Peter Weir into search for meaning and genuine satisfaction outside of socially mandated the psyche of a plane crash survivor and his mental transformation. Deeply boundaries. moving performance from Jeff Bridges. 2. Lost Highway '97: David Lynch's journey into the depths of the mind 8. The Usual Suspects '95: Bryan Singer's taut crime drama features the made for one creepy film. Fred Madison, after being accused of murder, mys- best ensemble cast this side of Glengary Glen Ross. Gabriel Byrne, Stephen teriously morphs into Pete Dayton. Soon the two sides of the alter ego begin Baldwin, Benicio Del Toro, Kevin Pollak, Kevin Spacey and Chazz Palminteri to cross paths in a surreal web of intrigue.
[Show full text]
Iron Man As Cyborg: Between Masculinities by Evdokia Stefanopoulou, Aristotle University of Thessaloniki, Greece
Iron Man as Cyborg: Between Masculinities By Evdokia Stefanopoulou, Aristotle University of Thessaloniki, Greece Abstract Since the turn of the millennium there has been a mass proliferation of superhero movies. From the appearance of the fist Spider-Man film in 2002 since the latest installment in the Ca ptain America series (2016), superhero movies have a tremendous popular and economic success. These popular texts have also a massive cultural impact by articulating their representations and ideologies in a global audience consisting of different national, racial, class and gender identities. The gender issues in superhero movies are often accompanied by the common observation that the great majority of superheroes are men and the rare presence of women is marked by their placement in a supporting role, thus reproducing a patriarchal ideology. Although this phenomenon can indeed be characterized as an excessive demonstration of masculine power and superheroes can be seen as mythical figures of a technological patriarchy, I would also suggest a different approach, an antithetical reading. This approach examines the overstated “technological sublime in human form” (Wasielewski 66) as a sort of divergent embodiment of subjectivity, one that contains the notion of the cyborg as described by Donna Harraway, one containing its own blurring of the ontological boundaries (161), therefore projecting its own existence as a social construction. Deploying this approach, I would examine the gender representations in the Iron Man trilogy (2008, 2010, 2013) not as demonstration of patriarchal power, but as masculinity in crisis, a masculinity undermined by its excessive technological look and its status as a constructed fabrication.
[Show full text]
July 1978 Scv^ Monthly for the Press && the Museum of Modern Art Frl 11 West 53 Street, New York, N.Y
d^c July 1978 ScV^ Monthly for the Press && The Museum of Modern Art frl 11 West 53 Street, New York, N.Y. 10019 Department of Public Information, (212)956-2648 What' s New Page 1 What's Coming Up Page 2 Current Exhibitions Page 3-4 Gallery Talks, Special Events Page 4-5 Ongoing Page Museum Hours, Admission Fees Page 6 Events for Children , Page 6 WHAT'S NEW DRAWINGS Artists and Writers Jul 10—Sep 24 An exhibition of 75 drawings from the Museum Collection ranging in date from 1889 to 1976. These drawings are portraits of 20th- century American and European painters and sculptors, poets and philosophers, novelists and critics. Portraits of writers in clude those of John Ashbery, Joe Bousquet, Bertolt Brecht, John Dewey, Iwan Goll, Max Jacob, James Joyce, Frank O'Hara, Kenneth Koch, Katherine Anne Porter, Albert Schweitzer, Gertrude Stein, Tristan Tzara, and Glenway Wescott. Among the artists represent ed by self-portraits are Botero, Chagall, Duchamp, Hartley, Kirchner, Laurencin, Matisse, Orozco, Samaras, Shahn, Sheeler, and Spilliaert. Directed by William S. Lieberman, Director, De partment of Drawings. (Sachs Galleries, 3rd floor) VARIETY OF MEDIA Selections from the Art Lending Service Jul 10—Sep 5 An exhibition/sale of works in a variety of media. (Penthouse, 6th floor) PHOTOGRAPHY Mirrors and Windows: American Photography Since 1960 Jul 28—Oct 2 This exhibition of approximately 200 prints attempts to provide a critical overview of the new American photography of the past Press Preview two decades. The central thesis of the exhibition claims that Jul 26 the basic dichotomy in contemporary photography distinguishes llam-4pm those who think of photography fundamentally as a means of self- expnession from those who think of it as a method of exploration.
[Show full text]
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) MEJOR ACTRIZ SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) MEJOR ACTOR DE REPARTO MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey - "THE LOVELY BONES" (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MEJOR ACTRIZ DE REPARTO PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MEJOR ELENCO AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. J.T.
[Show full text]
Author Biography
A Redbird Christmas (2004) By Fannie Flagg Discussion questions taken from Litlovers 1. Describe Oswald Campbell at the beginning of the story. How did he come by his name...and how might his naming incident be symbolic of the life he has led (so far)? 2. Fannie Flagg seems to be having fun with names in this novel: not just Oswald's name, but also the name of Lost River. In what way do many of its residents fit the name of the town? What have some of them lost...or missed out on...? 3. Who are your favorites among the cast of characters and why—Betty Kitchen, Roy Grimmitt, Frances Cleverdon, Claude Underwood, Mildred, Dottie ...? (Exclude Jack or Patsy; we'll get to them next.) 4. Jack, the redbird...do you love him? How does he "serve" the community? In what way does he foreshadow what happens to both Patsy and Oswald? 5. Talk about Patsy and her plight. Why is she so drawn to Jack? And why is Lost River so drawn to her? 6. Healing is a central motif in this novel. Who gets healed in this book—and it what ways? And, more importantly, what enables healing to occur? What is Flagg suggesting about the power of community? 7. Can you relate the sense of community in A Redbird Christmas to where you live? What are the attractions, or drawbacks, of a tightly-knit group of people? What other types of community are there? In other words, what do we mean by "community"... what makes a community? 8.
[Show full text]
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013)
[Show full text]
The Men Who Stare at Goats Amusant, Mais Sans Dents the Men Who Stare at Goats — États-Unis / Grande-Bretagne 2009, 94 Minutes Carlo Mandolini
Document generated on 10/01/2021 1:25 p.m. Séquences La revue de cinéma The Men Who Stare at Goats Amusant, mais sans dents The Men Who Stare at Goats — États-Unis / Grande-Bretagne 2009, 94 minutes Carlo Mandolini Number 264, January–February 2010 URI: https://id.erudit.org/iderudit/63406ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Mandolini, C. (2010). Review of [The Men Who Stare at Goats : amusant, mais sans dents / The Men Who Stare at Goats — États-Unis / Grande-Bretagne 2009, 94 minutes]. Séquences, (264), 52–52. Tous droits réservés © La revue Séquences Inc., 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 52 Les films | Critiques The Men Who Stare at Goats amusant, mais sans dents Amusante mais sans plus, cette comédie qui se voulait subversive souffre d’une mise en scène peu assurée et d’un scénario sans dents qui l’empêchent d’atteindre efficacement sa cible. Carlo manDolini uatre ans après l’excellent Good Night, and Good Luck, par la force des choses, a opté pour une esthétique par moments Grant Heslov et George Clooney se retrouvent pour résolument burlesque.
[Show full text]
Robert Duvall
VOICE Journal of the Alex Film Society Vol. 14, No. 1 February 2, 2008, 2 pm & 8 pm 02/08 of theTHEATRE Gregory Peck By Randy Carter has to age six decades over the course of the film regory Peck has and Zanuck thought Peck always been a could carry it off. Although Gleading man. He the film did well at the never played a waiter box office it didn’t recoup with two lines or a police Zanuck’s $3 million dollar officer who gets killed in investment. But Peck got an the first reel. A California Oscar® nomination for Best boy from La Jolla, he Actor and his position as a went to San Diego State top leading man was minted and Cal, did some college in only his second film. He theatre and headed to New would be nominated three York. A student of Sanford more times in the next four Meisner, he played the years for The Yearling (1946), lead in his first Broadway Gentleman’s Agreement production, “The Morning (1947) and Twelve O’ Clock Star”, a New York version High (1950). of a London hit by the Welsh actor/playwright Emlyn Williams. This was 1942 Gentleman’s Agreement teamed Peck with New Yorker and a few good notices, a round of Hollywood meetings Elia Kazan in a film about Anti-Semitism. Peck actually set up by his agent Leland Hayward, set the stage for played a gentile impersonating a Jew to observe the his first film role in the RKO production of Days of depth of prejudice in America.
[Show full text]
Pioneer Film Director Honored / HENRY KING
The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment.
[Show full text]