A Case Study of Partition Narratives and Linguistic Loss
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Saadat Hasan Manto
Saadat Hasan Manto -issues, from local to global are revealed in his series, Let دت :Saadat Hasan Manto (/mɑːn, -tɒ/; Urdu , pronounced [sa'ādat 'hasan 'maṅṭō]; 11 May 1912 – ters to Uncle Sam, and those to Pandit Nehru.[3] On his 18 January 1955) was a Pakistani writer, playwright and writing he often commented, “If you find my stories dirty, author considered among the greatest writers of short sto- the society you are living in is dirty. With my stories, I ries in South Asian history. He produced 22 collections only expose the truth”.[12] of short stories, 1 novel, 5 series of radio plays, 3 collec- tions of essays, 2 collections of personal sketches[1] and his best short stories are held in high esteem by writers and critics. 2 Biography Manto was tried for obscenity six times; thrice before 1947 in British India, and thrice after independence in 2.1 Early life and education 1947 in Pakistan, but never convicted.[2] Saadat Hassan Manto was born in Paproudi village of Samrala, in the Ludhiana district of the Punjab in a Mus- [13][14] 1 Writings lim family of barristers on 11 May 1912. The big turning point in his life came in 1933, at age 21,[15] when he met Abdul Bari Alig, a scholar and Manto chronicled the chaos that prevailed, during and [3][4] polemic writer, in Amritsar.Abdul Bari Alig encouraged after the Partition of India in 1947. He started his him to find his true talents and read Russian and French literary career translating work of literary giants, such authors.[16] as Victor Hugo, Oscar Wilde and Russian writers such as Chekhov and Gorky. -
Objective Communication of Indian Partition Violence and Trauma in Sadat Hasan Manto’S Stories Udaya Raj Paudel
American Research Journal of Humanities and Social Sciences ISSN (Online) : 2378-7031 Volume 4, Issue 1, 6 pages Research Article Open Access Objective Communication of Indian Partition Violence and Trauma in Sadat Hasan Manto’s Stories Udaya Raj Paudel [email protected] Doctoral Candidate in English (Communication), Tribhuvan University, Kathmandu, Nepal PublishedAbstract: Date: October 11, 2018 The violence and trauma of Indian partition changed the social and political course of the Indian subcontinents in such a way that its repercussions and ramifications are still palpable. Along with the number of death and the amount of destruction, the event left a deep psychological scar on the mind of millions of people in general and on the mind of women and children in particular. Such ‘age of foolishness, the season of darkness and the time of despair’ could leave no writers of the time and aftermath untouched. And so far the representation of Indian partition violence and trauma is concerned, whatever the cause and whoever the culprits accused or censured, most of the historians have done their best to silence violence by focusing on the great causes rather than the events themselves. The actual acts of abduction, uprooting, train raids, trauma, madness, suicide, murder and acts of destruction are vexed to keep under the carpet. Unlike this, Sadat Hasan Monto, one of the greatest Urdu writers, visualizes the unprecedented objectivity in the rendition of this heartrending milieu in his stories: “Toba Tek Singh,” “Cold Meat”, “Open It” (“Khol Do”) and “The Dog of Titwal.” Thus, methodologically, this paper makes content analysis of the purposively selected secondary resources where violence and trauma remain at the center rather than ‘the politics of blame’ on Muslims or Hindus as perpetratorKeywords: of the consequence. -
TCPDF Example
Beat: Entertainment Standing ovation for young Mantostaan by Rahat Kazmi at Cannes Film Festival Paris, Washington DC, 22.05.2016, 15:20 Time USPA NEWS - Rahat Kazmi, best known for his hard-hitting films on issues that make a difference, is back with his next, Mantostaan, the film that has begun its global journey with the Cannes World Premiere on May14. Mantostaan is based on writer Sadat Haasan Manto´s short stories inspired from Indo-Pak. Rahat Kazmi, best known for his hard-hitting films on issues that make a difference, is back with his next, Mantostaan, the film that has begun its global journey with the Cannes World Premiere on May14.---------------------------------------------------- Mantostaan is based on writer Sadat Haasan Manto´s short stories that seek their inspiration from the flames of the Indo-Pak partition. Rahat has through the camera lens, chronicled the chaos that prevailed, during and after the Partition of India in 1947, and brought to life on celluloid Manto´s most controversial works including Khol Do, Thanda Gosht, besides Aakhri Salute and Assignment in Mantostaan. Actors Raghubir Yadav, Sonal Sehgal, Shoib Nikash Shah, Tariq Khan, Virendra Saxena, Raina Bassnet and Rahat Kazmi star in the film in lead roles. The film is produced by Rahat Kazmi, Tariq Khan and Aaditya Pratap Singh and co-produced by Zeba Sajid. Associate producer Javid Banday. Creative Producer: Bhanu Pratap Singh.----------------------------------------------------------------------------------------------------------------------------------------------- At Cannes, Mantostaan was lauded by world audiences with a standing ovation at both screenings. Middle Eastern filmmaker Aya Al Blouchi is vocal in her appreciation. “Mantostaan was very daring, as compared to Bollywood films. -
Capturing Obscenity: the Trials and Tribulations of Saadat Hasan Manto
NAVEIÑ REET: Nordic Journal of Law and Social Research (NNJLSR) No.5, 2014, pp. 15-40 Capturing Obscenity: The Trials and Tribulations of Saadat Hasan Manto Osama Siddique1 Abstract There is something extraordinarily evocative about great fiction or literary narratives by great writers of fiction on the theme of coercive authority. The celebrated South Asian Urdu essayist and short story writer Saadat Hasan Manto (1912-1955) belongs to a long tradition of highly gifted authors who had the occasion of personally encountering and confronting the cumbersome machinations and the at times mindless and oppressive logic of authority. Like other eminent writers of his ilk, his reflections on his experiences – Manto underwent several criminal trials for allegedly obscene writing – have left posterity with much more than the irate chronicles of someone confounded by an exhausting personal ordeal. We are bequeathed instead with a wealth of deep, astute, and compelling observations of a keen-eyed, sensitive, and articulate man – observations that continue to hold great relevance and wide appeal so many decades later. This article endeavours to capture Manto’s unique critique of imposed legal frameworks for ‘acceptable’ creative expression, as well as his memorable picturization of the spectacle of the legal trial in colonial and post-colonial contexts. Introduction When it comes to providing a fascinating commentary on abusive or insensitive application of power and its discontents, Manto is quite similar to other illustrious writers, including literary giants such as Dickens, Kafka, Orwell and Coetzee. They too experienced such application of authority in diverse personal ways and subsequently adopted a vantage point from where they could examine the phenomenon from both within and without. -
Jinnah and the Making of Pakistan Week One: Islam As A
Jinnah and The Making of Pakistan Week One: Islam as a Modern Idea Wilfred Cantwell Smith, On Understanding Islam (The Hague: Mouton Publishers, 1981), pp. 41-78. Mohammad Iqbal, The Reconstruction of Religious Thought in Islam, chapters 5 and 6. (http://www.allamaiQbal.com/works/prose/english/reconstruction/index.htm). AltafHusayn Hali, HaWs Musaddas (Delhi: Oxford) Syed Ameer Ali, Carlyle, "The hero as prophet", in On Heraes and Hera- Worship Week Two: The Emergence of Minority Politics Sayyid Ahmad Khan, "Speech of Sir Syed at Lucknow, 1887", in Sir Syed Ahmed on the Present State ofIndian Politics, Consisting ofSpeeches and Letters Reprintedfram the "Pioneer" (AlIahabad: The Pioneer Press, 1888), pp. 1-24. (http://www.columbia.edulitc Imealac Ipritchett IOOislamlinks Itxt sir sayyid luckn ow 1887.html). S. A Khan, "Speech of Sir Syed at Meerut, 1888", in Sir Syed Ahmed on the Present State ofIndian Politics, Consisting ofSpeeches and Letters Reprintedfram the "Pioneer" (AlIahabad: The Pioneer Press, 1888), pp. 29-53. (http://www.columbia.edulitc/mealac/pritchett/OOislamlinks/txt sir sayyid meer ut 1888.html). Lala Lajpat Rai, "Open letters to Sir Syed Ahmad Khan", in Lala Lajpat Rai: Writings and Speeches, Volume One, 1888-1919, ed. byVijaya Chandra Joshi (Delhi: University Publishers, 1966), pp. 1-25. (http://www.col umbia.edu litc/mealac/pritchettl OOislamlinks Itxt lajpatrai 1888 It xt lajpatrai 1888.html). M. A Jinnah, "Presidential address to the Muslim League, Lucknow, 1916" Mohomed AliJinnah: an Ambassador of Unity: His Speeches and Writings, 1912-1917; with a Biographical Appreciation by Sarajini Naidu and a foreword by the Hon 'ble the Rajah ofMahmudabad (Lahore 1918, reprint ed. -
Indian Cinema, Postcolonialism, and Social Justice: an Interview with Nandita Das1
Postcolonial Text, Vol 13, No 3 (2018) Indian Cinema, Postcolonialism, and Social Justice: An Interview with Nandita Das1 Manav Ratti Salisbury University, Maryland, USA Introduction Nandita Das (b. 1969) is one of India’s most eminent filmmakers and actors, renowned in particular for her work in art cinema (or parallel cinema, as it is also called in India), the genre of pioneering filmmakers Ritwik Ghatak (1925-1976), Satyajit Ray (1921-1992), Mrinal Sen (b. 1923), and Tapan Sinha (1924-2009). Das (Figure 1) has, in some respects, pursued an unconventional path into the Indian film industry, for it is not her first professional pursuit, and she does not hail from a film family (distinguished in their fields, her father, Jatin Das, is a painter; and her mother, Varsha Das, is a writer). Born in Mumbai and growing up in New Delhi, Das worked with NGOs for several years before entering the film industry, building on her Master’s degree from the Delhi School of Social Work in the University of Delhi. Fig. 1. Nandita Das at the Cannes Film Festival, 2017. Photo courtesy of Nandita Das Perhaps this unconventional, even outsider’s, path has informed Das’s use of films to question the norms of gender, religion, caste, sexuality, class, and nation, among others. Her work has gained recognition and respect for its uniqueness, urgency, awareness, and authenticity. Known for her social justice advocacy, Das’s national and international commitments span a range of issues, such as violence against women, children’s rights, HIV/AIDS, poverty, and interreligious harmony. She has supported India’s “Dark is Beautiful” campaign, which raises awareness about colourism, a form of prejudice and discrimination that devalues darker skin colours while privileging lighter ones. -
Reeck 1 the Ambivalence of Pleasure in the Saadat Hasan Manto's
Reeck 1 The Ambivalence of Pleasure in the Saadat Hasan Manto’s “Whore/Horror” Stories The Bombay fiction of the Urdu writer Saadat Hasan Manto (1912-1955) is typically read through one of two lenses: as social realism, the literary movement that swept through the subcontinent in the 20th century; or as pulp fiction and romance. Manto was criticized by social realists for not being true to the movement’s dictates, while other readers criticized him for writing what amounts to sensationalism. These critiques focus upon the same figure: the prostitute. But, beyond what the two poles of his reception suggest, Manto’s prostitutes demonstrate few of the horrors that a moralistic reading anticipates. They are neither pure symbols of a degrading and inhumane social practice, nor are they wanton, debauched playgirls that serve as mindless titillation for oversexed male readers. They are, rather, sites of ambivalent investigations into the idea of modern pleasure. Manto’s prostitutes are iconoclastic and enigmatic. Not always sad when we might expect them to be sad, not always happy when we might expect them to be that, they are curiously difficult to reduce to static, dogmatic tropes. I would like to break down this characterization of Manto’s prostitutes as an intentional class with symbolic value. This has been overstressed through contextualizing Manto alongside the Progressive Writers Association, the social realist movement that defined North Indian letters from its founding in London among South Asian English- language writers in 1933, through its incarnation in its Urdu brand in 1936, and continuing strongly for at least two decades, with an afterlife as a Pakistani literary organization. -
Recent List of Additions March 2014
RECENT LIST OF ADDITIONS MARCH 2014 COMPILED BY Sh. Kumar Sanjay, CLDO Smt. S. Wadhawan, ALIO Smt. Indira, SLIA PLANNING COMMISSION LIBRARY YOJANA BHAWAN NEW DELHI ANIMALS 1 Shukla, Parashuram Marjar kosh / Parashuram Shukla.-- New Delhi:Radhakrishan Prakashan, 2013. 272p. ISBN: 9788183616027. 599.75 S562M 151731 ** CARNIVOROUS ANIMALS; ANINIMALS BANKING 2 Dadabhoy, Bakhtiar K Barons of banking: glimpses of Indian banking history /Bakhtiar K Dadabhoy.-- Noida: Random House, 2013. xxxix, 478p. ISBN: 9788184003499. 332.10954 D121B 151880 ** BANKS AND BANKING 3 Raju, B Yerram Agricultural banking: getting the perspective right / B Yerram Raju.-- New Delhi: Konark Publishers, 2013. xxxiii, 202p. ISBN : 9789322008321. 332.10954 R162A 151872 ** BANKS AND BANKING-INDIA 4 Fargson, Nayal Mudra ki maya: vishav ka vitiya itihas / Nayal Fargson; translated by Naved Akbar.-- New Delhi: Penguin Books, 2013. 336p. ISBN: 9780143066095. 332.4 F224M 151568 ** MONEY BIOGRAPHY 5 Bihari, Rasik Sikandar mahan / Rasik Bihari. -- Delhi: Vidya Vihar, 2013 143p. ISBN: 9789382901440. 923.1495 B594s 151743 ** BIOGRAPHY-SIKANDAR; BIOGRAPHY-KINGS 6 Gandhi, Mohandas Karamchand Mahaan aatma Gandhi / Mohandas Karamchand Gandhi. -- Noida: Om Books International, 2012.80p. ISBN: 9789380069661. 923.254 G195M 151712 ** BIOGRAPHY-MOHANDAS KARAMCHAND GANDHI 7 Lohia, Rammanohar Tibbat, Himalaya, Bharat, China aur Dr. Rammanohar Lohia/ edited by Anand Kumar and Manoj Kumar. -- New Delhi: Anamika Publishers, 2013. 340p. ISBN: 9788179754788. 923.254 L833T 151609 ** BIOGRAPHY-RAMMANOHAR LOHIA 8 Rajasvi, M I Shaheede vatan Ashfaq Ullah Khan / M I Rajasvi.-- New Delhi: Granth Akademi, 2013. 150p. ISBN: 9789381063606. 923.254 R161S 151744 ** BIOGRAPHY-FREEDOM FIGHTERS 9 Singh, Bhagat Sheed-e-aajam Bhagat Singh / Bhagat Singh. -- New Delhi: Om Books International, 2012. -
Beyond Hindu and Muslim
BEYOND HINDU AND MUSLIM BEYOND HINDU AND MUSLIM Multiple Identity in Narratives from Village India PETER GOTTSCHALK 1 2000 1 Oxford New York Athens Auckland Bangkok Bogotá Bombay Buenos Aires Calcutta Cape Town Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Shanghai Singapore Taipei Tokyo Toronto and associated companies in Berlin Ibadan Copyright © 2000 by Peter Gottschalk Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Gottschalk, Peter, 1963– Beyond Hindu and Muslim : multiple identity in narratives from village India / Peter Gottschalk. p. cm. Includes bibliographical references and index. ISBN 0-19-513514-8 1. India—Ethnic relations. 2. Group identity—India. 3. Ethnicity—India. 4. Muslims—India. 5. Hindus—India. 6. Narration (Rhetoric) I. Title. DS430 .G66 2000 305.8'00954—dc21 99-046737 135798642 Printed in the United States of America on acid-free paper Dedicated, with deep gratitude, to the people of Bhabhua district, who opened their lives and their hearts to me (“We are all foreign to each other.”) —Bhoju Ram Gopal (“There, behind barbed wire, was India. Over there, behind more barbed wire, was Pakistan. In the middle, on a piece of ground which had no name, lay Toba Tek Singh.”) —Saadat Hasan Manto, “Toba Tek Singh” Acknowledgments he first note of thanks goes to the residents of the Arampur area, whose T generosity and trust allowed me to share in so many dimensions of their selves. -
The Social Parodies in Select Short Stories of Saadat Hasan Manto
THE SOCIAL PARODIES IN SELECT SHORT STORIES OF SAADAT HASAN MANTO C. MANIKANDAN, V. UMADEVI, Associate Professor & Head, M.Phil. Research Scholar, Department of English, Government Arts College (Auto), Government Arts College (Auto), Kumbakonam. (TN) INDIA Kumbakonam. (TN) INDIA This article discusses the black satire and biography of Saadat Hasan Manto with relation to his literary career. In this article, we have a picture about how Manto depicts the Marginalised people and their struggle in his society and also focuses how the society finds their identity in all aspects. Manto stands as a unique person in the society through his writings. Key Words: Parody, Satire, depicts, Marginalised INTRODUCTION Saadat Hasan Manto [11 May 1912-18 Jan 1955] was considered as the greatest writer of short stories in south Asian history. He was an Indo-Pakistani writer. His most remarkable genres are Drama, non-fiction, Satire, Screenplays, personal correspondence. He produced twenty-two collections of short stories, one novel, five series of radio plays, three collections of essays, two collections of personal sketches. These are considered high esteem in the circle of writers and critics. Saadat Hasan Manto gave more important for obscenity in the Society. So he tried for obscenity six times; three times before 1947, in British India, and three times after independence in 1947 in Pakistan, but never convicted. The Social Parodies in Select Short Stories of Saadat Hasan Manto Saadat Hasan Manto was a greatest author and his style around the darkness of the human psyche. He started his literary career as a translator by the works of Victor Hugo, Oscar Wilde, and Russian writer such as Chekhov and Gorky. -
Madness and Partition: the Short Stories Of
ﺕﺩﺎﻌﺳ ﺺﺼﻗ : ﻢﻴﺴﻘﺘﻟﺍﻭ ﻥﻮﻨﺠﻟﺍ / Madness and Partition: The Short Stories of Saadat Hasan Manto ﺓﺮﻴﺼﻘﻟﺍ ﻮﺘﻨﻣ ﻦﺴﺣ ﺮﺘﻟﺃ ﻦﭭﻴﺘﺳ Author(s): Stephen Alter and نونجلا / Source: Alif: Journal of Comparative Poetics, No. 14, Madness and Civilization lrm; (1994), pp. 91-100&ةراضحلاو Published by: Department of English and Comparative Literature, American University in Cairo and American University in Cairo Press Stable URL: https://www.jstor.org/stable/521767 Accessed: 25-03-2020 10:29 UTC REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/521767?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Department of English and Comparative Literature, American University in Cairo and American University in Cairo Press is collaborating with JSTOR to digitize, preserve and extend access to Alif: Journal of Comparative Poetics This content downloaded from 103.50.151.143 on Wed, 25 Mar 2020 10:29:17 UTC All use subject to https://about.jstor.org/terms Madness and Partition: The Short Stories of Saadat Hasan Manto Stephen Alter No writer has been able to convey the violent ambiguities of communal conflict with as much force and conviction as Saadat Hasan Manto. -
Saadat Hasan Manto Ismat Chughtai
Ismat Chughtai A one and a half years ago when I was in Bombay I received a post- card from a gentleman in Hyderabad. The content of the message ran somewhat like this: “How is it that Ismat Chughtai and you didn’t marry? It would have been wonderful if the two personalities—Manto and Ismat—had come together. What a shame! Ismat married Shahid Latif and Manto …” It was about this time that a conference of Progressive writers was held in Hyderabad. Though I did not attend the conference I read the accounts of its proceedings in a journal published from Hyderabad. It mentioned that many girls had approached Ismat Chughtai there and asked her why she did not marry Manto. I do not know whether the report was true or false. But when Ismat returned to Bombay she told my wife that when a lady in Hyderabad had asked her whether Manto was a bachelor she had replied sharply, “Indeed, no.” Hearing this the lady was sorely disappointed and became quiet. Whatever the truth, it is curious that in all of India only the men and women of Hyderabad have been so concerned about Ismat’s marriage and mine. I did not reflect on it at the time, but now I wonder. If Ismat and I had really become man and wife, then …? It is a big speculative “if” of history that is a little like asking—if Cleopatra’s nose had been longer by one eighteenth of an inch what consequences would it have had on the history of the Nile valley? However, in the present case, Ismat is not Cleopatra, nor Manto Mark Antony.