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Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
Japanese Literary Travelers in Prewar China,” Harvard Journal of Asiatic Studies 49.2 (December 1989), 575–602
■ Source: “Japanese Literary Travelers in Prewar China,” Harvard Journal of Asiatic Studies 49.2 (December 1989), 575–602. Japanese Literary Travelers in Prewar China Like the epic, like history, like the novel, the literature of travel has evolved through the centuries. Like them it has existed since the beginnings of oral and written literature. As with them some of its authors have been bad, others have delighted and informed their readers, and many, from the earliest times, have been popular, influential, even brilliant. As with other forms of literature its quantity and nature have varied because of political, religious, economic, and other social and human factors. And like them it includes countless subtypes that continually approach each other, separate, join, overlap, and consistently defy neat classification.1 Travel accounts form an immense literary genre of international propor- tions, hundreds, even thousands of years old. The global thirst for knowledge of how other peoples live has known no bounds since the reporting of travel tales first began. The reasons for this curiosity abound, from voyeurism to schol- arly interest to concerns for military planning. And, the growth of information about the inhabitants of every corner of the globe has in no way diminished contemporary man’s desire to learn more from places and peoples still little known on earth and elsewhere in the universe. Indeed, an entire sub-genre of science fiction, the imaginary voyage, aims at satisfying this curiosity in the realm of the fantastic.2 Japanese travel to China recommenced in 1862 following the lifting of the ban on travel by the Tokugawa bakufu, and travel accounts began to appear immediately. -
HYI Brochure 2018.Pdf
HARVARD-YENCHING HARVARD-YENCHING INSTITUTE 2 Divinity Avenue INSTITUTE Cambridge, MA 02138 P 617.495.3369 F 617.495.7798 Vanserg Hall, Suite 20 25 Francis Avenue Cambridge, MA 02138 P 617.495.4050 F 617.496.7206 WWW.HARVARD-YENCHING.ORG FOUNDED NINETY YEARS AGO through the generosity of the estate of Charles M. Hall, the Harvard-Yenching Institute is an independent foundation dedicated to advancing higher education in Asia in the humanities and social sciences, with special attention to the study of Chinese culture. Located on the campus of Harvard University, the Institute currently enjoys partnerships with more than fifty universities and research centers in China, Contents Hong Kong, Taiwan, Japan, Korea, Singapore, India, Vietnam, Thailand, and Cambodia. We support doctoral scholarships, visiting fellowships, academic publications, advanced training programs, conferences HISTORY and other scholarly initiatives—in Asia, at Harvard Harvard-Yenching Institute 2 University, and elsewhere—intended to promote Harvard-Yenching Library 4 graduate and post-graduate research in Asian FELLOWSHIP PROGRAMS studies (and other topics in the humanities and social HYI Fellowship Programs 7 sciences) and to increase scholarly communication HYI Partner Institutions 11 among Asian scholars and between them and their Alumni Opportunities 12 counterparts in other regions of the world. To learn Alumni Profiles 14 more both about us and about Asia, we invite you PUBLICATIONS & PROJECTS to visit our website, www.harvard-yenching.org. HJAS and HYI Monograph -
Analysi of Dream of the Red Chamber
MULTIPLE AUTHORS DETECTION: A QUANTITATIVE ANALYSIS OF DREAM OF THE RED CHAMBER XIANFENG HU, YANG WANG, AND QIANG WU A bs t r a c t . Inspired by the authorship controversy of Dream of the Red Chamber and the applica- tion of machine learning in the study of literary stylometry, we develop a rigorous new method for the mathematical analysis of authorship by testing for a so-called chrono-divide in writing styles. Our method incorporates some of the latest advances in the study of authorship attribution, par- ticularly techniques from support vector machines. By introducing the notion of relative frequency as a feature ranking metric our method proves to be highly e↵ective and robust. Applying our method to the Cheng-Gao version of Dream of the Red Chamber has led to con- vincing if not irrefutable evidence that the first 80 chapters and the last 40 chapters of the book were written by two di↵erent authors. Furthermore, our analysis has unexpectedly provided strong support to the hypothesis that Chapter 67 was not the work of Cao Xueqin either. We have also tested our method to the other three Great Classical Novels in Chinese. As expected no chrono-divides have been found. This provides further evidence of the robustness of our method. 1. In t r o du c t ion Dream of the Red Chamber (˘¢â) by Cao Xueqin (˘»é) is one of China’s Four Great Classical Novels. For more than one and a half centuries it has been widely acknowledged as the greatest literary masterpiece ever written in the history of Chinese literature. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
“A Preliminary Discussion of Literary Reform” by Hu Shi
Primary Source Document with Questions (DBQs) “ A PRELIMINARY DISCUSSION OF LITERARY REFORM” By Hu Shi Introduction Beginning around 1917, Chinese intellectuals began to engage each other in serious discussion and debate on culture, history, philosophy, and related subjects — all with an eye to the bigger problem of China’s weakness and the possible solutions to that problem. This period of intellectual debate, labeled the May Fourth Movement, lasted to around 1921. Hu Shi (1891-1962) was one of the leading May Fourth intellectuals. A student of agriculture at Cornell University, and then of philosophy under John Dewey at Columbia University, Hu led the way in the movement to write Chinese in the vernacular, as opposed to the elegant, but (to the average Chinese) incomprehensible classical style. Hu also played a leading role in the cultural debates of the time. The following document represents Hu’s ideas on literary reform. Document Excerpts with Questions (Longer selection follows this section) From Sources of Chinese Tradition: From 1600 Through the Twentieth Century, compiled by Wm. Theodore de Bary and Richard Lufrano, 2nd ed., vol. 2 (New York: Columbia University Press, 2000), 357-360. © 2000 Columbia University Press. Reproduced with the permission of the publisher. All rights reserved. “A Preliminary Discussion of Literary Reform” By Hu Shi I believe that literary reform at the present time must begin with these eight items: (1) Write with substance. (2) Do not imitate the ancients. (3) Emphasize grammar. (4) Reject melancholy. (5) Eliminate old clichés. (6) Do not use allusions. (7) Do not use couplets and parallelisms. -
Hesitating Before the Judgment of History (2012)
The Journal of Asian Studies Vol. 71, No. 1 (February) 2012: 103–114. © The Association for Asian Studies, Inc., 2012 doi:10.1017/S0021911811002932 Hesitating before the Judgment of History TIMOTHY BROOK The ubiquitous experience of wartime collaboration in East Asia has not yet undergone the analysis that its counterpart in Europe has received. The diffi- culty has to do with the political legacies that the denunciation of collaboration legitimized, as well as the continuing hegemony of the discourse of nationalism. Both inhibitors encourage the condemnation of collaboration rather than its his- toricization. Reflecting briefly on the 1946 trial of Liang Hongzhi, China’s first head of state under the Japanese, this essay argues that the historian’s task is not to create moral knowledge, but to probe the presuppositions that bring the moral subject of the collaborator into being for us, and then ask whether real collabor- ators correspond to this moral subject. In the face of the natural impulse to render judgment, this essay argues for the wisdom of hesitation. ODAY HISTORIANS HESITATE TO judge collaborators with the Axis powers in “ ” TWorld War II, writes John Treat. This hesitation, he worries, is not a good thing, for it flees from the moral obligation to make judgments. Collabor- ation cannot be assessed in this way as a merely historical question. It must be encountered as an existential one and perceived in relation to “what we funda- mentally are,” he argues. I shall propose the opposite. Hesitation is not widely regarded as a moral virtue. We admire those who act “without a moment’s hesitation,” as the saying goes, and disdain those who delay leaping from impulse to action. -
Dreams of Timeless Beauties: a Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations
Dreams of Timeless Beauties: A Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations Xiaolu (Sasha) Han Submitted in Partial Fulfillment of the Prerequisite for Honors in East Asian Studies April 2014 ©2014 Xiaolu (Sasha) Han Acknowledgements First of all, I thank Professor Ellen Widmer not only for her guidance and encouragement throughout this thesis process, but also for her support throughout my time here at Wellesley. Without her endless patience this study would have not been possible and I am forever grateful to be one of her advisees. I would also like to thank the Wellesley College East Asian Studies Department for giving me the opportunity to take on such a project and for challenging me to expand my horizons each and every day Sincerest thanks to my sisters away from home, Amy, Irene, Cristina, and Beatriz, for the many late night snacks, funny notes, and general reassurance during hard times. I would also like to thank Joe for never losing faith in my abilities and helping me stay motivated. Finally, many thanks to my family and friends back home. Your continued support through all of my endeavors and your ability to endure the seemingly endless thesis rambles has been invaluable to this experience. Table of Contents INTRODUCTION ....................................................................................... 3 CHAPTER 1: THE PAIRING OF WOOD AND GOLD Lin Daiyu ................................................................................................. -
Hu Shih and Education Reform
Syracuse University SURFACE Theses - ALL June 2020 Moderacy and Modernity: Hu Shih and Education Reform Travis M. Ulrich Syracuse University Follow this and additional works at: https://surface.syr.edu/thesis Part of the Arts and Humanities Commons Recommended Citation Ulrich, Travis M., "Moderacy and Modernity: Hu Shih and Education Reform" (2020). Theses - ALL. 464. https://surface.syr.edu/thesis/464 This Thesis is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Theses - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract This paper focuses on the use of the term “moderate” “moderacy” as a term applied to categorize some Chinese intellectuals and categorize their political positions throughout the 1920’s and 30’s. In the early decades of the twentieth century, the label of “moderate” (温和 or 温和派)became associated with an inability to align with a political or intellectual faction, thus preventing progress for either side or in some cases, advocating against certain forms of progress. Hu Shih, however, who was one of the most influential intellectuals in modern Chinese history, proudly advocated for pragmatic moderation, as suggested by his slogan: “Boldness is suggesting hypotheses coupled with a most solicitous regard for control and verification.” His advocacy of moderation—which for him became closely associated with pragmatism—brought criticism from those on the left and right. This paper seeks to address these analytical assessments of Hu Shih by questioning not just the labeling of Hu Shih as a moderate, but also questioning the negative connotations attached to moderacy as a political and intellectual label itself. -
Collaboration in the History of Wartime East Asia
Volume 6 | Issue 7 | Article ID 2798 | Jul 02, 2008 The Asia-Pacific Journal | Japan Focus Collaboration in the History of Wartime East Asia Timothy Brook Collaboration in War and Memory in East comparative perspective. The symposium Asia: A Symposium includes the following articles: This symposium on collaboration in East Asia during the Asia-Pacific War and its aftermath addresses some of the most fraught issues in 1. Timothy Brook, Collaboration in the History historiography, historical remembrance, and of Wartime East Asia contemporary politics. It also reflects on 2. Prasenjit Duara,Collaboration and the occupation states in Europe and postwar East Politics of the Twentieth Century Asia, while casting important light on3. Suk-Jung Han,On the Question of contemporary issues of collaboration globally. Collaboration in South Korea How are we to assess occupation regimes that 4. Heonik Kwon, Excavating the History of emerged in each East and Southeast Asian Collaboration nation during the Pacific War, as well as in 5. Timothy Brook, Collaboration in the Postwar postwar nations including those occuped by the 6. Margherita Zanasi, New Perspectives on United States or other occupiers. Issues of Chinese Collaboration collaboration in a post-colonial world may be equally salient in reflecting on the experiences of newly independent nations? The issues are Japan Focus anticipates and welcomes closely intertwined with dominant nationalist responses to the symposium. These will be ideologies that have characteristicallypublished in future issues. -
The Selden Map: Provenance and Prescience
Copyright 2014, The Concord Review, Inc., all rights reserved THE SELDEN MAP: PROVENANCE AND PRESCIENCE Mark Lu Discovery In early 2008, an American historian visiting Oxford University’s Bodleian Library made a startling discovery. Professor Robert Batchelor chanced upon a large, beautifully ornate 17th- century map of East Asia. The map showed Ming dynasty China, the entire East and South China Sea region from Japan to Timor, and trade routes from Indonesia to the western coast of India. Batchelor thought that the map was highly unusual because it was unlike any imperial Chinese or European map drawn at the time. In particular, he noticed faint compass bearings on the map that set out sailing directions and nautical distances to trading destinations in Japan, Korea, Taiwan, the Philippines, Vietnam, Indonesia, India and the Arabian Gulf. These routes all emanated from one location on the southeastern coast of China: the port city of Quanzhou, in modern day Fujian Province. The map was known as “The Selden Map,” and it bore the name of Sir John Selden (1584–1654), a remarkably erudite Eng- lish constitutional lawyer, historian, Oriental and Judaic scholar, and parliamentarian. Selden purchased the map in 1626, and his estate bequeathed it to the Bodleian Library in 1659, along with Mark Lu is a Junior at the Independent Schools Foundation Academy in Hong Kong, where he wrote this History Indendent Study paper for Dr. Wu Huiyi during the 2013/2014 academic year. 12 Mark Lu more than 8,000 essays and manuscripts.1 In the past four centu- ries, neither the map’s origin nor its creator has been determined. -
Hong Lou Meng
Dreaming across Languages and Cultures Dreaming across Languages and Cultures: A Study of the Literary Translations of the Hong lou meng By Laurence K. P. Wong Dreaming across Languages and Cultures: A Study of the Literary Translations of the Hong lou meng By Laurence K. P. Wong This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Laurence K. P. Wong All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5887-0, ISBN (13): 978-1-4438-5887-8 CONTENTS Preface ....................................................................................................... vi Acknowledgements ................................................................................... ix Note on Romanization ............................................................................... xi Note on Abbreviations .............................................................................. xii Note on Glossing .................................................................................... xvii Introduction ................................................................................................ 1 Chapter One .............................................................................................