Jmoriginal 3345.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Jmoriginal 3345.Pdf ga •ound A vialon ! jsoa-dft vlalonl*, Joni Mitchell's Moderation Kissing To Be Cultured Rickle Lee Jones). For The Roses had panles Joni In a way that enhances her Joni comes full circle in an some minor accompaniment, but It wasn't vocals In a way that challenges the perfec­ until she teamed up with the entire LA. tion of the vocal duets of Blllle Holiday and Lene Lovich and Culture Club Express in 1974 that she achieved totally Al Hlbber. Shadows and Light is a sincere album reflecting fifteen years full, purely unadulterated, pop. It wasn't album, It reflects the growth Mitchell made hokey-pokey trash pop, mind you, but an down the long road of Introspection, im­ find no affection perfection, and fame. The haunting ot/ilng /usts /or tong",slngs Jonl sions of a person's psyche, they painted elusive, Introspective, fast-paced pop. remakes of "Woodstock"and "Furry Sings Mitchell on her latest album Wild portraits of completely unabashed honesty. Court and Spark was a successful album, ops...well I guess It's too late. I'll The Blues" prove her ability to really sing Lene Lovich used to be able to express Things Run Fast, from the song There were touches of Laura Nyro here, as commercially, as well as critically, and her have to go through with It and some strange sort of romantic Ideal In her I the blues. The remake of her own "Chinese Cale". and that perhaps, Is the well as Joan Baez, but the poetic Imagery place In the music business was firmly O write the review. I really don't music and In the way she sang-yelped. 9 "Woodstock" Is almost frightening, and statement that Is most Interesting on .lout's as well as melodic beauty were un­ established. want to do this you know. I'm not Inspired. know she sounds rehashed, yelping purely 8 gives the 'Woodstock' era a chillingly, near newest portrait of life In a love-obsessed precedented. Her next studio album, He)lra was also It might be a carry-over from the Librium,, for effect rather than out of affection. Miss­ 2 apocalyptic feeling. On first listening to the world. I say Interesting, because Mitchell, A beautiful and talented woman Is hard well recleved, at this point In Jonl's life she I've been prescribed but I think not. I'm ing also Is the muted, love-Inspired cut, I was struck by the transformation she who has been recording now for over fif­ to Ignore, but one that Is successful Is Im­ began to concern herself with settling down afraid It's from the two records I'm about to psychotic paranoia that used to shine teen years, has not only lasted for ages and possible. Such was the case for Jonl after and kept threatening her manager Eliot had made since her first days as review-- Lene Lovlch's "No Man's Land" through (especially on "Telepathy" from ages, but has created works of near genius the release of Clouds and Ladles 0/ The Roberts that this tour was the last tour, but 'spokeswomen' for the time. and the Culture Club's debut album "Kiss­ Stateless.) Now she sounds a little In not only the genres of folk (Ladles Of Cannon. Friends with Nell Young since her somehow, she kept moving. Each love af­ Rushing ahead to the present, 1982 and ing To Be Clever." I hate to say it, but these loo secure, bolstered by her tiny army of The Canyon and Blue), and pop (Court early days in Canada (they lived In the fair seemed to be a 'false-alarm' as she con­ IVIfd Things Run Fast. 1 admit It- I have albums are Incredibly boring, uninspired synthesized robot guerillas. To put It and Spark) but In )az2 as well (Mlngus and same neighborhood and used to )oke fessed her broken heart In the touching mixed emotions about the album. In many, and unimaginative. simply-- she's trapped In a sound and Im­ her live, brealhtaklngly beautiful Shadows about becoming famous) she became Im­ classic "Amelia". Her own existence, and many ways It Is very beautiful. First the ex­ age the way the "Flash and the Pan" are and Light). Interesting because it seems the mersed in the folk/art/hlpple scene with the reason for It was plaguing her ceptional: the musicianship. Over the past Damian VanDenburgh trapped and all too easily recognizable by eternally lovelorn poetess of the past has CSN & Young, plunged into a relationship relentlessly; "HeJIra" put It best: "I look at fifteen years Jonl Mitchell has become one the synthesized respirator vocals of their shed her ballad-like bravado and adapted with Graham Nash, and moved In with him the granite marker/those tributes to eterni­ hell of a musician. Both her guitar and Don't get me wrong-- I do like new lead singer, George Young. an acceptence of love even Donna Sum- ty, to finality/then I look at myself and two cats on Laurel Canyon in Califor­ piano playing are ready good. Her voice music and I do try to keep an open mind In S,ill luii true, Lene Lovich Is a one mer could admire. here/chicken scratching for my Immortali­ nia. Though that relationship was also ill- has changed a lot over the years, also. regards to such but I )ust can't avoid the album singer who should have quit while ty. fated (as most love-affairs with Jonl seem Back In the days of Song To A Seagull her blatant soulless quality of this music. Where she was ahead. Nothing on "No Man's Debbie Millman to be). It produced some of the prettiest ] do I begin? Side one of Lene Lovich I sup­ Land" merits mention. It all blends together to the first side of this album. "Do you real­ one Is worthless. songs In folk music that year. From Joni: pose. Before I even start the reviews I leaving the listener with no Impressions - ly want to hurt me-do you really want to Side two Is rarely-covered ground for Roberta Joan Anderson has come along "Willie", the sentimental appraisal of her Joni has grown up and she's so straight. should probably mention that right now I'm Ironlcally similar to the desert wasteland make me cry." After listening to this song, me. The titles alone scare me off. "White way since the days she was singing In the everlasting love (Willie Is Graham's listening to "It's All Over Now, Baby Blue" scene on the album cover. what was an initial appeal for mercy Boy"(dance mix), "Boy, Boy (I'm the little nightclubs of Saskatchewan, Canada. nickname): "Willie Is my child, he Is my by Bob Dylan and still I have no qualms Moving onward, not upward, Cullure becomes a point of debate. If this song pro­ boy)" "White Boys Can't Control It" and Intending to go Into the graphic arts, she father ... I would be his lady all my life" Gone are the heart-wrenching, love-lamenting about doing a disservice to these albums. Club's new album Kissing to be Cleuer left vides any Inspiration, It's towards taking "Take Control." It reads like a decided after one year of art college that and from Nash: "Our House" :"Starlng at Believe me, I'll listen again even as I write, me with the same Impression-- lhat of no karate lessons Instead of going oul looking miscalculated example of the distributive she prefered to play guitar and sing. An In­ the fire for hours and hours while I listen to but it will come to the same end-- an over­ Impression at all. If you've heard "Haircut for Boy George. Rather than getting that theory and sounds even worse than that. tuitive and fresh talent from the day she you play your love songs all night long for lyrics, in its place are the acceptances of love, whelming desire to either sleep or pul on a 100," "Adam and the Ants", "Bow Wow Involved I usually skip to the next song, I should apologize, but what more can I entered the life of musician, she attracted me, only for me." different record. How does one go about Wow" or Joe Jackson's Night and Day "I'm Afraid of Me." With good reason, too. say? This music Is so bland and the attentions of guitarist Chuck Mitchell in Well, (or some reason Nash couldn'l attachments, and corny, heart-warming getting Inspired by uninspired music? then you don't have lo even guess what If my mind ever began thinking of music anonymous lhat even my medication can't the early sixties while she was singing the handle her dedication, and they split up. Guess I'll try this green plll(lt was prescribed Cullure Club sounds like. Culture Club Is this spastically peppy. I'd be a little bll con­ get me out of the stupefied rut that this rounds In Canada. Married after only a Mitchell went Into seclusion, then travelleo as well-- don't wory.) A gulp of waler, a another gimmicky band in a gimmicky cerned as well. music resides In. If I have any concerns brief courtship, their marriage was Ill-fated to Greece, where she lamented her lost responsibilites melancholy exhalation and voila-- the genre thai has yet to equal it reigning Having a relatively weak stomach, I about this music at all, It rests with Ihe as soon as Jonl began Intensely pursuing love, and wrote songs.
Recommended publications
  • December 1992
    VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
    [Show full text]
  • Joan Baez, Ira Sandperl, and Thomas Merton's Non-Violent Activism
    21 Joan Baez, Ira Sandperl, and Thomas Merton’s Non-Violent Activism By Thomas Spencer In December 1966, Ira Sandperl, a teacher, Gandhi scholar, and outspoken advocate for peace and non-violence, and Joan Baez, the internationally known folk singer, visited Thomas Merton at the Abbey of Gethsemani. Merton’s close friend Wilbur “Ping” Ferry arranged the visit with the abbot, James Fox. Sandperl and Baez made a profound impression on Merton. As he later wrote Ferry, “They can help me just by being around: they are an inspiration.”1 Merton derived such inspiration from meeting people like Sandperl and Baez who not only shared common beliefs and principles but who also possessed eclectic interests that Merton could enjoy and appreciate. Sandperl, a self-taught scholar, and Baez, a talented and gifted singer, provided Merton with the type of fellowship and intellectual stimulation he found lacking at Gethsemani. Coming when it did, the visit was a welcome respite from the emotional turmoil Merton was experiencing in his personal life and from disagreements with his abbot. More importantly, their interest in visiting Merton attests to the far-reaching influence of what Baez describes as Merton’s “non-violent activism.” Although many might not think of Merton as an activist in the truest sense, others such as Baez and Sandperl certainly did. A close examination of Merton’s writings on peace and non-violence at this time shows that he did use the term activist in calling upon Christians of all faiths to further the cause of peace. Baez’s impressions of Merton’s importance and Merton’s writings confirm that activism is a term that can be defined in different ways.
    [Show full text]
  • Joan Baez in Moscow. Photo by Grace Warnecke
    Joan Baez in Moscow. Photo by Grace Warnecke. 10 | HARRIMAN FEATURED NEW BY GRACE KENNAN WARNECKE WATERS y new I rushed out and bought all of grad? Joan wanted to meet with the single Joan Baez’s records. As usual, I was famous physicist and political dis- life in flying blind. I did not know any sident Andrei Sakharov. Sakharov, San Russian folk singers, so I called all known as the father of the Soviet Fran- my Russian friends and one came hydrogen bomb, had shocked the cisco up with a song, “Circle of Friends,” Soviet government by coming out was by Bulat Okudzhava, a well-known against nuclear testing and was now Mjolted by a telephone call from John poet and bard. Often played and an intellectual hero in the West. Wasserman, the funny and outra- sung on the underground circuit, I accepted Joan’s invitation but geous music critic of the San Francisco Okudzhava’s works were just begin- realized that this was a very differ- Chronicle, whom I barely knew. “How ning to be officially published. He ent deal. In the original journey, would you like to go to Russia with was, like Joan, a popular protester. with Bill Graham making the Joan Baez?” he asked. Sitting at the press conference arrangements, there was a large He explained that Joan Baez was to when Bill Graham announced this staff seeing that everything was be part of a much-headlined con- concert, surrounded by musical done for us; now I was the staff. cert, with Santana and the Beach celebrities, I relished being part of John’s role was to write a series of Boys, in Winter Palace Square in the rock music scene.
    [Show full text]
  • Press Package
    CONTACT: Denise Tschida [email protected] (615) 243-4662 SOCIETY’S CHILD: MY AUTOBIOGRAPHY (Tarcher/Penguin) The long-awaited book! & THE BEST OF JANIS IAN: THE AUTOBIOGRAPHY SONGS (Rude Girl Records) A 2-CD, 31-song musical journey through the life of Society’s Child are both SET FOR RELEASE JULY 24TH 2008 “Hugely readable”! O Magazine “Society’s Child” is the controversial song that catapulted fifteen-year-old singer-songwriter Janis Ian into the diverse and dynamic 1960’s music scene, standing alongside legendary artists like Bob Dylan and Joan Baez. Inspired by the sight of an interracial couple on a New Jersey bus she was taking to school, “Society’s Child” tells the story of a white girl whose bigoted parents forbid her to continue seeing her black boyfriend. It was a challenging introduction to celebrity. Ian was booed offstage by racists and received frightening hate mail; the song was banned from radio stations across the country. This courageous debut would earn her the moniker, the “musical spokesman for the ‘now’ generation” (The New York Times) and would launch a successful career of more than forty years in the music business. Ian’s riveting journey is chronicled in the 2-CD set Best Of Janis Ian: The Autobiography Songs and her accompanying autobiography SOCIETY’S CHILD, published by Tarcher/Penguin. Both are set for release on July 24, 2008. Called “One of life's greatest pleasures…transports you from start to finish as it elevates, enlightens, enlarges, and entertains,” by biographer Kitty Kelly, as well as, “Deftly written, the life experiences described by Janis Ian in this engaging memoir give us a peek into the anatomy of a brilliant songwriter,” by Joan Baez, Society’s Child delves into the most personal aspects of this roller coaster ride of a life.
    [Show full text]
  • 30TH ANNIVERSARY SEASON FALL SPRING Jccc.Edu/Carlsencenter30 | 913-469-4445 2020 2021 Jccc.Edu/Carlsencenter30 | 913-469-4445
    30TH ANNIVERSARY SEASON FALL SPRING jccc.edu/CarlsenCenter30 | 913-469-4445 2020 2021 jccc.edu/CarlsenCenter30 | 913-469-4445 The Romeros Yesterday and Today 8 p.m. New Dance Partners 8 p.m. | FRI with Isabel Leonard, 8 p.m. | FRI The Interactive 7 p.m. | SUN Circa Performs Sacre FRI & SAT The Ultimate Collaboration NOV 13 mezzo-soprano JAN 15 Beatles Experience FEB 28 YARDLEY HALL SEP 18 & 19 YARDLEY HALL YARDLEY HALL POLSKY THEATRE Academy of St Martin in the Kansas City and WINTERLUDE 8 p.m. | SAT The Opus 76 Quartet 8 p.m. | SAT 7 p.m. |GREG SUN CARROLL 8 p.m. | FRI Fields Chamber Orchestra All That’s Jazz President/ SonsCEO, Midnight of Brasil Blue Jazz, LLC SEP 26 POLSKY THEATRE NOV 14 JAN 24 MAR 5 With Johannes Moser, cello YARDLEY HALL POLSKY THEATRE YARDLEY HALL Gregory A. Carroll is a seasoned arts executive, performer and educator. He is the founder, Larry Carlton: Judy Collins & President/CEO of Midnight Blue Jazz, LLCThe – A global Greatest jazz & executive Love ofconsultancy All providing Bessie, Billie and Nina: 8 p.m. | FRI 7 p.m. | SUN creative, scholarly and8 strategic p.m. | SATservices toStarring the non-profit, Belinda education, Davids and corporate 7 p.m. | SUN Steely Dan/’78 Album Arlo Guthrie communities. Along-side his work with Midnight Blue Jazz, Greg recently joined the professional Pioneering Women in Jazz OCT 9 NOV 15 staff as Director of DevelopmentJAN 30 of Youth ASymphony Tribute of to Kansas Whitney City, Houston MAR 7 POLSKY THEATRE YARDLEY HALL POLSKY THEATRE Greg was Chief Executive Officer of the AmericanYARDLEY Jazz HALL Museum in Kansas City, Missouri where he successfully led funds and program development efforts generating more than $18.5M through municipal contract negotiations, corporate and foundation sponsorships, contributions Get the Led Out and earned revenues.
    [Show full text]
  • James Last Was, in 1975, One of the Most Popular Recording Artists
    06007 5305679 ward the end. It’s easy to hear why Watts has always been Hollywood’s go-to man for romantic sax. “Summertime” is said to be one of Maestro Last’s favorite songs, and he’s often performed and recor- ded it, though more in the traditional James Last style than heard here. An edited version of “Summertime” was issued on 45 as an “A” side in Europe (Polydor POSP 45) and as a “B” side to “Love For Sale” in the United States (Polydor PD15108). I Can’t Move No Mountains – From the first Blood, Sweat & Tears album after founder David Clayton Thomas left the group, “New Blood” (1972), this song featured a jazzier sound, no doubt promp- ted by the jazz musicians in the band at the time, which lent itself well to the cover it gets here. The solos are by Larry Muhoberac on syn- thesizer and Larry Carlton on guitar. Love For Sale – Had Cole Porter lived through the disco age, he would have no doubt appreciated this take on one of the greatest tunes of temporary companionship ever written. The strings, the horns and Larry Muhoberac’s vibrant electric piano make this a classic that could have been equally at home in any blaxploitation film of the pe- riod or, more appropriately, a European dance club. While James Last has performed Cole Porter’s classic many times, it never got near as funky as this. The “Love For Sale” single went to Top 80 in the Uni- ted States. Bolero ’75 – There have been quite a few attempts to rock the clas- sics, or in James Last’s case, bring the “classics up to date”.
    [Show full text]
  • FOR IMMEDIATE RELEASE July 2, 2012 STEVE LUKATHER TO
    FOR IMMEDIATE RELEASE July 2, 2012 STEVE LUKATHER TO APPEAR WITH FRAMPTON GUITAR CIRCUS FOR MULTIPLE DATES FOLLOWING TOTO EUROPEAN TOUR Luke Also Plans Headline House of Blues Dallas Show on July 17 Los Angeles -- Steve Lukather will stay on the road following Toto's European run of headline arena dates and festival appearances. He'll join the Frampton Guitar Circus Tour for seven dates, four of which feature his ensemble opening the show. Luke shares, "I am so excited to join my lifetime friend Peter Frampton for his 'Guitar Circus' this summer. I am a huge fan from the old Humble Pie days thru all his solo work through the years. We have been friends since 1978 when Toto opened its first ever arena show, on our first tour in Hawaii in '78 on the Frampton Comes Alive tour the first time around. Our son's Trev and Julian are close friends, and I consider Peter family. He is one of the finest guitar players and artists out there. He has inspired me as a player over the years with his melodic and original sound and feel, and GREAT songs. He is the REAL deal. We have had so much fun jamming over the years, I was honored and happy to get the call to join him on some select dates in the USA between Toto's 35th Anniversary World Tour. We are gonna have a blast. Cant' wait." In the midst of these appearances, Luke will stage a headline show at the House of Blues in Dallas in the Cambridge Room on July 17.
    [Show full text]
  • May 2001 03 Jazz Ed
    ALL ABOUT JAZZ monthly edition — may 2001 03 Jazz Ed. 04 Pat Metheny: New Approaches 09 The Genius Guide to Jazz: Prelude EDITOR-IN-CHIEF: Aaron Wrixon 14 The Fantasy Catalog: Tres Joses ASSOCIATE EDITOR: Michael Martino 18 Larry Carlton and Steve Lukather: Guitar Giants CONTRIBUTORS: 28 The Blue Note Catalog: All Blue Glenn Astarita, Mathew Bahl, Jeff Fitzgerald, Chris Hovan, Allen Huotari, Nils Jacobson, Todd S. Jenkins, Joel Roberts, Chris M. Slawecki, Derek Taylor, Don Williamson, 32 Joel Dorn: Jazz Classics Aaron Wrixon. ON THE COVER: Pat Metheny 42 Dena DeRose: No Detour Ahead PUBLISHER: 48 CD Reviews Michael Ricci Contents © 2001 All About Jazz, Wrixon Media Ventures, and contributors. Letters to the editor and manuscripts welcome. Visit www.allaboutjazz.com for contact information. Unsolicited mailed manuscripts will not be returned. Welcome to the May issue of All About Jazz, Pogo Pogo, or Joe Bat’s Arm, Newfoundland Monthly Edition! (my grandfather is rolling over in his grave at This month, we’re proud to announce a new the indignity I have just committed against columnist, Jeff Fitzgerald, and his new, er, him) — or WHEREVER you’ve been hiding column: The Genius Guide to Jazz. under a rock all this while — and check some Jeff, it seems, is blessed by genius and — of Metheny’s records out of the library. as is the case with many graced by voluminous The man is a guitar god, and it’s an intellect — he’s not afraid to share that fact honour and a privilege to have Allen Huotari’s with us.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Odetta Gordon
    Biographical Description for The HistoryMakers® Video Oral History with Odetta Gordon PERSON Odetta, 1930- Alternative Names: Odetta Gordon; Odetta Gordon Life Dates: December 31, 1930-December 2, 2008 Place of Birth: Birmingham, Alabama, USA Residence: New York, New York Occupations: Civil Rights Activist; Folk Singer; Songwriter Biographical Note Anointed as the queen of American folk music by Dr. Martin Luther King, Jr., Odetta Gordon, a coloratura soprano, was born Odetta Holmes on December 31, 1930 in Birmingham, Alabama. When she lost her father, Rueben Holmes, at a young age, her mother, Flora, remarried and gave the children their stepfather’s name, Felious. Moving to Los Angeles with her family in 1936 at age six, Odetta began studying classical music. After graduating from high school, she attended Los Angeles City College where studying classical music. After graduating from high school, she attended Los Angeles City College where she study classical opera before being introduced to folk music. In 1947, Odetta began her professional touring in the musical Finian’s Rainbow. Her first job as a folksinger came in San Francisco, where she quickly won over audiences. In 1953, when she came to New York, Harry Belafonte and Pete Seeger were instrumental in introducing her to larger audiences. In 1959, Belafonte included her in a major television special, which made her name nationally known. In 1954, Odetta recorded her first album for Fantasy Records. In 1963, she released Folk Songs, which became one of the year’s best-selling folk albums. As an activist for social change, Odetta performed at the 1963 March on Washington and took part in the March on Selma.
    [Show full text]
  • The Stanley Clarke Band SAT / JAN 18 / 7:30 PM
    The Stanley Clarke Band SAT / JAN 18 / 7:30 PM Stanley Clarke BASS Cameron Graves KEYBOARDS Evan Garr VIOLIN Salar Nader TABLAS Jeremiah Collier DRUMS Lyris Quartet Alyssa Park VIOLIN Shalini Vijayan VIOLIN Luke Maurer VIOLA Timothy Loo CELLO Tonight’s program will be announced from the stage. There will be no intermission. Jazz & Blues at The Broad Stage made possible by a generous gift from Richard & Lisa Kendall. PERFORMANCES MAGAZINE 4 Naik Raj by Photo ABOUT THE ARTISTS Photo by Raj Naik Raj by Photo Four-time GRAMMY® Award winner of Philadelphia, a Doctorate from Clarke Band: UP, garnered him a 2015 STANLEY CLARKE is undoubtedly one Philadelphia’s University of the Arts GRAMMY® Award nomination for Best of the most celebrated acoustic and and put his hands in cement as a Jazz Arrangement Instrumental or A electric bass players in the world. 1999 inductee into Hollywood’s “Rock Cappella for the song “Last Train to What’s more, he is equally gifted Walk.” In 2011 he was honored with Sanity” and an NAACP Image Award as a recording artist, performer, the highly prestigious Miles Davis nomination for Best Jazz Album. composer, conductor, arranger, Award at the Montréal Jazz Festival Clarke’s CD, The Message, was producer and fi lm score composer. for his entire body of work. Clarke has released on Mack Avenue Records A true pioneer in jazz and jazz- won Downbeat magazine’s Reader’s in 2018. Clarke considers the new fusion, Clarke is particularly known and Critics Poll for Best Electric Bass album “funky, melodic, musical, for his ferocious bass dexterity Player for many years.
    [Show full text]
  • 20Th Century Masters Press Release
    1 FROM “THE NIGHT THEY DROVE OLD DIXIE DOWN” TO “DIAMONDS & RUST,” NEW COMPILATION COLLECTS THE BEST OF JOAN BAEZ If Bob Dylan is the king of modern folk, then Joan Baez is surely the queen, with her sweeping soprano making her one of the most recognizable voices in music. But for the greatest artists, their songs resonate far beyond the music itself. Of no one is that truer than Baez. Since her first album 40 years ago, she has chronicled and perhaps helped mold the political and social changes that have swept across not only the U.S. but the world. On The Best Of Joan Baez edition of 20th Century Masters/The Millennium Collection (A&M/UMG), released October 19, 1999, 11 of her most popular and significant songs have been digitally remastered using the latest 24-bit/96k technology and brought together on one album. Spanning her A&M career from 1972-1976, The Best Of Joan Baez features the two most cherished songs for Baez fans--a live version of her 1971 #3 hit “The Night They Drove Old Dixie Down” (written by Robbie Robertson and originally recorded by the Band) and her acoustic 1975 Top 40 tribute to Dylan, “Diamonds & Rust.” Also included is her cover of Dylan’s classic “Forever Young” as well as covers of songs by Jackson Browne (“Fountain Of Sorrow”), John Prine (“Hello In There”), Janis Ian (“Jesse”) and her sister Mimi Farina (“In The Quiet Morning,” an homage to Janis Joplin). Another highlight is “Dida,” a breezy acoustic duet with its author, Joni Mitchell.
    [Show full text]
  • Joan Baez Può Cantare Qualunque Cosa, Ma Non È “Qualunque Cosa” Un Soldato Ferito a Morte in Vietnam
    per pura mitosi. Non solo: ascoltando l’interpretazione di Dylan, che Il suo album in spagnolo, Gracias a la vida del 1974, è la chiave della Ma non era colpa della voce. Dopo varie canzoni che non trovarono risucchiava la canzone nella mente inaccessibile del suo creatore, sua seconda identità. Ma anche quando canta in francese e tedesco, posto in quel live né in altri, attaccò Ring Them Bells e il mondo tornò era possibile dimenticare, o non accorgersi nemmeno, che i versi portoghese, napoletano e italiano (si ascolti su youtube la Canzone a ruotare sul suo asse. Non solo perché Ring Them Bells è di Dylan. della canzone potevano anche rappresentare il congedo alla vita di di Marinella) non si ha mai l’impressione che stia facendo del turismo Joan Baez può cantare qualunque cosa, ma non è “qualunque cosa” un soldato ferito a morte in Vietnam. Ma ascoltando l’interpretazione fonetico. Non siamo su una nave da crociera, insomma, con la che vogliamo da lei. Ha bisogno di canzoni che hanno una storia o della Baez era impossibile non pensarci. cantante che annuncia qualcosa in finlandese per gli amici crocieristi alle quali solo lei può dare una storia, come aveva fatto con Farewell Ci sono le voci della politica, ma esiste anche una politica della voce. venuti dalla Lapponia. E non ho scelto l’esempio a caso, perché una Angelina e con There but for Fortune, grazie a lei uno dei maggiori Nel disagio che i duri e puri di ogni tendenza provavano nei confronti delle più toccanti interpretazioni della Joan Baez recente è proprio successi di Phil Ochs.
    [Show full text]