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Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V
Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1). -
Women in Criminal Trials in the Julio-Claudian Era
Women in Criminal Trials in the Julio-Claudian Era by Tracy Lynn Deline B.A., University of Saskatchewan, 1994 M.A., University of Saskatchewan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Classics) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2009 © Tracy Lynn Deline, 2009 Abstract This study focuses on the intersection of three general areas: elite Roman women, criminal law, and Julio-Claudian politics. Chapter one provides background material on the literary and legal source material used in this study and considers the cases of Augustus’ daughter and granddaughter as a backdrop to the legal and political thinking that follows. The remainder of the dissertation is divided according to women’s roles in criminal trials. Chapter two, encompassing the largest body of evidence, addresses the role of women as defendants, and this chapter is split into three thematic parts that concentrate on charges of adultery, treason, and other crimes. A recurring question is whether the defendants were indicted for reasons specific to them or the indictments were meant to injure their male family members politically. Analysis of these cases reveals that most of the accused women suffered harm without the damage being shared by their male family members. Chapter three considers that a handful of powerful women also filled the role of prosecutor, a role technically denied to them under the law. Resourceful and powerful imperial women like Messalina and Agrippina found ways to use criminal accusations to remove political enemies. Chapter four investigates women in the role of witnesses in criminal trials. -
A Closer Look at Argus Books' 1930 the Lives of the Twelve Caesars
In the Spirit of Suetonius: A Closer Look at Argus Books’ 1930 The Lives of the Twelve Caesars Gretchen Elise Wright Trinity College of Arts and Sciences Duke University 13 April 2020 An honors thesis submitted to the Duke Classical Studies Department in partial fulfillment of the requirements for graduation with distinction for a Bachelor of Arts in Classical Civilizations. Table of Contents Acknowledgements 1 Abstract 2 Introduction 3 Chapter I. The Publisher and the Book 7 Chapter II. The Translator and Her “Translation” 24 Chapter III. “Mr. Papé’s Masterpiece” 40 Conclusion 60 Illustrations 64 Works Cited 72 Other Consulted Works 76 Wright 1 Acknowledgements First and foremost, this project would never have existed without the vision and brilliance of Professor Boatwright. I would like to say thank you for her unwavering encouragement, advice, answers, and laughter, and for always making me consider: What would Agrippina do? A thousand more thanks to all the other teachers from whom I have had the honor and joy of learning, at Duke and beyond. I am so grateful for your wisdom and kindness over the years and feel lucky to graduate having been taught by all of you. My research would have been incomplete without the assistance of the special collections libraries and librarians I turned to in the past year. Thank you to the librarians at the Beinecke and Vatican Film Libraries, and of course, to everyone in the Duke Libraries. I could not have done this without you! I should note that I am writing these final pages not in Perkins Library or my campus dormitory, but in self-isolation in my childhood bedroom. -
VESPASIAN. AD 68, Though Not a Particularly Constructive Year For
138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet. -
Galba 5 B.C.? - 69 A.D
75 AD GALBA 5 B.C.? - 69 A.D. Plutarch translated by John Dryden Plutarch (46-120) - Greek biographer, historian, and philosopher, sometimes known as the encyclopaedist of antiquity. He is most renowned for his series of character studies, arranged mostly in pairs, known as “Plutarch’s Lives of the Noble Grecians and Romans” or “Parallel Lives.” Galba (75 AD) - A study of the life of the Roman Emperor, Galba. GALBA IPHICRATES the Athenian used to say that it is best to have a mercenary soldier fond of money and of pleasures, for thus he will fight the more boldly, to procure the means to gratify his desires. But most have been of opinion, that the body of an army, as well as the natural one, when in its healthy condition, should make no efforts apart, but in compliance with its head. Wherefore they tell us that Paulus Aemilius, on taking command of the forces in Macedonia, and finding them talkative and impertinently busy, as though they were all commanders, issued out his orders that they should have only ready hands and keen swords, and leave the rest to him. And Plato, who can discern use of a good ruler or general if his men are not on their part obedient and conformable (the virtue of obeying, as of ruling, being, in his opinion, one that does not exist without first a noble nature, and then a philosophic education, where the eager and active powers are allayed with the gentler and humaner sentiments), may claim in confirmation of his doctrine sundry mournful instances elsewhere, and, in particular, the events that followed among the Romans upon the death of Nero, in which plain proofs were given that nothing is more terrible than a military force moving about in an empire upon uninstructed and unreasoning impulses. -
Vespasian's Apotheosis
VESPASIAN’S APOTHEOSIS Andrew B. Gallia* In the study of the divinization of Roman emperors, a great deal depends upon the sequence of events. According to the model of consecratio proposed by Bickermann, apotheosis was supposed to be accomplished during the deceased emperor’s public funeral, after which the senate acknowledged what had transpired by decreeing appropriate honours for the new divus.1 Contradictory evidence has turned up in the Fasti Ostienses, however, which seem to indicate that both Marciana and Faustina were declared divae before their funerals took place.2 This suggests a shift * Published in The Classical Quarterly 69.1 (2019). 1 E. Bickermann, ‘Die römische Kaiserapotheosie’, in A. Wlosok (ed.), Römischer Kaiserkult (Darmstadt, 1978), 82-121, at 100-106 (= Archiv für ReligionswissenschaftW 27 [1929], 1-31, at 15-19); id., ‘Consecratio’, in W. den Boer (ed.), Le culte des souverains dans l’empire romain. Entretiens Hardt 19 (Geneva, 1973), 1-37, at 13-25. 2 L. Vidman, Fasti Ostienses (Prague, 19822), 48 J 39-43: IIII k. Septembr. | [Marciana Aug]usta excessit divaq(ue) cognominata. | [Eodem die Mati]dia Augusta cognominata. III | [non. Sept. Marc]iana Augusta funere censorio | [elata est.], 49 O 11-14: X[— k. Nov. Fausti]na Aug[usta excessit eodemq(ue) die a] | senatu diva app[ellata et s(enatus) c(onsultum) fact]um fun[ere censorio eam efferendam.] | Ludi et circenses [delati sunt. — i]dus N[ov. Faustina Augusta funere] | censorio elata e[st]. Against this interpretation of the Marciana fragment (as published by A. Degrassi, Inscr. It. 13.1 [1947], 201) see E. -
The Madness of Isolation in Suetonius' “Caligula” and “Nero”
University of Kentucky UKnowledge Lewis Honors College Capstone Collection Lewis Honors College 2020 ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero” Maya Menon University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/honprog Part of the Ancient History, Greek and Roman through Late Antiquity Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Menon, Maya, "‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero”" (2020). Lewis Honors College Capstone Collection. 50. https://uknowledge.uky.edu/honprog/50 This Article is brought to you for free and open access by the Lewis Honors College at UKnowledge. It has been accepted for inclusion in Lewis Honors College Capstone Collection by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero” Maya Menon MCL 495-001: Capstone Dr. Matthew Wells December 2, 2020 Menon 2 The emperors Gaius Caesar ‘Caligula’ (r. 37-41 CE) and Nero (r. 54-68 CE) are regarded as some of Rome’s most infamous and notorious rulers due to their erratic, destructive, and complex behaviors. In his biographical work The Lives of the Caesars, the literary artist Gaius Suetonius Tranquillus (c. 69-122 CE) provides a concise, informative, and illustrative depiction of the reigns of these two emperors. Suetonius’ particular literary technique and style used in the narration for both Nero and Caligula contributes to an enduring legacy of madness and depravity that has been influential in our understanding of these two rulers well into the modern age. -
The Roman Empire Mr
The roman empire Mr. Cline History Marshall High School Marshall High School Mr. Cline Western Civilization I: Ancient Foundations Unit Four EA * Introduction to the Julio-Claudian Dynasty • In this lesson, we're going to tackle the Julio-Claudian Dynasty, the first imperial dynasty of the Roman Empire. • In power from 27 BC to 68 AD, the dynasty included the reigns of Augustus, Tiberius, Caligula, Claudius, and Nero. • Although many of its members seemed a bit nuts, the Julio-Claudian Dynasty is arguably the most famous dynasty of the Empire. • As we go through the details of this dynasty, it may just seem like a really violent soap opera. Men came to power through forced marriage, divorce, assassination, and murder. • While discussing the twists and turns that make this dynasty infamous, there are three main points I'd like us to grasp. • First, the Julio-Claudian Dynasty was the first dynasty to rule the Roman Empire. • Second, Augustus was its first emperor and the only Julio-Claudian not to face a violent death. English Spelling of Greek Word Translation Letter Iota Iesous Jesus Chi Christos Christ Theta Theou God's Ypsilon Uios Son Sigma Soter Savior * Introduction to the Julio-Claudian Dynasty • Last, none of the emperors of the dynasty were succeeded by their biological sons, or in other words, their direct male heir. • Keeping these three things in mind, let's get to our Julio-Claudian emperors. • Augustus • As previously stated, Augustus kicked off the Julio-Claudian Dynasty. • From the Roman family group, Julia, he gives us the Julio part of the Julio- Claudian name. -
The Star of Balaam and the Prophecy of Josephus Concerning Vespasian
Chapter 16 The Star of Balaam and the Prophecy of Josephus concerning Vespasian Craig A. Evans Josephus is well known for prophesying Vespasian’s elevation to emperor of the Roman Empire and for speaking of an “ambiguous oracle” that Jewish interpreters—his countrymen—misunderstood. The relationship of the prophecy to the oracle is debated and the identification of the Old Testament text that underlay the oracle is also debated. In what follows I will consider (I) Josephus’s prophecy concerning Vespasian, as he gives it in book 6 of Judaean War; (II) Jewish and Christian understand- ing of Num 24:17, the prophetic text that I believe lies behind Josephus’s proph- ecy; and (III) the widespread oracle or rumor of an oracle relating to the rise of a ruler from the East. 1 Josephus’s Prophecy concerning Vespasian At the outset of the Jewish rebellion against Roman authority (66–73 CE), which resulted in the capture of Jerusalem and the destruction of the Jewish temple, Josephus was placed in command of the Jewish forces in Galilee. The Roman legions under Vespasian and his son Titus quickly overpowered the re- sistance. Josephus himself was captured. Brought before Vespasian, Josephus uttered his well-known prophecy: You imagine, Vespasian, that in the person of Josephus you have taken a mere captive; but I come to you as a messenger of greater destinies [ἐγὼ δὲ ἄγγελος ἥκω σοι μειζόνων]…. You will be Caesar, Vespasian, you will be emperor, you and your son here. Bind me then yet more securely in chains and keep me for yourself; for you, Caesar, are master not of me only, but of land and sea and the whole human race. -
How Nasty Was Nero, Really? the Notorious Emperor Appears to Have Been the Subject of a Smear Campaign
The Ancient World June 14, 2021 Issue How Nasty Was Nero, Really? The notorious emperor appears to have been the subject of a smear campaign. By Rebecca Mead June 7, 2021 A show at the British Museum offers a less sensationalist account of Nero’s reign.Illustration by Bendik Kaltenborn • Nero, who was enthroned in Rome in 54 A.D., at the age of sixteen, and went on to rule for nearly a decade and a half, developed a reputation for tyranny, murderous cruelty, and decadence that has survived for nearly two thousand years. According to various Roman historians, he commissioned the assassination of Agrippina the Younger—his mother and sometime lover. He sought to poison her, then to have her crushed by a falling ceiling or drowned in a self-sinking boat, before ultimately having her murder disguised as a suicide. Nero was betrothed at eleven and married at fifteen, to his adoptive stepsister, Claudia Octavia, the daughter of the emperor Claudius. At the age of twenty-four, Nero divorced her, banished her, ordered her bound with her wrists slit, and had her suffocated in a steam bath. He received her decapitated head when it was delivered to his court. He also murdered his second wife, the noblewoman Poppaea Sabina, by kicking her in the belly while she was pregnant. Nero’s profligacy went beyond slaughtering his nearest and dearest. He spent a fortune building an ornate palace, only to have it burn down, along with the rest of the city of Rome, in a conflagration that lasted for more than a week. -
The Portrayal of the Generals and the Armies in Tacitus' Annals
THE PORTRAYAL OF THE GENERALS AND THE ARMIES IN TACITUS’ ANNALS. Elizabeth Mary Boldy Bachelor of Arts (Hons.1) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2014 School of History, Philosophy, Religion and Classics. ABSTRACT Tacitus began the Annals with the death of Augustus in order to emphasize the moment when the autocratic system of government he had established became a permanent fixture in the Roman state when it was passed on to his successors, the Julio-Claudian Emperors.1 Tacitus chose the annalistic form to present his history in order to record the major events of political, military and constitutional importance within these formative years of the empire.2 This thesis offers a historiographical study of Tacitus‟ Annals in order to demonstrate how he utilises the Roman army and its generals as a means of emphasising the political environment in these embryonic years of the empire. This study is valuable in that it shows how, by use of various literary devices, Tacitus gives his opinions of the emperors by contrasting their actions and behaviours with their generals and armies. His descriptions of res externae, the actions of the armies, is designed to counterbalance what he claimed was sorrowful res internae within the Roman state itself. Scholars‟ views on Tacitus qualities as an historian range from the belief that he was truthful and reliable to the view that the Annals was mostly a work of literature and of little value for historical fact. Woodman, Kajanto and Haynes argue that Tacitus‟ work was more a work of rhetorical invention, like that of the poets.3 Mellor likens him to such historical novelists as Tolstoy and George Eliot.4 Syme, Mendell and Martin express their belief that Tacitus was a reliable and honest historian.5 In this thesis, I examine Tacitus‟ style and language in order to show how his method of writing plays a crucial role in developing the themes of the Annals. -
Two Wives of Nero: a Political and Prosopographical Study
TWO WIVES OF NERO: A POLITICAL AND PROSOPOGRAPHICAL STUDY by ROBERT N. S. PARKER A Thesis Presented to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of M.A. Department of Classics McGill University July 1986 Montr~al © R. N. S. Parker, 1986 ABSTRACT In the course of his reign, the Emperor Nero was married to three wives in succession. Since a number of women are known to have been politically active during the late Republic and early Empire, it is possible that Nero's wives also exerted political pressure on him. Relying primarily on the best source for the Neronian Principate, Tacitus' Annals XIII-XVI, this thesis will give an account of the evidence pre sented for the lives of the only two wives of Nero with whom Tacitus deals, Claudia Octavia and Poppaea Sabina. There follows, in addition, an estimation of Tacitus• judgment of their lives in light of his general view of women. It will be demonstrated that although both women had the necessary means to mount political pressure, only Poppaea took advantage of her position. ii c RESUME Pendant son regne l 'empereur N~ron s'est mari~ successivement a trois femmes. Avec l'av~nement a Rome d'un certain nombre de femmes politiquement actives~ au cours de cette ~poque, il est permis de pr~tendre que les ~pauses de N~ron ont ~t~ dans la position d'exercer sur celui-ci des pressions politi ques. Bas~e principalement sur la plus importante source issue du principat de N~ron, soit les Annales XIII-XVI de Tacite~ la pr~sente th@se a pour objet de faire un expos~ sur 1 '~vidence de la vie de Claudia Octavie et celle-la de Popp~e Sabina~ qui ~taient les seules ~pauses de N~ron, que.Tacite a trait~e dans son oeuvre.