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George Gissing: London's Restless Analyst
The Gissing Journal Volume XL, Number 3, July 2004 “More than most men am I dependent on sympathy to bring out the best that is in me.” Commonplace Book George Gissing (1857-1903): London’s Restless Analyst1 RICHARD DENNIS University College London “Walk with me, reader, into Whitecross Street. It is Saturday night, the market- night of the poor; also the one evening in the week which the weary toilers of our great city can devote to ease and recreation in the sweet assurance of a morrow unenslaved. Let us see how they spend this ‘Truce of God’; our opportunities will be of the best in the district we are entering.” The first words of Workers in the Dawn, the first published novel of the twenty-two-year-old George Gissing. I don’t think its most enthusiastic ad- vocate could claim that Workers in the Dawn is a masterpiece of English literature. But for all its faults it exemplifies a recurring characteristic of Gissing’s work, and the reason why I, as a historical geographer, have be- come a convert and, today, an enthusiastic proselytizer on his behalf. Gissing encouraged his readers to explore and, more than that, to engage with city life. Sometimes, like many earlier writers, he dealt in generic city- scapes—the “East End,” London beyond City Road, is described in the most general of terms—but more often, and especially in his later novels, Gissing’s London is very precisely defined: his characters live in real streets that the author has explored for himself, even in particular buildings. -
Issn 0017-0615 the Gissing Journal
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ***************************** Volume XXXII, Number 2 April, 1996 ****************************** Contents A Distinguished Acquaintance of Gissing’s at Ciboure: Arthur Brownlow Fforde, by Pierre Coustillas 1 Between Emancipation and Restraint – Reading the Body in The Odd Women, by Mihoko Takeda 10 Shan F. Bullock: Gissing’s Admirer and an Ingenious Short Story Writer, by Masahiko Yahata 14 A Forgotten Assessment of Veranilda, by Randolph Faries, 2d 19 Gissing in the Boston Evening Transcript: His Interview by Joseph Anderson, by Pierre Coustillas 23 Book Review, by John Sloan 29 Notes and News 32 Recent Publications 34 Springtime in Northumberland, by Algernon Gissing 36 -- 1 -- A Distinguished Acquaintance of Gissing’s at Ciboure Arthur Brownlow Fforde Pierre Coustillas Until recently little enough was known of Gissing’s stay at Ciboure, the small fishing harbour adjoining Saint-Jean-de-Luz, from July 1902 to June 1903. He now kept his diary very irregularly and wrote down but few details about his social life. Correspondence with his relatives and friends was becoming infrequent; having to make a living by his pen, he concentrated on work as much as his health allowed. More numerous than those to any other correspondent at this time, his letters to his literary agent, James B. Pinker, are a faithful mirror of his professional activities, but of his non-literary occupations he said little to anyone. Rarely did he suggest that the trio he formed with Gabrielle Fleury and “Maman” enjoyed a pleasant and varied social life, that of the English colony. -
ISSN 0017-0615 the GISSING JOURNAL “More Than Most Men Am I Dependent on Sympathy to Bring out the Best That Is in Me.”
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume XXX, Number 2 April, 1994 ********************************** Contents London Homes and Haunts of George Gissing: An 1 Unpublished Essay by A. C. Gissing, edited by Pierre Coustillas and Xavier Pétremand The Critical Response to Gissing and Commentary about 15 him in the Chicago Evening Post (concluded), by Robert L. Selig Book Reviews, by Bouwe Postmus, Jacob Korg and Pierre Coustillas 22 Thesis Abstract, by Chandra Shekar Dubey 24 Notes and News 36 Recent Publications 39 -- 1 -- London Homes and Haunts of George Gissing An Unpublished Essay by A. C. Gissing Edited by Pierre Coustillas and Xavier Pétremand In our introduction to “George Gissing and War,” which was printed in the January 1992 number of this journal, we mentioned the existence of two other unpublished essays by Alfred Gissing, “Frederic Harrison and George Gissing” and “London Homes and Haunts of George Gissing.” The three of them were doubtless written in the 1930s when he lived with his sole surviving aunt Ellen at Croft Cottage. Alfred did not date these essays, but they all carry his address of the period – Barbon, Westmorland, via Carnforth. Although they were less ambitious pieces than the articles he published in the National Review in August 1929 and January 1937, they were doubtless intended for publication; yet there is no evidence available that their author tried to find them a home in magazines such as T.P.’s Weekly or John o’ London’s Weekly, which sought to offer cultural entertainment and information to a public that cared for literature and any easily digestible comment on writers’ lives and works. -
Henry Ryecroft Meets Henry Maitland: George Gissing in and on Bloomsbury
Henry Ryecroft meets Henry Maitland: George Gissing in and on Bloomsbury Richard Dennis Dept of Geography, UCL [email protected] Introduction George Gissing is not normally associated with Bloomsbury. He is a man of the slums, or on the margins, or maybe a cynical observer of the nouveau riche, but never a Bloomsbury academic or intellectual. And yet Bloomsbury featured prominently in both his own life and his work. In this paper I want to focus on (1) Gissing’s relationship with the British Museum; (2) his use of the streets and squares of Bloomsbury; (3) his own residence in various lodgings in Bloomsbury and how this translated into his novels; and (4) to reflect on his overall personification of Bloomsbury, including scenes from his novels that were apparently NOT based on his own particular experiences. The British Museum Gissing obtained his reader’s ticket for the British Museum Reading Room in November 1877, the day after his 20th birthday.1 In New Grub Street Edwin Reardon applies for his reader’s ticket on his 21st birthday, for which he needed “the signature of some respectable householder”.2 Gissing himself seems not to have had any difficulty getting his ticket, notwithstanding both his youth (he must have misrepresented his age and claimed to be 21) and his recently obtained criminal record.3 The British Museum was central to Gissing’s life in London, both as an impoverished writer, as a source of heat, light and running water as well as a site for research, and as a classical scholar. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Text at an Impasse: Authorial, Representational, and Structural Boredoms in Selected Works by Gautier, Flaubert, and Gissing A Dissertation Presented by Ashar E. Foley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2014 Copyright by Ashar Foley 2014 Stony Brook University The Graduate School Ashar Foley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Robert Harvey – Dissertation Advisor Distinguished Professor and Chair, Cultural Analysis and Theory Sandy Petrey – Chairperson of Defense Professor Emeritus, Cultural Analysis and Theory Adrienne Munich Professor, English Patricia Meyer Spacks Edgar F. Shannon Professor Emerita, English University of Virginia This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation The Text at an Impasse: Authorial, Representational, and Structural Boredoms in Selected Works by Gautier, Flaubert, and Gissing by Ashar E. Foley Doctor of Philosophy in Comparative Literature Stony Brook University 2014 Théophile Gautier, Gustave Flaubert, and George Gissing deploy tropes of bored readers and writers and dilatory narrative structures in order to register their ambivalence toward the shift from sponsorship of the arts to a literary marketplace. In contrast to popular eighteenth- and nineteenth-century conceptions of the mood as sign of bad character, intellectual deficiency, or elitism, my chosen novelists posit boredom as a site from which to assess and critique their roles in culture. -
George Gissing and the Place of Realism
George Gissing and the Place of Realism George Gissing and the Place of Realism Edited by Rebecca Hutcheon George Gissing and the Place of Realism Edited by Rebecca Hutcheon This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Rebecca Hutcheon and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6998-5 ISBN (13): 978-1-5275-6998-0 TABLE OF CONTENTS Introduction ................................................................................................ 1 Rebecca Hutcheon Chapter 1 .................................................................................................. 14 George Gissing, Geographer? Richard Dennis Chapter 2 .................................................................................................. 36 Workers in the Dawn, Slum Writing and London’s “Urban Majority” Districts Jason Finch Chapter 3 .................................................................................................. 55 Four Lady Cyclists José Maria Diaz Lage Chapter 4 .................................................................................................. 70 Gissing’s Literary -
TESOROS DIGITALES 10 London
8)73637(-+-8%0)7 0SRHSR « When a man is tired of London, he is tired of life ; for there is in London all that life can afford. » (« Cuando un hombre está cansado de Londres, está cansado de la vida, porque hay en Londres, todo lo que la vida puede aportar. ») (Samuel Johnson (1709-1784), en Life of Samuel Johnson (Vida de Samuel Johnson, 1791), de James Boswell). No sabemos si Londres, que 2012, con los Juegos Olímpicos, el Jubileo de la Reina Isabel II y el bicentenario del nacimiento de Charles Dickens, trae a las primeras planas de la actualidad, contiene efectivamente todo lo que la vida puede aportar, pero es cierto que la ciudad se presta La City de Londres hacia 1630, vista desde Southwark y siempre se ha prestado a todas las evocaciones y a todos los géneros literarios : novelas y obras de teatro inglesas, impresiones de viajeros extranjeros, poemas, pero también novelas policíacas, picaresca y de terror… Se lo contaremos todo en esta novena entrega de Tesoros Digitales titulada : London… ▲ Ilustración : Wikimedia Commons. Londres descrita por sus habitantes Claes Van Visscher – Panorama de Londres (1616) ▲ Ilustración : Wikimedia Commons. En la Edad Media, Londres, que había sido un importante asentamiento romano, era ya una ciudad considerable : los reyes de Inglaterra eran coronados en la Abadía de Westminster y vivían en el castillo de la Torre de Londres. No es de extrañar, por lo tanto, que existan numerosas referencias a la capital del reino en gestas medievales como la Leyenda Arturiana o las aventuras de Robin Hood… Los Cuentos de Canterbury (Canterbury Tales, S. -
Gissing's New Grub Street and the Wider Concerns of Impoverishment
Gissing’s New Grub Street and the Wider Concerns of Impoverishment MCPHERSON, Sue Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/13174/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version MCPHERSON, Sue (2017). Gissing’s New Grub Street and the Wider Concerns of Impoverishment. English Literature in Transition 1880-1920, 60 (4), 490-505. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk 1 Sue McPherson, Sheffield Hallam University, UK. Gissing’s New Grub Street and the Wider Concerns of Impoverishment Trying to survive on an irregular income, Harold Biffen, educated and impoverished author, pawns his belongings four times in the course of New Grub Street. Edwin Reardon, writer and self-declared part of a class of “casual wage-earners,” sells books and furniture to second-hand dealers to supplement his earnings.1 Major and minor characters often feel the pang of hunger: Reardon spends time in “semi-starvation,” Biffen is described as a man of “excessive meagreness [that] would all but have qualified him to enter an exhibition in the capacity of living skeleton,” a “hunger-bitten clerk” is seen scribbling job applications, and an unemployed surgeon, Victor, begs for coffee and food at Camden Town Railway Station.2 Much attention has been paid to how New Grub Street represents the failures and successes of late-Victorian -
Issn 0017-0615 the Gissing Newsletter
ISSN 0017-0615 THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book ********************************** Volume XIX, Number 4 October, 1983 ********************************** -- 1 -- Gissing, Grant Allen and “Free Union” Alison Cotes University of Queensland At the end of Gissing’s novel of 1893, The Odd Women, Rhoda Nunn finally shows herself unwilling, in spite of her devotion to the feminist cause, to defy convention totally and enter into a free union with Everard Barfoot. On these grounds, Everard decides against forming a permanent relationship with her, and sums her up in these words: He had magnified Rhoda’s image. She was not the glorious rebel he had pictured. Like any other woman, she mistrusted her love without the sanction of society … He had not found his ************************************************* Editorial Board Pierre Coustillas, Editor, University of Lille Shigeru Koike, Tokyo Metropolitan University Jacob Korg, University of Washington, Seattle Editorial correspondence should be sent to the Editor: 10, rue Gay-Lussac, 59110-La Madeleine, France, and all other correspondence to C. C. KOHLER, 12, Horsham Road, Dorking, Surrey, RH4 2JL, England. Subscriptions: Private Subscribers: £3.00 per annum Libraries: £5.00 per annum ************************************************* -- 2 -- ideal – though in these days it assuredly existed.1 Everard’s ideal woman, brave enough to live out her rebellion against the convention of marriage while retaining her moral integrity, had hardly been the subject of serious English fiction before this date. Sally Mitchell2 mentions a number of novels of the mid-Victorian period where heroines of this kind occur, notably Matilda Charlotte Houstoun’s Recommended to Mercy, but they are for the most part novels of minor literary substance and even less influence. -
Or, When Was the Ending of a Life's Morning Rewritten?
Sympathy for the Devil: or, When was the ending of A Life’s Morning rewritten? Graham Law George Gissing (1857-1903) and James Payn (1830-98) found themselves on opposite sides of the literary divide opening between “Realism” and “Romance” in the last quarter of the nineteenth century, and not only because they belonged to different generations. In Gissing criticism, Payn, in his role as both commissioning reader for Smith, Elder and Co., the publishers that issued the bulk of Gissing’s books up until New Grub Street (1891), and as literary editor of their monthly miscellany, The Cornhill Magazine, often stands accused of acting as a grave hindrance to his superior in the art of fiction. Though there are other specific complaints, generally concerning the meanness of the terms offered for publication rights,1 the most damning charge against Payn has always been that he rudely forced Gissing to rewrite the closing chapters of A Life’s Morning (1888) to bring about a happy ending. The central character in this novel is the brilliant Oxford student Wifrid Athel, who falls in love with Emily Hood, a governess from an impoverished family in industrial Yorkshire. Though Emily responds, the suicide of her father leads her to renounce her love; after a lengthy interval Wifrid offers his hand to an old family friend, the glamorous Beatrice Redwing. The accusation against the editor is that he compelled the author to conclude the narrative not with Emily’s death but rather with her union with Wilfrid. This charge has recently been restated with considerable vigour among the “Notes on composition and publication” in the entry on the novel in Pierre Coustillas’s Definitive Bibliography. -
Read PDF ^ Will Warburton (Dodo Press) (Paperback
IOOOFIEUEAGD > eBook » Will Warburton (Dodo Press) (Paperback) W ill W arburton (Dodo Press) (Paperback) Filesize: 8.5 MB Reviews This publication is indeed gripping and intriguing. It is actually writter in basic terms and not difficult to understand. I am just pleased to explain how here is the greatest publication we have read through during my own lifestyle and could be he best pdf for at any time. (Ervin Crona) DISCLAIMER | DMCA WYE3NB0LBWAH < Doc » Will Warburton (Dodo Press) (Paperback) WILL WARBURTON (DODO PRESS) (PAPERBACK) To save Will Warburton (Dodo Press) (Paperback) PDF, remember to refer to the hyperlink beneath and save the document or have access to additional information which might be relevant to WILL WARBURTON (DODO PRESS) (PAPERBACK) book. Dodo Press, United Kingdom, 2007. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.George Gissing was an English novelist, who wrote twenty-three novels between 1880 and 1903. Although his early works are naturalistic, he developed into one of the the most accomplished realists of the late-Victorian era. Born in Wakefield, Yorkshire, to lower-middle class parents, Gissing went on to win a scholarship to Owens College, the present day University of Manchester. A brilliant student, he excelled at university, winning many coveted prizes, including the Shakespeare prize in 1875. Between 1891 and 1897 (his so-called middle period) he produced his best works, which include New Grub Street, Born in Exile, The Odd Women, In the Year of Jubilee, and The Whirlpool. The middle years of the decade saw his reputation reach new heights: by some critics he is counted alongside George Meredith and Thomas Hardy as one of the best three novelists of his day. -
George Giaaing, Hie Life End Work Margaret Ionise Flock Submitted in Partial Fulfillmont of the Requirement* for the Degree of M
George Gissing; his life and work Item Type text; Thesis-Reproduction (electronic) Authors Fiock, Margaret Louise Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 12:24:03 Link to Item http://hdl.handle.net/10150/553950 George Giaaing, Hie Life end Work bj Margaret Ionise Flock Submitted in partial fulfillmont of the requirement* for the degree of Master of Arts in the College of Letters, Arts, and Sciences of the University of Arizona <1cXV: O F / f a ? 2 9 G20RGE GI3SI5G, HIS LIFE AMD WORK. OUTLIHE Introdao tlon. A# Farpoae? to show Gl88lag's place as a m m of let ters and to trace the factors which gave him this place. 1. Through a study of Gleslag's life. 2. Through a study of Gissing'a works. 3. Through a study of Giesing's place as & man of letters. B. Statement: to give a summary of the work already done in the field, its value and emphasis. I. The life of George Giseing as reflected throu^i his Letters and Ryeoroft Papers. A. Early life from 1857-1877. 1. Parentage. 2. Boyhood. 3. Schooling. 4. American experience. B. Life from return from America to first Italian vis it, 1877-1888. 1. German experience. 71716 3 S» Marriage (first)* 3, W?rtorg..in DagSLto JDemos * 4* Demos to first Italian rleit* 0# M f e from return from Italy to Ionian Sea vimlt, 1888-1898, 1» Marriage (second)♦ 2.