The Gissing Newsletter
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NINETEENTH-CENTURY GENDER STUDIES ISSUE 4.1 (SPRING 2008) George Gissing's Manifesto: the Odd Women and the Unclassed
NINETEENTH-CENTURY GENDER STUDIES # ISSUE 4.1 (SPRING 2008) George Gissing's Manifesto: The Odd Women and The Unclassed By Lawton A. Brewer, Georgia State University <1>Jacob Korg, in George Gissing: A Critical Biography, contends that, although the economic circumstances of the Madden sisters, focal characters of The Odd Women, constitute severe challenges to their survival, “[…] Gissing perceives that the most desperate element of their plight is the loneliness and barrenness of lives in which an invitation to tea or a slice of roast beef are events of supreme importance” (188). The sisters long for activities appropriate to their claim to membership in the genteel middle class. Nonetheless, it is the Madden’s poverty that accounts for the social sterility Korg so correctly identifies. Their desire to eat competes with their desire for class inclusion. Consequently, although the book focuses on issues such as marriage, friendship, and kinship, these affiliations are brokered in an economic system in which everything has, quite literally, a price. George Gissing’s The Odd Women, a novel so often seen in terms of its feministic depiction of the “woman problem,”(1) reduces virtually every human relationship to the level of an economic transaction of some sort. Certainly, Gissing does not render every relationship in exclusively economic terms, nor does he stipulate that women or men are economic entities and nothing else. However, the deprived condition endured by the characters regulates many of the decisions, conversations, and commentary in the novel, resulting in discussions which often suggest, explicitly or implicitly, a business deal of some kind. -
Issn 0017-0615 the Gissing Journal
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ***************************** Volume XXXII, Number 2 April, 1996 ****************************** Contents A Distinguished Acquaintance of Gissing’s at Ciboure: Arthur Brownlow Fforde, by Pierre Coustillas 1 Between Emancipation and Restraint – Reading the Body in The Odd Women, by Mihoko Takeda 10 Shan F. Bullock: Gissing’s Admirer and an Ingenious Short Story Writer, by Masahiko Yahata 14 A Forgotten Assessment of Veranilda, by Randolph Faries, 2d 19 Gissing in the Boston Evening Transcript: His Interview by Joseph Anderson, by Pierre Coustillas 23 Book Review, by John Sloan 29 Notes and News 32 Recent Publications 34 Springtime in Northumberland, by Algernon Gissing 36 -- 1 -- A Distinguished Acquaintance of Gissing’s at Ciboure Arthur Brownlow Fforde Pierre Coustillas Until recently little enough was known of Gissing’s stay at Ciboure, the small fishing harbour adjoining Saint-Jean-de-Luz, from July 1902 to June 1903. He now kept his diary very irregularly and wrote down but few details about his social life. Correspondence with his relatives and friends was becoming infrequent; having to make a living by his pen, he concentrated on work as much as his health allowed. More numerous than those to any other correspondent at this time, his letters to his literary agent, James B. Pinker, are a faithful mirror of his professional activities, but of his non-literary occupations he said little to anyone. Rarely did he suggest that the trio he formed with Gabrielle Fleury and “Maman” enjoyed a pleasant and varied social life, that of the English colony. -
ISSN 0017-0615 the GISSING JOURNAL “More Than Most Men Am I Dependent on Sympathy to Bring out the Best That Is in Me.”
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume XXX, Number 2 April, 1994 ********************************** Contents London Homes and Haunts of George Gissing: An 1 Unpublished Essay by A. C. Gissing, edited by Pierre Coustillas and Xavier Pétremand The Critical Response to Gissing and Commentary about 15 him in the Chicago Evening Post (concluded), by Robert L. Selig Book Reviews, by Bouwe Postmus, Jacob Korg and Pierre Coustillas 22 Thesis Abstract, by Chandra Shekar Dubey 24 Notes and News 36 Recent Publications 39 -- 1 -- London Homes and Haunts of George Gissing An Unpublished Essay by A. C. Gissing Edited by Pierre Coustillas and Xavier Pétremand In our introduction to “George Gissing and War,” which was printed in the January 1992 number of this journal, we mentioned the existence of two other unpublished essays by Alfred Gissing, “Frederic Harrison and George Gissing” and “London Homes and Haunts of George Gissing.” The three of them were doubtless written in the 1930s when he lived with his sole surviving aunt Ellen at Croft Cottage. Alfred did not date these essays, but they all carry his address of the period – Barbon, Westmorland, via Carnforth. Although they were less ambitious pieces than the articles he published in the National Review in August 1929 and January 1937, they were doubtless intended for publication; yet there is no evidence available that their author tried to find them a home in magazines such as T.P.’s Weekly or John o’ London’s Weekly, which sought to offer cultural entertainment and information to a public that cared for literature and any easily digestible comment on writers’ lives and works. -
The Gissing Newsletter
THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume III, Number 2 June, 1967 ********************************** -- 1 -- Denzil Quarrier and the Woman Question James Haydock Wisconsin State University The importance of the woman question in Gissing’s work is undisputed. Scholars generally agree that Gissing had much to say about the subject in The Emancipated, The Odd Women, In the Year of the Jubilee, and The Whirlpool. Yet one other novel – of paramount importance in this connection – seems to have been overlooked. That novel is Denzil Quarrier (1892). It has more on the woman question than any of Gissing’s previous novels, and it presents for the first time an utterance that later becomes the informing idea of The Odd Women (1893). Denzil Quarrier’s address to the Polterham voters, entitled “Woman: Her Place in Modern Life,” is that part of the novel where Gissing’s views are most accurately reflected. In the town of Polterham even a passing mention of the woman question is enough to bring heated discussion. When the townsmen hear that Quarrier is the radical candidate for membership in Parliament, one of them asks “whether Mr. Quarrier is disposed to support the Female Suffrage movement.” Another retorts that if such be the case, “he mustn’t expect my vote and interest. We’ve seen enough in Polterham lately of the Female question” (first edition, ch. IV, p. 47). Then, commenting as author, Gissing adds: “The Woman question was rather a dangerous one in Polterham just now; that period of Revivalism (in which the women made fools of themselves), and the subsequent campaign of Mrs. -
The Gissing Newsletter
THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume IX, Number 4 October, 1973 ********************************** -- 1 -- The Guilty Secret Gillian Tindall [This is an extract from chapter III of a book about Gissing to be published next spring by Maurice Temple Smith in London and probably by Harcourt Brace in America. The title, the author told me some months ago, is to be George Gissing, Writer. Gillian Tindall has made herself an enviable reputation among modern English novelists with a number of stories like The Youngest, Someone Else and Fly Away Home, the last of which was awarded the 1972 Somerset Maugham Award. She recently published a collection of short stories, Dances of Death (Hodder & Stoughton). There have been translations of her novels into Polish, Italian and French. – P.C.] *************************************************** Editorial Board Pierre Coustillas, Editor, University of Lille Shigeru Koike, Tokyo Metropolitan University Jacob Korg, University of Washington, Seattle Editorial correspondence should be sent to the editor: 10, rue Gay-Lussac, 59110-La Madeleine, France, and all other correspondence to: C. C. KOHLER, 141 High Street, Dorking, Surrey, England. Subscriptions Private Subscribers: £1.00 per annum Libraries: £1.50 per annum *************************************************** -- 2 -- Of the various personal themes which run like significant, persistent yet often irrelevant threads through Gissing’s novels and stories, that of the Guilty Secret is perhaps the most ubiquitous and at the same time the most elusive. You can read a number of his books before even spotting it as a theme, yet, once noticed, it makes its presence felt everywhere. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Text at an Impasse: Authorial, Representational, and Structural Boredoms in Selected Works by Gautier, Flaubert, and Gissing A Dissertation Presented by Ashar E. Foley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2014 Copyright by Ashar Foley 2014 Stony Brook University The Graduate School Ashar Foley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Robert Harvey – Dissertation Advisor Distinguished Professor and Chair, Cultural Analysis and Theory Sandy Petrey – Chairperson of Defense Professor Emeritus, Cultural Analysis and Theory Adrienne Munich Professor, English Patricia Meyer Spacks Edgar F. Shannon Professor Emerita, English University of Virginia This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation The Text at an Impasse: Authorial, Representational, and Structural Boredoms in Selected Works by Gautier, Flaubert, and Gissing by Ashar E. Foley Doctor of Philosophy in Comparative Literature Stony Brook University 2014 Théophile Gautier, Gustave Flaubert, and George Gissing deploy tropes of bored readers and writers and dilatory narrative structures in order to register their ambivalence toward the shift from sponsorship of the arts to a literary marketplace. In contrast to popular eighteenth- and nineteenth-century conceptions of the mood as sign of bad character, intellectual deficiency, or elitism, my chosen novelists posit boredom as a site from which to assess and critique their roles in culture. -
George Gissing's Narrative and Late Nineteenth-Century Literary Trends
GEORGE GISSING'S NARRATIVE AND LATE NINETEENTH-CENTURY LITERARY TRENDS. It is often difficult and unconvincing to identify a writer's work with a particular literary movement. George Gissing is no exception to this. The following pages will indicate the similarities between his work and the main literary trends of the late nineteenth century, without, however, attempting to label it. In order to do this it will be useful to have a brief look at those trends —namely, Aestheticism, the continuation of The Great Tradition and English Naturalism'—. In this, the aim of these notes is not to break new ground but deal only with some aspects of the subject already well-known to literary criticism. Critics have often associated Aestheticism with Pre-Raphaelite tastes, while stressing the differences between them. For them, Pre-Raphaelism was a movement with clearly artistic aims, while the term Aestheticism referred not so much to a movement as to a group of writers who shared similar aesthetic ideals'. Walter Pater, for instance, in his Essay on Style, proposed the search for the exact term, in order to create beauty rather than to achieve greater clarity in the message. That is, he sought to reduce language to its purely poetic' function. And Oscar Wilde, as the extreme defender of the concept of art for art's sake', was absolutely opposed to the idea that language should be used only to further social or political causes3. With the death of George Eliot, in 1880, and of Trollope, in 1882, it seemed as if the era of the great Victorian novel had begun to enter a decline. -
George Gissing and the Place of Realism
George Gissing and the Place of Realism George Gissing and the Place of Realism Edited by Rebecca Hutcheon George Gissing and the Place of Realism Edited by Rebecca Hutcheon This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Rebecca Hutcheon and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6998-5 ISBN (13): 978-1-5275-6998-0 TABLE OF CONTENTS Introduction ................................................................................................ 1 Rebecca Hutcheon Chapter 1 .................................................................................................. 14 George Gissing, Geographer? Richard Dennis Chapter 2 .................................................................................................. 36 Workers in the Dawn, Slum Writing and London’s “Urban Majority” Districts Jason Finch Chapter 3 .................................................................................................. 55 Four Lady Cyclists José Maria Diaz Lage Chapter 4 .................................................................................................. 70 Gissing’s Literary -
Issn 0017-0615 the Gissing Journal
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ***************************** Volume XXXIV, Number 1 January, 1998 ****************************** Contents More of Gissing’s “Indispensable” False Starts and Discarded Novels, 1 by Marilyn B. Saveson The Hope of Pessimism and the Will to Live in “The Unclassed,” 8 by Markus Neacey Walter Gissing: A Further Note, by William Greenslade 17 More about Gissing and the Paparazzi, by Francesco Badolato 19 and Pierre Coustillas Book Reviews, by Fumio Hojoh, Janice Deledalle-Rhodes, 22 Wulfhard Stahl, and Bouwe Postmus Notes and News 34 Recent Publications 36 -- 1 -- More of Gissing’s “Indispensable” False Starts and Discarded Novels Marilyn B. Saveson Otterbein College, Westerville, Ohio “Again & again & yet again I have begun a novel; only to write a few chapters & throw them aside as useless,” wrote George Gissing on 2 December 1892. “Many, many months have I thus wasted.” Readers of his diary and of his letters will recognize this characteristic frame of mind in Gissing. It has been known for some time that he made at least 35 false starts of novels, and that an additional 4 were actually completed before being abandoned or lost. These 39 lost works are identified and described in my article “Gissing’s ‘Indispensable’ False Starts: an Annotated Checklist of his Discarded Novels” in the January 1990 issue of the Gissing Newsletter, pp. 2-17. The key word in the title is “indispensable.” As he explained to his brother Algernon on 29 May 1884, after complaining about wasted time and paper, “Not waste, however; it is indispensable.” He did not mean that the discarded material was useful in future works, although it sometimes was. -
TESOROS DIGITALES 10 London
8)73637(-+-8%0)7 0SRHSR « When a man is tired of London, he is tired of life ; for there is in London all that life can afford. » (« Cuando un hombre está cansado de Londres, está cansado de la vida, porque hay en Londres, todo lo que la vida puede aportar. ») (Samuel Johnson (1709-1784), en Life of Samuel Johnson (Vida de Samuel Johnson, 1791), de James Boswell). No sabemos si Londres, que 2012, con los Juegos Olímpicos, el Jubileo de la Reina Isabel II y el bicentenario del nacimiento de Charles Dickens, trae a las primeras planas de la actualidad, contiene efectivamente todo lo que la vida puede aportar, pero es cierto que la ciudad se presta La City de Londres hacia 1630, vista desde Southwark y siempre se ha prestado a todas las evocaciones y a todos los géneros literarios : novelas y obras de teatro inglesas, impresiones de viajeros extranjeros, poemas, pero también novelas policíacas, picaresca y de terror… Se lo contaremos todo en esta novena entrega de Tesoros Digitales titulada : London… ▲ Ilustración : Wikimedia Commons. Londres descrita por sus habitantes Claes Van Visscher – Panorama de Londres (1616) ▲ Ilustración : Wikimedia Commons. En la Edad Media, Londres, que había sido un importante asentamiento romano, era ya una ciudad considerable : los reyes de Inglaterra eran coronados en la Abadía de Westminster y vivían en el castillo de la Torre de Londres. No es de extrañar, por lo tanto, que existan numerosas referencias a la capital del reino en gestas medievales como la Leyenda Arturiana o las aventuras de Robin Hood… Los Cuentos de Canterbury (Canterbury Tales, S. -
Gissing's New Grub Street and the Wider Concerns of Impoverishment
Gissing’s New Grub Street and the Wider Concerns of Impoverishment MCPHERSON, Sue Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/13174/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version MCPHERSON, Sue (2017). Gissing’s New Grub Street and the Wider Concerns of Impoverishment. English Literature in Transition 1880-1920, 60 (4), 490-505. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk 1 Sue McPherson, Sheffield Hallam University, UK. Gissing’s New Grub Street and the Wider Concerns of Impoverishment Trying to survive on an irregular income, Harold Biffen, educated and impoverished author, pawns his belongings four times in the course of New Grub Street. Edwin Reardon, writer and self-declared part of a class of “casual wage-earners,” sells books and furniture to second-hand dealers to supplement his earnings.1 Major and minor characters often feel the pang of hunger: Reardon spends time in “semi-starvation,” Biffen is described as a man of “excessive meagreness [that] would all but have qualified him to enter an exhibition in the capacity of living skeleton,” a “hunger-bitten clerk” is seen scribbling job applications, and an unemployed surgeon, Victor, begs for coffee and food at Camden Town Railway Station.2 Much attention has been paid to how New Grub Street represents the failures and successes of late-Victorian -
Or, When Was the Ending of a Life's Morning Rewritten?
Sympathy for the Devil: or, When was the ending of A Life’s Morning rewritten? Graham Law George Gissing (1857-1903) and James Payn (1830-98) found themselves on opposite sides of the literary divide opening between “Realism” and “Romance” in the last quarter of the nineteenth century, and not only because they belonged to different generations. In Gissing criticism, Payn, in his role as both commissioning reader for Smith, Elder and Co., the publishers that issued the bulk of Gissing’s books up until New Grub Street (1891), and as literary editor of their monthly miscellany, The Cornhill Magazine, often stands accused of acting as a grave hindrance to his superior in the art of fiction. Though there are other specific complaints, generally concerning the meanness of the terms offered for publication rights,1 the most damning charge against Payn has always been that he rudely forced Gissing to rewrite the closing chapters of A Life’s Morning (1888) to bring about a happy ending. The central character in this novel is the brilliant Oxford student Wifrid Athel, who falls in love with Emily Hood, a governess from an impoverished family in industrial Yorkshire. Though Emily responds, the suicide of her father leads her to renounce her love; after a lengthy interval Wifrid offers his hand to an old family friend, the glamorous Beatrice Redwing. The accusation against the editor is that he compelled the author to conclude the narrative not with Emily’s death but rather with her union with Wilfrid. This charge has recently been restated with considerable vigour among the “Notes on composition and publication” in the entry on the novel in Pierre Coustillas’s Definitive Bibliography.