The Gissing Journal
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NINETEENTH-CENTURY GENDER STUDIES ISSUE 4.1 (SPRING 2008) George Gissing's Manifesto: the Odd Women and the Unclassed
NINETEENTH-CENTURY GENDER STUDIES # ISSUE 4.1 (SPRING 2008) George Gissing's Manifesto: The Odd Women and The Unclassed By Lawton A. Brewer, Georgia State University <1>Jacob Korg, in George Gissing: A Critical Biography, contends that, although the economic circumstances of the Madden sisters, focal characters of The Odd Women, constitute severe challenges to their survival, “[…] Gissing perceives that the most desperate element of their plight is the loneliness and barrenness of lives in which an invitation to tea or a slice of roast beef are events of supreme importance” (188). The sisters long for activities appropriate to their claim to membership in the genteel middle class. Nonetheless, it is the Madden’s poverty that accounts for the social sterility Korg so correctly identifies. Their desire to eat competes with their desire for class inclusion. Consequently, although the book focuses on issues such as marriage, friendship, and kinship, these affiliations are brokered in an economic system in which everything has, quite literally, a price. George Gissing’s The Odd Women, a novel so often seen in terms of its feministic depiction of the “woman problem,”(1) reduces virtually every human relationship to the level of an economic transaction of some sort. Certainly, Gissing does not render every relationship in exclusively economic terms, nor does he stipulate that women or men are economic entities and nothing else. However, the deprived condition endured by the characters regulates many of the decisions, conversations, and commentary in the novel, resulting in discussions which often suggest, explicitly or implicitly, a business deal of some kind. -
Issn 0017-0615 the Gissing Journal
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ***************************** Volume XXXII, Number 2 April, 1996 ****************************** Contents A Distinguished Acquaintance of Gissing’s at Ciboure: Arthur Brownlow Fforde, by Pierre Coustillas 1 Between Emancipation and Restraint – Reading the Body in The Odd Women, by Mihoko Takeda 10 Shan F. Bullock: Gissing’s Admirer and an Ingenious Short Story Writer, by Masahiko Yahata 14 A Forgotten Assessment of Veranilda, by Randolph Faries, 2d 19 Gissing in the Boston Evening Transcript: His Interview by Joseph Anderson, by Pierre Coustillas 23 Book Review, by John Sloan 29 Notes and News 32 Recent Publications 34 Springtime in Northumberland, by Algernon Gissing 36 -- 1 -- A Distinguished Acquaintance of Gissing’s at Ciboure Arthur Brownlow Fforde Pierre Coustillas Until recently little enough was known of Gissing’s stay at Ciboure, the small fishing harbour adjoining Saint-Jean-de-Luz, from July 1902 to June 1903. He now kept his diary very irregularly and wrote down but few details about his social life. Correspondence with his relatives and friends was becoming infrequent; having to make a living by his pen, he concentrated on work as much as his health allowed. More numerous than those to any other correspondent at this time, his letters to his literary agent, James B. Pinker, are a faithful mirror of his professional activities, but of his non-literary occupations he said little to anyone. Rarely did he suggest that the trio he formed with Gabrielle Fleury and “Maman” enjoyed a pleasant and varied social life, that of the English colony. -
The Gissing Newsletter
THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume III, Number 2 June, 1967 ********************************** -- 1 -- Denzil Quarrier and the Woman Question James Haydock Wisconsin State University The importance of the woman question in Gissing’s work is undisputed. Scholars generally agree that Gissing had much to say about the subject in The Emancipated, The Odd Women, In the Year of the Jubilee, and The Whirlpool. Yet one other novel – of paramount importance in this connection – seems to have been overlooked. That novel is Denzil Quarrier (1892). It has more on the woman question than any of Gissing’s previous novels, and it presents for the first time an utterance that later becomes the informing idea of The Odd Women (1893). Denzil Quarrier’s address to the Polterham voters, entitled “Woman: Her Place in Modern Life,” is that part of the novel where Gissing’s views are most accurately reflected. In the town of Polterham even a passing mention of the woman question is enough to bring heated discussion. When the townsmen hear that Quarrier is the radical candidate for membership in Parliament, one of them asks “whether Mr. Quarrier is disposed to support the Female Suffrage movement.” Another retorts that if such be the case, “he mustn’t expect my vote and interest. We’ve seen enough in Polterham lately of the Female question” (first edition, ch. IV, p. 47). Then, commenting as author, Gissing adds: “The Woman question was rather a dangerous one in Polterham just now; that period of Revivalism (in which the women made fools of themselves), and the subsequent campaign of Mrs. -
The Gissing Newsletter
THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume IX, Number 4 October, 1973 ********************************** -- 1 -- The Guilty Secret Gillian Tindall [This is an extract from chapter III of a book about Gissing to be published next spring by Maurice Temple Smith in London and probably by Harcourt Brace in America. The title, the author told me some months ago, is to be George Gissing, Writer. Gillian Tindall has made herself an enviable reputation among modern English novelists with a number of stories like The Youngest, Someone Else and Fly Away Home, the last of which was awarded the 1972 Somerset Maugham Award. She recently published a collection of short stories, Dances of Death (Hodder & Stoughton). There have been translations of her novels into Polish, Italian and French. – P.C.] *************************************************** Editorial Board Pierre Coustillas, Editor, University of Lille Shigeru Koike, Tokyo Metropolitan University Jacob Korg, University of Washington, Seattle Editorial correspondence should be sent to the editor: 10, rue Gay-Lussac, 59110-La Madeleine, France, and all other correspondence to: C. C. KOHLER, 141 High Street, Dorking, Surrey, England. Subscriptions Private Subscribers: £1.00 per annum Libraries: £1.50 per annum *************************************************** -- 2 -- Of the various personal themes which run like significant, persistent yet often irrelevant threads through Gissing’s novels and stories, that of the Guilty Secret is perhaps the most ubiquitous and at the same time the most elusive. You can read a number of his books before even spotting it as a theme, yet, once noticed, it makes its presence felt everywhere. -
George Gissing's Narrative and Late Nineteenth-Century Literary Trends
GEORGE GISSING'S NARRATIVE AND LATE NINETEENTH-CENTURY LITERARY TRENDS. It is often difficult and unconvincing to identify a writer's work with a particular literary movement. George Gissing is no exception to this. The following pages will indicate the similarities between his work and the main literary trends of the late nineteenth century, without, however, attempting to label it. In order to do this it will be useful to have a brief look at those trends —namely, Aestheticism, the continuation of The Great Tradition and English Naturalism'—. In this, the aim of these notes is not to break new ground but deal only with some aspects of the subject already well-known to literary criticism. Critics have often associated Aestheticism with Pre-Raphaelite tastes, while stressing the differences between them. For them, Pre-Raphaelism was a movement with clearly artistic aims, while the term Aestheticism referred not so much to a movement as to a group of writers who shared similar aesthetic ideals'. Walter Pater, for instance, in his Essay on Style, proposed the search for the exact term, in order to create beauty rather than to achieve greater clarity in the message. That is, he sought to reduce language to its purely poetic' function. And Oscar Wilde, as the extreme defender of the concept of art for art's sake', was absolutely opposed to the idea that language should be used only to further social or political causes3. With the death of George Eliot, in 1880, and of Trollope, in 1882, it seemed as if the era of the great Victorian novel had begun to enter a decline. -
George Gissing and the Place of Realism
George Gissing and the Place of Realism George Gissing and the Place of Realism Edited by Rebecca Hutcheon George Gissing and the Place of Realism Edited by Rebecca Hutcheon This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Rebecca Hutcheon and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6998-5 ISBN (13): 978-1-5275-6998-0 TABLE OF CONTENTS Introduction ................................................................................................ 1 Rebecca Hutcheon Chapter 1 .................................................................................................. 14 George Gissing, Geographer? Richard Dennis Chapter 2 .................................................................................................. 36 Workers in the Dawn, Slum Writing and London’s “Urban Majority” Districts Jason Finch Chapter 3 .................................................................................................. 55 Four Lady Cyclists José Maria Diaz Lage Chapter 4 .................................................................................................. 70 Gissing’s Literary -
Issn 0017-0615 the Gissing Journal
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ***************************** Volume XXXIV, Number 1 January, 1998 ****************************** Contents More of Gissing’s “Indispensable” False Starts and Discarded Novels, 1 by Marilyn B. Saveson The Hope of Pessimism and the Will to Live in “The Unclassed,” 8 by Markus Neacey Walter Gissing: A Further Note, by William Greenslade 17 More about Gissing and the Paparazzi, by Francesco Badolato 19 and Pierre Coustillas Book Reviews, by Fumio Hojoh, Janice Deledalle-Rhodes, 22 Wulfhard Stahl, and Bouwe Postmus Notes and News 34 Recent Publications 36 -- 1 -- More of Gissing’s “Indispensable” False Starts and Discarded Novels Marilyn B. Saveson Otterbein College, Westerville, Ohio “Again & again & yet again I have begun a novel; only to write a few chapters & throw them aside as useless,” wrote George Gissing on 2 December 1892. “Many, many months have I thus wasted.” Readers of his diary and of his letters will recognize this characteristic frame of mind in Gissing. It has been known for some time that he made at least 35 false starts of novels, and that an additional 4 were actually completed before being abandoned or lost. These 39 lost works are identified and described in my article “Gissing’s ‘Indispensable’ False Starts: an Annotated Checklist of his Discarded Novels” in the January 1990 issue of the Gissing Newsletter, pp. 2-17. The key word in the title is “indispensable.” As he explained to his brother Algernon on 29 May 1884, after complaining about wasted time and paper, “Not waste, however; it is indispensable.” He did not mean that the discarded material was useful in future works, although it sometimes was. -
Gissing's New Grub Street and the Wider Concerns of Impoverishment
Gissing’s New Grub Street and the Wider Concerns of Impoverishment MCPHERSON, Sue Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/13174/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version MCPHERSON, Sue (2017). Gissing’s New Grub Street and the Wider Concerns of Impoverishment. English Literature in Transition 1880-1920, 60 (4), 490-505. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk 1 Sue McPherson, Sheffield Hallam University, UK. Gissing’s New Grub Street and the Wider Concerns of Impoverishment Trying to survive on an irregular income, Harold Biffen, educated and impoverished author, pawns his belongings four times in the course of New Grub Street. Edwin Reardon, writer and self-declared part of a class of “casual wage-earners,” sells books and furniture to second-hand dealers to supplement his earnings.1 Major and minor characters often feel the pang of hunger: Reardon spends time in “semi-starvation,” Biffen is described as a man of “excessive meagreness [that] would all but have qualified him to enter an exhibition in the capacity of living skeleton,” a “hunger-bitten clerk” is seen scribbling job applications, and an unemployed surgeon, Victor, begs for coffee and food at Camden Town Railway Station.2 Much attention has been paid to how New Grub Street represents the failures and successes of late-Victorian -
George Giaaing, Hie Life End Work Margaret Ionise Flock Submitted in Partial Fulfillmont of the Requirement* for the Degree of M
George Gissing; his life and work Item Type text; Thesis-Reproduction (electronic) Authors Fiock, Margaret Louise Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 12:24:03 Link to Item http://hdl.handle.net/10150/553950 George Giaaing, Hie Life end Work bj Margaret Ionise Flock Submitted in partial fulfillmont of the requirement* for the degree of Master of Arts in the College of Letters, Arts, and Sciences of the University of Arizona <1cXV: O F / f a ? 2 9 G20RGE GI3SI5G, HIS LIFE AMD WORK. OUTLIHE Introdao tlon. A# Farpoae? to show Gl88lag's place as a m m of let ters and to trace the factors which gave him this place. 1. Through a study of Gleslag's life. 2. Through a study of Gissing'a works. 3. Through a study of Giesing's place as & man of letters. B. Statement: to give a summary of the work already done in the field, its value and emphasis. I. The life of George Giseing as reflected throu^i his Letters and Ryeoroft Papers. A. Early life from 1857-1877. 1. Parentage. 2. Boyhood. 3. Schooling. 4. American experience. B. Life from return from America to first Italian vis it, 1877-1888. 1. German experience. 71716 3 S» Marriage (first)* 3, W?rtorg..in DagSLto JDemos * 4* Demos to first Italian rleit* 0# M f e from return from Italy to Ionian Sea vimlt, 1888-1898, 1» Marriage (second)♦ 2. -
The Gissing Newsletter
THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume IX, Number 2 April, 1973 ********************************** -- 1 -- The Hero as Politician Stanley P. Kurman [The present contribution is ch. V of Mr. Kurman’s dissertation, “George Gissing’s Heroes,” submitted in partial fulfilment of the requirements for the degree of Master of Arts at New York University in 1953.] Although he never personally involved himself in politics after his abortive youthful dabblings in socialism, George Gissing retained throughout his life a keen interest in the political forces of English society and in legislative reform movements. While this interest is subordinated in most of his novels to relatively narrow personal themes, it would be wrong to overlook the social criticism *************************************************** Editorial Board Pierre Coustillas, Editor, University of Lille Shigeru Koike, Tokyo Metropolitan University Jacob Korg, University of Washington, Seattle Editorial correspondence should be sent to the editor: 10, rue Gay-Lussac, 59110-La Madeleine, France, and all other correspondence to: C. C. KOHLER, 141 High Street, Dorking, Surrey, England. Subscriptions Private Subscribers: £1.00 per annum Libraries: £1.50 per annum *************************************************** -- 2 -- and commentary which Gissing injected into so much of his fiction. Through Golding, Kirkwood and Waymark, for example, Gissing expressed his anger with a society which permitted the existence of poverty in the midst of plenty. He went further by involving Egremont in a plan which had as its goal the intellectual and cultural awakening of the working class. He used Otway to express extended arguments for pacifism and bitter polemics against imperialism. -
Issn 0017-0615 the Gissing Journal
ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ***************************** Volume XXXIII, Number 3 July, 1997 ****************************** Contents Isabel Clarendon: ‘Hearts made sepulchres,’ by Michael Cronin 1 The Boston Evening Transcript’s Reception of George Gissing’s Works, 13 by Bonnie Zare and Pierre Coustillas Gissing and Virgil: a Note, by Bouwe Postmus 29 Book Reviews, by Pierre Coustillas 30 Notes and News 36 Recent Publications 38 -- 1 -- Isabel Clarendon: ‘Hearts made sepulchres’ Michael Cronin University of Calabria In terms of its subject matter and the social milieu presented in it, Isabel Clarendon (1886) differs from the novels that preceded it, but nevertheless offers a deepening and clarification of several of the thematic concerns adumbrated in Workers in the Dawn and The Unclassed. It presents a number of unclassed characters whose differing responses to their circumstances are analysed by Gissing in order to establish the often very limited margins within which they can achieve self-fulfilment or self-expression. In his first novel, Gissing had made a distinction between the artistically gifted Arthur Golding and the sensitive and intelligent Helen Norman, who, realising that she has not artistic genius, is obliged to content herself with paying tribute to the artist by studying and contemplating his works, thereby enriching her own existence. In Isabel Clarendon, Gissing again draws a distinction between the artist and the ordinary individual, yet here dwells primarily on the ungifted sensitive who suffers acutely from his inability to find a place in life. -
George-Gissing-Essay-Feb-2018
George Gissing, New Grub Street and the Writer’s Inner World: Relevance and Disaster Dr Gerald Hull University of Wales, Bangor February 13th, 2018 George Gissing 1857- 1903 A Brief Chronology 1857 b. Wakefield 1876 Owens College, Manchester, personal disgrace 1880 Workers in the Dawn published at own expense 1884 The Unclassed published 1885-1886 Demos. A Story of English Socialism 1887 Thyrza 1888-1889 The Nether World Death of 1st wife Helen (Nell) Harrison Visits Mediterranean for the first time 1891 New Grub Street Meets and marries 2nd wife, Edith Underwood 1892 Born in Exile 1893 The Odd Women 1894 In the Year of Jubilee 1897 The Whirlpool 1897 Human Odds and Ends: Stories and Sketches 1898 Charles Dickens. A Critical Study Meets Gabrielle Fleury 1903 The Private Papers of Henry Ryecroft ,’An Author at Grass’ published Dies in France 1904 Veranilda published posthumously In 1970, writing of the unhappy poet Edward Thomas, Philip Larkin noted: “ Every so often there emerges a figure whose importance seems not to reside so much in his own talent as in the lesson he embodies from those who succeed him. George Gissing could be instanced in the world of the novel - that unfortunate character, a man of letters, to whom no hardship or humiliation outweighs the romance of scraping a living from the printed word.” By temperament and ability Gissing was an intelleCtual, a sCholar – he knew Latin, Greek, FrenCh, Italian, German – taught himself Spanish to read Cervantes - and should have been a University man. His ideal was the poet Thomas Gray’s Pembroke College -I quote ‘ life of Peace’ at Cambridge.