Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106

Total Page:16

File Type:pdf, Size:1020Kb

Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image o f the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4 . The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. Silver prints of "photographs" may be ordered at additional charge by writing the Order Department, giving the catalog number, title, author and specific pages you wish -eproduced. 5. PLEASE NOTE: Some pages may have indistinct print. Filmed as received. Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 74-21,704 MOORE, Lewis Durward, 1937- A STUDY OF GEORGE GISSING AND SOCIAL DARWINISM WITH SPECIAL EMPHASIS ON NEW GRUB STREET AND THE PRIVATE PAPERS OF H E N R m Y E C R D F T ! The American University, Ph.D., 1974 Language and Literature, general University Microfilms, A XEROX Company, Ann Arbor, Michigan © Copyright by Lewis Durward Moore 1974 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A STUDY OF GEOROE GISSING AND SOCIAL DARWINISM WITH SPECIAL EMPHASIS ON NEW GRUB STREET AND THE PRIVATE PAPERS OF HENRY RYECROFT BY LEWIS DURWARD MOORE Submitted to the Faculty of the College of Arts and Sciences of The American University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Literary Studies Q - Signatures Committee Dean of the College Chairman: Date: 197^ The American University Washington, D. C. .THE AMERICAN UNIVERSITY LIIRAE'/ Hgri Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A STUDY OF GEORGE GISSING AND SOCIAL DARWINISM WITH SPECIAL EMPHASIS ON NEW GRUB STREET AND THE PRIVATE PAPERS OF HENRY RYECROFT This paper examines the relationship between social Darwinism and selected novels of George Gisaing* Social Darwinism, a late 19th century social theory growing out of evolutionary thought in general, and Charles Darwin's The Origin of Species in particular, found its most fervid supporter in Herbert Spencer. An analysis of social Darwinist ideas in Part One of the paper, particularly those of Spencer and his American disciple, William Graham Sumner, shows that four elements are of primary importance: the idea of the struggle for existence and consequent survival of the fittest, the limited role of the state, the emphasis on private versus government charity, and the freedom of the individual. Part Two of the paper examines a wide selection of Gissing's novels, relating the ideas of social Darwinism to his major themes, i.e., his concern for the role of women, the plight of the poor, the poor but cultured young man or woman, and the role of the writer and artist in society. In the third part of the paper, New Grub Street (1891) and The Private Papers of Henry Ryecroft (I90j5) are chosen as two of Gissing's most fruitful novels through which to relate the ideas of social Darwinism and his major themes. In both of these novels, writers are the dominant Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ii characters* and The Private Papers of Henry Ryecroft is seen as a con­ tinuation of the themes and ideaB of New Grub Street. This relation­ shipobetween the two novels, coupled with their place in Gissing's literary career, New Grub Street approximately in the middle and The Private Papers of Henry Ryecroft at the end, allows one to use the two novels as models representing essential concerns of Gissing at strategic stages of his career. My conclusion is that in New Grub Street and The Private Papers of Henry Ryecroft Gissing reflects to a large extent the language and ideas of social Darwinism, and though he clearly Ehows in his letters his aversion to the competitive struggle in hie day, he remains am­ bivalent in these novels. Characters are allowed to express their views on society, with special emphasis on social Darwinist ideas, but the narrator remains in the background. Gissing views his role as that of the artist presenting life as he sees it and allows the reader to draw his own conclusion about the social or moral issues presented. Characters take stands for and against the ideas of social Darwinism, but the narrator remains neutral. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ill Contents Introduction p. 1 . Part I......................................................... p. 7 . Part II p. 13. Part III, p. 21. Appendix...................... p. 39. A Selected Bibliography.... ....p. ^5. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. George Gissing's novels were reviewed in a variety of ways during his literary career, but if there is any consensus of opinion in these reviews, it is that he is a thoughtful novelist, one con­ cerned with ideas, whose works are seriously concerned with contem­ porary problems. For example, an unsigned review of The Whirlpool in the Manchester Guardian. April 13, 1897» comments: "Novel readers who are weary of the conventional love story turn with a certain satisfaction to the works of Mr. George Gissing, where they are sure to find a thoughtful presentment in dramatic form of some of the wider and more complicated issues of modern society."^ An unsigned review of the same novel in the Academy. May 15, 1897, states: "Mr. Gissing is in love with ideas, and can illustrate them through flesh and blood: his work lives."2 Finally, in an unsigned review of Our Friend the Charlatan in The Times. June 29, 1901, the critic sums up Gissing's career: "Mr. Gissing is still, too, it may be noted, more interested in ideas than in men and women. Look back upon the many hours that have been profitably spent over his books and you will find that the characters you renember best are personifications of some idea rather than human beings drawn for their own sake."^ These typi­ cal reviews all appeared in the later period of Gissing's career, but similar ones can be found for the earlier stages of his career. ^Rev. of The Whirlpool, by George Gissing, Manchester Guardian, 13 April 1897, rpt. in Gissing: The Critical Heritage, ed. Pierre Coustillas and Colin Partridge (London: Routledge & Kegan Paul, 1972), p. 276. 2Rev. of The Whirlpool, by George Gissing, Academy. 15 May 1897, li, 516-175 rpt. in Gissing: The Critical Heritage, ed. Coustillas and Partridge, p. 284. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 It is not only the physical setting of the modern world but the dilemmas of that world with which Gissing concerns himself, i.e., the alienation of the talented and sensitive but poor young man or woman, poverty in general, disease, slums, alcoholism, failure, mass culture, and the place of women in society. Of course, Gissing was not the first to write about the problems of 19th century industrial England. Among those who had explored the miserable social conditions in which the vast majority of Englishmen lived, were: Benjamin Disraeli in Sybil, or The Two Nations (l8*t5 ), Elizabeth Gaskell in Mary Barton (18^8) and North and South (1855), Charles Kingsley in Alton Locke. Tailor and Poet (1850) and Yeast (1851), Charles Dickens in Hard Times (185^), and George Eliot in Felix Holt. The Radical (1866), not to mention writers current with Gissing, such as Walter Besant. It must be admitted, however, that the earlier novels dealing with social and industrial problems were concerned with what might be called the beginnings of conditions which by Gissing's time had both intensified and been dealt with, however inadequately, in the political process. Possibly Gissing's pessimism can be partially traced to the lack of any real progress in dealing effectively with social problems by his time. The literary exploration of social problems in 19th century England was concomitant with, and possibly a spur to, various reform measures. In 1832 and again in 1867, Parliament passed bills that ^Rev. of Our Friend the Charlatan, by George Gissing, The Times. 29 June 1901, 5; rpt. in Gissing: The Critical Heritage. ed. Coustillas and Partridge, p. 377* Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Recommended publications
  • George Gissing: London's Restless Analyst
    The Gissing Journal Volume XL, Number 3, July 2004 “More than most men am I dependent on sympathy to bring out the best that is in me.” Commonplace Book George Gissing (1857-1903): London’s Restless Analyst1 RICHARD DENNIS University College London “Walk with me, reader, into Whitecross Street. It is Saturday night, the market- night of the poor; also the one evening in the week which the weary toilers of our great city can devote to ease and recreation in the sweet assurance of a morrow unenslaved. Let us see how they spend this ‘Truce of God’; our opportunities will be of the best in the district we are entering.” The first words of Workers in the Dawn, the first published novel of the twenty-two-year-old George Gissing. I don’t think its most enthusiastic ad- vocate could claim that Workers in the Dawn is a masterpiece of English literature. But for all its faults it exemplifies a recurring characteristic of Gissing’s work, and the reason why I, as a historical geographer, have be- come a convert and, today, an enthusiastic proselytizer on his behalf. Gissing encouraged his readers to explore and, more than that, to engage with city life. Sometimes, like many earlier writers, he dealt in generic city- scapes—the “East End,” London beyond City Road, is described in the most general of terms—but more often, and especially in his later novels, Gissing’s London is very precisely defined: his characters live in real streets that the author has explored for himself, even in particular buildings.
    [Show full text]
  • NINETEENTH-CENTURY GENDER STUDIES ISSUE 4.1 (SPRING 2008) George Gissing's Manifesto: the Odd Women and the Unclassed
    NINETEENTH-CENTURY GENDER STUDIES # ISSUE 4.1 (SPRING 2008) George Gissing's Manifesto: The Odd Women and The Unclassed By Lawton A. Brewer, Georgia State University <1>Jacob Korg, in George Gissing: A Critical Biography, contends that, although the economic circumstances of the Madden sisters, focal characters of The Odd Women, constitute severe challenges to their survival, “[…] Gissing perceives that the most desperate element of their plight is the loneliness and barrenness of lives in which an invitation to tea or a slice of roast beef are events of supreme importance” (188). The sisters long for activities appropriate to their claim to membership in the genteel middle class. Nonetheless, it is the Madden’s poverty that accounts for the social sterility Korg so correctly identifies. Their desire to eat competes with their desire for class inclusion. Consequently, although the book focuses on issues such as marriage, friendship, and kinship, these affiliations are brokered in an economic system in which everything has, quite literally, a price. George Gissing’s The Odd Women, a novel so often seen in terms of its feministic depiction of the “woman problem,”(1) reduces virtually every human relationship to the level of an economic transaction of some sort. Certainly, Gissing does not render every relationship in exclusively economic terms, nor does he stipulate that women or men are economic entities and nothing else. However, the deprived condition endured by the characters regulates many of the decisions, conversations, and commentary in the novel, resulting in discussions which often suggest, explicitly or implicitly, a business deal of some kind.
    [Show full text]
  • George Gissing, Humanist by Stanley Alden
    Early Journal Content on JSTOR, Free to Anyone in the World This article is one of nearly 500,000 scholarly works digitized and made freely available to everyone in the world by JSTOR. Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid-seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non-commercial purposes. Read more about Early Journal Content at http://about.jstor.org/participate-jstor/individuals/early- journal-content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not-for-profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact [email protected]. GEORGE GISSING, HUMANIST BY STANLEY ALDEN The casual reader of critical reviews must have been struck by the recurrence of the name of George Gissing, a novelist who, in course the normal of things, ought to have been long ago for name a gotten. That the of writer whose career began forty years ago should persist in the columns of the reviewers is enough to establish the assumption that its owner must have in his work something either unique or uniquely said; must have either in trinsic or historical value.
    [Show full text]
  • Language and Conflict in English Literature from Gaskell to Tressell
    ARTICULATING CLASS: LANGUAGE AND CONFLICT IN ENGLISH LITERATURE FROM GASKELL TO TRESSELL Timothy John James University of Cape Town Thesis presented for the degree of Doctor of Philosophy in the Department of English UNIVERSITY OF CAPE TOWN JANUARY 1992 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ABSTRACT ARTICULATING CLASS: LANGUAGE AND CONFLICT IN ENGLISH LITERATURE, FROM GASKELL TO TRESSELL Concentrating on English literary texts written between the 1830s and 1914 and which have the working class as their central focus, the thesis examines various ways in which class conflict inheres within the textual language, particularly as far as the representation of working-class speech is concerned. The study is made largely within V. N. Voloshinov's understanding of language. Chapter 1 examines the social role of "standard English" (including accent) and its relationship to forms of English stigmatised as inadequate, and argues that the phoneticisation of working-class speech in novels like those of William Pett Ridge is to indicate its inadequacy within a situation where use of the "standard language" is regarded as a mark of all kinds of superiority, and where the language of narrative prose has, essentially, the "accent" of "standard English". The periodisation of the thesis is discussed: the "industrial reformist" novels of the Chartist years and the "slum literature" of the 1880s and '90s were bourgeois responses to working-class struggle.
    [Show full text]
  • Mapping Gissing's Workers in the Dawn
    The Gissing Journal Volume XLVI, Number 4, 0ctober 2010 “More than most men am I dependent on sympathy to bring out the best that is in me.” Commonplace Book Mapping Gissing’s Workers in the Dawn RICHARD DENNIS University College London Making maps of novels has a long tradition. Some stories, such as Treasure Island, come with their own maps. Closer to Gissing’s London, Arthur Morrison’s Child of the Jago (1896) featured a frontispiece map of the “Jago,” plotting out a street pattern almost identical to that of the real “Nichol” in Shoreditch, but substituting Morrison’s names: the real “Mead Street” became “Honey Lane,” “Boundary Street” became “Edge Lane,” and so forth. Other novels received maps courtesy of their publishers – OUP’s “A Map of Mrs Dalloway’s London” and Penguin’s “Central London in the Mid-Twenties” are just simplified street maps of 1920s London to help readers unfamiliar with the metropolis to follow the routes of characters in Mrs Dalloway as they weave their way across the West End.1 Blackwell’s map of “The London of Mrs Dalloway” is annotated with numbered references to incidents in the text. But none of these maps plot the characters’ walks. They merely mark locations that would allow readers to construct their own geographies of the novel.2 At the other analytical extreme are Franco Moretti’s maps of novels by Dickens, Balzac, Flaubert, and Conan Doyle, some simply marking the locations of key events or characters’ homes, but others more abstractly identifying clusters of characters in topographical and social space to produce Venn diagrams of overlapping or interpenetrating social worlds superimposed on maps of London and Paris, or charting, in the case of Our Mutual Friend, the movement of the narrative from one part of the city to another through successive monthly instalments.3 As important are the blank spaces that emerge and the divides that are rarely crossed.
    [Show full text]
  • Workers in the Dawn by George Gissing #0HSQPDG5LER #Free
    Workers in the Dawn George Gissing Click here if your download doesn"t start automatically Workers in the Dawn George Gissing Workers in the Dawn George Gissing George Robert Gissing was an English novelist who published 23 novels between 1880 and 1903. Gissing also worked as a teacher and tutor throughout his life. He published his first novel, Workers in the Dawn, in 1880. His best known novels, which are published in modern editions, include The Nether World (1889), New Grub Street (1891), and The Odd Women (1893) (font: Wikipedia). Download Workers in the Dawn ...pdf Read Online Workers in the Dawn ...pdf Download and Read Free Online Workers in the Dawn George Gissing From reader reviews: Ruth Brown: This Workers in the Dawn book is absolutely not ordinary book, you have it then the world is in your hands. The benefit you receive by reading this book is actually information inside this publication incredible fresh, you will get details which is getting deeper a person read a lot of information you will get. This kind of Workers in the Dawn without we understand teach the one who looking at it become critical in considering and analyzing. Don't always be worry Workers in the Dawn can bring whenever you are and not make your bag space or bookshelves' turn into full because you can have it with your lovely laptop even phone. This Workers in the Dawn having good arrangement in word and layout, so you will not feel uninterested in reading. Charles Montiel: Reading a guide can be one of a lot of activity that everyone in the world likes.
    [Show full text]
  • Issn 0017-0615 the Gissing Journal
    ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ***************************** Volume XXXII, Number 2 April, 1996 ****************************** Contents A Distinguished Acquaintance of Gissing’s at Ciboure: Arthur Brownlow Fforde, by Pierre Coustillas 1 Between Emancipation and Restraint – Reading the Body in The Odd Women, by Mihoko Takeda 10 Shan F. Bullock: Gissing’s Admirer and an Ingenious Short Story Writer, by Masahiko Yahata 14 A Forgotten Assessment of Veranilda, by Randolph Faries, 2d 19 Gissing in the Boston Evening Transcript: His Interview by Joseph Anderson, by Pierre Coustillas 23 Book Review, by John Sloan 29 Notes and News 32 Recent Publications 34 Springtime in Northumberland, by Algernon Gissing 36 -- 1 -- A Distinguished Acquaintance of Gissing’s at Ciboure Arthur Brownlow Fforde Pierre Coustillas Until recently little enough was known of Gissing’s stay at Ciboure, the small fishing harbour adjoining Saint-Jean-de-Luz, from July 1902 to June 1903. He now kept his diary very irregularly and wrote down but few details about his social life. Correspondence with his relatives and friends was becoming infrequent; having to make a living by his pen, he concentrated on work as much as his health allowed. More numerous than those to any other correspondent at this time, his letters to his literary agent, James B. Pinker, are a faithful mirror of his professional activities, but of his non-literary occupations he said little to anyone. Rarely did he suggest that the trio he formed with Gabrielle Fleury and “Maman” enjoyed a pleasant and varied social life, that of the English colony.
    [Show full text]
  • ISSN 0017-0615 the GISSING JOURNAL “More Than Most Men Am I Dependent on Sympathy to Bring out the Best That Is in Me.”
    ISSN 0017-0615 THE GISSING JOURNAL “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume XXX, Number 2 April, 1994 ********************************** Contents London Homes and Haunts of George Gissing: An 1 Unpublished Essay by A. C. Gissing, edited by Pierre Coustillas and Xavier Pétremand The Critical Response to Gissing and Commentary about 15 him in the Chicago Evening Post (concluded), by Robert L. Selig Book Reviews, by Bouwe Postmus, Jacob Korg and Pierre Coustillas 22 Thesis Abstract, by Chandra Shekar Dubey 24 Notes and News 36 Recent Publications 39 -- 1 -- London Homes and Haunts of George Gissing An Unpublished Essay by A. C. Gissing Edited by Pierre Coustillas and Xavier Pétremand In our introduction to “George Gissing and War,” which was printed in the January 1992 number of this journal, we mentioned the existence of two other unpublished essays by Alfred Gissing, “Frederic Harrison and George Gissing” and “London Homes and Haunts of George Gissing.” The three of them were doubtless written in the 1930s when he lived with his sole surviving aunt Ellen at Croft Cottage. Alfred did not date these essays, but they all carry his address of the period – Barbon, Westmorland, via Carnforth. Although they were less ambitious pieces than the articles he published in the National Review in August 1929 and January 1937, they were doubtless intended for publication; yet there is no evidence available that their author tried to find them a home in magazines such as T.P.’s Weekly or John o’ London’s Weekly, which sought to offer cultural entertainment and information to a public that cared for literature and any easily digestible comment on writers’ lives and works.
    [Show full text]
  • The Gissing Newsletter
    THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume III, Number 2 June, 1967 ********************************** -- 1 -- Denzil Quarrier and the Woman Question James Haydock Wisconsin State University The importance of the woman question in Gissing’s work is undisputed. Scholars generally agree that Gissing had much to say about the subject in The Emancipated, The Odd Women, In the Year of the Jubilee, and The Whirlpool. Yet one other novel – of paramount importance in this connection – seems to have been overlooked. That novel is Denzil Quarrier (1892). It has more on the woman question than any of Gissing’s previous novels, and it presents for the first time an utterance that later becomes the informing idea of The Odd Women (1893). Denzil Quarrier’s address to the Polterham voters, entitled “Woman: Her Place in Modern Life,” is that part of the novel where Gissing’s views are most accurately reflected. In the town of Polterham even a passing mention of the woman question is enough to bring heated discussion. When the townsmen hear that Quarrier is the radical candidate for membership in Parliament, one of them asks “whether Mr. Quarrier is disposed to support the Female Suffrage movement.” Another retorts that if such be the case, “he mustn’t expect my vote and interest. We’ve seen enough in Polterham lately of the Female question” (first edition, ch. IV, p. 47). Then, commenting as author, Gissing adds: “The Woman question was rather a dangerous one in Polterham just now; that period of Revivalism (in which the women made fools of themselves), and the subsequent campaign of Mrs.
    [Show full text]
  • Henry Ryecroft Meets Henry Maitland: George Gissing in and on Bloomsbury
    Henry Ryecroft meets Henry Maitland: George Gissing in and on Bloomsbury Richard Dennis Dept of Geography, UCL [email protected] Introduction George Gissing is not normally associated with Bloomsbury. He is a man of the slums, or on the margins, or maybe a cynical observer of the nouveau riche, but never a Bloomsbury academic or intellectual. And yet Bloomsbury featured prominently in both his own life and his work. In this paper I want to focus on (1) Gissing’s relationship with the British Museum; (2) his use of the streets and squares of Bloomsbury; (3) his own residence in various lodgings in Bloomsbury and how this translated into his novels; and (4) to reflect on his overall personification of Bloomsbury, including scenes from his novels that were apparently NOT based on his own particular experiences. The British Museum Gissing obtained his reader’s ticket for the British Museum Reading Room in November 1877, the day after his 20th birthday.1 In New Grub Street Edwin Reardon applies for his reader’s ticket on his 21st birthday, for which he needed “the signature of some respectable householder”.2 Gissing himself seems not to have had any difficulty getting his ticket, notwithstanding both his youth (he must have misrepresented his age and claimed to be 21) and his recently obtained criminal record.3 The British Museum was central to Gissing’s life in London, both as an impoverished writer, as a source of heat, light and running water as well as a site for research, and as a classical scholar.
    [Show full text]
  • Place and Class in George Gissing' S "Slum" Novels, Part I, by Pat Colling 3
    Contents Knowing Your Place: Place and Class in George Gissing' s "Slum" Novels, Part I, by Pat Colling 3 Gissing Reviewed on Amazon, by Robin Friedman 19 Notes and News 42 Recent Publications 43 ISSN 017-0615 The Gissing Journal Volume 50, Number 1,January 2014 "More than most men am I dependent on sympathy to bring out the best that is in me." Commonplace Book Knowing Your Place: Place and Class in George Gissing's "Slum" Novels, Part 1 PAT COLLING The Gissing Trust Between 1880 and 1889 five of Gissing' s seven novels­ Workers in the Dawn (1880), The Unclassed (1884), Demos (1886), Thyrza (1887), and The Nether World (1889)--were set in deprived neighbourhoods. All were concerned with life in penury, and had major characters who were working class. Contemporarynovelists and readers tended to see the poor as a cause; by the time Thyrza was published in 1887 George Gissing did not. By then he was not romanticising the working classes, nor presenting them as victims, nor necessarily as unhappy, and in this he can seem, to the reader expecting the established Victorian norm of philanthropic compassion, uncaring, even contemptuous. But his distinct representation of the poor-good, bad, and average-as they are, in the same way that novelists were already presenting the middle and upper classes, is respectfulrather than jaundiced. He sees them as individuals with differing characteristics, values, abilities, and aspirations, not as a lumpenproletariat in need of rescue and redemption. Gissing goes further than other novelists in 3 being willing to criticise the inhabitants as well as the slums, and he differs from them in his frequent presentation of the family as a scene of conflict rather than as the more familiar Victorian ideal of refuge.
    [Show full text]
  • The Gissing Newsletter
    THE GISSING NEWSLETTER “More than most men am I dependent on sympathy to bring out the best that is in me.” – George Gissing’s Commonplace Book. ********************************** Volume IX, Number 4 October, 1973 ********************************** -- 1 -- The Guilty Secret Gillian Tindall [This is an extract from chapter III of a book about Gissing to be published next spring by Maurice Temple Smith in London and probably by Harcourt Brace in America. The title, the author told me some months ago, is to be George Gissing, Writer. Gillian Tindall has made herself an enviable reputation among modern English novelists with a number of stories like The Youngest, Someone Else and Fly Away Home, the last of which was awarded the 1972 Somerset Maugham Award. She recently published a collection of short stories, Dances of Death (Hodder & Stoughton). There have been translations of her novels into Polish, Italian and French. – P.C.] *************************************************** Editorial Board Pierre Coustillas, Editor, University of Lille Shigeru Koike, Tokyo Metropolitan University Jacob Korg, University of Washington, Seattle Editorial correspondence should be sent to the editor: 10, rue Gay-Lussac, 59110-La Madeleine, France, and all other correspondence to: C. C. KOHLER, 141 High Street, Dorking, Surrey, England. Subscriptions Private Subscribers: £1.00 per annum Libraries: £1.50 per annum *************************************************** -- 2 -- Of the various personal themes which run like significant, persistent yet often irrelevant threads through Gissing’s novels and stories, that of the Guilty Secret is perhaps the most ubiquitous and at the same time the most elusive. You can read a number of his books before even spotting it as a theme, yet, once noticed, it makes its presence felt everywhere.
    [Show full text]