Alumnae Omit Reunions

Total Page:16

File Type:pdf, Size:1020Kb

Alumnae Omit Reunions ellt6lt!l «ollcgc N ewG Vol. LI WELLESLEY COLLEGE NEWS, MAY 21, 1944 No. 28 Miss Henderson Hear s Alumnae Omit 1898 Establishes Institute Here ILC Discuss Security, Fund Honoring Admiral Jacobs Will Consider Post-War Employment Reunions; Hold EJi;:.-Dean Ewing Addresses 1944 Students' Aid Society announces Miss Julia Henderson, College that the most significant Fund es­ 1944 Election Personnel Officer and Lecturer in Annual Meeting tablished, is the Mary Cross Ewin.,. At Graduation Political Science, attended the In­ Loan Fund in honor of the retir': Alumnae spent the commence­ "Issues of Democracy in the ternati0nal Labor Conference in ing Dean of Rochester. This was V ardoulakis, Marshall. ment week<end at Wellesley and initiated by a gift of $500 from a Presidential Election" is the theme Philaddphia from May 6 to May climaxed their stay with the an­ cl~ssmate of Mrs. Ewing, Anne Pollard, Freyhot, Fox for the Summer Institute for So­ 10. Forty-two nations sent dele- rrnal Association meeting. Be­ B.rxby Chamberlin, 1898, and other Get Special Honors cial P rogress which will hold its gifts have brought the Fund to gates representing workers, em­ cause of the war there were no twelfth annual conference on the the present sum of $1780. Captain McAfee awarded B.A. Wellesley College campus, June ployers, and the public to the con­ class reunions this year. Annual meeting of the Welles­ degrees to 275 seniors and Masters' BO to July 14. ferencE, which began April 20. The meeting was at 10 :15 in ley Students' Aid Society will be degrees to fifteen students at Com­ Dr. J. Stewart Burgess, chair­ Discnssions, Miss Henderson Pendleton, with Katherine Timber­ held jointly with the Alumnae As­ man of the Sociology Department sociation Meeting this year at said, C\~ ntered around the problem mencement exercises in Alumnae of Temple University; will head man Wright '18, president of the 10 :15,. May 22; in Pendleton Hall. Hall Sunqay, May 21 at 10 :45. the group of distinguished college of full employment after the war. Alumnae Association, presiding. Topics to be reported will be The principal speaker at the ex­ professors, economists and active According to Sir Walter Citrine, There were four reports given, the the special problems arising out ercises was Vice Admiral llilndall President of the International community leaders of the Insti­ first by Mrs. Carol Rhodes J oihn­ of the war, the expanding service Jacobs, U.S.N., Chief of Naval Per­ tute faculty. The Institute is open Trade Union Conference, and head the Society has been able to ren­ sonnel. to all men and women, i·egard­ of the British Labor Movement, ston, Executive Secretary fo~ the der, a,nd the close tie between Stu­ the most important action of the Association. Mrs. Marie Rahr dents' Aid and the work of the Five members of the senior less of previous schooling, who are class were awarded prizes at the interested in the preservation of International Labor Organization Haffenreffer, retiring Alumnae Colleg~ S~holarship Committee. was to secure commitments from 66th commencement ceremonies long-range democratic values in Trustee, gave her report next, A highlight of the meeting will each nation pledging full em­ be a detailed account of the sup­ Sunday, May 21. The prizes and America, and affords people of recipients include: Cervantes Prize divergent social, religious, and ra­ ployment after the waT. It was followed by Mrs. Wright's report port given by the alumnae and difficuL to come to agreement for the Alumnae Board. The cli­ friends during the past year. in Spanish, Barbara Emery Pol­ cial backgrounds an opportunity lard; John Masefield Prize in to compare views and discuss na­ with t he British delegates who max of the meeting came when " ,Reports by the officers will be: were unwilling to commit them­ '!he Year In Retrospect," Mil- Prose Writing, Mary Vardoula­ tional and international questions. Cornelia Deming Van Arn um '17, kis; Mary Wbite Peterson Prize "Issues that Transcend the Elec­ selves to such a policy. Differences ~ired Hunter Brown '15, president; were finally straightened out, gave the report of the alumnae 'Faculty Interest," Helen G. Rus­ in Zoology, Florence Nightingale tion" will be the _general theme Marshall; Lewis Atterbury Stim­ of the Fourth of July weekend. however, and the commitments fund, announcing how much had sell '22, Faculty Member of the secured. been contributed by the cla.ss of Boa-r:d; "Undergraduate Support," son Prize in Mathematics, Phyllis Such subjects will be discussed as: Ann Fox; Woodrow Wilson Prize "Patriotism and International­ Government and worker dele­ '44. Marianna G. Gallauer '44, chair­ gate.s entailed another problem in man, Stud:ent Committee. in Modern Politics, Betty Keith ism," "Winning the War on the After these reports, the meet­ Freyhof fo1• Post-War Planning Home Front," and "Winning the overcoming employer resistance "Impressions of a New Officer " to social security measures, par­ ing was taken up with the election Hope Duesbury Clark '25, secr~­ of the Federal Government at the War on the Diplomatic Front." Departmentwl Level. Last-minute news of the invasion ticularly in the medical field. Their of four people to honorary mem­ tary; "The Financial Picture" of Europe and from the Chinese opposition was outvoted and the bership. Those named were re­ Ruby Willis '09, treasurer. The The following Seniors were committees on employment and r~mainder of the meeting will con­ '.3-warded honors for individual work front, as well as farm-labor co­ tiring· members of the college staff, sist of the election of two mem­ operation are also among the dis­ Social Security agreed on liberal m a chosen field: prog-rams to be presented to. suc­ Miss Lilla Weed, Associate Li­ bers of the Nominating Commit­ cussion topics. tee, the announcements by special Honors in a special field are Morning Discussions . ceeding se..ssions. The committees brarian, Miss Fanny Ganison, As­ emphasized extension of Social sistant Recorder in Hygiene and club and class representatives and Ru~h. Bluthenthal, Economics and Among the leaders of morning Security. a question period. ' Political Science; Rosam,ond Geth­ discussions are Dr. Houston Pe­ Physical Education, Miss Bertha ro, Chemistry and Physics; Carol ters1m, Dr. Helen- D. Meikeljohn, Free Illstitutions Stearns, Professor of English Lit­ The Indianapolis W ellesle~ J o.hnson, Chemistry; Elizabeth and :Or. Clyde Miller. There will Among the r~solutions adopted be five afternoon round tables each by the Conference was one insist- erature, and Miss. Agnes Perkins, Club has changed its standin~ Nichols, Psych.ology and Sociology; Professor of Engl11th Composition. r,ules so as to make t hem c<>n· Margaret Pierson, Chemistry; week. The nine evening and Sun­ (Continued on Page 4, Column 1j Miss Helen Mansfield '18, Alum­ Barbara Pollard, Spanish· Barbara .J ay meetings open to the public form with t he by-laws of th( Reese, . P!iysics, Chemi~try and will featlll'e additional visiting -~~-o-~~~ nae Fund Secretary, was intro- 4Jumnae Ass.~ a tio.n._in_rn~,..r....,· d'-l-_.;:;.M;.."'- )~m!lt1cs; M~rilx!l. ~r it~ cu:a·-e1 amvr!J,:. w l1v1 are -;11rl o --- Yen, Chinese education; Dr. Mar­ ~59 -Seni~rs Jo i~k s Luncheon followed, held in the English Literature and French. garet Mead, director of the Wel­ dining rooms of Tower Court and Choir F eatured in '44 The following girls graduaJted lesley School of Community Af­ Of Alu mnae Association with depa1·tmental honors: fairs, and David Lewis, National Severance. There were greetings Baccalaureate Vesper s Lotte Adler, Spanish; Mary Secretary, Canadian Common­ Out of the 279 students in the from the classes celebrating· their The usual musical program was wealth Federation. twenty-fifth and fiftieth year an­ Cnmdon, Chemistry; Honey Fried­ Senior class, 259 girls, or 92 % , the feature of this year's bac­ man, Political Science; Barham Conference members will live at have contributed to the Alumnae niversaries, given by Miss Mary calaureate vespers, which were Stone-Davis Hall. All the facili­ Hoskins, Botany; Elena MacKay, Fund and become members of the Herrick '94 and Mary Crane Cam­ held in the Chapel, Saturday English Literature; Mary Vardou­ ties of the college - the class Alumnae Association, givmg a eron '19. This was followed by a night, May 29 . Capt. McAfee led rooms, the lake, with boats and lackis, English Com,position; Jean total of $692. The average gift toast to Mrs. Haffenreff er, rend­ '44's last services in the chapel Werner, Botany. swimmfog dock, the tennis courts per person, about $2.70, is higher ered by Miss Elizabeth Manwar­ before commencement. The choral and neighboring golf links, as well than has been contributed for some ing for the faculty, by Miss offerings were directed by Miss Candidates for graduate honors as opportunities for hiking, mu­ years. The campaign for mem­ Harriet Cuhnan Monroe for Mrs. MacDonald, director o~ Choir. received :their degrees at Com­ sic, dancing, and dramatics-will bership in the Alumnae Associa­ Haffenreffer's class, by Judge Sara The Reverend Boynton Men-ill, mencement. They are: be offered for recreation between tion was carried on by eleven team Soffel for the trustees, and Mrs. trustee of the college, addressed sessions. captains, each representing a Mildred Hunter Brown for the the graduates at the Baccalaure­ Master of Science in Hygiene Non-residents may attend for house, with two or three in the Students' Aid Board. In closing, ate, April 20, at 11 o'clock. and Physical Education: Mary $10 a week or pay single admis­ larg·er houses. Out of these eleven Captain McAfee, as a representa­ The Rev.
Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • DT Filmography
    Dolly Tree Filmography Legend The date after the title is the release date and the number following is the production number Main actresses and actors are listed, producer (P) and director (D) are given, along with dates for when the film was in production, if known. All credits sourced from AFI, IMDB and screen credit, except where listed Included are contentious or unclear credits (listed as Possible credits with a ? along with notes or sources) FOX FILMS 1930-1932 1930 Just Imagine (23/11/30) Maureen O’Sullivan, Marjorie White David Butler (D) Possible Credits 1930 ? Soup to Nuts ? Part Time Wife 1931 Are You There? (3/5/31) Hamilton MacFadden (D) Annabelle’s Affairs (14/6/31) Jeanette Macdonald Alfred Werker (D) Goldie (28/6/31) Jean Harlow Benjamin Stoloff (D) In production mid April – mid May 1931 Bad Girl (12/9/31) Sally Eilers, Minna Gombell Frank Borzage (D) In production July 1931 Hush Money (5/7/31) Joan Bennett, Myrna Loy Sidney Lanfield (D) In production mid April – mid May 1931 The Black Camel (June 1931) Sally Eilers, Dorothy Revier Hamilton MacFadden (D) In production mid April – early May 1931 Transatlantic (30/8/31) Myrna Loy, Greta Nissen William K. Howard (D) In production mid April – early May 1931 Page 1 The Spider (27/9/31) Lois Moran William C. Menzies (D) In production mid June – early July 1931 Wicked (4/10/31) Una Merkel, Elissa Landi Allan Dwan (D) In production mid June – early July 1931 Skyline (11/10/31) Myrna Loy, Maureen O’Sullivan Sam Taylor (D) In production June 1931 The Brat (20/9/31) Sally O’Neill,
    [Show full text]
  • Motion Picture Reviews (1939)
    MOTION PICTURE REVI m WOMEN'S UIIIWMirmUB LOS ANGELES CALIE Vo l. XIII 1939 MOTION PICTURE REVIEWS JANUARY 19 3 9 CONTENTS A Christmas Carol The Dawn Patrol Exposed The Girl Downstairs Going Places Heart of the North His Exciting Night Kentucky Little Orphan Annie Little Tough Guys in Society Pacific Liner Paris Honeymoon Pygmalion Ride a Crooked Mile Secrets of a Nurse Sweethearts Swing That Cheer Thanks for Everything Tom Sawyer, Detective Trade Winds Zaza THE WOMEN'S UNIVERSITY CLUB LOS ANGELES CALIF ORNIA 10c Per Copy $1.00 a Year Digitized by the Internet Archive in 2016 with funding from Media History Digital Library https://archive.org/details/motionpicturerev00wome_8 — MOTION PICTURE REVIEWS Three MOTION * PICTURE * REVIEWS Published, monthly by THE WOMEN'S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN Mrs. Palmer Cook, General Co-Chairman Mrs. John Vruwink, General Co-Chairman Mrs. Chester A. Ommanney, Preview Chairman Mrs. Thomas B. Williamson, Assistant Preview Chairman Mrs. Francis Poyas, Subscription Chairman Cooperating Branches Long Beach Glendale Santa Monica Whittier EDITORS Mrs. Palmer Cook Mrs. J. Allen Davis Mrs. George Ryall Mrs. John Vruwink Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California 10c Per Copy - - $1.00 Per Year Vol. XIII JANUARY, 1939 No. 1 Copyright 1938 by Women's University Club of Los Angeles FEATURE FILMS A CHRISTMAS CAROL O O THE DAWN PATROL O O Reginald Owen, Gene Lockhart, Kathleen Errol Flynn, David Niven, Basil Rathbone, Lockhart, Terry Kilburn, Barry Mackay, Donald Crisp, Melville Cooper, Barry Fitz- Lynne Carver, Leo G.
    [Show full text]
  • January 16Th, 2010 Fred Bomar Collection Lot Description Price 9000
    January 16th, 2010 Fred Bomar Collection Lot Description Price (lot of 90+) San Francisco 49ers slabbed sports cards, includes some with autographs, players include Steve Young, Joe Montana, Patrick Willis, Kevan Barlow, Terrell Owens, Frank Gore, Jerry Rice, cards include rookie 9000 cards, slabbed fabric patches, etc., note: worth inspection $ 400 (lot of 200+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Antonio Freeman, Curtis Enis, Natrone Means, Doug Feute, Doug Staley, Neil Smith, Skip Hicks, Drew Bledsoe, Deion Sanders, Mark Brunell, Troy Aikman, cards include rookie cards, etc., note: worth 9001 inspection $ 225 (lot of 300+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Eric Dickerson, Joey Porter, Barry Sanders, Maurice Clarett, Doug Flutie, Randall Cunningham, 9002 Matt Cassell, Matt Ryan, cards include rookie cards, etc., note: worth inspection $ 425 (lot of 25) Oakland Raiders football slabbed sports cards, includes some with autographs and cards not graded, players include Johnnie Lee Higgins, Gene Upshaw, Jamarcus Russell, Nnamdi Asomugha, Tim Brown, 9003 cards include rookie cards, etc., note: worth inspection $ 75 (lot of 50+) Basketball slabbed sports cards, includes some with autographs and cards not graded, players 9004 include Dennis Johnson, Joe Smith, Don MacLean, Bernard King, Clyde Drexler, etc., note: worth inspection $ 150 (lot of 30+) Baseball slabbed sports cards, the majority are the
    [Show full text]
  • Why Are Comedy Films So Critically Underrated?
    The University of Maine DigitalCommons@UMaine Honors College 5-2012 Why are Comedy Films so Critically Underrated? Michael Arell Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Dramatic Literature, Criticism and Theory Commons, and the Film and Media Studies Commons Recommended Citation Arell, Michael, "Why are Comedy Films so Critically Underrated?" (2012). Honors College. 93. https://digitalcommons.library.umaine.edu/honors/93 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. WHY ARE COMEDY FILMS SO CRITICALLY UNDERRATED? by Michael Arell A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Bachelor of Music in Education) The Honors College University of Maine May 2012 Advisory Committee: Michael Grillo, Associate Professor of History of Art, Advisor Ludlow Hallman, Professor of Music Annette F. Nelligan, Ed.D., Lecturer, Counselor Education Tina Passman, Associate Professor of Classical Languages and Literature Stephen Wicks, Adjunct Faculty in English © 2012 Michael Arell All Rights Reserved Abstract This study explores the lack of critical and scholarly attention given to the film genre of comedy. Included as part of the study are both existing and original theories of the elements of film comedy. An extensive look into the development of film comedy traces the role of comedy in a socio-cultural and historical manner and identifies the major comic themes and conventions that continue to influence film comedy.
    [Show full text]
  • 360 Degrees of Oscar
    2020 SCHEDULE 360 Degrees of Oscar Saturday, February 1 6:00 AM The Entertainer (1960) (Laurence Olivier) 7:45 AM Wuthering Heights (1939) (Flora Robson) 9:30 AM Caesar and Cleopatra (1945) (Leo Genn) 11:45 AM Quo Vadis (1951) (Peter Ustinov) 2:45 PM Billy Budd (1962) (Terence Stamp) 5:00 PM Far From the Madding Crowd (1967) (Julie Christie) 8:00 PM Doctor Zhivago (1965) (Omar Sharif) 11:30 PM Funny Girl (1968) (Barbra Streisand) 2:15 AM The Way We Were (1973) (Robert Redford) 4:30 AM The Candidate (1972) (Melvyn Douglas) Sunday, February 2 6:30 AM Ninotchka (1939) (Richard Carle) 8:30 AM Morning Glory (1933) (C. Aubrey Smith) 10:00 AM Dr. Jekyll and Mr. Hyde (1941) (Barton MacLane) 12:00 PM The Maltese Falcon (1941) (Mary Astor) 2:00 PM Little Women (1949) (Elizabeth Taylor) 4:15 PM Lassie Come Home (1943) (Donald Crisp) 6:00 PM The Private Lives of Elizabeth and Essex (1939) (Errol Flynn) 8:00 PM The Adventures of Robin Hood (1938) (Olivia de Havilland) 10:00 PM Hold Back the Dawn (1941) (Charles Boyer) 12:15 AM All This, And Heaven Too (1940) (Bette Davis) 2:45 AM Dark Victory (1939) (George Brent) 4:45 AM 42nd Street (1933) (Una Merkel) 2020 SCHEDULE Monday, February 3 6:30 AM Born to Dance (1936) (Buddy Ebsen) 8:30 AM Broadway Melody of 1936 (1936) (Eleanor Powell) 10:45 AM Lady Be Good (1941) (Red Skelton) 12:45 PM Neptune's Daughter (1949) (Betty Garrett) 2:30 PM On the Town (1949) (Frank Sinatra) 4:15 PM The Tender Trap (1955) (Carolyn Jones) 6:15 PM The Bachelor Party (1957) (Don Murray) 8:00 PM Bus Stop (1956) (Marilyn Monroe)
    [Show full text]
  • Catalog of Copyright Entries 1953 Motion Pictures and Filmstrips Jan
    .N'^ CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 o -^ * * ^ COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 CATALOG OF COPYRIGHT ENTRIES Third Series , CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 REMOVAL OF DEPOSITS FROM COPYRIGHT OFFICE NOTICE is given to authors, copyright proprietors and other lawful claimants that they may claim and remove before January 1, 1954, any article of the following named classes of published works deposited for copyright between January 1, 1950, and January 1, 1951, not reserved or dis- posed of as provided by sections 213 and 214 of Title 17 of the United States Code and still remaining in the files of the Copyright Office at the time of the request for their removal. The classes of pubhshed works covered by this notice are: Books and Pamphlets. Contributions to periodicals. Works of art; models or designs for works of art. Reproductions of a work of art. Drawings or plastic works of a scientific or technical char- acter. Photographs. Prints and pictorial illustrations excluding prints or labels used for articles of merchandise. Other published works and all unpublished works are excluded from this notice. The request for the removal of any copyright deposit should be signed by the person entitled thereto or his duly authorised agent. Such request should identify the work by stating the title, author, copyright proprietor, registration number and year of deposit, and should be addressed to the Copyright Office, Library of Congress, Washington 25, D.
    [Show full text]
  • Ruth Hussey and Hedda Hopper
    VOICE Journal of the Alex Film Society Vol. 15, No. 1 of theTHEATRE‘‘0909 February 14, 2009, 2 p.m. & 8 THE PHILADELPHIA STORY hen David Selznick replaced George Cukor as By Randy Carter Director during his production of Gone With WThe Wind in 1939 it ruptured a relationship humor of Broadway’s Dinner At Eight (1933). The that had produced a string of hit films for RKO and pair followed this blockbuster with the glossy but Metro-Goldwyn-Mayer. At RKO, Cukor directed quite sincere production of Charles Dickens’s David Constance Bennett in What Price Hollywood (1932) a Copperfield (1935). When Charles Laughton lost faith drama about a broken down director (supposedly based in his ability to portray Micawber, Cukor went to on director Marshall Neilan) that suggested the story line Paramount and got W.C. Fields, who invested a world of fleshed out inA Star is Born (1937). That same year he experience in bringing the insolvent rogue to life. took a very young actress with a thin, bony physique It was during the thirties that Cukor acquired and placed her opposite film legend John Barrymore the reputation of being a woman’s director. Several in a screen version of Clemence Dane’s play A Bill of biographers point out that he was equally at home Divorcement. Awkward and even strange in her manner with leading men and point to performances by Ronald and film presence, audiences were intrigued by the Coleman (A Double Life 1947), Charles Boyer (Gaslight young woman who immediately charmed them again in 1944) and James Mason (A Star is Born 1954) to answer Louisa May Alcott’s Little Women (1933).
    [Show full text]
  • Lobby Cards Gift of Professor Rennard Strickland
    Strickland Collection of Law and Popular Culture Lobby Cards Gift of Professor Rennard Strickland Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 1 title card 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 2 2011 Card Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 3 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 4 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 5 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 6 2011 Card Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 7 2011 Card Print Number Year of Image Movie Title Format Year Distributor Director Actors Notes Number in Set Gift Lobby Abandon Ship! 1957 Columbia Richard Sale Tyrone Power 57/71 8 2011 Card Lobby Universal- Dennis O'Keefe; Abandoned 1949 Joe Newman 49/461 2011 Card International Gale Storm Paul Newman; Lobby Absence of Malice 1981 Columbia Sydney Pollack Sally Field; Bob 810169 2 2011 Card Balaban Spring Byington; According to Mrs. Lobby Jean 1951 Monogram Anthony Caruso; 51/166 2013 Hoyle Card Yarborough Brett King Spring Byington; According to Mrs. Lobby Jean 1951 Monogram Anthony Caruso; 51/166 2013 Hoyle Card Yarborough Brett King Print Number Year of Image Movie Title Format Year Distributor
    [Show full text]
  • ACADEMY AWARDS 2020 PICTURE: Nomadland Other Nominees: the Father Judas & the Black Messiah Mank Promising Young Woman
    ACADEMY AWARDS 2020 ACADEMY AWARDS 2019 ACADEMY AWARDS 2018 PICTURE: PICTURE: PICTURE: Nomadland Parasite Green Book Other nominees: Other nominees: Other nominees: The Father Ford v Ferrari The Irishman Black Panther Star Is Born Judas & the Black Messiah Mank Little Women Marriage Story BlacKKKlansman The Favourite Promising Young Woman Minari Joker 1917 Jojo Rabbit Bohemian Rhapsody Trial of the Chicago 7 Sound of Metal Once Upon a Time in Hollywood Roma Vice ACTOR: ACTOR: ACTOR: Anthony Hopkins, The Father Joaquin Phoenix, Joker Rami Malek, Bohemian Rhapsody Other nominees: Other nominees: Other nominees: Riz Ahmed, Sound of Metal Antonio Banderas, Pain and Glory Christian Bale, Vice Chadwick Boseman, Ma Rainey’s Black Bottom Leonardo DiCaprio, Once Upon a Time in Hollywood Bradley Cooper, Star Is Born Gary Oldman, Mank Adam Driver, Marriage Story Willem Dafoe, At Eternity’s Gate Steven Yeun, Minari Jonathan Pryce, Two Popes Viggo Mortensen, Green Book ACTRESS: ACTRESS: ACTRESS: Frances McDormand, Nomadland Renée Zellweger, Judy Olivia Coleman, The Favourite Other nominees: Other nominees: Other nominees: Viola Davis, Ma Rainey’s Black Bottom Cynthia Erivo, Harriet Yalitza Aparicio, Roma Andra Day, United States vs. Billie Holiday Scarlett Johansson, Marriage Story Glenn Close, The Wife Vanessa Kirby, Pieces of a Woman Saoirse Ronan, Little Women Lady Gaga, Star Is Born Carey Mulligan, Promising Young Woman Charlize Theron, Bombshell Melissa McCarthy, Can You Ever Forgive Me? SUPPORTING ACTOR: SUPPORTING ACTOR: SUPPORTING ACTOR: Daniel Kaluuya, Judas & the Black Messiah Brad Pitt, Once Upon a Time in Hollywood Mahershala Ali, Green Book Other nominees: Other nominees: Other nominees: Sacha Baron Cohen, Trial of the Chicago 7 Tom Hanks, Beautiful Day in the Neighborhood Adam Driver, BlacKKKlansman Leslie Odom Jr, One Night in Miami Anthony Hopkins, Two Popes Sam Elliott, Star Is Born Paul Raci, Sound of Metal Al Pacino, The Irishman Richard E.
    [Show full text]