Broken Railings Raise Questions About Tempered Glass
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King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
The Complete Greek Tragedies A2 Aeschylus
book # Author Title Book # Plays Title A0 Abaire-Lindsay, David Good People A1 Aeschylus Aeschylus I: The Complete Greek Tragedies A2 Aeschylus Aeschylus I: The Complete Greek Tragedies A3 Aeschylus Aeschylus I: The Complete Greek Tragedies A4 Aeschylus Aeschylus II: The Complete Greek Tragedies A5 Aeschylus Aeschylus II: The Complete Greek Tragedies A6 Albee, Edward A Delicate Balance A7 Albee, Edward All Over A8 Albee, Edward The Zoo Story and The Sandbox A9 Albee, Edward Three Tall Women A10 Albee, Edward Tiny Alice A11 Albee, Edward Whos Afraid of Virginia Woolf? A11.5 Anderson, Jane The Baby Dance A12 Anouilh, Jean Antigone A12.1 Aristophanes Four Plays A13 Auburn, David Proof A13.1 Ayckbourn, Alan The Norman Conquests B14 Baker, Annie Circle Mirror Transformation B15 Baker, Annie John B15.1 Baker, Annie The Flick B16 Baker, Edward Allen North of Providence ; Dolores ; Lady of Fadima B17 Ball, Alan Five Women Wearing the Same Dress B18 Barber, Matthew Enchanted April B19 Beckett, Samuel Collected Shorter Plays B20 Beckett, Samuel Waiting for Godot B21 Beckett, Samuel Waiting for Godot & Other Plays B21.1 Bennett, Alan The History Boys B22 Blessing, Lee Patient A, and Other Plays B22.1 Blessing, Lee A Users Guide to Hell B23 Bogosian, Eric SubUrbia B24 Bos, Hannah Buddy Cop 2 B25 Bradford, Barbara Taylor Unexpected Blessings Emma Harte Saga B26 Braff, Zach All New People B27 Brecht, Bertolt Galileo B28 Brecht, Bertolt The Life of Galileo B29 Brecht, Bertolt Plays: Two B30 Brecht, Bertolt The Resistible Rise of Arturo Ui B30.1 Bogosian, Eric Pounding Nails B31 Buchner The Complete Plays B32 Byrne, John The Slab Boys B33 Byron, Ellen Graceland & Asleep on The Wind: 2 Short Plays C34 Calderon, Guillermo Neva C34.1 Camoletti, Marc Boeing Boeing book # Author Title C35 Capek, Karel R.U.R. -
Principles of Acting – THEA - 176 Monmouth College Fall 2012 T/TH 9:30 Am-11:00 Am (.5 Credit Hours)
Principles of Acting – THEA - 176 Monmouth College Fall 2012 T/TH 9:30 am-11:00 am (.5 credit hours) INSTRUCTOR: C.D. Adamson, ABD Office: Wallace Hall, 305 Phone: 309-457-2398 Email: [email protected] Office Hours: MWF 2:00-3:00 pm & T, Th 11:00am – 12:00pm Or by appointment TEXT : A Practical Handbook for the Actor . Melissa Bruder, etc. ISBN: 0-394-74412-8 DESCRIPTION: Continuation of acting skills explored in Beginning Acting. The course will offer emphasis on Stanislavsky’s Method and other theories supporting the performance of psychologically motivated texts. In class exercises, study and application of techniques, development of process, critical analysis of performances, analysis of dramatic action, scene and monologue work, and readings will culminate in the creation of multiple performances throughout the semester. Prerequisite: THEA 175. OBJECTIVES: 1. To develop a foundation of acting skills 2. To develop self-discipline and control 3. To foster understanding of selected acting theories 4. To learn methods of character analysis and determination of intentions 5. To expand personal awareness through exercises and improvisation 6. To develop responsibility, punctuality, cooperation and dedication 7. To appreciate the art and practice of theatrical performance EXPECTATIONS: 1. Wear clothing which will not constrict your movement, and which you can wear doing exercises while lying on the floor. Please refrain from wearing any clothing that would distract your classmates or be inappropriate attire for a classroom setting. 2. Please prepare for class with adequate sleep and nourishment. Not eating/drinking in class. 3. Arrive on time and maintain concentration and energy for the entire class period. -
Bigsby, Christopher. "Index." Staging America. London: Methuen Drama, 2020
Bigsby, Christopher. "Index." Staging America. London: Methuen Drama, 2020. 235–239. Bloomsbury Collections. Web. 1 Oct. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:24 UTC. Copyright © Christopher Bigsby 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. I N D E X Abbie’s Irish Rose , 7 Bechdel, Alison, 97 Adjmi, David, 2 Beckett, Samuel, 103, 107, 120, 151 Adventures of the Barrio Grrr!! (Hudes), 79 Beautiful Mind, A , 37 Afghanistan invasion, 135, 177, 178, 180–4, 200 Betrayal (Packer), 164 Against (Shinn), 189, 210–12 Between Riverside and Crazy (Guirgis), 74–6 Akhtar, Ayad, 1, 6 ‘Big Two-Hearted River’ (Hemingway), 136 American Dervish , 10, 13–16, 17 Billington, Michael, 29, 68, 100, 154, 165, 171, 179, Disgraced , 6, 13, 16–20, 55–6 182–3, 188, 212 Invisible Hand, Th e , 6, 13, 20–2 bin Laden, Osama, 21, 22 Junk: Th e Golden Age of Debt , 6, 26–30 Birth of Tragedy, Th e (Nietzsche), 127 early life and family infl uences, 10–11, 15 Blood and Gift s (Rogers), 2, 6, 178–83, 184 War Within, Th e , 11–12 Blue Bonnet State (Norris), 132 Who & the What, Th e , 7–8, 9, 13, 22–6 Bond, Edward, 190 Albee, Edward, 149, 169, 186 Boom Boom Boom Boom (Guirgis), 59 Alexie, Sherman, 106 Bosch, Hieronymus, 103 Als, Hilton, 124, 128 Brantley, Ben, 29, 64, 68, 71, 177, 188, 196, 203, 207, 215 Alsop, Joseph, 47–53 Breasts of Tiresias, Th e , (Apollinaire), 103 -
THE FATHER Promises to Be a Profoundly Moving, Memorable Evening of Theatre
CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: NORTH COAST REP PRESENTS WEST COAST PREMIERE OF INTERNATIONAL AWARD-WINNING SENSATION THE FATHER By Florian Zeller Translated By Christopher Hampton Performances Beginning Wednesday, May 30, 2018 Running Through Sunday, June 24, 2018 Directed by David Ellenstein Solana Beach, CA, San Diego audiences will be treated to a play that the London Telegraph called “an unqualified triumph” as North Coast Rep stages the West Coast premiere of THE FATHER. A sensation in Paris, London and New York, and honored with a war chest of awards including a Tony nomination for Best Play, THE FATHER promises to be a profoundly moving, memorable evening of theatre. André was once a tap dancer who lives with his daughter Anne and her husband Antoine. Or was he an engineer whose daughter Anne lives in London with her new lover, Pierre? The thing is, he is still wearing his pajamas, and he can’t find his watch. He is starting to wonder if he’s losing control. This is must-see theatre for the discerning theatre- goer. David Ellenstein directs James Sutorius,* Robyn Cohen, Matthew Salazar-Thompson, Jacque Wilke,* Richard Baird,* and Shana Wride.* The design team includes Marty Burnett (Scenic Design), Matthew Novotny (Lighting Design), Melanie Chen Cole (Sound), Elisa Benzoni (Costumes), and Holly Gillard (Prop Design). Aaron Rumley* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States. -
In This Issue
FEEL THE MOMENT 2015/2016 SEASON IN THIS ISSUE MARCH – APRIL 2016 Title Page 2 Cast 3 About the Play 4 The Cast 6 The Creative Team 10 ATC Artistic Director 15 About Arizona Theatre Company 17 ATC Board of Trustees 18 Corporate and Foundation Donors 19 Individual Donors 20 ATC Staff 28 Theater Information 31 Jonathan Wainwright, James Pickering, and Scott Greer in Arizona Theatre Company’s Of Mice and Men. Photo by Michael Brosilow Cover art by: ESSER DESIGN 1 David Ira Goldstein Artistic Director Presents a Co-Production with Milwaukee Repertory Theater Mark Clements Artistic Director; Chad Bauman Managing Director OF MICE AND MEN BY JOHN STEINBECK Mark Clements Director Todd Edward Ivins Scenic Designer Rachel Laritz Costume Designer Jesse Klug. Lighting Designer Joe Cerqua Sound Design and Original Composition Jamie Cheatham Fight Director Leda Hoffmann Associate Director JC Clementz Casting Director T. Greg Squires Resident Lighting Designer Brian Jerome Peterson Resident Sound Designer Glenn Bruner*. Production Stage Manager Maggie Swing* Assistant Stage Manager On this original Arizona Theatre Company and Milwaukee Repertory Theater co-production, the ATC and MRT Production Staffs are responsible for scenic construction, costume construction, lighting, projections, sound, props, furniture, wigs, scene painting and special effects Of Mice and Men is presented by special arrangement with SAMUEL FRENCH, INC 2015/2016 SEASON SPONSORS: I. MICHAEL AND BETH KASSER PRODUCTION SPONSOR: 2 FEEL THE MOMENT 2015/2016 SEASON CAST (IN ORDER OF APPEARANCE) Jonathan Wainwright* George Scott Greer* Lennie James Pickering* Candy Jonathan Gillard Daly* Boss Bernard Balbot* Curley James Farruggio* Slim Kelley Faulkner* Curley’s Wife Sean Patrick Fawcett* Carlson Riley O’Toole Whit Chike Johnson* Crooks *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. -
Catalogue of New Plays 2016–2017
PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI PERMIT #1 Catalogue of New Plays 2016–2017 ISBN: 978-0-8222-3542-2 DISCOUNTS See page 6 for details on DISCOUNTS for Educators, Libraries, and Bookstores 9 7 8 0 8 2 2 2 3 5 4 2 2 Bold new plays. Recipient of the Obie Award for Commitment to the Publication of New Work Timeless classics. Since 1936. 440 Park Avenue South, New York, NY 10016 Tel. 212-683-8960 Fax 212-213-1539 [email protected] OFFICERS Peter Hagan, President Mary Harden, Vice President Patrick Herold, Secretary David Moore, Treasurer Stephen Sultan, President Emeritus BOARD OF DIRECTORS Peter Hagan Mary Harden DPS proudly represents the Patrick Herold ® Joyce Ketay 2016 Tony Award winner and nominees Jonathan Lomma Donald Margulies for BEST PLAY Lynn Nottage Polly Pen John Patrick Shanley Representing the American theatre by publishing and licensing the works of new and established playwrights Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Catalogue of New Plays 2016–2017 © 2016 Dramatists Play Service, Inc. CATALOGUE 16-17.indd 1 10/3/2016 3:49:22 PM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: A lot happened in 1936. Jesse Owens triumphed at the Berlin Olympics. Edward VIII abdicated to marry Wallis Simpson. The Hindenburg took its maiden voyage. And Dramatists Play Service was founded by the Dramatists Guild of America and an intrepid group of agents. -
Download 2012–2013 Catalogue of New Plays
Cover Spread 1213.ai 7/24/2012 12:18:11 PM Inside Cover Spread 1213.ai 7/24/2012 12:14:50 PM NEW CATALOGUE 12-13.qxd 7/25/2012 10:25 AM Page 1 Catalogue of New Plays 2012–2013 © 2012 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Fall 2012 Dear Subscriber, This year we are pleased to add over 85 works to our Catalogue, including both full length and short plays, from our new and established authors. We were particularly fortunate with nominations and awards that our authors won this year. Quiara Alegría Hudes won the Pulitzer Prize with WATER BY THE SPOONFUL, and the two runners-up were John Robin Baitz’s OTHER DESERT CITIES and Stephen Karam’s SONS OF THE PROPHET. The Play Service also represents three of the four 2012 Tony nominees for Best Play, including the winner, Bruce Norris’ CLYBOURNE PARK, Jon Robin Baitz’s OTHER DESERT CITIES and David Ives’ VENUS IN FUR. All four of the Tony nominations for Best Revival are represented by the Play Service: DEATH OF A SALESMAN (the winner), THE BEST MAN, MASTER CLASS and WIT. Other new titles include Rajiv Joseph’s BENGAL TIGER AT THE BAGHDAD ZOO, David Henry Hwang’s CHINGLISH, Katori Hall’s THE MOUNTAINTOP, Nina Raines’ TRIBES and Paul Weitz’s LONELY, I’M NOT. Newcomers to our Catalogue include Simon Levy, whose masterful adaptation of THE GREAT GATSBY is the only stage version to be authorized by the Fitzgerald Estate; Erika Sheffer, with her vivid portrait of an immigrant family in RUSSIAN TRANSPORT; Sarah Treem, with her absorbing and thought-provoking THE HOW AND THE WHY; and Tarell Alvin McCraney, with the three plays of his critically acclaimed BROTHER/SISTER TRILOGY. -
Resources and Guidelines for Teaching About the Holocaust [And Related Brochures and Poster.] INSTITUTION Holocaust Center of Northern California, San Francisco
DOCUMENT RESUME ED 388 555 SO 025 374 AUTHOR Boas, Jacob TITLE Resources and Guidelines for Teaching about the Holocaust [and Related Brochures and Poster.] INSTITUTION Holocaust Center of Northern California, San Francisco. PUB DATE 90 NOTE 92p. AVAILABLE FROM Holocaust Center of Northern California, 639 14th Avenue, San Francisco, CA 94118. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Anti Semitism: Conflict Resolution; Ethnic Bias; *Ethnic Discrimination; Foreign Countries; *j...ws'; Justice; Modern History; *Nazism; Peace; *Religious Discrimination; Secondary Education; Social Studies; Western Civilization; *World War II IDENTIFIERS *Holocaust ABSTRACT This resource packet presents a variety of ideas, lesson plans and activities to teach about the Holocaust. Lesson plans in this packet include: (1) "Human Behavior";(2) "The Teachings of Contempt--Entry Points for Examining the Holocaust: Prejudice, Bigotry, Racism, Stereotypes, Scapegoating";(3) "The Holocaust":(4) "Rescue and Human Behavior, Moral Decision Making--The Courage to Care"; and (5) "Processing." Each lesson plan includes: the lesson's objective; a list of materials (e.g., videos, literature, visual aids); a list of activities; and discussion topics. An extensive list of curricular resource materials and a Jewish Media Catalog with educational videotapes on the Holocaust are included. Other materials in the packet include: (1) "Kristallnacht': The Night of Shattered Glass";(2) "Everyone is Human"; (3)a brochure explaining the Holocaust Center of Northern California; and (4) "Liberation 1945, Teacher Guide" and "Student Poster Glossary." (EH) *,%1%*******************************************):************* Reproductions supplied by EDRS are the best that can be made * from the original document. THE 639-14TH AVENUE, SAN FRANCISCO CA 94118 11OLOCAUST . -
Catalogue1516.Pdf
Catalogue of New Plays 2015–2016 © 2015 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Once again, the Play Service is delighted to have all of this year’s Tony nominees for Best Play. The winner, Simon Stephens’ THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, based on Mark Haddon’s best-selling novel, is a thrilling and emotional journey into the mind of an autistic boy. We acquired Ayad Akhtar’s Pulitzer Prize- winning play DISGRACED after its run at Lincoln Center, and we are also publishing his plays THE WHO & THE WHAT and THE INVISIBLE HAND. Robert Askins’ subversive, hilarious play HAND TO GOD introduced this young American writer to Broadway, and the Play Service is happy to be his first publisher. Rounding out the nominess are Mike Poulton’s dazzling adaptations of Hilary Mantel’s WOLF HALL novels. THIS IS OUR YOUTH by Kenneth Lonergan and perennial favorite YOU CAN’T TAKE IT WITH YOU by Kaufman and Hart were nominated for Best Revival of a Play. We have our 45th Pulitzer Prize winner in the moving, profane, and deeply human BETWEEN RIVERSIDE AND CRAZY, by Stephen Adly Guirgis, which is under option for Broadway production next season. Already slated for Broadway is Mike Bartlett’s “future history” play, KING CHARLES III, following its hugely successful production in the West End. Bess Wohl, a writer new to the Play Service, received the Drama Desk Sam Norkin Off-Broadway Award. We have her plays AMERICAN HERO and SMALL MOUTH SOUNDS. -
Introduction to Acting – THEA - 175G Fall 2012 Monmouth College T/TH 9:30 Am-10:45 Am (.5 Credit Hours)
Introduction to Acting – THEA - 175G Fall 2012 Monmouth College T/TH 9:30 am-10:45 am (.5 credit hours) INSTRUCTOR: C.D. Adamson, ABD Office: Wallace Hall, 305 Phone: 309-457-2398 Email: [email protected] Office Hours: MWF 2:00-3:00 pm & T, Th 11:00am – 12:00pm Or by appointment TEXT : A Practical Handbook for the Actor . Melissa Bruder, etc. ISBN: 0-394-74412-8 DESCRIPTION: An introduction to the art and history of stage acting combined with practical exercises and performances of short scenes. OBJECTIVES: 1. To develop a foundation of acting skills 2. To develop self-discipline and control 3. To foster understanding of selected acting theories 4. To learn methods of character analysis and determination of intentions 5. To expand personal awareness through exercises and improvisation 6. To develop responsibility, punctuality, cooperation and dedication 7. To appreciate the art and practice of theatrical performance EXPECTATIONS: 1. Wear clothing which will not constrict your movement, and which you can wear doing exercises while lying on the floor. Please refrain from wearing any clothing that would distract your classmates or be inappropriate attire for a classroom setting. 2. Please prepare for class with adequate sleep and nourishment. No eating/drinking in class. 3. Arrive on time and maintain concentration and energy for the entire class period. 4. Learn and practice the art of constructive feedback. Give feedback honestly, and take it graciously. 5. Respect your fellow artists and our work space. Leave the space clean and tidy after each use. 6. You are responsible for locating your own performance material.