Like Death of a Salesman, the Crucible, and a View from the Bridge Have Made an Indelible Impression

Total Page:16

File Type:pdf, Size:1020Kb

Like Death of a Salesman, the Crucible, and a View from the Bridge Have Made an Indelible Impression THE WRITER WHO WROTE MORE THAN HE MEANT TO WRITE ON ARTHUR MILLER'S BROKEN GLASS Introduction Arthur Miller, born in I9 I 5, is one of the leading playwrights of the last century. I His work has often been performed all over the world. Plays like Death of a Salesman, The Crucible, and A View from the Bridge have made an indelible impression. In I994 one of his last works, Broken Glass, was published.2 Miller wrote this playas a warning against the dangers of anti-Semitism, racism, and fascism. Broken Glass, too, has been staged throughout the world, but has drawn less attention than many of his other works. This is remarkable for two reasons. First, the fact that Miller addresses a Jewish theme so explicitly, and second, how he treats this theme in Broken Glass. Miller has never made a secret of his Jewish background. He has never avoided Jewish themes.3 However, Miller opts expressly for a universal- istic approach to the themes which he addresses in his plays. It is therefore striking - and innovative - that Miller broaches an explicit Jewish subject so emphatically in Broken Glass. As yet this innovation in his work has not received sufficient attention in Miller studies. It forms the subject of this article. The underexposure of Broken Glass is also shown by the initiative of the National Yiddish Book Centre to establish a Jewish canon.4 It , Arthur Miller has written a highly readable autobiography: Timehends: A Life (New York 1987; reprinted several times). There are many discussions of Miller's work. I mention here specifically: A. Griffin, Understanding Arthur Miller (Columbia 1996); S. Centola, ed., The Achievement of Arthur Miller: New Essays (Contemporary Research Associates r 99 5); .1..1. Martine, Critical Essays on Arthur Miller (Hampshire 1979). For those who want to follow the most recent developments in Miller studies, the informative website of the Arthur Miller Society is an important source: www.ibiblio.org/miller/. 2 A. Miller, Broken Glass (New York 1994) . .1 For instance: Focus (written in the mid-forties, published in Great Britain in 1949 and in the USA only in 1964), Incident at Vichy (1964), and Playing for Time (1980). 4 Pakn Treger 37 (2001) 25. s. /lerKel; M./lroche and I.Zwiep (eds), Zutot 2002, 209-21 (, 2°9 ZUTOT 2002 - MODERN AND CONTEMPORARY includes Miller, and specifically his magnum opus: Death of a Salesman. 5 This choice is remarkable, because there is little that is Jewish in this work. Editor Kenneth Turan writes in his motivation: 'Miller's drama is arguably the greatest of twentieth-century American plays,' but he fails to make it clear, why precisely this play belongs in a Jewish canon. Perhaps there is another work by Miller which is a better candidate for inclusion in the Jewish canon, and possibly Broken Glass is such a work. So let us go into this play at more length. The fact that Miller presents Jewish themes in Broken Glass so promi- nently is not the only interesting aspect of this play. The question how he does this deserves attention too. At first sight Miller's play prompts an interpretation which seems at odds with his own intentions. The impres- sion may arise that Broken Glass is a play about hysteria and not so much about Jewish identity and anti-Semitism. In the existing literature on the 6 play -limited as it is - this aspect has not been sufficiently illuminated in my view. How did Miller translate his intentions into text, how are text and intentions related? This requires a more detached, objective analysis of the literary devices which Miller uses to tell his story. This article offers some starting points. Arthur Miller on Broken Glass From one day to the next a woman ends up in a wheelchair without doctors being able to explain the paralysis. It happens to Sylvia Gellburg, one of the main characters in Arthur Miller's Broken Glass. This play dates from 1994 and is set in Brooklyn, in 1938. In Nazi Germany the Kristallnacht has just taken place. Sylvia has seen photos in the newspaper of Jews who are forced by Nazis to clean the street with tooth- brushes. This has made her so fearful that she has been overcome by paralysis. A story about a woman who becomes paralysed owing to events on the other side of the ocean is sensational. The fact that she is a beautiful, young woman makes it all the more tragic . .\ A good introduction to the discussions which tbis play has provoked is: B. Murphy and S.C.W. Abhotson, Understanding Death of a Salesman (Westport 1999). " The main literature is mentioned in note 7. 210.
Recommended publications
  • 295 INDEX © in This Web Service Cambridge
    Cambridge University Press 978-0-521-74538-3 - The Cambridge Companion to Arthur Miller, Second Edition Edited by Christopher Bigsby Index More information INDEX Aarnes, William 281 Miller on 6, 152, 161 Abbott, Anthony S. 279 and No Villain/They Too Arise 6, 25, 28 “About Theatre Language” 76 productions xiii, 159, 161, 162 Ackroyd, Peter 166–67 revisions 160, 161 Actors’ Studio 220, 226 American Legion 215 Adding Machine, The 75 Anastasia, Albert 105 Adler, Thomas P. 84n, 280, 284 Anastasia, Tony 105, 108n Adorno, Theodor 201 Anderson, Maxwell 42 After the Fall xii, xiii, 4, 8, 38, 59–60, 61, Angel Face 209 118, 120–26, 133, 139, 178, 186, 262, Another Part of the Forest 285 265, 266 Anthony Adverse 216 changing critical reception 269–70 Antler, Joyce 290 The Last Yankee and 178 Archbishop’s Ceiling, The 5–6, 8, 141, Miller on 54–55, 121–22, 124, 126, 265 145–51, 167, 168 productions xii, xiii, 121, 123, 124–25, Miller on 147, 148, 152 156–57, 270, 283 productions xiii, 159, 161–62 The Ride Down Mount Morgan and 173 revisions 141, 159, 161, 162n structure 7, 128 Aristotle 13, 64, 234, 264 studies of 282, 284–85, 288, 290, 293 Aronson, Boris 129 viewed as autobiographical/concerned Art of the Novel, The 237n with Monroe 4, 121, 154, 157, 195, Arthur Miller Centre for American Studies 269, 275 (UEA) xiv, xv, 162 Ajax 13 Arthur Miller Theatre, University of Albee, Edward 154 Michigan xv Alexander, Jane 165 Aspects of the Novel 235 All My Sons xi, 2, 4, 36–37, 47, 51–62, 111, Asphalt Jungle, The 223 137, 209, 216, 240, 246, 265 Assistant, The 245 film versions xiv, 157–58, 206–12, 220, Atkinson, Brooks 293 232 Auden, W.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • Holocaust and Loss of Liberal Human Values in Arthur Miller's Incident at Vichy
    ISSN: 2349-2147 Modern Research Studies Editor-in-Chief Gyanabati Khuraijam An International Title: Holocaust and loss of liberal human values in Journal of Arthur Miller’s Incident at Vichy : A critical Humanities and Social analysis of State Power vs. Individual Sciences Conscience An Indexed & Refereed e-Journal www.modernresearch.in Author/s: DEEPAK CHASWAL PRADEEP KUMAR CHASWAL Volume 3, Issue 2 pp. 426–440 June 2016 Disclaimer: The views expressed in the articles/contribution s published in the journal are solely the author’s. They do not represent the views of the editors. Email: [email protected] [email protected] Managing Editor:r: Yumnam Oken Singh ISSN: 2349-2147 Modern Research Studies: An International Journal of Humanities and Social Sciences Holocaust and loss of liberal human values in Arthur Miller’s Incident at Vichy: A critical analysis of State Power vs. Individual Conscience Dr. DEEPAK CHASWAL Head Dept. of Humanities and Social Sciences Jaypee University, Anoopshahr, UP, India Email: [email protected] & Dr. PRADEEP KUMAR CHASWAL Associate Professor Dept. of English SJMC, Apeejay Stya University, Gurgaon, India Email: [email protected] Abstract: Miller’s humanism may be defined as democratic humanism. In his plays, he is mainly concerned with the people who are denied a sense of community. National and international events of early twentieth century were of a very complex nature which caught Miller’s attention. In Germany, Hitler and his Nazis represented the loss of liberal human values such as spirit of tolerance, broad-mindedness, love of humanity and brotherhood of man. Holocaust is known as Ha Shoah in Hebrew.
    [Show full text]
  • Announcing a VIEW from the BRIDGE
    FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
    [Show full text]
  • All My Sons As Precursor in Arthur Miller's Dramatic World
    All My Sons as Precursor in Arthur Miller’s Dramatic World Masahiro OIKAWA※ Abstract Since its first production in 1947, Arthur Miller’s All My Sons has been performed and appreciated worldwide. In academic studies on Miller, it secures an important place as a precursor, because it has encompassed such themes as father-son conflict, pursuit of success dream in the form of a traditional tragedy as well as a family and a social play. As for techniques, to begin with, the Ibsenite method of dramatization of the present critical situation and presentation of the past “with sentimentality” are obvious. Secondly, the biblical tale of Cain and Abel from the Old Testament allows the play to disguise itself as a modern morality play on “brotherly love.” Thirdly, Oedipus’s murder of his father in Oedipus Rex is used symbolically to place the play in the Western tradition of drama. Taking all these major themes and techniques into account, the paper argues that the play is dramatizing the universal, and that by looking at the conflict between father and son, we can understand why Miller’s message in All My Sons is significant for Japanese andiences. I. Introducion Most of the reviews appearing in the major newspapers and magazines on All My Sons (1947) were rather favorable, which is quite understandable considering that the play vividly depicts the psychological aspects of the United States during and immediately after the Second World War in a realistic setting. In fact, it is impossible to understand the problems Joe and Chris Keller, the father and the son, get involved in without the background of the war.
    [Show full text]
  • The Complete Greek Tragedies A2 Aeschylus
    book # Author Title Book # Plays Title A0 Abaire-Lindsay, David Good People A1 Aeschylus Aeschylus I: The Complete Greek Tragedies A2 Aeschylus Aeschylus I: The Complete Greek Tragedies A3 Aeschylus Aeschylus I: The Complete Greek Tragedies A4 Aeschylus Aeschylus II: The Complete Greek Tragedies A5 Aeschylus Aeschylus II: The Complete Greek Tragedies A6 Albee, Edward A Delicate Balance A7 Albee, Edward All Over A8 Albee, Edward The Zoo Story and The Sandbox A9 Albee, Edward Three Tall Women A10 Albee, Edward Tiny Alice A11 Albee, Edward Whos Afraid of Virginia Woolf? A11.5 Anderson, Jane The Baby Dance A12 Anouilh, Jean Antigone A12.1 Aristophanes Four Plays A13 Auburn, David Proof A13.1 Ayckbourn, Alan The Norman Conquests B14 Baker, Annie Circle Mirror Transformation B15 Baker, Annie John B15.1 Baker, Annie The Flick B16 Baker, Edward Allen North of Providence ; Dolores ; Lady of Fadima B17 Ball, Alan Five Women Wearing the Same Dress B18 Barber, Matthew Enchanted April B19 Beckett, Samuel Collected Shorter Plays B20 Beckett, Samuel Waiting for Godot B21 Beckett, Samuel Waiting for Godot & Other Plays B21.1 Bennett, Alan The History Boys B22 Blessing, Lee Patient A, and Other Plays B22.1 Blessing, Lee A Users Guide to Hell B23 Bogosian, Eric SubUrbia B24 Bos, Hannah Buddy Cop 2 B25 Bradford, Barbara Taylor Unexpected Blessings Emma Harte Saga B26 Braff, Zach All New People B27 Brecht, Bertolt Galileo B28 Brecht, Bertolt The Life of Galileo B29 Brecht, Bertolt Plays: Two B30 Brecht, Bertolt The Resistible Rise of Arturo Ui B30.1 Bogosian, Eric Pounding Nails B31 Buchner The Complete Plays B32 Byrne, John The Slab Boys B33 Byron, Ellen Graceland & Asleep on The Wind: 2 Short Plays C34 Calderon, Guillermo Neva C34.1 Camoletti, Marc Boeing Boeing book # Author Title C35 Capek, Karel R.U.R.
    [Show full text]
  • Principles of Acting – THEA - 176 Monmouth College Fall 2012 T/TH 9:30 Am-11:00 Am (.5 Credit Hours)
    Principles of Acting – THEA - 176 Monmouth College Fall 2012 T/TH 9:30 am-11:00 am (.5 credit hours) INSTRUCTOR: C.D. Adamson, ABD Office: Wallace Hall, 305 Phone: 309-457-2398 Email: [email protected] Office Hours: MWF 2:00-3:00 pm & T, Th 11:00am – 12:00pm Or by appointment TEXT : A Practical Handbook for the Actor . Melissa Bruder, etc. ISBN: 0-394-74412-8 DESCRIPTION: Continuation of acting skills explored in Beginning Acting. The course will offer emphasis on Stanislavsky’s Method and other theories supporting the performance of psychologically motivated texts. In class exercises, study and application of techniques, development of process, critical analysis of performances, analysis of dramatic action, scene and monologue work, and readings will culminate in the creation of multiple performances throughout the semester. Prerequisite: THEA 175. OBJECTIVES: 1. To develop a foundation of acting skills 2. To develop self-discipline and control 3. To foster understanding of selected acting theories 4. To learn methods of character analysis and determination of intentions 5. To expand personal awareness through exercises and improvisation 6. To develop responsibility, punctuality, cooperation and dedication 7. To appreciate the art and practice of theatrical performance EXPECTATIONS: 1. Wear clothing which will not constrict your movement, and which you can wear doing exercises while lying on the floor. Please refrain from wearing any clothing that would distract your classmates or be inappropriate attire for a classroom setting. 2. Please prepare for class with adequate sleep and nourishment. Not eating/drinking in class. 3. Arrive on time and maintain concentration and energy for the entire class period.
    [Show full text]
  • Willy Loman and the "Soul of a New Machine": Technology and the Common Man Richard T
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Maine The University of Maine DigitalCommons@UMaine English Faculty Scholarship English 1983 Willy Loman and the "Soul of a New Machine": Technology and the Common Man Richard T. Brucher University of Maine - Main, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/eng_facpub Part of the English Language and Literature Commons Repository Citation Brucher, Richard T., "Willy Loman and the "Soul of a New Machine": Technology and the Common Man" (1983). English Faculty Scholarship. 7. https://digitalcommons.library.umaine.edu/eng_facpub/7 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in English Faculty Scholarship by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. a Willy Loman and The Soul of New Machine: Technology and the Common Man RICHARD T. BRUCHER As Death of a Salesman opens, Willy Loman returns home "tired to the death" (p. 13).1 Lost in reveries about the beautiful countryside and the past, he's been driving off the road; and now he wants a cheese sandwich. ? But Linda's that he a new cheese suggestion try American-type "It's whipped" (p. 16) -irritates Willy: "Why do you get American when I like Swiss?" (p. 17). His anger at being contradicted unleashes an indictment of modern industrialized America : street cars. not a The is lined with There's breath of fresh air in the neighborhood.
    [Show full text]
  • My Sons: York Notes Advanced Ebook Free Download
    ALL MY SONS: YORK NOTES ADVANCED PDF, EPUB, EBOOK A. Miller | 144 pages | 31 Oct 2007 | Pearson Education Limited | 9781405861809 | English | Harlow, United Kingdom All My Sons: York Notes Advanced PDF Book Collected Plays: v. Coleridge, Samuel Taylor. Everything you need for every book you read. The Price copies, 3 reviews. Situation Normal 1 copy. Detailed explanations, analysis, and citation info for every important quote on LitCharts. Remember me? Miller , Margaret , — ed. Oranges Are Not the Only Fruit. Incident at Vichy [ film] Play 1 copy. You can edit the division. The American Clock. York Notes Advanced offer a fresh and accessible approach to English Literature. The seller hasn't specified a postage method to Germany. Yehuda added it Sep 25, Go to the disambiguation page to edit author name combination and separation. Goodreads helps you keep track of books you want to read. We have ratings and no written reviews for this yet. Will you suffer some simple words from one who has advanced a few steps , only a few steps , further on the road? Firmly established as the nation? Next Act 1. Details if other :. Roxbury, Connecticut, USA. You would not resent my doing so , did you but know how " His book , we imagine , will hold the field for a long time against all comers. A Memory of Two Mondays 30 copies, 1 review. Obituary NY Times. Fretz Park Book Discussion Group. Miller, Rebecca daughter. North and South. See all 5 - All listings for this product. Penguin Plays New American Drama 11 copies. Open Preview See a Problem? Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab Watch this item.
    [Show full text]
  • Bigsby, Christopher. "Index." Staging America. London: Methuen Drama, 2020
    Bigsby, Christopher. "Index." Staging America. London: Methuen Drama, 2020. 235–239. Bloomsbury Collections. Web. 1 Oct. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:24 UTC. Copyright © Christopher Bigsby 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. I N D E X Abbie’s Irish Rose , 7 Bechdel, Alison, 97 Adjmi, David, 2 Beckett, Samuel, 103, 107, 120, 151 Adventures of the Barrio Grrr!! (Hudes), 79 Beautiful Mind, A , 37 Afghanistan invasion, 135, 177, 178, 180–4, 200 Betrayal (Packer), 164 Against (Shinn), 189, 210–12 Between Riverside and Crazy (Guirgis), 74–6 Akhtar, Ayad, 1, 6 ‘Big Two-Hearted River’ (Hemingway), 136 American Dervish , 10, 13–16, 17 Billington, Michael, 29, 68, 100, 154, 165, 171, 179, Disgraced , 6, 13, 16–20, 55–6 182–3, 188, 212 Invisible Hand, Th e , 6, 13, 20–2 bin Laden, Osama, 21, 22 Junk: Th e Golden Age of Debt , 6, 26–30 Birth of Tragedy, Th e (Nietzsche), 127 early life and family infl uences, 10–11, 15 Blood and Gift s (Rogers), 2, 6, 178–83, 184 War Within, Th e , 11–12 Blue Bonnet State (Norris), 132 Who & the What, Th e , 7–8, 9, 13, 22–6 Bond, Edward, 190 Albee, Edward, 149, 169, 186 Boom Boom Boom Boom (Guirgis), 59 Alexie, Sherman, 106 Bosch, Hieronymus, 103 Als, Hilton, 124, 128 Brantley, Ben, 29, 64, 68, 71, 177, 188, 196, 203, 207, 215 Alsop, Joseph, 47–53 Breasts of Tiresias, Th e , (Apollinaire), 103
    [Show full text]
  • THE FATHER Promises to Be a Profoundly Moving, Memorable Evening of Theatre
    CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: NORTH COAST REP PRESENTS WEST COAST PREMIERE OF INTERNATIONAL AWARD-WINNING SENSATION THE FATHER By Florian Zeller Translated By Christopher Hampton Performances Beginning Wednesday, May 30, 2018 Running Through Sunday, June 24, 2018 Directed by David Ellenstein Solana Beach, CA, San Diego audiences will be treated to a play that the London Telegraph called “an unqualified triumph” as North Coast Rep stages the West Coast premiere of THE FATHER. A sensation in Paris, London and New York, and honored with a war chest of awards including a Tony nomination for Best Play, THE FATHER promises to be a profoundly moving, memorable evening of theatre. André was once a tap dancer who lives with his daughter Anne and her husband Antoine. Or was he an engineer whose daughter Anne lives in London with her new lover, Pierre? The thing is, he is still wearing his pajamas, and he can’t find his watch. He is starting to wonder if he’s losing control. This is must-see theatre for the discerning theatre- goer. David Ellenstein directs James Sutorius,* Robyn Cohen, Matthew Salazar-Thompson, Jacque Wilke,* Richard Baird,* and Shana Wride.* The design team includes Marty Burnett (Scenic Design), Matthew Novotny (Lighting Design), Melanie Chen Cole (Sound), Elisa Benzoni (Costumes), and Holly Gillard (Prop Design). Aaron Rumley* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
    [Show full text]
  • Arthur Miller at the Alley
    ARTHUR MILLER AT THE ALLEY Arthur Miller is often regarded as one of the greatest literary minds of the twentieth century, so it is no surprise that the Alley Theatre has produced so much of his work. From Alley Theatre founder Nina Vance’s production of Death of a Salesman in 1954, to Gregory Boyd’s production of The Crucible in 1994, to the Alley’s most recent production of All My Sons in 2015, the Alley Theatre has a rich history of producing Miller’s plays over the last 70 seasons. Our current production of A View from the Bridge marks the sixteenth Arthur Miller production at the theatre and the fourth time the play has been produced on the Alley stage. As we celebrate Miller’s legacy, we look back at the history of Arthur Miller at the Alley. ¡ ¢ ¢ £ ¤ ¥ ¤ ¦ § ¨ © ¤ ¤ £ ¤ ¦ ¤ ¦ ¤ . £ ¡ ¤ ¡ ¢ ¢ £ ¤ ¥ ¤ ¦ 1954 | Death of a Salesman 1955 | all my sons 1957 | a view from the bridge TRIVIA A View from the Bridge first premiered on Broadway, in a one-act version, in which year? 1A. 1955 C. 1960 ¢ ¤ ¤ ¤ £ B. 1957 D. 1962 ¤ ¥ ¥ £ ¤ ¡ ¥ ¥ ¦ ¡ ¤ ¥ ¥ £ ¡ ¡ ¢ 1961 | An enemy of the people !" " # $ % & ' ( ' ) % * ! + ,( - % 1959 | The crucible 14 PLAYBILL 3 ¡ ¤ £ ¤ ¦ § 4 £ ¦ ¦ § 5 . ¡ ¡ / ¤ 6 ¥ ¦ ¤ . ¢ ¤ ¤ ¥ ¤ ¦ 1 . ¤ 2 ¢ £ 1984 | All my sons 1989 | a view from the bridge 1994 | The crucible 1984 Miller’s play After The Fall is sometimes thought to have been inspired by his marriage to what popular Hollywood starlet? A. Marilyn Monroe B. Rita Hayworth Arthur Miller received the fi rst lifetime achievement C. Audrey Hepburn Alley Award in 1984 for “enduring contributions to the theatrical arts.” Pictured: Lois Stark, Lynn Wyatt, D.
    [Show full text]