The Cut Flower Quarterly Judy Marriott Laushman, Editor
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Introduction Botany Has Become Fashionable
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Hertfordshire Research Archive Introduction Botany has become fashionable; in time it may become useful, if it be not so already.1 The stereotype of the forward, sexually precocious, female botanist made its first appearance in literature in the turbulent revolutionary climate of the 1790s, though women had, in fact, been avidly botanising earlier in the century. The emergence of this figure illustrates both the contemporary appeal, particularly to women, of the Linnaean Sexual System of botanical classification, and the anxieties surrounding female modesty it provoked. Thus, in the reactionary poem, The Unsex’d Females (1798), the Reverend Richard Polwhele warned that botanising girls, in scrutinising the sexual parts of the flower, were indulging in acts of wanton titillation. In the same year James Plumptre conceived a comic opera entitled The Lakers in which the heroine is a female botanist, ‗Miss Beccabunga Veronica of Diandria Hall‘.2 Veronica‘s precocious search for botanical specimens parallels her immodest search for a husband. With only Erasmus Darwin‘s provocative account of The Loves of the Plants (1789) to guide her, ‗she has been studying the system of plants, till she now wishes to know the system of man‘ (I.1. 2). Botany, we are reminded in the preface, ‗is by no means a proper amusement for the more polished sex‘ (xii). The botanising activities of Veronica‘s maid, Anna, suggest that the fashion for women‘s botany has, deplorably, even reached the servant classes. Anna has been learning something of Linnaean classification and she later confides to the aptly named Billy Sample that ‗all ladies who know anything study botamy [sic] now‘ (III. -
SFJ Volume One
hen you buy local flowers gathered into Wa seasonal bouquet, you’re supporting family farms and enriching your community’s ties to sustainable agriculture. ust-picked local flowers are incredibly fresh. J The petal color is more vivid; the floral varieties are more diverse. Each floral harvest speaks to the seasonal cycle of nature in your garden, meadow or farm. VOLUME 1 The best of Slow Flowers Journal from the pages of Florists’ Review (2017-2019) BY DEBRA PRINZING 2 SLOW FLOWERS JOURNAL | Volume 1 3 o the Slow Flowers CommunityT of flower farmers, floral designers, farmer-florists Publisher: Travis Rigby and passionate flower lovers. Together, we have created an Author + Editor: Debra Prinzing entire movement! Managing Editor + Art Director: Robin Avni Designer: Jenny Moore-Diaz Copy Editor: David Coake Cover Photography: © Missy Palacol Photography © 2020. Wildflower.Media and Slow Flowers, LLC All rights reserved. No part of this publication may be reproduced without prior written permission of the publisher. Slow Flowers Journal was produced by Wildflower Media Inc., Topeka, Kansas; and Slow Flowers LLC, Seattle, Washington. www.floristsreview.com www.slowflowerssociety.com Printed in the U.S.A. ISBN: 978-1-7337826-3-0 4 CREDITS SLOW FLOWERS JOURNAL | Volume 1 5 TABLE OF CONTENTS 8 42 86 116 The Slow Flowers Manifesto SECTION 3 SECTION 5 SECTION 7 The Business of Flowers Farm to Table Resources Creating a marketplace that Meals and gatherings with locally- 118 Growers’ Inspiration 10 connects customers with local and grown flowers at the heart of seasonal blooms. the table. 119 Made in the U.S.A. -
Wildflower April May 2016 Newsletter.Pdf
Wildflowers BIMONTHLY NEWSLETTER April - May 2016 In this issue: RIRDC appoints new Managing Director WFA member wins at MIFGS ISHS announces next symposia Minor use update IFEX update Herbicide MUP renewed Learn about Persoonias Can I still use glyphosate? Feature flower: Protea ‘Pink Ice’ Biodiversity hot spots – the inside story of OCBILs Events 2016 ‘It’s Samba time’- 2016 WFA National Student Floristry How to contact WFA Competition kicks off Plant export operations – additional inspection fee from July 1 Country of origin labelling won’t include flowers 1 | P a g e ‘Minotaur’. The painting’s palette of reds, pinks Wildflowers were spectacular and there in WFA member wins at MIFGS and yellows was perfectly complemented by abundance…for example: the wildflower display. This won first place! Congratulations to Richard and Cheryl Roehrich from Dakota Flower Co. For a wrap up and photos of the growers’ displays visit the Flowers Victoria website. Part of the striking arrangement by SMCT (Southern Metropolitan Cemeteries Trust) which was one of three to receive the Gold Floral Design Award. It featured swirls of massed Brunia, proteas, leucadendrons and Banksia accented by vivid blue Each year at the Melbourne International orchids. Flower and Garden Show, a highlight in the Great Hall is the ‘Growers’ Avenue’ where Minor use update members of Flowers Victoria provide their The last newsletter gave an update on progress products and local florists work to create for the RIRDC project that is supporting stunning installations. This year they teamed up wildflowers and 18 other smaller industries with with accommodation group Art Series Hotels up to date pesticide information and advice to and asked their growers to draw inspiration from MIFGS turned 21 this year! It’s definitely the most address disease, insect and weed problems. -
Newsletter No
Newsletter No. 159 June 2014 Price: $5.00 AUSTRALASIAN SYSTEMATIC BOTANY SOCIETY INCORPORATED Council President Vice President Bill Barker Mike Bayly State Herbarium of South Australia School of Botany PO Box 2732, Kent Town, SA 5071 University of Melbourne, Vic. 3010 Australia Australia Tel: (+61)/(0) 427 427 538 Tel: (+61)/(0) 3 8344 5055 Email: [email protected] Email: [email protected] Secretary Treasurer Frank Zich John Clarkson Australian Tropical Herbarium Queensland Parks and Wildlife Service E2 Building, J.C.U. Cairns Campus PO Box 156 PO Box 6811 Mareeba, Qld 4880 Cairns, Qld 4870 Australia Australia Tel: (+61)/(0) 7 4048 4745 Tel: (+61)/(0) 7 4059 5014 Mobile: (+61)/(0) 437 732 487 Fax: (+61)/(0) 7 4232 1842 Fax: (+61)/(0) 7 4092 2366 Email: [email protected] Email: [email protected] Councillor Councillor Ilse Breitwieser Leon Perrie Allan Herbarium Museum of New Zealand Te Papa Tongarewa Landcare Research New Zealand Ltd PO Box 467 PO Box 69040 Wellington 6011 Lincoln 7640 New Zealand New Zealand Tel: (+64)/(0) 4 381 7261 Tel: (+64)/(0) 3 321 9621 Fax: (+64)/(0) 4 381 7070 Fax: (+64)/(0) 3 321 9998 Email: [email protected] Email: [email protected] Other Constitutional Bodies Public Officer Affiliate Society Anna Monro Papua New Guinea Botanical Society Australian National Botanic Gardens GPO Box 1777 Canberra, ACT 2601 Australia Hansjörg Eichler Research Committee Tel: +61 (0)2 6250 9530 Philip Garnock-Jones Email: [email protected] David Glenny Betsy Jackes Greg Leach ASBS Website Nathalie Nagalingum www.anbg.gov.au/asbs Christopher Quinn Chair: Mike Bayly, Vice President Webmasters Grant application closing dates: Anna Monro Hansjörg Eichler Research Fund: Australian National Botanic Gardens on March 14th and September 14th each year. -
Floriculture - Greenhouse
Job Ready Credential Blueprint Floriculture - Greenhouse Code: 4949 / Version: 01 Copyright © 2009. All Rights Reserved. Floriculture-Greenhouse General Assessment Information Blueprint Contents General Assessment Information Sample Written Items Written Assessment Information Performance Assessment Information Specic Competencies Covered in the Test Sample Performance Job Test Type: The Floriculture-Greenhouse industry-based credential is included in NOCTI’s Job Ready assessment battery. Job Ready assessments measure technical skills at the occupational level and include items which gauge factual and theoretical knowledge. Job Ready assessments typically oer both a written and performance component and can be used at the secondary and post-secondary levels. Job Ready assessments can be delivered in an online or paper/pencil format. Revision Team: The assessment content is based on input from secondary, post-secondary, and business/industry representatives from the states of Idaho, Oklahoma, New York, Pennsylvania, and West Virginia. CIP Code 01.0608 - Floriculture/Floristry Career Cluster 1 - Agriculture, Food 27-1023.00 - Operations and Management and Natural Resources Floral Designers In the lower division baccalaureate/associate degree category, 3 semester hours in Fundamentals of Floriculture-Greenhouse NOCTI Job Ready Assessment Page 2 of 10 Floriculture-Greenhouse Wrien Assessment NOCTI written assessments consist of questions to measure an individual’s factual theoretical knowledge. Administration Time: 3 hours Number of Questions: -
The Renaissance of Local, Seasonal, and Sustainable Flowers
SLOW FLOWERS The renaissance of local, Americanseasonal, and sustainable Beauty flowers By Debra Prinzing The Slow Flowers Movement helps The Slow Flowers Movement is rooted in a single question: connect consumers with flowers. “Do you know where your flowers come from?”Unfortunately, It also gives voice to flower farmers, most people do not. When the California Cut Flower Commission surveyed U.S. consumers, 74 percent answered “no” to this query. shining a light on their crops, To a follow-up question that asked “If you were given a choice to buy American-grown flowers, would you?” a majority of respondents–58 practices, and stories. And it supports percent – said “yes.” So the issue isn’t whether consumers want their flowers to innovative florists, shops, and studios come from nearby farms and their purchases to benefit local farm who (like those progressive chefs) economies. Rather, it’s an issue of transparency, choice, and access. My interest in the revival of domestic cut flowers has taken me believe that local sourcing is a core across the country to meet growers raising beautiful crops on small and large farms from Alaska to Florida, from the Southwest to New principle of their company values. England. Many of the stories I gathered have appeared in magazines and newspapers, and finally in a book aptly called The 50 Mile Bouquet (St. Lynn’s Press, 2012), which documented pioneering flower farmers, progressive floral designers, and inspired DIY flower lovers. Then, I spent one full year creating a floral arrangement every week, using only what my garden provided or what I procured from local flower farms in my region, the Pacific Northwest. -
SFLSOP205A Display and Merchandise Floristry Stock
SFLSOP205A Display and merchandise floristry stock Revision Number: 1 SFLSOP205A Display and merchandise floristry stock Date this document was generated: 27 May 2012 SFLSOP205A Display and merchandise floristry stock Modification History Not applicable. Unit Descriptor Unit descriptor This unit describes the performance outcomes, skills and knowledge required to plan for, display and merchandise floristry stock items made for general sale, flowers, plants and both perishable and non-perishable ancillary merchandise for a shop front floristry business. No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement. However, some floristry businesses supply foodstuffs, the handling and storage of which is regulated. Where this is the case, it is appropriate to select the hygiene and food safety units of competency as electives and assess them in combination with this unit. Application of the Unit Application of the unit This unit describes a fundamental operational function for the floristry industry and applies to those businesses which have a shop front presence or a display area to promote their products. The floristry business is likely to be a traditional retailer but could be an online business that operates a retail outlet. Planning for and displaying floristry stock is usually undertaken by frontline operational personnel who work under close supervision and with guidance from others. However, in a small floristry business experienced florists and owner-operators also undertake this function. Approved Page 2 of 14 © Commonwealth of Australia, 2012 Service Skills Australia SFLSOP205A Display and merchandise floristry stock Date this document was generated: 27 May 2012 Licensing/Regulatory Information Not applicable. -
THE HAWAII TROPICAL CUT FLOWER INDUSTRY CONFERENCE Growing Into the 90'S
JO US ISSN 0271-9916 December 1991 RESEARCH EXTENSION SERIES 124 THE HAWAII TROPICAL CUT FLOWER INDUSTRY CONFERENCE Growing into the 90's Hilo Hawaiian March 29th - March 31st, 1990 ITAHR · COLLEGE OF TROPICAL AGRICULTURE AND HUl\IAN RESOURCES · UNIVERSITY OF HAWAII THE HAWAII TROPICAL CUT FLOWER INDUSTRY CONFERENCE Growing into the 90's Hilo Hawaiian March 29th - March 31st, 1990 11 Sponsored By Cooperative Extension Service College of Tropical Agriculture and Human Resources University of Hawaii at Manoa Governor's Agriculture Coordinating Committee County of Hawaii With Cooperation From Big Island Dendrobium Growers Association Dendrobium Orchid Growers Association of Hawaii Hawaii Anthurium Industry Association Hawaii Protea Growers Association Hawaii Tropical Flowers and Foliage Association, Hawaii Hawaii Tropical Flowers and Foliage Association, Oahu West Hawaii Orchid Growers Association PREFACE On March 29-31, 1990, the Hawaii Tropical Cut Flower Industry Conference was held in Hilo, Hawaii. This conference was the first in recent memory to include all of the major tropical flowers produced and exported on a commercial basis in Hawaii: anthuriums, orchids, protea, and tropicals such as gingers and heliconias. Although each of these major floral groups has its own unique production problems, they face common marketing problems. Thus, marketing of Hawaii flowers was chosen as the unifying focus of the conference. The conference planners and participants believe that through improved and innovative marketing the industry will be able to realize the conference theme, "Growing into the 90's." In addition to marketing issues such as transportation, handling, and market strategies and trends, production problems were also addressed. Concurrent sessions were held so that each floral group could concentrate on the production problems mostrelevant to them. -
A Floral Celebration of Samhain at Glin Castle Hosted by Emily
A Floral Celebration of Samhain at Glin Castle Hosted by Emily Thompson, Shane Connolly, and Dominic West and Catherine FitzGerald Friday October 2nd to Sunday October 4th In support of Glin Castle and Irish Women in Gardening Brought to you by Irish Girl in Brooklyn Dominic West and Catherine FitzGerald invite you to her ancestral home, Glin Castle, to join renowned floral designers Emily Thompson and her dear friend, Shane Connolly, in a celebration of Samhain / All Hallow's Eve as a master class in floral artistry. Guests will enjoy the exquisite bedrooms, walled garden and grounds of Glin Castle. Emily and Shane will personally give masterclass sessions on modern floral installations and design, focusing on the latest trends in ecological floral concepts using flowers and foliage from the gardens and woods. Your host Catherine FitzGerald is the daughter of the 29th Knight of Glin ( the Black Knight, the Knight of the Valley.) Her family have lived on Glin land since the 12th century. Catherine is a landscape gardener and trained horticulturalist inspired by the women who have loved and expanded the gardens of Glin over the centuries. Glin Castle and Grounds Glin Castle sits on 400 acres with breathtaking views of the Shannon estuary. The gardens are magical with ancient oaks, a tumbling stream, a productive walled garden, and a collection of rare trees and shrubs. Charming Gothic follies ornament the demesne. There are endless secret spots to be explored along with the wealth of fascinating original architectural and decorative features within the house. These include a hidden room, a rare flying staircase used by the Cracked Knight to ride his horse up to bed, and stories of visiting rock and roll royalty, poets, writers and artists past and present. -
Trade Marks Inter Partes Decision
O-115-04 TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATIONS Nos: 80779, 80780, 80781, 80782 & 80783 BY FLEUROP-INTERFLORA FOR THE REVOCATION OF TRADE MARKS Nos: 1324053, 1324054, 1324055, 1324056 & 1324057 FLEUROP FTD IN CLASSES 35, 38, 39, 41 & 42 RESPECTIVELY STANDING IN THE NAME OF INTERFLORA (FLORISTS TELEGRAPH DELIVERY ASSOCIATION) BRITISH UNIT LIMITED AND IN THE MATTER OF APPLICATIONS Nos: 80784, 80785, 80786, 80787 & 80788 BY FLEUROP-INTERFLORA FOR THE REVOCATION OF TRADE MARKS Nos: 1324067, 1324068, 1324069, 1324070 & 1324071 FLEUROP IN CLASSES 35, 38, 39, 41 & 42 RESPECTIVELY STANDING IN THE NAME OF INTERFLORA (FLORISTS TELEGRAPH DELIVERY ASSOCIATION) BRITISH UNIT LIMITED TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATIONS Nos: 80779, 80780, 80781, 80782 & 80783 BY FLEUROP-INTERFLORA FOR THE REVOCATION OF TRADE MARKS Nos: 1324053, 1324054, 1324055, 1324056 & 1324057 FLEUROP FTD IN CLASSES 35, 38, 39, 41 & 42 RESPECTIVELY STANDING IN THE NAME OF INTERFLORA (FLORISTS TELEGRAPH DELIVERY ASSOCIATION) BRITISH UNIT LIMITED AND IN THE MATTER OF APPLICATIONS Nos: 80784, 80785, 80786, 80787 & 80788 BY FLEUROP-INTERFLORA FOR THE REVOCATION OF TRADE MARKS Nos: 1324067, 1324068, 1324069, 1324070 & 1324071 FLEUROP IN CLASSES 35, 38, 39, 41 & 42 RESPECTIVELY STANDING IN THE NAME OF INTERFLORA (FLORISTS TELEGRAPH DELIVERY ASSOCIATION) BRITISH UNIT LIMITED BACKGROUND 1) The ten trade marks involved in these applications are as follows: Trade Mark Number Registration Class Specification Date FLEUROP FTD 1324053 19.07.91 35 Advertising services provided for florists; all included in Class 35. FLEUROP FTD 1324054 12.07.91 38 Delivery of letters, message sending and telephone services all provided for florists; all included in Class 38. -
Theater & Performance
alternative press serving the lower columbia pacific region • may 2015 • vol 16 • issue 196 2015 • vol • may pacific region columbia serving press the lower alternative HIPFiSHMONTHLY Slow Flowers the art of Kathleen Barber TENOR GUITAR GATHERING Full Schedule pg11 Minding the Adolescent Mind & Body pg 8 QuarterFlash Rocks! pg4 Jim Dott • A Glossary of Poems pg15 NO LNG Court Victory pg10 Season’s Greetings Reclaim your Health Vitality finn & Wellness Naturally! ware Restorative Spinal Care: offering gentle specific neurological work restoring function to the body and its ability to heal. - affordable plans & also billable to insurance as Chiropractic care - Re-Organizational Healing: our specialty & premium service - serving our community & humanity at the Ultima Thule juncture of healthcare & personal development! Tapio Wirkkala Since Dr. Dawn Sea Kahrs, DC Designer • 2015 Centenarian 2004 [email protected] (503) 368-WELL (9355) discover scandinavian design facebook/ finnware.com • 503.325.5720 Sunday Winter Hours 12pm - 4pm 1116 Commercial St., Astoria Hrs: M-Th 10-5pm/ F 10-5:30pm/Sat 10-5pm home & garden ARTS •artisan decor for home and garden •traditional toys 1124 Commercial St • Astoria, OR Open Mon - Sat 11 - 5:30, Sun 12 - 4 Wellness through Natural Practices Angela Sidlo Imogen Licensed Reflexologist Certified Holistic Aromatherapist Gallery contemporary works in Astoria 503.338.9921 240 11th street, astoria, or • 5 0 3 . 4 6 8 . 0 6 2 0 Lic. # RF60411242 mon – sat 11 to 5:30, sun 11 to 4 • www.imogengallery.com [email protected] Belly Dance A with NORBLAD Jessamyn Gypsy’s Whimsy HERBAL APOTHECARY hotelN & hostel 443 14th street Enter into the Astoria Gypsy's Caravan 503-325-6989 • exotic teas and herbs www.norbladhotel.com • unique fair-trade imports Wednesdays, 7pm to 8:15pm • nutritional remedies at the AAMC, $10 drop-in • natural body care We offer: suites, cabins, 342 10th St (2nd Floor). -
Floristry: the Structure of the Floral Industry Notes
Floristry: The Structure of the Floral Industry Notes Date _______________Topic___________________________________ -----------------------------------------Notes-------------------------------------- -- Floriculture is… Sectors of the Industry: ---------------------------------------------- ------------ Main Ideas, Key Points, Formulas Points, Key Ideas, Main ------------------------------------------- ----------------------------------------------------Summary of Main Ideas------------------------------------------------------- ------- Floristry FL1 The Structure of the Floral Industry Floristry: The Structure of the Floral Industry Notes -----------------------------------------Notes-------------------------------------- Current Trends: ------------------------------------------------ Basic Shop Operations: ------------ Main Ideas, Key Points, Formulas Points, Key Ideas, Main ------------------------------------------- ----------------------------------------------------Summary of Main Ideas------------------------------------------------------- ------- Floristry FL1 The Structure of the Floral Industry Floristry: The Structure of the Floral Industry Notes -----------------------------------------Notes-------------------------------------- Basic Shop Operations (cont): ------------------------------------------------ ------------ Displays: Formulas Points, Key Ideas, Main ------------------------------------------- ----------------------------------------------------Summary of Main Ideas-------------------------------------------------------