A Californian's Guide to the Trees Among Us
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SFJ Volume One
hen you buy local flowers gathered into Wa seasonal bouquet, you’re supporting family farms and enriching your community’s ties to sustainable agriculture. ust-picked local flowers are incredibly fresh. J The petal color is more vivid; the floral varieties are more diverse. Each floral harvest speaks to the seasonal cycle of nature in your garden, meadow or farm. VOLUME 1 The best of Slow Flowers Journal from the pages of Florists’ Review (2017-2019) BY DEBRA PRINZING 2 SLOW FLOWERS JOURNAL | Volume 1 3 o the Slow Flowers CommunityT of flower farmers, floral designers, farmer-florists Publisher: Travis Rigby and passionate flower lovers. Together, we have created an Author + Editor: Debra Prinzing entire movement! Managing Editor + Art Director: Robin Avni Designer: Jenny Moore-Diaz Copy Editor: David Coake Cover Photography: © Missy Palacol Photography © 2020. Wildflower.Media and Slow Flowers, LLC All rights reserved. No part of this publication may be reproduced without prior written permission of the publisher. Slow Flowers Journal was produced by Wildflower Media Inc., Topeka, Kansas; and Slow Flowers LLC, Seattle, Washington. www.floristsreview.com www.slowflowerssociety.com Printed in the U.S.A. ISBN: 978-1-7337826-3-0 4 CREDITS SLOW FLOWERS JOURNAL | Volume 1 5 TABLE OF CONTENTS 8 42 86 116 The Slow Flowers Manifesto SECTION 3 SECTION 5 SECTION 7 The Business of Flowers Farm to Table Resources Creating a marketplace that Meals and gatherings with locally- 118 Growers’ Inspiration 10 connects customers with local and grown flowers at the heart of seasonal blooms. the table. 119 Made in the U.S.A. -
Four Master Teachers Who Fostered American Turn-Of-The-(20<Sup>TH
MYCOTAXON ISSN (print) 0093-4666 (online) 2154-8889 Mycotaxon, Ltd. ©2021 January–March 2021—Volume 136, pp. 1–58 https://doi.org/10.5248/136.1 Four master teachers who fostered American turn-of-the-(20TH)-century mycology and plant pathology Ronald H. Petersen Department of Ecology & Evolutionary Biology, University of Tennessee Knoxville, TN 37919-1100 Correspondence to: [email protected] Abstract—The Morrill Act of 1862 afforded the US states the opportunity to found state colleges with agriculture as part of their mission—the so-called “land-grant colleges.” The Hatch Act of 1887 gave the same opportunity for agricultural experiment stations as functions of the land-grant colleges, and the “third Morrill Act” (the Smith-Lever Act) of 1914 added an extension dimension to the experiment stations. Overall, the end of the 19th century and the first quarter of the 20th was a time for growing appreciation for, and growth of institutional education in the natural sciences, especially botany and its specialties, mycology, and phytopathology. This paper outlines a particular genealogy of mycologists and plant pathologists representative of this era. Professor Albert Nelson Prentiss, first of Michigan State then of Cornell, Professor William Russel Dudley of Cornell and Stanford, Professor Mason Blanchard Thomas of Wabash College, and Professor Herbert Hice Whetzel of Cornell Plant Pathology were major players in the scenario. The supporting cast, the students selected, trained, and guided by these men, was legion, a few of whom are briefly traced here. Key words—“New Botany,” European influence, agrarian roots Chapter 1. Introduction When Dr. Lexemual R. -
Bottles As Building Materials Case of Watamu
BOTTLES AS BUILDING MATERIALS CASE OF WATAMU by KIMARU ALEXANDER GATHIRU B02/40012/2011 BAR 613: RESEARCH THESIS THE UNIVERSITY OF NAIROBI, DEPARTMENT OF ARCHITECTURE AND BUILDING SCIENCE, SCHOOL OF THE BUILT ENVIRONMENT. TUTOR: DR. L. SHIHEMBETSA “Our problems are man-made, therefore they may be solved by man.” -John Fitzgerald Kennedy- ii DECLARATION This thesis is my original work and has not been presented in any other University or Institution for the purpose of awarding a degree to the best of my knowledge. This thesis is submitted in partial fulfilment of the examination requirements for the award of the Bachelor of Architecture degree, in the Department of Architecture and Building Science at The University of Nairobi. Author:......................................................................... Date.................................................. Kimaru Alexander Gathiru Supervisor:................................................................... Date.................................................. DR. L. Shihembetsa Year Master:.................................................................. Date................................................. Arch. Erastus Abonyo Chairman:..................................................................... Date.................................................. Arch. Musau Kimeu iii To my unborn child iv ACKNOWLEDGEMENTS I would like to thank the almighty God for the gift of health and for providing where need be. I do not take it for granted that I have been able to go throught this academic journey and seeing it through to the end. To my family who have given me the full support one could ask for. Dad, for the guidance and encouragement all through this journey. Always checkin up on me to make sure I am fine and well. Always leading by example, thank you for you are the man I always look up to. You have inspired me to become the man I am today and most importantly the man I am still becoming. -
Balboa Park Facilities
';'fl 0 BalboaPark Cl ub a) Timken MuseumofArt ~ '------___J .__ _________ _J o,"'".__ _____ __, 8 PalisadesBuilding fDLily Pond ,------,r-----,- U.,..p_a_s ..,.t,..._---~ i3.~------ a MarieHitchcock Puppet Theatre G BotanicalBuild ing - D b RecitalHall Q) Casade l Prado \ l::..-=--=--=---:::-- c Parkand Recreation Department a Casadel Prado Patio A Q SanD iegoAutomot iveMuseum b Casadel Prado Pat io B ca 0 SanD iegoAerospace Museum c Casadel Prado Theate r • StarlightBow l G Casade Balboa 0 MunicipalGymnasium a MuseumofPhotograph icArts 0 SanD iegoHall of Champions b MuseumofSan Diego History 0 Houseof PacificRelat ionsInternational Cottages c SanDiego Mode l RailroadMuseum d BalboaArt Conservation Cente r C) UnitedNations Bui lding e Committeeof100 G Hallof Nations u f Cafein the Park SpreckelsOrgan Pavilion 4D g SanDiego Historical Society Research Archives 0 JapaneseFriendship Garden u • G) CommunityChristmas Tree G Zoro Garden ~ fI) ReubenH.Fleet Science Center CDPalm Canyon G) Plaza deBalboa and the Bea Evenson Fountain fl G) HouseofCharm a MingeiInternationa l Museum G) SanDiego Natural History Museum I b SanD iegoArt I nstitute (D RoseGarden j t::::J c:::i C) AlcazarGarden (!) DesertGarden G) MoretonBay Ag T ree •........ ••• . I G) SanDiego Museum ofMan (Ca liforniaTower) !il' . .- . WestGate (D PhotographicArts Bui lding ■ • ■ Cl) 8°I .■ m·■ .. •'---- G) CabrilloBridge G) SpanishVillage Art Center 0 ... ■ .■ :-, ■ ■ BalboaPar kCarouse l ■ ■ LawnBowling Greens G 8 Cl) I f) SeftonPlaza G MiniatureRail road aa a Founders'Plaza Cl)San Diego Zoo Entrance b KateSessions Statue G) War MemorialBuil ding fl) MarstonPoint ~ CentroCu lturalde la Raza 6) FireAlarm Building mWorld Beat Cultura l Center t) BalboaClub e BalboaPark Activ ity Center fl) RedwoodBrid geCl ub 6) Veteran'sMuseum and Memo rial Center G MarstonHouse and Garden e SanDiego American Indian Cultural Center andMuseum $ OldG lobeTheatre Comp lex e) SanDiego Museum ofArt 6) Administration BuildingCo urtyard a MayS. -
A Novel Green Alternative for a Room Prototype Constructed with Entire Recycled PET Bottles and a Green Roof Composed of Waste Materials
applied sciences Article A Novel Green Alternative for a Room Prototype Constructed with Entire Recycled PET Bottles and a Green Roof Composed of Waste Materials José de Jesús Pérez Bueno 1,* , Maria Luisa Mendoza López 2,*, Flavio Roberto Ceja Soto 1, José Luis Reyes Araiza 3 , Rubén Ramírez Jiménez 3, Martha Elva Pérez Ramos 2 and Alejandro Manzano-Ramírez 4 1 Centro de Investigación y Desarrollo Tecnológico en Electroquímica, Querétaro 76703, Mexico; [email protected] 2 Instituto Tecnológico de Querétaro, Tecnológico Nacional de México, Querétaro 76000, Mexico; [email protected] 3 Facultad de Ingeniería, Universidad Autónoma de Querétaro, Querétaro 76000, Mexico; [email protected] (J.L.R.A.); [email protected] (R.R.J.) 4 Centro de Investigación y de Estudios Avanzados del Instituto Politécnico Nacional, Unidad Querétaro, Querétaro 76230, Mexico; [email protected] * Correspondence: [email protected] (J.d.J.P.B.); [email protected] (M.L.M.L.); Tel.: +52-442-211-6090 (J.d.J.P.B.) Featured Application: In civil engineering, self-construction, green buildings, and recycling. Citation: Pérez Bueno, J.d.J.; Mendoza López, M.L.; Ceja Soto, F.R.; Abstract: In this study, we propose a methodology for constructing a prototype room intended Reyes Araiza, J.L.; Ramírez Jiménez, primarily for people with low incomes, allowing self-construction practices and upcycling of widely R.; Pérez Ramos, M.E.; available waste materials in their original form. Mechanical tests were conducted on single bottles Manzano-Ramírez, A. A Novel Green of poly(ethylene terephthalate) (PET) filled with different materials as well as on entire PET bot- Alternative for a Room Prototype tle/concrete blocks. -
The Cut Flower Quarterly Judy Marriott Laushman, Editor
Volume 25, Number 3 Summer 2013 CutThe Flower Q U A R T E R L Y Association of Specialty Cut Flower Growers Inc. for growers of field and greenhouse specialty cuts Inside this Issue Letter from the President ___________ 3 A Week in the Life of a Cut Flower Grower Easy Ideas for Sustainable Floristry ___ 4 Ann Sensenbrenner shares her sustainable design ideas for your sustainably-grown flowers. Cornell-copia _____________________ 8 Low tunnels hasten flowering and increased stem length for anemone and ranunculus. Culture Profile _____________________ 9 Smokebush provides both colorful foliage and interesting flowers. John Dole and Lane Greer provide production and postharvest tips. Small Things Considered __________ 12 Taking a break from her regular postharvest updates and marketing analysis, Gay Smith explains the importance of bee-ing. IPM Update _____________________ 14 The brown marmorated stink bug is the pest that won’t leave. A Farmer’s Summer Reading List __ 15 You don’t have spare time now, but if you did, you would read this material. Research Update ________________ 16 Influences on Vase Life of Red Boronia; Delay Regreening in Cut Calla Lily; Floral Preservatives and Consumer Perception Grower Profile ____________________ 18 Jane Henderson uses her talents for growing and designing cut flowers, and opens her doors to young growers and bridal parties. Regional Reports _________________ 20 The Cut Flower PUBLISHING SCHEDULE QUARTERLY ISSUE DEADLINE ASCFG News ___________________ 28 Spring March1 is published by Summer June 1 From the Director _______________ 37 The Association of Specialty Fall September 1 Cut Flower Growers, Inc. Winter December 1 From Seed to Sale ________________ 38 MPO Box 268, Oberlin, OH 44074 All articles, features, and display advertising must be received by these deadlines for ASCFG Growers’ Business School __ 39 publication. -
Use of Pet Bottle and Blast Furnace Slag As Construction Material
Vol-5 Issue-2 2019 IJARIIE-ISSN(O)-2395-4396 USE OF PET BOTTLE AND BLAST FURNACE SLAG AS CONSTRUCTION MATERIAL Siddhant Gupta1, Vedant Pardhe2, Aniket Ikhar3, Aditya Aaglawe4, Rashmi Manmode5, Shilpa Bankar6 1 Siddhant Gupta Student, Department of Civil Engineering,Priyadarshini J. L. College of Engineering, Nagpur,Maharashtra, India 2 Vedant Pardhe Student, Department of Civil Engineering,Priyadarshini J. L. College of Engineering, Nagpur,Maharashtra, India 3 Aniket Ikhar Student, Department of Civil Engineering,Priyadarshini J. L. College of Engineering, Nagpur,Maharashtra, India 4 Aditya Aaglawe Student, Department of Civil Engineering,Priyadarshini J. L. College of Engineering, Nagpur,Maharashtra, India 5 Rashmi Manmode Student, Department of Civil Engineering,Priyadarshini J. L. College of Engineering, Nagpur,Maharashtra, India 6 Shilpa Bankar Student, Department of Civil Engineering,Priyadarshini J. L. College of Engineering, Nagpur,Maharashtra, India ABSTRACT Our project proposes the use of waste plastic PET bottles as construction entity to standardised bricks. As plastics are non biodegradable its disposal has always been a problem. Waste plastic bottles are major cause of solid waste disposal. Polyethylene tetra phthalate is commonly used for carbonated beverage and water bottles. This is an environmental issue as waste plastic bottles are difficult to biodegrade and involves processes either to recycle or reuse. Today the construction industry is in need of finding cost effective materials for increasing the strength of structures. This project deals with the possibility of using waste PET bottles as a partial replacement. So, to decrease the cost of building materials here is a plan to build a house with PET bottle and binding material blast furnace slag .Bottle wall construction also avoids emission of gases like CO, CO2, SO2, NO, HCN as happened in manufacturing of bricks. -
Alcazar Garden Sign
Alcázar Garden - Balboa Park Richard Smith Requa 1881 - 1941 Seventy years later, the Moorish tiles were beginning to show their age. Tiles were cracked, chipped, and had chunks missing. In 2008, the garden was reconstructed to replicate the 1935 design by San Diego architect Richard Requa. During the restoration they found that moisture had seeped through, as tiles are porous and grout isn't perfect. With $50,000 in donations, the Committee of One Hundred, a nonprofit group dedicated to the park's Spanish Colonial architecture, replaced the damaged tiles and renovated the water fountains to their original grace and glory. The group commissioned 1,800 tiles that replicate the originals. Richard Smith Requa was an American architect, largely During the 1915 Panama-California Exhibition, this garden was T h e y e x p e c t t h i s known for his work in San Diego, California. Requa was the originally named Los Jardines de Montezuma (Montezuma Garden). renovation will last 20 Master Architect for the California Pacific International Exposition held in Balboa Park in 1935-36. He improved and In 1935, architect Richard Requa modified the garden by adding two years or so, but bought extended many of the already existing buildings from the delightful water fountains and eight tile benches. The garden was extra tiles for future patch 1915 Panama-California Exposition, as well as created new facilities including the Old Globe Theater. renamed Alcázar because its design is patterned after the courtyard work. His own designs were predominantly in the Spanish gardens of Alcázar Palace in Seville, Spain. -
Forestry Education at the University of California: the First Fifty Years
fORESTRY EDUCRTIOfl T THE UflIVERSITY Of CALIFORflffl The first fifty Years PAUL CASAMAJOR, Editor Published by the California Alumni Foresters Berkeley, California 1965 fOEUJOD T1HEhistory of an educational institution is peculiarly that of the men who made it and of the men it has helped tomake. This books tells the story of the School of Forestry at the University of California in such terms. The end of the first 50 years oi forestry education at Berkeley pro ides a unique moment to look back at what has beenachieved. A remarkable number of those who occupied key roles in establishing the forestry cur- riculum are with us today to throw the light of personal recollection and insight on these five decades. In addition, time has already given perspective to the accomplishments of many graduates. The School owes much to the California Alumni Foresters Association for their interest in seizing this opportunity. Without the initiative and sustained effort that the alunmi gave to the task, the opportunity would have been lost and the School would have been denied a valuable recapitulation of its past. Although this book is called a history, this name may be both unfair and misleading. If it were about an individual instead of an institution it might better be called a personal memoir. Those who have been most con- cerned with the task of writing it have perhaps been too close to the School to provide objective history. But if anything is lost on this score, it is more than regained by the personalized nature of the account. -
The Renaissance of Local, Seasonal, and Sustainable Flowers
SLOW FLOWERS The renaissance of local, Americanseasonal, and sustainable Beauty flowers By Debra Prinzing The Slow Flowers Movement helps The Slow Flowers Movement is rooted in a single question: connect consumers with flowers. “Do you know where your flowers come from?”Unfortunately, It also gives voice to flower farmers, most people do not. When the California Cut Flower Commission surveyed U.S. consumers, 74 percent answered “no” to this query. shining a light on their crops, To a follow-up question that asked “If you were given a choice to buy American-grown flowers, would you?” a majority of respondents–58 practices, and stories. And it supports percent – said “yes.” So the issue isn’t whether consumers want their flowers to innovative florists, shops, and studios come from nearby farms and their purchases to benefit local farm who (like those progressive chefs) economies. Rather, it’s an issue of transparency, choice, and access. My interest in the revival of domestic cut flowers has taken me believe that local sourcing is a core across the country to meet growers raising beautiful crops on small and large farms from Alaska to Florida, from the Southwest to New principle of their company values. England. Many of the stories I gathered have appeared in magazines and newspapers, and finally in a book aptly called The 50 Mile Bouquet (St. Lynn’s Press, 2012), which documented pioneering flower farmers, progressive floral designers, and inspired DIY flower lovers. Then, I spent one full year creating a floral arrangement every week, using only what my garden provided or what I procured from local flower farms in my region, the Pacific Northwest. -
The Southwest on Display at the Panama- California Exposition, 1915
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Fall 1990, Volume 36, Number 4 Richard W. Crawford, Editor The Southwest on Display at the Panama- California Exposition, 1915 By Richard W. Amero Images from the Article After five years of unrelenting effort, San Diego celebrated the official opening of the Panama- California Exposition in Balboa Park on January 1, 1915. At midnight, December 31, President Woodrow Wilson, in Washington, D.C., pressed a Western Union telegraph key. The signal turned on every light on the grounds and touched off a display of fireworks. The gates to the Exposition swung open. A crush of from 31,836 to 42,486 people on the grounds cheered, waved banners, threw confetti, sang "I Love You California," and snake-danced their way to the Isthmus, or fun street.1 Among the guests who took part in the official but sparsely attended ceremonies, beginning at 11:30 the following morning, were Secretary of the Treasury William G. McAdoo, Commander of the U.S. Pacific fleet Rear Admiral T.B. Howard, Director-General of the Pan-American Union John Barrett, and Spanish delegate Count del Valle de Salazar.2 In his speech to the guests, wearied from the festivities of the night before, Gilbert Aubrey Davidson, president of the Panama-California Exposition Company, declared the Exposition's purpose was to build an empire extending from the back country of the Pacific slope to the west shores of the Missouri River.3 At one point Davidson said: Here is pictured in this happy combination of splendid temples, the story of the friars, the thrilling tale of the pioneers, the orderly conquest of commerce, coupled with the hopes of an El Dorado where life can expand in this fragrant land of opportunity. -
John Branner, Who Remained in The,Shenandoah Valley, Became- the Pryggenitor -O-F the Virginia,Branch of the Fapily
MEMOIRS OF TEE NATIOI{AL ÄOAÐEMY OF SCIEI\OES \fotrurne ><>(I THITÙI) NtrE}ItOIR IINITED SIT.A,TES GOVERNMENT PRINTING OF'EICEI W.A.SEINGTON 1927 T{A.1|IOT{A'L A.CA.DEMIT Otr.' SCIEI{TCES Volurc.e XXI T}TItrÙI) I\4T:IV[OITÈ BIOGBAPHICAT MEMOIR JOHN C,A,SPER BRANNER 1a50 -L922 BY B. A. ï'. PENROSE, Jn PnpsrNÍso ro rEE ,{o¡os¡rs ar rEE ,{¡¡¡tu¡'l,.M*ntwe, 1923 *çtu JOHN CASPER BRANNER By R. A. F. Pounosn, Jr,l , John Casper Branner was born at the town of New Market, Jefferson:County, Tenn., on July 4, 1850. He was the son of Michael T. Branner a¡d Elsie Baker Branner. His fami'þ w:q_rg û,mong the early settlers of the Sheuandoah Valley of Virginia in tìe colonial days. Tþ"y probab.þ came orþinally from southern Germany or easlern Switzerland befgre the middle of ùe eigbteenth century, and first settled in PennsyJvania. Somewhat later Casper Brapneq Boved to,Virginia, where in l76Q he received a grant of land in the Shenandoah Valley fron I-,,ord tr'airfax, who had been given large estates in Virginia by Chafles II.'z ::: , The-family þved. in this rggion until 1799, when Doctor Brannerls great grandfather, Michael Branneg, moved to Jefierson County, Tenn., and took up lands near the town gf Daadridge on the n'renchbroad River. He became the progenitor of the Tennessee,branch of t'ì9 family, while his brother, John Branner, who remained in the,Shenandoah Valley, became- the pryggenitor -o-f the Virginia,branch of the fapily.