Thought for the Month – August 2011
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Logging Into Horror's Closet
Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture Adam Christopher Scales Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies September 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005). -
A Gay Reception and Narrative Analysis of a Nightmare on Elm Street 2: Freddy’S Revenge
‘Something is Trying to Get Inside My Body’: A Gay Reception and Narrative Analysis of A Nightmare on Elm Street 2: Freddy’s Revenge ADAM SCALES, University of East Anglia ABSTRACT The critical understanding of horror film has traditionally been locked into a particular psychoanalytic framework concerning audience composition of the genre, as well as the identity politics operating within (Twitchell 1985; Carroll 1990; Clover 1992; Creed 1993; Grant 1996). Within this work, little attention has been paid to alternative audience demographics, especially gay and sexually non-normative viewers. This is rather surprising considering the horror film, and the monster in particular, has been understood as a material manifestation of queerness, as that which bourgeois ideology cannot accept and must therefore construct as ‘Other’ (Benshoff 1997; Wood 1986; Saunders 1998). As a result, this article looks at a gay online reception of gay audiences of A Nightmare on Elm Street 2: Freddy’s Revenge (Jack Sholder, 1985). Such a text is important, as it fractures the established formula of the slasher film by introducing a ‘male scream queen’ – a ‘final boy’ named Jesse Walsh (Mark Patton). This article employs Janet Staiger’s (2000) work on reception studies to argue that the strategies and tactics brought by the spectator to the filmic experience are constructed by particular historical circumstances, which in turn, assist in the formation of ‘interpretive communities’. While the introduction of the final boy certainly disrupts fixed points of gendered identification, such features are only part of a holistic approach to understanding the subjective responses of gay audiences to Jesse’s characterisation. -
Thoughts for the Month – June 2010
Jeff Kirkendall’s Thoughts For The Month Column Thoughts, Opinions, Reviews, Commentary & More! Hello and Welcome! My name is Jeff Kirkendall and I'm an independent filmmaker and actor from the Upstate New York area. This is the section of the Very Scary Productions website where I write about topics related to independent filmmaking, digital video production, acting, movies in general, horror movies in particular, my own indie movies, as well as anything and everything related or in between. I decided to create this commentary page because I find that I often come across things that either interest me, excite me, intrigue me, or maybe just bug me. Any topic related to movies and cinema is fair game, from the most mainstream to the most controversial. For example I'll often read about movie projects that I have a strong interest in or opinion on, for one reason or another. This page gives me a forum to discuss these things. It's all about discussion and furthering understanding of our pop culture. Anyone who has feedback concerning what I have to say here, feel free to contact me (see the contact link at http://www.veryscaryproductions.com/). I'd also like to point out that the following is just my opinion, and everyone is free to agree or disagree with what I have to say. Enjoy, and to all the Indies out there: Keep on Filming! SUBJECT: DVD Horrors Movie Review – Never Sleep Again: The Elm Street Legacy (documentary) – June 2010 * About the same time the 2009 remake of Friday the 13th hit theaters, Jason Voorhees fans were also treated to the cool DVD documentary His Name Was Jason. -
The Butterfly Room Una Fiaba Nera
CAST ARTISTICO BARBARA STEELE Ann RAY WISE Nick ERICA LEERHSEN Claudia HEATHER LANGENKAMP Dorothy ELLERY SPRAYBERRY Julie JULIA PUTNAM Alice EMMA BERING Monika CAMILLE KEATON Olga JAMES KAREN Commesso ADRIENNE KING Rachel P. J. SOLES Lauren JOSEPH H. JOHNSON JR Chris MATTHEW GLEN JOHNSON William LORIN McCRALEY Uomo nell’ascensore SCHEDA TECNICA Regia JONATHAN ZARANTONELLO Produttore ENZO PORCELLI Soggetto e sceneggiatura PAOLO GUERRIERI, LUIGI SARDIELLO JONATHAN ZARANTONELLO Tratto dal romanzo “ALICE DALLE 4 ALLE 5” di Jonathan Zarantonello Musica PIVIO & ALDO DE SCALZI Edizioni musicali CREUZA - FLIPPERMUSIC Produttori esecutivi ETHAN WILEY & MARK MORAN GIOVANNI DI PASQUALE Montaggio CLELIO BENEVENTO Scenografia e costumi ALESSANDRA MONTAGNA Fotografia LUIGI VERGA Assistente al montaggio MARIA IOVINE Montaggio del suono ANGELO MIGNOGNA Montaggio effetti sonori MARIO E ALESSANDRO GIACCO per Ondasonora Effetti speciali visivi SPARK DIGITAL ENTERTAINMENT Una produzione ACHAB Film (Italia) EMERGENCY EXIT Pictures (USA) Con la collaborazione di RAI CINEMA WISEACRE FILM Anno di produzione 2012 Durata film 87 minuti Sviluppo, stampa e digital intermediate TECHNICOLOR sonorizzazione e missaggio TECHNICOLOR Girato a LOS ANGELES (USA) Con cinepresa digitale RED copie positive DCP - colore formato 1: 2,35 suono Dolby Digital contatti [email protected] website www.thebutterflyroom.com Questo film è stato realizzato anche grazie all’utilizzo del credito d’imposta previsto dalla legge n.244 del 22 dicembre 2007 THE BUTTERFLY ROOM UNA FIABA NERA nn, una signora elegante e solitaria, Mossa da un’irresistibile curiosità, Julie si Aossessionata dalla sua collezione mette ad esplorare ogni angolo della casa di farfalle, stringe un’insolita amicizia di Ann, fino a scoprire un terrificante con Alice, una bambina di una bellezza segreto, fra le pareti della stanza delle inquietante. -
{PDF EPUB} the Nightmares on Elm Street Parts 1 2 3 the Continuing Story by Jeffrey Cooper Nightmare on Elm Street 3 Could Have Been a Perfect End to the Franchise
Read Ebook {PDF EPUB} The Nightmares on Elm Street Parts 1 2 3 The Continuing Story by Jeffrey Cooper Nightmare on Elm Street 3 Could Have Been a Perfect End to the Franchise. A Nightmare on Elm Street 3: Dream Warriors was a natural progression for the series. Its conclusion also made it the perfect ending to the franchise. When Wes Craven's A Nightmare on Elm Street released in 1984, it introduced the world to the terrifying Freddy Krueger. Throughout the film, he attacked children in their dreams but appeared weakest when in the real world. Following his defeat, Krueger returned in the sequel, A Nightmare On Elm Street 2: Freddy's Revenge . In the next chapter, Freddy was reborn through the body of a teenager, giving him the ability to conquer his weakness and terrorize kids in the real world. However, with his return in the third film, A Nightmare on Elm Street 3: Dream Warriors , the franchise came full circle, changing in a way that could've made the film the perfect ending to the franchise. A Nightmare on Elm Street 3 helps establish a new batch of teens who are actually the last Elm Street kids. One of the kids, Kristen, has nightmares about Freddy. after refusing to fall asleep, her family believes she may be suicidal and sends her to a psychiatric hospital. Once there, she meets the other Elm Street kids who share their own issues with violence, suicide, self-harm and drugs. As the film continues, it becomes clear that Freddy is targeting the kids one by one.