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2021 Virtual Sewing & Stitchery Expo Schedule Checklist
Virtual Expo Schedule Use this checklist to plan your Virtual Expo experience. Don’t forget to buy your class tickets online beginning Jan. 12! All times listed are Pacific Standard Time (PST). Registration for Three & Four Needle classes that require a kit will end Feb. 2 to allow time for shipping. Wednesday 8:00 AM - 12:00 PM 4104 The Victorian Sewing Box 1:00 PM - 1:45 PM FS Lighting your Sewing Room 8:00 AM - 12:00 PM 4106 Beyond the Basics in Free Motion Quilting 1:00 PM - 2:00 PM Cutting Line Designs 8:00 AM - 12:00 PM 4107 Cadence Top Sew-A-Long 1:00 PM - 2:00 PM Fit for Art Patterns 8:00 AM - 12:00 PM 4110 A TempLee Quilted Medallion 1:00 PM - 2:00 PM The Rain Shed 8:00 AM - 12:00 PM 4111 From Thread to Lace 1:00 PM - 5:00 PM 4101 Flowermania English Paper Piecing 8:00 AM - 12:00 PM 4114 Scrappy Wonky Quilt Blocks 1:00 PM - 5:00 PM 4103 The Caprice Organizer 8:00 AM - 12:00 PM 4119 Temari—Japanese Thread Balls 1:00 PM - 5:00 PM 4105 Featherweight Spa Day 8:00 AM - 12:00 PM 4121 Easy Fit and Sew Yoga Pants 1:00 PM - 5:00 PM 4109 Enchantress Bracelet 8:00 AM - 12:00 PM 4122 The Ultimate Stabilizer Class 1:00 PM - 5:00 PM 4112 Vintage Windmill 8:00 AM - 12:00 PM 4123 Coverstitch Workshop 1:00 PM - 5:00 PM 4115 The Boro and Sashiko Pillow 9:00 AM - 9:30 AM FS Rulerwork Tips for Any Machine 1:00 PM - 5:00 PM 4117 Sew For You: Panties 9:00 AM - 10:00 AM WonderFil Specialty Threads 1:00 PM - 5:00 PM 4118 No Pins, No Basting, No Kidding! 9:00 AM - 10:00 AM Paradiso Designs 1:00 PM - 5:00 PM 4120 Viking Knitting: Trichinopoly on a Dowel -
EC71-475 Relining Coats and Jackets Jane Speece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska- Extension Lincoln Extension 1971 EC71-475 Relining Coats and Jackets Jane Speece Follow this and additional works at: http://digitalcommons.unl.edu/extensionhist Speece, Jane, "EC71-475 Relining Coats and Jackets" (1971). Historical Materials from University of Nebraska-Lincoln Extension. 4065. http://digitalcommons.unl.edu/extensionhist/4065 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. E. C. 71·475 I ~ I ~ 0-t I ~: I I I RELINING -+- __ _I . I I I I COATS and JACKETS I I I _I __ _ ~W:(ClEKW\ElD) \~ DGT 11 1971 COLLt.GE OF P.GRICUUURE UBRP.RY EXTENSION SERVI CE f \ UNI VERS ITY OF NEBRASKA COLLEGE OF AGR ICULTURE ' ' COOPERATI NG W ITH THE U .S. DEPARTMENT OF AGR ICULTURE • AND THE COLLEGE OF HOME ECONOMI CS. '•·····•" E. F. FROLI K, DEAN; .J. L. ADAMS, D I RECTOR 1elininR COATS and JACKETS By Jane Speece Extension Specialist (Clothing) establish The fabric of a coat or jacket usually is good long after straight the lining begins to wear. Relining the garment, which is not of grain difficult to do once the procedures are known, could put a favorite garment back into your wardrobe to give you many more years of wear. The first step is to rip out the old lining. -
About the Designer ...Margaret Pierce
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 3 – Issue 8 August 2011 From The Editor – About the designer . Margaret Pierce Jim and I just returned from a refreshing vacation to the Baltic’s Margaret has taught French Handsewing for 37 years. She and North Cape. Refreshing in many ways, not just the cool studied with Sarah Howard Stone in Montgomery, AL; with the temperatures – although I confess the temperatures ranged embroideresses on the island of Madeira; and at La Maison R. from the mid‐40s Fahrenheit at the North Cape to the mid‐60s Malbranche Embroidery School in Paris. She also received a BA in Home Economics Education at Queens University in in southern Norway. But the trip was refreshing also in seeing Charlotte, North Carolina. how the Scandinavian countries cling to their heritage with such zeal and commitment. Children still enjoy not only wearing the She taught for National and Regional SAGA and EGA Seminars native costumes of their local communities, but love sharing and Conventions; for Valentine Museum Assembly-Richmond, their local games, folklore and heritage. Girls continue to be VA; Callaway Gardens School of Needlework; in Ireland at the taught such arts as yarn spinning and fabric weaving as well as Au Grianan School for the Guild of Irish Lacemakers bread making and other ‘lost’ arts. We visited several working Convention; in Australia for the Australian Needlework School; museums which was very interesting. One mother and her 3 and local needlework guilds and shops throughout the US and small children were baking cinnamon rolls in the old fashioned Canada. -
Spring Twenty Two Women's Headwear
SPRING 2022 SPRING TWENTY TWO WOMEN’S HEADWEAR & APPAREL DONE PROPER NH SPRING 2022 WOMEN THIS SEASON WE CELEBRATE THE NEW EXPLORERS. THE COLLECTION IS INSPIRED BY VINTAGE MILITARY AND WORKWEAR SILHOUETTES, BLENDED WITH SPRING THE JOYFUL RETRO AESTHETIC OF THE 1970’S. WOMEN 2022 WITH A PALETTE OF CLASSIC SEASONAL COLORS AND PRINTS, WE SET OUT TO DESIGN A RANGE THAT BALANCES STYLE THAT IS AT HOME ON CITY STREETS, OR THE ROADS LESS TRAVELED. SPRING 2022 2 SPRING 2022 3 RANCHER COLLECTION JO RANCHER RANCHER COLLECTION SPRING 2022 4 SPRING 2022 5 JO STRAW RANCHER RANCHER COLLECTION A NEW ICON | ELEGANT SILHOUETTE | PREMIUM DETAILS SPRING 2022 6 SPRING 2022 7 RENO FEDORA RANCHER COLLECTION REFINED AND RESPONSIBLY SOURCED | PREMIUM DETAILS AND FINISHES SPRING 2022 8 SPRING 2022 9 JO RANCHER RANCHER COLLECTION THE RANCHER REBORN | CRUELTY-FREE WOOL CONSTRUCTION SPRING 2022 10 SPRING 2022 11 JO RANCHER (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Metal headwear plaque • Adjustable Velcro strap under sweatband • Grosgrain outside band and brim taping DOVE WASHED NAVY/NAVY *BLACK 11035-DOVE 11035-WSNVY 11035-BLACK RANCHER COLLECTION BRASS 11035-BRASS PRODUCT PAGE JOANNA FELT HAT (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Grosgrain band • Metal headwear plaque • Adjustable Velcro strap under sweatband *BLACK PHOENIX ORANGE MOJAVE 10783-BLACK 10783-PHEOR 10783-MOJAV SPRING 2022 12 SPRING 2022 13 JOANNA PACKABLE HAT DUKE COWBOY HAT (7.5cm/3.5” Brim) (7.5cm/3” Brim) XS-S-M-L (6_-7-7_-7_) XS-S-M-L-XL (6¾-7-7¼-7½-7¾) • 100% wool felt • 100% wool felt • Grosgrain band • 5mm Grosgrain band • Metal headwear plaque • Metal headwear plaque • Adjustable Velcro strap under • D2 sweatband *BLACK MERMAID CASA BLANCA BLUE *BLACK COFFEE 10628-BLACK 10628-MERMD 10628-CABLB 10998-BLACK 10998-COFFE RENO FEDORA COHEN COWBOY (9cm/3. -
Free Pattern Instructions Best Nest Organizer Basket
Fold 42" Quilted Hanging Basket Front Cut 1 on fold d l e on fo on e ont - plac fr Center Gather Quilted Hang ing Basket Gusset Cut 1 on fold -or- Cut 2 with seam allowance Free Pattern Instructions Pattern Free 21" Quilted Hanging Basket Back ld n fo n Cut 1 on fold o ce - pla ont er fr er t en C Layout Option 2: Layout From binding fabric, cut 2¼" wide cut strips bias equal fabric, to binding From 120". 118" to approximately seam to using a diagonal end, to end strips, binding Join Trim the seam open. then seams flat, Press bulk. reduce if ¼", needed. to allowances Careful meeting edges even. long in half, the binding Press press. the fabric as you stretch not to - the guidelines using a fabric marking pencil, pen or Mark, piece. pattern gathering the front for on as indicated Cut on fold Center base seam cutting line Fold • binding: the Create • • • 6" 3. 18" - Quilted Hanging Basket et Bask ing ang H Quilted Front ont Fr Cut 1 on fold fold on 1 t Cu d d l l e on fo e fo on e 42" t - plac t - plac ter fron ter fron ter n n Ce Ce Gather Gather et et ing Bask Bask ing ng ng Ha Ha Quilted Quilted t t e e k k s s a a B B g g in in g g n n a a H H d d te te il il u u Q Q ld ld t t se se s s Gu Gu k k c c a a B B d d ol ol f f n n o o ut 1 1 ut C C n fo n fo o o d d l l fo fo n n o o 1 1 t t u u C C r- r- -o -o ce ce ce ce n n wa wa allo allo m m a a th se se th wi wi 2 2 ut ut C C - pla - pla ont ont er fr er er fr t t en en C C Best Nest Organizer Basket Organizer Best Nest Layout Option 1: Layout yd. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
All-Time Favorites
S W E A Jersey Cardigan Sweaters T E · Fabric: 100% pill-resistant acrylic R · Dyed-to-match buttons S · Reinforced stress areas All-time favorites · Elasticized rib-trim cuffs and bottom for shape retention 5912 Soft sweaters with staying power · Machine wash and dry 1970 Jersey Crewneck Cardigan (Female) · Full button-down front · No pockets Colors: Black, Brown, Cardinal, Green, Grey Heather, Lipstick, Mayfair, Mulberry, Navy, Spruce Green, White, Wine 1970 Sizes: Youth XXSY-XLY, Adult SA-3XLA 6305 Jersey V-Neck Cardigan · 5 buttons · No pockets 6305 Color: Navy Sizes: Youth XXSY-XLY, Adult SA-3XLA 5912 Two-Pocket Jersey V-Neck Cardigan · 5 buttons · Hemmed bottom Colors: Black, Brown, Cardinal, Charcoal Heather, Green, Grey Heather, Khaki, 5910 Lipstick, Mayfair, Mulberry, Nally Powder Blue, Navy, Purple, Spruce Green, White, Wine, Yellow Sizes: Youth XXSY-XLY, Adult SA-3XLA 5910 Jersey V-Neck Cardigan Vest · 4 buttons · No pockets Color: Navy Sizes: Youth XXSY-XLY, Adult SA-3XLA Our cozy sweaters and vests offer timeless styling and a consistent, dependable fit. Made from wear-tested yarns, Schoolbelles sweaters are Black Brown Cardinal both wonderfully soft and incredibly durable. They pair perfectly with Charcoal Green Grey Heather our polos or button-up shirts. For extra identity, add your school logo. Heather Khaki Lipstick Mayfair Nally Mulberry Navy Powder Blue Purple Spruce Green White Wine Yellow 6 7 schoolbelles.com | 1-888-637-3037 Schoolbelles School Uniforms S Jersey Pullover Sweaters W E 1995 Jersey Crewneck Long-Sleeve -
Specialized Sewing Machine Operator
PARTICIPANT HANDBOOK Language: Apparel English Specialized Sewing Machine Operator Fruits and VegetablesSpecialized Processing Sewing Machine Operator SPECIALIZED SEWING MACHINE OPERATOR औ फल और ल र और र र ल फल और , और र फल और फ र र र र औ फल , और ल र , और , फ र, और फ ल - फल , र , र , र और ल ___________________________________________________________________________ ल ___ 1 1 फल फ र र और ल ल र र र और र र और और र र 12 Fruits and VegetablesSpecialized Processing Sewing Machine Operator Table of Contents Sr. No. Chapter Name Page No. 1. Introductio t Stitchi pparel Sector 4-13 2. Carry t fferent ypes of titches usin pecializ 14-108 Sewin achine 3. Different ypes f titches i pecialize ewi 109-167 machine 4. Achiev uality i ewi Work 168-218 5. Maintai Work re, Tools n Machines 219-244 औ 6. Maintai Healthy, afety a ecurity t Workplace 245-281 फल और ल र और र र ल फल और , और र फल और फ र र र र औ फल , और ल र , और , फ र, और फ ल - फल , र , र , र और ल ___________________________________________________________________________ ल ___ 2 2 फल फ र र और ल ल र र र और र र और और र र 12 Fruits and VegetablesSpecialized Processing Sewing Machine Operator Chapter 1 Introduction to Stitching and Apparel Sector औ फल और ल र और र र ल फल और , और र फल और फ र र र र औ फल , और ल र , और , फ र, और फ ल - फल , र , र , र और ल ___________________________________________________________________________ ल ___ 3 3 फल फ र र और ल ल र र र और र र और और र र 12 Fruits and VegetablesSpecialized Processing Sewing Machine Operator Learning Outcome: After attendin he ession, trainees oul be able o: Understa th titchin an pparel ndustry n ndi Lear about h different oles f ewi achin perator Pre Session Activity This ctivity he form f ―Flash Card‖ session. -
Hemmer Foot (ESG-HF) Instructions
Baby Lock Sewing Accessories Hemmer Foot (ESG-HF) Instructions This foot is designed to curl under a 3mm double hem while stitching with either a straight stitch or a decorative Parisian hemstitch. Works best on lightweight fabrics. 4. Position the fabric (reverse side facing up) under the presser This presser foot can be used on a sewing machine with a foot. Lower the needle 3 mm from the edges of the fabric, zigzag stitch width up to 7 mm. lower the presser foot, then sew 2 or 3 stitches. 1. Remove presser foot and attach snap-on narrow hemmer foot. 5. Raise the needle and the presser foot, and then hold the ends of the upper thread and lower thread to prevent them from being pulled out of the fabric and pull the fabric out from the front of the presser foot. 2. Select the straight stitch (center needle position). 3. Connect the foot controller so that both hands are free to guide the fabric. 6. Holding both threads, pass them through the curled part HINTS: If too little fabric is wrapped around the curl and a of the presser foot and pull them toward the back of the threefold seam is not being sewn: pull the fabric held in your presser foot. Wrap the fabric around the curled part of the right hand to the left in order to increase the amount of fabric presser foot in the same way. Position the edge of the fabric wrapped in the presser foot curl. At the same time, carefully just behind the needle and lower the presser foot. -
Free Motion Quilting by Joanna Marsh of Kustom Kwilts and Designs
Tips and Tools of the Trade for Successful Free Motion Quilting By Joanna Marsh of Kustom Kwilts and Designs Are you looking to add some “pizzazz” to your pieced quilting projects? The quilting on a project can add drama and really make a statement in what might otherwise be an ordinary quilt. Let’s take a look at the basic steps to getting started on your journey into free motion quilting! Supplies you’ll want to invest in (or at least research): • Free motion foot-compatible to your machine • Quality machine quilting thread • Scrap batting (no smaller than 10” x 10”) • Scrap fabrics (no smaller than 10” x 10”) • Spray baste or safety pins • Sketchbook and pens/pencils • Quilting needles • Disappearing ink pen (optional) • Seam ripper • Supreme slider by Pat LaPierre (smaller size) • Stencils • Chalk pounce pad • Chalk for pounce pad • Various rulers for quilting (1/4” thick) • Ruler foot (if applicable) Tools of the Trade: Drawbacks and Benefits Tool Benefit Drawback Spray Baste Fast and more convenient than safety pins. Can gum up your needles. It needs to be More repositionable. sprayed outside. Disappearing Ink Pen Great for marking. The pens that disappear with heat can reappear in extreme cold. Pens that are “air” soluble will have markings that won’t last long the more humid the air is, but can reappear after washing. Quilting Gloves Provide you with an extra grip for easier Personal preference - they can be hot. movement of quilt sandwich. Supreme Slider Allows for super easy movement of quilt layers, Can be expensive. Needs to be replaced over especially helpful on domestic machines/sit time and use and has to be kept clean. -
Sewing Machine Needle Tips
Quilters Corner 518 West State Street Ithaca, New York 14850 Authorized PFAFF & Baby Lock sewing machine dealer 607-266-0850 www.e-quilterscorner.com Sewing Machine Needle Tips Did you know that you should change your machine needle every 6-8 hours of sewing? It's true! Changing your needle is one of the best preventative machine maintenance tasks you can do. You want the tip of the needle to be super sharp to go through your fabric without catching the threads. As you stitch, the tip of your needle will get microscopic nicks. The longer you sew on that same old needle, the more your pretty stitches will start to deteriorate. Why spend time sewing crummy stitches? Don't forget while changing your needle to take off your needle plate and brush your machine's teeth (clean around and in between the feed dogs, etc). If you don't do this, eventually you'll have dense pads of lint collecting and building up and it will effect how your fabric feeds. You should also clean around your bobbin area every time you change your bobbin. Just a quick swipe with a little brush will do the trick. What needle should you use? Quilting Needles are made especially for piecing and machine quilting. The special tapered design allows for easier fabric penetra- tion and helps eliminate skipped stitches. If you are having trouble burying your threads while quilting, try a single hole plate. The smaller hole in the plate helps keep the fabric from pulling through to the bobbin and the bobbin thread from pulling to the top. -
Placket Construction Options
Placket Construction Options 1 Type1: Two Separate Bound Edges on a rectangular stitching box The key to this structure is that the bindings are initially stitched only to the seam allowances on each side, and NOT stitched across the end, of the clipped box, which means that they, and the clipped triangle at the bottom, remain loose and can be arranged before the nal nishing to go on either side of the fabric, as well as either over or under the other, after joining them at the sides. The widths and lengths of the bindings and the space between the sides of the clipped box determine all the other options available in this most exible of all the placket types I know of. Variation 1: Both bindings t inside the stitching box If you cut the bindings so the nished, folded widths of both are equal to or smaller than the space between the initial stitching lines, as shown above, you can arrange both ends at the clipped corners to all go on one side of the fabric (right or wrong side), along with the clipped triangle on the garment. You’ll get the best results if the underlapping binding is slightly smaller than the overlapping one. This can be man- aged by taking slightly deeper seam allowances when you join this piece, so they can initially be cut from the same strip. Or, you can place one end on each side with the Both ends on RS One end on RS, Both ends on WS triangle sandwiched in between.