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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
High-Level Nuclear Wastes and the Environment: Analyses of Challenges and Engineering Strategies
World Journal of Nuclear Science and Technology, 2012, 2, 89-105 http://dx.doi.org/10.4236/wjnst.2012.23015 Published Online July 2012 (http://www.SciRP.org/journal/wjnst) High-Level Nuclear Wastes and the Environment: Analyses of Challenges and Engineering Strategies Mukhtar Ahmed Rana Physics Division, Directorate of Science, PINSTECH, Islamabad, Pakistan Email: [email protected], [email protected] Received February 11, 2012; revised April 2, 2012; accepted April 19, 2012 ABSTRACT The main objective of this paper is to analyze the current status of high-level nuclear waste disposal along with presen- tation of practical perspectives about the environmental issues involved. Present disposal designs and concepts are ana- lyzed on a scientific basis and modifications to existing designs are proposed from the perspective of environmental safety. A new concept of a chemical heat sink is introduced for the removal of heat emitted due to radioactive decay in the spent nuclear fuel or high-level radioactive waste, and thermal spikes produced by radiation in containment materi- als. Mainly, UO2 and metallic U are used as fuels in nuclear reactors. Spent nuclear fuel contains fission products and transuranium elements which would remain radioactive for 104 to 108 years. Essential concepts and engineering strate- gies for spent nuclear fuel disposal are described. Conceptual designs are described and discussed considering the long-term radiation and thermal activity of spent nuclear fuel. Notions of physical and chemical barriers to contain nu- clear waste are highlighted. A timeframe for nuclear waste disposal is proposed and time-line nuclear waste disposal plan or policy is described and discussed. -
Institute of Film & Video Technology, Mumbai
INSTITUTE OF FILM & VIDEO TECHNOLOGY, MUMBAI & MEWAR UNIVERSITY, CHITTORGARH (Rajasthan) PROSPECTUS for JOINT PROGRAMMES ABOUT THE IFVT: There has always been a mad rush of people aspiring to join the glamour world of Cinema and Television. However, there is no clear cut path carved out for their entry other than through the Film Institutes established by the Government. There is always a need felt by the Production Houses to have trained film makers and technicians for quality film and Television productions. Considering this huge requirement of trained professionals many private institutes have mushroomed in various places. However these Institutes also lack the trained faculty in various departments of film making. This has prompted few graduates from Film and Television Institutes of India to come together and thus the Institute of Film and Video Technology was established with a sole objective of providing professional education in Cinema and Television Technology. The IFVT endeavors to take Cinema Education to the places where Cinema is not made and Cinema is not taught. IFVT opens a window of opportunities to those who have no access to the world of Cinema. OUR MISSION: To strive to give Cinema Education a Professional status Equivalent to other professional Degrees such as Medical, Engineering, Computers etc by providing a Bachelors degree in Cinema & Television with Master’s degree & PhD in cinema thereafter. FACILITIES AND SERVICES: IFVT draws its highly experienced faculty from internationally renowned Film Institutes and from the film industry. Apart from the permanent faculty, the IFVT has tie ups and arrangements with reputed artistes and technicians from the film world to train & share their experiences with the students. -
Trends of Pakistani Films: an Analytical Study of Restoration of Cinema
Trends of Pakistani films: An analytical study of restoration of cinema Fouzia Naz* Sadia Mehmood** ABSTRACT People prefer to go to the cinema as compared to theaters because of its way of execution and performance. Background music, sound effects, lights, direction attract people, and its demonstrations relate people to their lives. It is true that films have a unique and powerful connection between human behavior and societal culture. Pakistani film industry faced the downfall and now it is doing its best to make the films on international standards. In this research article, the background of Pakistani cinema and causes of downfall will be discussed. The main idea of this research article is to identify and study the development of Pakistani film industry. Qualitative and quantitative data collection will be used as the research method of this research. This research article helps in observing different mass media theory based on Pakistani cinema. Moreover, it will be explained what filmmakers critiques and people say regarding revival or restoration. Keywords: downfall, revival, the impact of the Pakistani film industry, Lollywood *Assistant professor, Mass Communication, University of Karachi) **Assistant professor, Mass Communication, University of Karachi) 33 Jhss, Vol. 8, No. 2 , July to December, 2017 The definition of cinema can be explained as “another word of moving a picture”1This is the place where films are shown to the public. Most of the people who are not into the arts get confused in cinema and theater. The theater is the building where live performance is performed2. The similarity between cinema and theaters are both of them execute act and created for public entertainment. -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Compounding Injustice: India
INDIA 350 Fifth Ave 34 th Floor New York, N.Y. 10118-3299 http://www.hrw.org (212) 290-4700 Vol. 15, No. 3 (C) – July 2003 Afsara, a Muslim woman in her forties, clutches a photo of family members killed in the February-March 2002 communal violence in Gujarat. Five of her close family members were murdered, including her daughter. Afsara’s two remaining children survived but suffered serious burn injuries. Afsara filed a complaint with the police but believes that the police released those that she identified, along with many others. Like thousands of others in Gujarat she has little faith in getting justice and has few resources with which to rebuild her life. ©2003 Smita Narula/Human Rights Watch COMPOUNDING INJUSTICE: THE GOVERNMENT’S FAILURE TO REDRESS MASSACRES IN GUJARAT 1630 Connecticut Ave, N.W., Suite 500 2nd Floor, 2-12 Pentonville Road 15 Rue Van Campenhout Washington, DC 20009 London N1 9HF, UK 1000 Brussels, Belgium TEL (202) 612-4321 TEL: (44 20) 7713 1995 TEL (32 2) 732-2009 FAX (202) 612-4333 FAX: (44 20) 7713 1800 FAX (32 2) 732-0471 E-mail: [email protected] E-mail: [email protected] E-mail: [email protected] July 2003 Vol. 15, No. 3 (C) COMPOUNDING INJUSTICE: The Government's Failure to Redress Massacres in Gujarat Table of Contents I. Summary............................................................................................................................................................. 4 Impunity for Attacks Against Muslims............................................................................................................... -
Narendra Modi: Architect of Gujarat Genocide 2002
Modi: Architect of Gujarat Genocide. Targetting of Women May 01, 2002. The Milli Gazette. Syed Ubaidur Rahman. Were sexual crimes in Gujarat planned? Ahmedabad: Women have been the main target of the rioters in Gujarat. After visiting the state for more than a week and meeting hundreds of people in different camps spread over the four most affected districts of the state including Panchmahal, (under which Godhra comes) Baroda, Anand and Ahmadabad, I have reached the conclusion that women were consciously and specially targeted by the rioters who were being controlled by the VHP and Bajrang Dal criminals besides the members of the RSS and the BJP. The way the Hindu mobs acted while brutally dishonouring Muslim women will put the Serbs in Bosnia and Kosovo to shame. Wherever there were killings, there were large scale rapes of Muslim women irrespective of age differences. There are incidents when all this was done while their fathers, brothers and husbands were made to witness this brutality after being made captives. And at times all this was done inside the village mosques. Fatima Bibi Md Yaqub Sheikh whose family lost 19 members including her sisters and brothers says that whatever they did could have been justified, except the way they raped women. She says that when her family tried to flee Naroda Patia, the area where 90 people were burnt alive they all requested the police to save them, but police instead of doing anything for their safety asked them to surrender themselves to the mob. She says that her sister and her niece both were repeatedly raped by the mob. -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
Members of the Local Authorities Alappuzha District
Price. Rs. 150/- per copy UNIVERSITY OF KERALA Election to the Senate by the member of the Local Authorities- (Under Section 17-Elected Members (7) of the Kerala University Act 1974) Electoral Roll of the Members of the Local Authorities-Alappuzha District Name of Roll Local No. Authority Name of member Address 1 LEKHA.P-MEMBER SREERAGAM, KARUVATTA NORTH PALAPPRAMBILKIZHAKKETHIL,KARUVATTA 2 SUMA -ST. NORTH 3 MADHURI-MEMBER POONTHOTTATHIL,KARUVATTA NORTH 4 SURESH KALARIKKAL KALARIKKALKIZHAKKECHIRA, KARUVATTA 5 CHANDRAVATHY.J, VISHNUVIHAR, KARUVATTA 6 RADHAMMA . KALAPURAKKAL HOUSE,KARUVATTA 7 NANDAKUMAR.S KIZHAKKEKOYIPURATHU, KARUVATTA 8 SULOCHANA PUTHENKANDATHIL,KARUVATTA 9 MOHANAN PILLAI THUNDILVEEDU, KARUVATTA 10 Karuvatta C.SUJATHA MANNANTHERAYIL VEEDU,KARUVATTA 11 K.R.RAJAN PUTHENPARAMBIL,KARUVATTA Grama Panchayath Grama 12 AKHIL.B CHOORAKKATTU HOUSE,KARUVATTA 13 T.Ponnamma- ThaichiraBanglow,Karuvatta P.O, Alappuzha 14 SHEELARAJAN R.S BHAVANAM,KARUVATTA NORTH MOHANKUMAR(AYYAPP 15 AN) MONEESHBHAVANAM,KARUVATTA 16 Sosamma Louis Chullikkal, Pollethai. P.O, Alappuzha 17 Jayamohan Shyama Nivas, Pollethai.P.O 18 Kala Thamarappallyveli,Pollethai. P.O, Alappuzha 19 Dinakaran Udamssery,Pollethai. P.O, Alappuzha 20 Rema Devi Puthenmadam, Kalvoor. P.O, Alappuzha 21 Indira Thilakan Pandyalakkal, Kalavoor. P.O, Alappuzha 22 V. Sethunath Kunnathu, Kalavoor. P.O, Alappuzha 23 Reshmi Raju Rajammalayam, Pathirappally, Alappuzha 24 Muthulekshmi Castle, Pathirappaly.P.O, Alappuzha 25 Thresyamma( Marykutty) Chavadiyil, Pathirappally, Alappuzha 26 Philomina (Suja) Vadakkan parambil, Pathirappally, Alappuzha Grama Panchayath Grama 27 South Mararikulam Omana Moonnukandathil, Pathirappally. P.O, Alappuzha 28 Alice Sandhyav Vavakkad, Pathirappally. P.O, Alappuzha 29 Laiju. M Madathe veliyil , Pathirappally P O 30 Sisily (Kunjumol Shaji) Puthenpurakkal, Pathirappally. P.O, Alappuzha 31 K.A. -
July 2021 Birmingham City University | Award Ceremonies 2021 Birmingham City University | Award Ceremonies 2021
GRADUATION CELEBRATIONS July 2021 Birmingham City University | Award Ceremonies 2021 Birmingham City University | Award Ceremonies 2021 WELCOME TO YOUR AWARD CEREMONIES My people. The sorting hat has spoken. Chuffed to little meatballs in honour of your magnificence in completing your academic studies to date. You are officially a super-certified genius. The portfolio of specialised skills attained at BCU are sure to equip you for success, world domination and beyond. I couldn’t be prouder. I congratulate you from my toes to the top of my pointy head. Know this, and know it well: you rock. Sir Lenny Henry Chancellor of the University Welcome to our Virtual Graduation Ceremonies. While we have to wait a little longer to welcome you to our in person ceremonies, this is a day for celebration for our graduates, and for your families, friends and supporters. As Vice-Chancellor of the University I take particular pleasure in these ceremonies which mark the great achievements of our graduates, and celebrate the power of education to help to transform lives. As our graduates become alumni of the University, we look forward to continuing to work together. You are part of our community and we take great pride in what you have achieved. On behalf of all of the staff of the University, I wish all our graduates every success in their chosen careers. Professor Philip Plowden Vice-Chancellor CONTENTS CELEBRATE ON SOCIAL MEDIA Order of proceedings 4 Graduands 8 We’re so proud of every student graduating and we’d love /birminghamcityuniversity to see your photos and posts celebrating this fantastic Graduand presentation order 5 Alumni and careers 42 day. -
Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan
Syracuse University SURFACE Dissertations - ALL SURFACE June 2014 Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan Faris Ahmed Khan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Khan, Faris Ahmed, "Khwaja Sira: Culture, Identity Politics, and "Transgender" Activism in Pakistan" (2014). Dissertations - ALL. 56. https://surface.syr.edu/etd/56 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract In 2009, the Pakistani Supreme Court began granting rights to gender ambiguous people who are locally known as khwaja siras. The Court organized this population into taxonomic groups and ordered the government to ‘mainstream’ them. These actions were based on certain cultural assumptions and occurred amid uncertainties about who khwaja siras really were. Meanwhile, khwaja siras began to mobilize in an effort to control their public image. Based on fourteen months of ethnographic fieldwork on the identity politics of khwaja siras in Karachi, this dissertation seeks to understand the ways in which gender ambiguous people constructed, negotiated and represented themselves both within their social networks and in the wider society, as well as the factors underpinning their public portrayals. I conceive khwaja sira politics as a ‘game’, that is, as the art of manipulation and concealment. I argue that the games of secrecy and deception in which this minority population engaged were responses to the stigma they experienced in everyday life. -
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TELEPHONE DIRECTORY FOR MUMBAI REGION PRINCIPAL CHIEF COMMISSIONER OF INCOME TAX ROOM NO. 321, AAYAKAR BHAVAN, M.K. ROAD, MUMBAI-400020 Designation Name of the officer Office Tel.No. Fax No location EPBX No Staff room Pr.CCIT Patanjali 22017654 22062597 AB-321 2322 373 CIT(Admn & TPS) Rajesh Damor 22120261 22120262 AB-324 2324 133 A.O. to Pr.CCIT Pramod Y Devikar AB-373 2373 373 Sr.P.S. Deepa Rasal 22017654 22062597 AB-322 2322/2182 322 PS Vinita Bipin 22017654 22062597 AB-322 2322/2182 322 ADDITIONAL COMMISSIONERS OF INCOME TAX WITH PR.CCIT Designation Name of the officer Office Tel.No. Fax No location EPBX No Staff room Addl.CIT(HQ) Admin, Vig & Tech Abhinay Kumbhar 22014373 22095481 AB-329 2329 326+316 Addl CIT(HQ) Project & TPS Arju Garodia 22129210 22120235 AB-337 2337 111 Addl .CIT(HQ) Co-ordination Sambit Mishra 22014596 22013301 AB-335 2335 111 Addl.CIT(HQ) Personnel Dhule Kishore Sakharam 22016691 22079273 AB-340 2340 383 COMMISSIONER OF INCOME TAX (ADMIN. & TPS) R.NO.324, 3RD FLOOR, AAYAKAR BHAVAN, M.K. ROAD MUMBAI - 400 020. Designation Name of the officer Office Tel.No. FAX NO location EPBX No. Staff room CIT (Admn. & TPS) Rajesh Damor 22120261 22120262 AB-324 2324 133C Jt./Addl. CIT (CO) K P R R Murty 26570003 26570003 139A DCIT (CO) Ashok Natha Bhalekar 22078288 133C J.D. (Systems) S. Renganathan AB 120 133C D.D. (Systems) Rajesh Kumar 26570426 AB 114 133C A.D. (Systems)-1 Sajeev Sathyadasan 26572622 AB 115 133C A.D.