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The Nemedian Chroniclers #22 [WS16]
REHeapa Winter Solstice 2016 By Lee A. Breakiron A WORLDWIDE PHENOMENON Few fiction authors are as a widely published internationally as Robert E. Howard (e.g., in Bulgarian, Croatian, Czech, Dutch, Estonian, Finnish, French, German, Greek, Hungarian, Italian, Japanese, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, Swedish, Turkish, and Yugoslavian). As former REHupan Vern Clark states: Robert E. Howard has long been one of America’s stalwarts of Fantasy Fiction overseas, with extensive translations of his fiction & poetry, and an ever mushrooming distribution via foreign graphic story markets dating back to the original REH paperback boom of the late 1960’s. This steadily increasing presence has followed the growing stylistic and market influence of American fantasy abroad dating from the initial translations of H.P. Lovecraft’s Arkham House collections in Spain, France, and Germany. The growth of the HPL cult abroad has boded well for other American exports of the Weird Tales school, and with the exception of the Lovecraft Mythos, the fantasy fiction of REH has proved the most popular, becoming an international literary phenomenon with translations and critical publications in Spain, Germany, France, Greece, Poland, Japan, and elsewhere. [1] All this shows how appealing REH’s exciting fantasy is across cultures, despite inevitable losses in stylistic impact through translations. Even so, there is sometimes enough enthusiasm among readers to generate fandom activities and publications. We have already covered those in France. [2] Now let’s take a look at some other countries. GERMANY, AUSTRIA, AND SWITZERLAND The first Howard stories published in German were in the fanzines Pioneer #25 and Lands of Wonder ‒ Pioneer #26 (Austratopia, Vienna) in 1968 and Pioneer of Wonder #28 (Follow, Passau, Germany) in 1969. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Son-WSFA 105 Miller 1973-09-02
SON OF THE VSFA 7 P u r n a l SF/Fantasy Nows/Rcvrcw-'Zino — 2nd Sep. ’73 Issue — (Vol". 18, #3; Whole #165) Editor & Publisher; Don Miller----- WSFA Issue #1-------- 25# per copy, 10/(?2.00 In. This Issue — IN THIS ISSUE; IN BRIEF (misc. notes/comments); COLOPHON ..................... pg 1 S.F. PARADE: Book Reviews (DON D'AMMASSA: Right-Handed Wilderness, by Robert Wells; Testament XXI, by Guy Snyder; On Wheels, by John Jakes; BARRY GILLAM: Breakfast of Champions, by Kurt Vonnegut, Jr.; DAVID STEVER: A World of Trouble, by Robert E. Toomey, Jr.) ............................. pg 2 THE NATIONAL SCENE: The Club Circuit (U.S. Fanzines Rac'd); The Con Game (most of Oct. '73) ............................... PP 3>h THE LOCAL SCENE: WSFA Report (Minutes of 17/8/73); WSFA Miscellany; TV Notos; Isis Center News; Miscellany) .................. pp 5,6 THE AMATEUR PRESS: U.S. Fanzines Received....................................................... pp 7,8 BOOKWORLD: Books Received; Books Announced ................................................. pp 9,10 In Brief — THE WSFA JOURNAL #82 was mailed out last Sat. (15 Sept.); it counted as five (5) issues on SOTWJ subs, and individual copies (supply is short) are (JI. 00. Be sure and check your status as indicated below: /~7 — Copy mailed to you as part of SOTWJ sub; your SOTWJ sub is 5 issues shorter / / — You contributed or helped prepare issue; your sub has not been shortened. / / — Copy mailed to you for reason other than subscription. / / — Copy not mailed to you—not enough issues left on your SOTWJ sub; to get copy, renew sub or send 01 for single copy to us before Oct. -
Imagining the Congregation of the 21St Century Musings from My Trip Back to School… by Rabbi Aaron Bisno, P.4
Check out our YouTube Channel: www.youtube.com/user/RodefShalomPgh Nissan– Tammuz 5779 | May - July 2019 Issue No. 110 the connection Imagining the Congregation of the 21st Century Musings from my trip back to school… By Rabbi Aaron Bisno, p.4 also in this issue Rabbi Aaron Bisno and Rabbi Dr. Walter Jacob attended the 150 th annual gathering of the Central Conference of American Rabbis at Hebrew Union College in Cincinatti. Rodef Shalom Cares: Make an Impact, Volunteer with Our Caring Committee Karen Brean, President, p.3 Celebrate Summer A Guatemalan Sojourn for Human Rights in the Biblical Rabbi Sharyn Henry, p.5 Building a Stronger Rodef Shalom Community Botanical Garden barry weisband, Murray Klein Executive Director. p.6 P. 14 109 Shevat- Nissan 5779 | May-July 2019 Contents Issue No. 110 3 Rodef Shalom Cares: Volunteer with Our Caring Committee We are a Reform Jewish congregation karen brean 11 “Doing Congregation” in the dedicated to melding the traditions of Early 20th Century: The Seekers our faith with contemporary life. Our 4 Imagining the Congregation congregation was chartered in 1856 and martha l. berg is one of five synagogues on the National of the 21st Century Register of Historic Landmarks. We are rabbi aaron bisno 12 Growing Prayer, Practice a diverse congregation engaged in social & Learning Opportunities issues, culture, and learning—made up 5 A Guatemalan Sojourn at Rodef Shalom of multigenerational, multicultural, and for Human Rights bill klingensmith & Salem Leaman interfaith families and individuals; our rabbi sharyn h. henry doors are open to everyone. 13 Social Justice and Action Staff Phone Extensions 6 Building a Stronger Committee Works to Empower 412.621.6566 Rodef Shalom Community Immigrants, Support Gun Safety barry weisband david manchester & sarah rosenson Sherry Bell 137 Martha Berg 131 14 Biblical Garden Summer Events Rabbi Aaron Bisno 123 7 Teach Your Children Well: Yael Eads 130 Judaism Through Generations Dan Eisner 116 mayda roth 15 Member Connections Rabbi Sharyn Henry 126 Dr. -
A History of Appalachia
University of Kentucky UKnowledge Appalachian Studies Arts and Humanities 2-28-2001 A History of Appalachia Richard B. Drake Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Drake, Richard B., "A History of Appalachia" (2001). Appalachian Studies. 23. https://uknowledge.uky.edu/upk_appalachian_studies/23 R IC H ARD B . D RA K E A History of Appalachia A of History Appalachia RICHARD B. DRAKE THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the E.O. Robinson Mountain Fund and the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Paperback edition 2003 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kenhlcky Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 12 11 10 09 08 8 7 6 5 4 Library of Congress Cataloging-in-Publication Data Drake, Richard B., 1925- A history of Appalachia / Richard B. -
An Interview with John Jakes, Chronicler of the American Epic
Civil War Book Review Spring 2000 Article 1 'Unrelenting Suspense': An Interview With John Jakes, Chronicler Of The American Epic Katie L. Theriot Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Theriot, Katie L. (2000) "'Unrelenting Suspense': An Interview With John Jakes, Chronicler Of The American Epic," Civil War Book Review: Vol. 2 : Iss. 2 . Available at: https://digitalcommons.lsu.edu/cwbr/vol2/iss2/1 Theriot: 'Unrelenting Suspense': An Interview With John Jakes, Chronicler Interview 'UNRELENTING SUSPENSE': AN INTERVIEW WITH JOHN JAKES, CHRONICLER OF THE AMERICAN EPIC Theriot, Katie L. Spring 2000 Civil War Book Review (cwbr): You have achieved prominence as a writer of historical fiction. Do you see your role as primarily literary or historical -- or both? John Jakes (jj): From the time I made my first sale (a 1500-word short story in 1950), writing an entertaining narrative was my chief goal. It was, that is, until the 1970s, when I began to research and write the first of The Kent Family Chronicles. At that point something new intruded: before starting to write the first volume, The Bastard (Jove, ISBN 0515099279, $7.99 softcover), I decided to think of the novels as perhaps the only books about a given period that someone might read. The history therefore had to be as correct as conscientious research could make it without devoting a lifetime to it. I have followed that path ever since, with two goals for every novel: the entertaining story and the accurate history. Readers have come to appreciate and expect that duality, and indeed some have said that people have probably learned more history from me than from all the teachers, texts, and scholarly tomes in existence. -
Freedom Is Hard Extension 119 Many State Governments Have Not Exactly Joined the Green Wave, [email protected] Either
Friday, 7.3.15 ON THE WEB: www.yankton.net views VIEWS PAGE: [email protected] PAGE 4A PRESS&DAKOTAN The Press Dakotan THE DAKOTAS’ OLDEST NEWSPAPER | FOUndED 1861 Yankton Media, Inc., 319 Walnut St., Yankton, SD 57078 CONTACT US OPINION OTHER VIEWS PHONE: (605) 665-7811 (800) 743-2968 NEWS FAX: Fuel Efficiency: (605) 665-1721 ADVERTISING FAX: (605) 665-0288 WEBSITE: A Helpful Reboot www.yankton.net ––––– THE KANSAS CITY STAR (June 29): When you set big goals, SUBSCRIPTIONS/ sometimes you set yourself up for big failure. President Barack CIRCULATION Obama’s lofty plans to put more fuel-efficient vehicles on the roads Extension 104 crashed headlong into the realities of the marketplace. Even so, [email protected] there is value in striving to attain a noble end, especially a difficult CLASSIFIED ADS one. Extension 108 In 2011, the president shared his vision of a future in which the [email protected] nation’s cars emitted far less greenhouse gases. “I’m directing our NEWS DEPT. departments and our agencies to make sure 100 percent of the ve- Extension 114 hicles they buy are fuel-efficient or clean-energy cars and trucks by [email protected] 2015. Not 50 percent, not 75 percent — of our vehicles,” he said. SPORTS DEPT. Obama also wanted 1 million electric cars on the road by now. Extension 106 We all let the president down on that latter target. Car buyers [email protected] purchased about 287,000 plug-in vehicles in the past few years, far ADVERTISING DEPT. short Obama’s goal. -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
The American Revolution: Political Upheaval Led to U.S. Independence by History.Com, Adapted by Newsela Staff on 05.12.17 Word Count 740 Level 800L
The American Revolution: Political Upheaval Led to U.S. Independence By History.com, adapted by Newsela staff on 05.12.17 Word Count 740 Level 800L Continental Army Commander-in-Chief George Washington leads his soldiers in the Battle of Princeton on January 3, 1777. Photo from Wikimedia The American Revolution was fought from 1775 to 1783. It is also known as the American Revolutionary War. In 1775, America was made up of 13 colonies, governed by the king in England. The people who lived there, known as colonists, thought the British government was unfair. Soon, fighting began between British troops and colonial rebels. By the following summer, the rebels had formed the Continental Army and were fighting a war for their independence. Trouble had been building France assisted the Continental Army. Together, they forced the British to surrender in 1781. Americans had won their independence by 1783. Well before that, by 1775, trouble had been building between colonists and the British authorities for more than 10 years. The British government tried to make more money off the colonies. They collected taxes on sugar, stamps, tea and other goods. This article is available at 5 reading levels at https://newsela.com. 1 This angered many colonists. They hated paying taxes to the British government while not being able to vote or govern themselves. They wanted the same rights as other British citizens. Declaration of rights In 1770, British soldiers shot and killed five colonists in Boston, Massachusetts. It was called the Boston Massacre. In December 1773, a band of Bostonians dressed up as Native Americans. -
The American Revolution
The American Revolution “Who shall write the history of the American Revolution? Who can write it? Who will ever be able to write it?” -- John Adams to Thomas Jefferson, July 30, 1815 Lester J. Cappon, ed. The Adams-Jefferson Letters (1988) John Adams Thomas Jefferson Library of Congress Library of Congress “Who shall write the history of the American revolution? Who can write it? Who will ever be able to write it?” thus wrote John Adams in 1815 to Thomas Jefferson. From his home in Monticello, Virginia, Jefferson replied: “Nobody; except merely it's external facts. All it's councils, designs and discussions, having been conducted by Congress with closed doors, and no member, as far as I know, having even made notes of them, these, which are the life and soul of history must for ever be unknown.” Not so. Jefferson’s statement which infers that the Revolution was led by the Founding Fathers has long dominated the histories of the American Revolution. However, the Revolution was a people’s revolution—a truly radical revolution. While the iconic Founding Fathers remain a central part of the Revolution’s narrative, the American Revolution would have never occurred nor followed the course that we know now without the ideas, dreams, and blood spilled by American patriots whose names are not recorded alongside Washington, Jefferson, and Adams in history books. The Road to the War for American Independence By the time the first shots were fired in the American Revolution in 1775, Britain and America—not long before bonded so closely to one another that most white Americans considered themselves as English as any resident of Britain—had come to view each other as two very different societies. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.