REACHING the SUMMIT WCT Profiles Longtime Activist/ Vol 33, No
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Adams Avenue Street Fair
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, Tfolk, gospel, and bluegrass music news September-October 2004 THIRD ANNIVERSARY ISSUE Vol. 4, No. 1 official program adams ave. street fair - what to see , where to 7 S t a g e s • 8 0 M u s i c a l A c t s • go , how to get there • O s v Welcome ………………3 e h Street Fair Headliners …8 r t Performing Artists …10-19 o 4 o Schedules, Map ………12 0 B 0 s F P t Welcome Mat ………3 o f Mission Statement o a Contributors d r , C Full Circle.. …………4 A r San Diego Music Awards & Lou Curtiss t s s s t e Front Porch …………6 Stag & CeeCee James r 7 A Victoria Robertson C , Acoustic Music San Diego r d a Adams Ave. Street Fair o f o See pp. 8-19 t F Of Note. ……………19 s 0 Victoria Robertson B 0 Joe Morgan o 4 Northstar Session o t r Ramblin’... …………20 h e s Bluegrass Corner v Zen of Recording O José Sinatra Jim McInnes’ Radio Daze Funk • Country • World • Blues • Jazz • Folk • Zydeco • Rockabilly • Latin ‘Round About ....... …22 Sept.-Oct. Music Calendar The Local Seen ……23 nce again, the last weekend in September brings and many more — and continues to draw musicians to San Diego from all over the country who seek fame and exposure. Photo Page us the the largest, most diverse, free music festival Othat may exist in the world today. At the Adams Fun and family-oriented, there is so much to enjoy at the Avenue Street Fair, located between Bancroft Street and 35th Adams Avenue Street Fair: Three beer gardens, carnival rides, Street in Normal Heights, more than 80 different musical acts a pancake breakfast, and more than 400 food and arts and will take the stage over a two-day period: Saturday, September crafts booths. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
To Gay Marriage by LISA KEEN Stars Page 22 KEEN NEWS SERVICE
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 April 8, 2009 • vol 24 no 28 www.WindyCityMediaGroup.com Iowa says ‘I Do’ Chicago Red to gay marriage BY LISA KEEN Stars page 22 KEEN NEWS SERVICE In an enormous victory for equal marriage rights for gay couples, the Iowa Supreme Court ruled unanimously April 3 that gay couples should have the right to marriage licenses the same as heterosexual couples. The decision represents the first time a state supreme court has ruled unanimously in favor of equal marriage rights for gay couples, and it is the first time a state in America’s “heartland” has done so. The decision, which goes into ef- fect in 21 days, will make Iowa the third state to TrueChild be currently offering marriage licenses to same- sex couples. Cook-Off page 7 “We are firmly convinced the exclusion of gay and lesbian people from the institution of civil marriage does not substantially further any im- portant government objective,” wrote Justice Mark Cady, for the seven-member court. “The legislature has [with its 1998 law banning mar- riage] excluded a historically disfavored class of persons from a supremely important civil insti- tution without a constitutionally sufficient jus- tification.” The court said the law violated the state con- stitution’s guarantee of equal protection of the South by law and that the court’s own constitutional duty “requires” it to strike the law down. Southwest page 16 Noting that other supreme courts have al- lowed legislatures to provide “equal benefits” of Ingrid Olson (left) and Reva Evans of Council Bluffs, Iowa, talk with news reporters April 3 after marriage through civil unions, the Iowa court that state’s supreme court ruled unanimously in favor of same-sex marriage. -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. -
2016 Program Book
2016 INDUCTION CEREMONY Friends of the Chicago LGBT Hall of Fame Gary G. Chichester Mary F. Morten Co-Chairperson Co-Chairperson Israel Wright Executive Director In Partnership with the CITY OF CHICAGO • COMMISSION ON HUMAN RELATIONS Rahm Emanuel Mona Noriega Mayor Chairman and Commissioner COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST Published by Friends of the Chicago LGBT Hall of Fame 3712 North Broadway, #637 Chicago, Illinois 60613-4235 773-281-5095 [email protected] ©2016 Friends of the Chicago LGBT Hall of Fame In Memoriam The Reverend Gregory R. Dell Katherine “Kit” Duffy Adrienne J. Goodman Marie J. Kuda Mary D. Powers 2 3 4 CHICAGO LGBT HALL OF FAME The Chicago LGBT Hall of Fame (formerly the Chicago Gay and Lesbian Hall of Fame) is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, its Advisory Council on Gay and Lesbian Issues (later the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame (changed to the Chicago LGBT Hall of Fame in 2015) in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. Today, after the advisory council’s abolition and in partnership with the City, the Hall of Fame is in the custody of Friends of the Chicago LGBT Hall of Fame, an Illinois not- for-profit corporation with a recognized charitable tax-deductible status under Internal Revenue Code section 501(c)(3). -
Censorship, Borders, and the Queer Poetics of Disclosure in English-Canadian Writing, 1967-2000
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-21-2017 12:00 AM Crossing the Line: Censorship, Borders, and the Queer Poetics of Disclosure in English-Canadian Writing, 1967-2000 Kevin T. Shaw The University of Western Ontario Supervisor Dr. Manina Jones The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Kevin T. Shaw 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, North America Commons Recommended Citation Shaw, Kevin T., "Crossing the Line: Censorship, Borders, and the Queer Poetics of Disclosure in English- Canadian Writing, 1967-2000" (2017). Electronic Thesis and Dissertation Repository. 4526. https://ir.lib.uwo.ca/etd/4526 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Since Confederation enshrined Canada Customs’ mandate to seize “indecent and immoral” material, the nation’s borders have served as discursive sites of sexual censorship for the LGBTTQ lives and literatures that cross the line. While the Supreme Court’s decision in Little Sisters v. Canada (2000) upheld the agency’s power to exclude obscenity, the Court found Customs discriminatory in their preemptive seizures of LGBTTQ material. Extrapolating from this case of the state’s failure to sufficiently ‘read’ queer sex at the border, this dissertation moves beyond studies of how obscenity law regulates literary content to posit that LGBTTQ authors innovate aesthetics in response to a complex network of explicit and implicit forms of censorship. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
AM Joffrey Interviewees
Press Contacts: Natasha Padilla, WNET 212.560.8824, [email protected] Lynn Tejada, Green Galactic 213.840.1201, [email protected] Press Kits: pbs.org/pressroom or thirteen.org/pressroom Websites: pbs.org/americanmasters , facebook.com/americanmasters , #AmericanMasters American Masters Joffrey: Mavericks of American Dance Premieres nationally Friday, December 28 at 9 p.m. (ET) on PBS (check local listings) Interviewees (in alphabetical order) Sasha Anawalt , Author and lecturer Sasha Anawalt is director of University of Southern California Annenberg Arts Journalism Programs, including the Masters degree in Specialized Journalism (The Arts) program, a partnership with the five arts schools at USC that she helped create and launch in 2008. She is a lecturer on the Annenberg School of Journalism faculty. Anawalt also directs the USC Annenberg/Getty Arts Journalism Program. Anawalt’s best-selling cultural biography, The Joffrey Ballet: Robert Joffrey and the Making of an American Dance Company (Scribner, 1996), was re-issued in January 2012 as an e-book. American Masters Joffrey: Mavericks of American Dance is heavily based on her book. Charthel Arthur , Joffrey Ballet Dancer, 1965-1979 Charthel Arthur began her dance training in Pasadena, California with Eva Lorraine. After graduating from high school with honors, she went to New York and was given a full scholarship to the Joffrey Ballet School followed by an apprenticeship to the Joffrey Ballet and three months later she became a full company member. Arthur performed with the Joffrey Ballet for 13 years as a principal dancer. In 1983, Arthur and her husband, Robert Estner moved to Grand Rapids, Michigan to establish a professional ballet school now known as The School of the Grand Rapids Ballet. -
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree" -
Feasibility Study for the SANTA CRUZ VALLEY NATIONAL HERITAGE AREA
Feasibility Study for the SANTA CRUZ VALLEY NATIONAL HERITAGE AREA FINAL Prepared by the Center for Desert Archaeology April 2005 CREDITS Assembled and edited by: Jonathan Mabry, Center for Desert Archaeology Contributions by (in alphabetical order): Linnea Caproni, Preservation Studies Program, University of Arizona William Doelle, Center for Desert Archaeology Anne Goldberg, Department of Anthropology, University of Arizona Andrew Gorski, Preservation Studies Program, University of Arizona Kendall Kroesen, Tucson Audubon Society Larry Marshall, Environmental Education Exchange Linda Mayro, Pima County Cultural Resources Office Bill Robinson, Center for Desert Archaeology Carl Russell, CBV Group J. Homer Thiel, Desert Archaeology, Inc. Photographs contributed by: Adriel Heisey Bob Sharp Gordon Simmons Tucson Citizen Newspaper Tumacácori National Historical Park Maps created by: Catherine Gilman, Desert Archaeology, Inc. Brett Hill, Center for Desert Archaeology James Holmlund, Western Mapping Company Resource information provided by: Arizona Game and Fish Department Center for Desert Archaeology Metropolitan Tucson Convention and Visitors Bureau Pima County Staff Pimería Alta Historical Society Preservation Studies Program, University of Arizona Sky Island Alliance Sonoran Desert Network The Arizona Nature Conservancy Tucson Audubon Society Water Resources Research Center, University of Arizona PREFACE The proposed Santa Cruz Valley National Heritage Area is a big land filled with small details. One’s first impression may be of size and distance—broad valleys rimmed by mountain ranges, with a huge sky arching over all. However, a closer look reveals that, beneath the broad brush strokes, this is a land of astonishing variety. For example, it is comprised of several kinds of desert, year-round flowing streams, and sky island mountain ranges. -
Systems Go WCT HAS REVIEW, COMMENTARY on ‘TEDDY FERRARA’ Pages 12, 16
WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, JOSH DAVILA BI AND TRANS COMMUNITY SINCE 1985 GOES FROM ‘GAY IDOL’ TO FEB. 20, 2013 ‘AMERICAN VOL 28, NO.20 IDOL’ PAGE 19 www.WindyCityMediaGroup.comTIMES Former Scout on coming out BY KATE SOSIN Scouts? WCT: You have said that scouting gave you courage Christopher Pries: I earned my Eagle Scout in ’88 or to come out. Can you talk a little bit more about Before the Boy Scouts of America (BSA) ban on gay ’89. It was before I was out. that? GERBER/HART scouts ever became a thing of headlines, Christopher WCT: Did you know that you were gay when you CP: I think that the skills and qualities that scouting HOLDS PUBLIC Pries was leading hikes in New Mexico, problem solving were a Boy Scout? helps to develop in individuals that are involved in the MEETING with other scouts. Pries, an out gay Chicagoan, became CP: I was growing up in Texas in a strictly religious organization provide confidence in your ability to be a an Eagle Scout in the late ’80s. Today he feels that household, so I would say that, yes I knew. But I didn’t success, to be a leader regardless of the circumstances page 6 Scouts gave him the confidence to be himself, part of really fully understand. I didn’t know other gay people. that you may be presented. One of that last things that what made it easier for him to come out later. It was a different time and place.