Nietzsche and a Serious Man

Total Page:16

File Type:pdf, Size:1020Kb

Nietzsche and a Serious Man CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2014 Culture and Axiology is a semiannual peer-reviewed journal devo- 1 2014 Vol XI No 1 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL ISBN 978-3-631-65486-6 www.peterlang.com CULTURA 2014_265846_VOL_11_No1_GR_A5Br.indd.indd 1 14.05.14 17:43 CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2014 Culture and Axiology is a semiannual peer-reviewed journal devo- 1 2014 Vol XI No 1 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL www.peterlang.com CULTURA 2014_265846_VOL_11_No1_GR_A5Br.indd.indd 1 14.05.14 17:43 CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE AND AXIOLOGY Cultura. International Journal of Philosophy of Culture and Axiology E-ISSN (Online): 2065-5002 ISSN (Print): 1584-1057 Advisory Board Prof. Dr. David Altman, Instituto de Ciencia Política, Universidad Catolica de Chile, Chile Prof. Emeritus Dr. Horst Baier, University of Konstanz, Germany Prof. Dr. David Cornberg, University Ming Chuan, Taiwan Prof. Dr. Paul Cruysberghs, Katholieke Universiteit Leuven, Belgium Prof. Dr. Nic Gianan, University of the Philippines Los Baños, Philippines Prof. Dr. Marco Ivaldo, Department of Philosophy “A. Aliotta”, University of Naples “Federico II”, Italy Prof. Dr. Michael Jennings, Princeton University, USA Prof. Dr. Maximiliano E. Korstanje, University of Palermo, Argentina Prof. Dr. Richard L. Lanigan, Southern Illinois University, USA Prof. Dr. Christian Lazzeri, Université Paris Ouest Nanterre La Défense, France Prof. Dr. Massimo Leone, University of Torino, Italy Prof. Dr. Asunción López-Varela Azcárate, Complutense University, Madrid, Spain Prof. Dr. Christian Möckel, Humboldt University of Berlin, Germany Prof. Dr. Devendra Nath Tiwari, Banaras Hindu University, Varanasi, India Prof. Dr. José María Paz Gago, University of Coruña, Spain Prof. Dr. Mario Perniola, University of Rome “Tor Vergata”, Italy Prof. Dr. Traian D. Stănciulescu, Alexandru Ioan Cuza University Iassy, Romania Prof. Dr. Steven Tötösy de Zepetnek, Purdue University & Ghent University Editorial Board Editor-in-Chief: Co-Editors: Prof. dr. Nicolae Râmbu Prof. dr. Aldo Marroni Faculty of Philosophy and Social- Dipartimento di Lettere, Arti e Scienze Sociali Political Sciences Università degli Studi G. d’Annunzio Alexandru Ioan Cuza University Via dei Vestini, 31, 66100 Chieti Scalo, Italy B-dul Carol I, nr. 11, 700506 Iasi, Romania [email protected] [email protected] PD Dr. Till Kinzel Executive Editor: Englisches Seminar Dr. Simona Mitroiu Technische Universität Braunschweig, Human Sciences Research Department Bienroder Weg 80, Alexandru Ioan Cuza University 38106 Braunschweig, Germany Lascar Catargi, nr. 54, 700107 Iasi, Romania [email protected] [email protected] Editorial Assistant: Dr. Marius Sidoriuc Designer: Aritia Poenaru Cultura International Journal of Philosophy of Culture and Axiology Vol. 11, No. 1 (2014) Editor-in-Chief Nicolae Râmbu Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. Umschlagabbildung: © Aritia Poenaru ISSN 2065-5002 ISBN 978-3-631-65486-6 (Print) E-ISBN 978-3-653-04760-8 (E-Book) DOI 10.3726/978-3-653-04760-8 © Peter Lang GmbH Internationaler Verlag der Wissenschaften Frankfurt am Main 2014 All rights reserved. Peter Lang Edition is an Imprint of Peter Lang GmbH. Peter Lang – Frankfurt am Main · Bern · Bruxelles · New York · Oxford · Warszawa · Wien All parts of this publication are protected by copyright. Any utilisation outside the strict limits of the copyright law, without the permission of the publisher, is forbidden and liable to prosecution. This applies in particular to reproductions, translations, microfilming, and storage and processing in electronic retrieval systems. This publication has been peer reviewed. www.peterlang.com CONTENTS Kyung Han You & Jiha Kim 7 Marcuse’s Legacy and Foucault’s Challenge: A Critical Inquiry into the Relationship between Comedic Pleasure and the Popular Media Pedro Blas González 23 The Economics of Being: The Struggle for Existence in Prehistory Luka Zevnik 41 The Discussion about the Universality of Happiness and the Promise of Neuroscience Peter Mathews 63 The Morality Meme: Nietzsche and A Serious Man Patrizia Torricelli 83 The Cognitive Basis of Value in Grammatical Form: A Case Study of the Italian Verbs vedere volere and avere Cyril-Mary P. Olatunji 99 A Philosophical Comparison of John 1:1-18 and the Yoruba Concept of ÒrÒ Mahdi Dahmardeh, Hossein Timcheh Memar & Abbas Timcheh 113 Memar On Ethics and Culture: A Matter of Variation or Deviation? A study on Top Notch Series Adrian Nita 127 Leibniz on Spontaneity as a Basic Value Benaouda Bensaid & Fadila Grine 141 Old Age and Elderly Care: An Islamic Perspective Georg W. Oesterdiekhoff 165 Psychological Stage Development and Societal Evolution. A Completely New Foundation to the Interrelationship between Psychology and Sociology Dragos Bigu 193 The Place of Values in Scientific Knowledge 10.5840/cultura20141114 Cultura. International Journal of Philosophy of Culture and Axiology 11(1)/2014: 63–81 The Morality Meme: Nietzsche and A Serious Man Peter Mathews Department of English Language and Literature, Hanyang University 222 Wangsimni-ro, Seongdong-gu, Seoul 133-791, South Korea [email protected] Abstract. Pairing together the Coen brothers film A Serious Man (2009) with the philosophy of Friedrich Nietzsche, this paper looks at questions about morality, illusion, and the influence of Jewish thought on contemporary ethics. Beginning with a reading of Nietzsche that locates his discussion of the Jews within its proper historical context, it traces the beginnings of the “morality meme,” the notion of a universal moral reward that, Nietzsche argues, arises during the Deuteronomist period of Jewish history. The second part of the paper looks at how A Serious Man also engages in an interrogation of this moralistic overcoding of the universe, with a particular emphasis on how these questions upset Larry Gopnik’s views of both science and religion. The essay then concludes with a look at the poisonous effects of the “morality meme,” showing in particular how it has influenced the psychology of anti-Semitism. Rather than a rejection of Jewishness, the paper concludes that in A Serious Man the Coen brothers engage in a careful but loving criticism of their own culture that requires them to distance themselves from the problematic effects of its religious morality. Keywords: Nietzsche, Coen Brothers, A Serious Man, Morality, Jewishness. This essay sets out to interpret the Coen brothers film A Serious Man (2009) through the philosophy of Friedrich Nietzsche on the premise that their works converge in the shared task of engaging, through the prism of Jewish identity, in a poignant interrogation of the destructive illusions that so often plague humanity. In earlier films like Miller’s Crossing (1990) and Barton Fink (1991), Joel and Ethan Coen have tended to treat the topic of Jewishness from the perspective of its rejection by American society, with the Jews in these films clear outsiders to the society in which they operate. A Serious Man, by contrast, has a different feel to it because, even though anti-Semitism does occasionally rear its ugly head in the course of the story, the film’s protagonist, Larry Gopnik, lives in a cultural context that consists predominantly of other Jews. Given how closely the film’s setting resembles the Coens’ own upbringing, A Serious Man can be read as an incisive interrogation by the brothers of their own Jewish background, an unflinching critique that seeks to address some difficult truths at the same time as maintaining an 63 Peter Mathews / The Morality Meme: Nietzsche and A Serious Man obvious pride in their own cultural origins. The film is not a renunciation by the Coens of their Jewishness, but rather an attempt to find a point of reconciliation with it that does not sacrifice the intellectual honesty of their secular outlook. Nietzsche’s relationship to Jewish culture has a different but equally complicated history. The taint of anti-Semitism unfairly attached to his name by the Nazis has slowly abated over the past century, thanks to the work begun by Georges Bataille in “Nietzsche and the Fascists” (1936) and consolidated by his translator and biographer Walter Kaufmann in Nietzsche:
Recommended publications
  • Hole a Remediative Approach to the Filmmaking of the Coen Brothers
    University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................
    [Show full text]
  • Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016
    Christian Wessely Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016 I would hardly seem the most likely candidate to review a book on the Coen brothers. I have not seen all of their films, and the ones I saw … well, either I did not understand them or they are really as shallow as I thought them to be. With one exception: I did enjoy O Brother, Where Art Thou? (2000). And I like A Serious Man (2009). So, two exceptions. And, of course, True Grit (2010) – so, all in all three exceptions1 … come to think of it, there are more that have stuck in my mind in a positive way, obfuscated by Barton Fink (1991) or Burn After Reading (2008). Therefore, I was curious wheth- er Elijah Siegler’s edited collection would change my view on the Coens. Having goog- led for existing reviews of the book that might inspire me, I discovered that none are to be found online, apart from the usual flattery in four lines on the website of Baylor University Press, mostly phrases about the unrivalled quality of Siegler’s book. Turns out I have do all the work by myself. Given that I am not familiar with some of the films used to exemplify some of this book’s theses, I will be brief on some chapters and give more space to those that deal with the films I know. FORMAL ASPECTS Baylor University Press is well established in the fields of philosophy, religion, theol- ogy, and sociology. So far, they have scarcely published in the media field, although personally I found two of their books (Sacred Space, by Douglas E.
    [Show full text]
  • A Serious Man (2009)
    A Serious Man (2009) “Receive with simplicity everything that happens” --Rashi Major Credits: Directors: Joel and Ethan Coen Script: Joel and Ethan Coean Cinematography: Roger Deakins Editing: Roderick Jaynes (pseudonym for Joel and Ethan Coen) Music: Carter Burwell Cast: Michael Stuhlbarg (Larry Gopnik); Richard Kind (Uncle Arthur); Fred Melamed (Sy Abelman); Sari Lennick (Judith Gopnik); Amy Landecker (Mrs. Samsky) Background: Following the success of No Country for Old Men (2007), the Coen brothers felt free to return to an uncharacteristically personal story that they had been thinking about for many years. Set in 1967 in an upper Midwest suburbia like the one outside Minneapolis in which they were raised, A Serious Man draws upon Joel’s and Ethan’s memories as it re-tells the Biblical tale of Job. Although generally praised by critics (earning a Best Picture nomination from the Academy under its newly expanded system of selecting ten movies instead of five), the film, perhaps not surprisingly, did not generate the same buzz as their multiple Oscar-winning Western. Nevertheless, it remains one of their most skillfully crafted works, one that manages to be both painfully funny and deeply disturbing. Its reputation will almost surely grow. Cinematic Elements: 1. The Yiddish prologue, with its narrowed frame, sepia tone, and focused lighting, evokes both the style of silent movies and the vernacular language and storytelling of the Yiddish theatre. Although the Coens have explicitly denied any relevance to the modern story, the prologue clearly resonates with the themes and tone of the rest of A Serious Man. 2. Music: The Coens again collaborate with their favorite composer, Carter Burwell, and the film’s eclectic score—from the Jefferson Airplane’s “Don’t You Want Somebody to Love” to Sidor Belarsky’s melancholy Yiddish song “The Miller’s Tears”—reinforces the film’s shifts from hallucination and dream to comedy and melodrama.
    [Show full text]
  • Et Tu, Dude? Humor and Philosophy in the Movies of Joel And
    ET TU, DUDE? HUMOR AND PHILOSOPHY IN THE MOVIES OF JOEL AND ETHAN COEN A Report of a Senior Study by Geoffrey Bokuniewicz Major: Writing/Communication Maryville College Spring, 2014 Date approved ___________, by _____________________ Faculty Supervisor Date approved ___________, by _____________________ Division Chair Abstract This is a two-part senior thesis revolving around the works of the film writer/directors Joel and Ethan Coen. The first seven chapters deal with the humor and philosophy of the Coens according to formal theories of humor and deep explication of their cross-film themes. Though references are made to most of their films in the study, the five films studied most in-depth are Fargo, The Big Lebowski, No Country for Old Men, Burn After Reading, and A Serious Man. The study looks at common structures across both the Coens’ comedies and dramas and also how certain techniques make people laugh. Above all, this is a study on the production of humor through the lens of two very funny writers. This is also a launching pad for a prospective creative screenplay, and that is the focus of Chapter 8. In that chapter, there is a full treatment of a planned script as well as a significant portion of written script up until the first major plot point. iii TABLE OF CONTENTS Page Chapter - Introduction VII I The Pattern Recognition Theory of Humor in Burn After Reading 1 Explanation and Examples 1 Efficacy and How It Could Help Me 12 II Benign Violation Theory in The Big Lebowski and 16 No Country for Old Men Explanation and Examples
    [Show full text]
  • Each New Day a Miracle
    Each New Day a Miracle © 2021 Peter Rhebergen Last modified on September 29, 2021 EACH NEW DAY A MIRACLE Poetry by Peter Rhebergen For most of my life I have written poetry. Some of my poems may be good (perhaps even very good), some are merely average and far too many are pleasing only to me. I do not pretend to be a great poet; I am just a man who has experienced both joy and grief and has reflected on these in words. I write because I know The God listens who reads my heart; who finds worship in every smile and tear; who receives each joy as praise and who will heal every wound. The words on these pages have sprung from the realization that I have no one on whom I can depend other than God. These poems are cries to Him for help; praise to Him for His wonder; and reflections of the universe He has made for us to enjoy. They are the marks of my passage through this wonderful life He has given me. I hope that in seeing my footsteps your own may be made more sure. These poems are my worship to God. It is my prayer that in reading them you will be encouraged to worship God and praise Him for the life He has given you, regardless of its pain or joy. Here are some of my most recent updates and additions I Fail to See It Flame Arbiters of Truth We Don't Understand Exemplars And Not at all Like Either Not Quite Darryl, Either Not Quite Rosa, Buddy How? Evil Screams Against Love's Whisper A Christian's Duty Mark of the Beast Two Years Down My Great Good God The Star Secondary Issues Row Me a Boat Online Mis-Understanding the Cross Politics How
    [Show full text]
  • The History of the Brigham Family : a Record of Several Thousand
    GCNEALr'"^' COLLECTION Digitized by the Internet Archive in 2009 with funding from Allen County Public Library Genealogy Center http://www.archive.org/details/historyofbrigham02inbrig I»i;. .IiiilNsox IJuKiUAM, ])i's -MoiiR's, I;i. (SOil) State Librarian of Iowa For tlie ])ast twenty cifilif vcars President of The IJiiyliani Faniilv Association — THE HISTORY OF THE -- • ' FAMILY ^..BRIGHAM——. SECOND VOLUME By EMMA ELISABETH BRIGHAM With Foreword by WILLIAM E. BRIGHAM of the Editorial Staff of the Boston Evening Transcript and THE ENGLISH ORIGIN OF THOMAS BRIGHAM THE EMIGRANT, 1603-1635 Discovered by J. Gardner Bartlett, Member of the New England Historic Genealogical Society WITH AN INTRODUCTION BY HERBERT O. BRIGHAM State Librarian of Rhode Island THE TUTTLE COMPANY Publishers of Genealogies RUTLAND, VERMONT 1927 THE TUTTLE COMPANY PMNTED IN U. 8. A. >*.^,rr. -^ -^-Ha^^ <:;^c» './ 3 f * _) 1200023 ABBREVIATIONS b. -v^ ^cAu^ STctJOtyi t^ruij^ CONTENTS Foreword 9 English Ancestry of Thomas Brigham Introduction 15 EngUsh Pedigree 19 First Generation Genealogy 29 Second Generation Review 30 Genealogy 33 Third Generation Review 36 Genealogy 39 Fourth Generation Review 45 Genealogy 50 Fifth Generation Review 57 Genealogy 66 Sixth Generation Review 81 Genealogy 91 Seventh Generation Review 131 Genealogy 137 Eighth Generation Review 188 Genealogy 193 Ninth Generation Review 240 Genealogy 243 Appendix A 251 Appendix B 253 Index 255 LIST OF ILLUSTRATIONS Facing Pages Dr. Johnson Brigham (802) Title Reunion Pictures of the Brigham Association ... 18 Elizabeth Fay Brigham (258) 101 Henry Randolph Brigham (344) 113 Oshea S. Brigham, M. D. and Reed 0. Brigham, M. D. (384) 122 Rev. George French Brigham (502) 147 Mrs.
    [Show full text]
  • A Serious Man
    THE BIBLE AND CRITICAL THEORY ARTICLES A Serious Man Timothy Stanley, University of Newcastle A Serious Man cinematically deconstructs the life of a mid-twentieth century physics professor named Larry Gopnik. A Job-like theodicy ensues in which the paradoxes of quantum mechanics are haunted by questions of good and evil as well as the spectre of an un-named God. Although a number of commentators have suggested the film is based on the biblical book of Job, the following paper argues for its place within a longer history of commentary. To this end, the film provides a radical if not farcical interrogation of theodicy in the after-math of quantum mechanics. In one of the early scenes of the Coen brothers’ film, A Serious Man, a physics professor named Larry Gopnik giddily finishes off a mathematical proof for the counterintuitive implications of quantum mechanics.1 “And that’s Schrödinger’s paradox, right? Is the cat dead or is the cat not dead” (Coen and Coen 2007)? Soon after he has filled his chalkboard, we are taken to his office to listen in on a meeting he has with a student named Clive who has failed the exam. Evidently Clive simply recounted the story of Schrödinger’s cat,2 but failed to do the math. As Larry will say, “But ... you ... you can't really understand the physics without understanding the math. The math tells how it really works. That's the real thing; the stories I give you in class are just illustrative; they're like, fables, say, to help give you a picture… I mean – even I don't understand the dead cat” (Coen and Coen 2007, 19).3 Although the math is the real thing, it provides a paradoxical account of the world in which we actually live.
    [Show full text]
  • October 3 2010 Awards the 2010 WOODSTOCK FILM FESTIVAL AWARDS CEREMONY
    UNSON M ORTIA © P SEPTEMBER 29 - OCTOBER 3 2010 AWARDS THE 2010 WOODSTOCK FILM FESTIVAL AWARDS CEREMONY Come celebrate 2010 Honorary recipients include: Bruce Beresford MAVERICK AWARD: The Honorary Maverick Award is given each year to an individual Bob Berney whose life and work is based on creativity, independent vision and Keanu Reeves social activism. Previous recipients include Richard Linklater, Kevin Smith, Christine Vachon, Barbara Kopple, Tim Robbins, Les Blank, D.A. and the Pennebaker & Chris Hegedus, Woody Harrelson, Mira Nair and Steve Woodstock Film Festival Buscemi. The Woodstock Film Festival is proud to present two-time Academy at the 11th annual Award® nominated writer/director Bruce Beresford with the 2010 Maverick Awards Honorary Maverick Award. His international reputation blossomed as part of the Australian new wave, when the astonishing courtroom drama Ceremony Breaker Morant won major awards and the screenplay, which Beresford Saturday, October 2 co-wrote, was nominated for an Academy Award®. In 1983, Beresford helmed Tender Mercies which was nominated for five Academy Awards®. @ Backstage Production The extraordinarily successful Driving Miss Daisy was nominated for Studios in Kingston. nine Academy Awards®. Beresfrod’s most recent film, Peace, Love & Misunderstanding was produced in the Hudson Valley and stars Jane 7:00pm: Fonda, Catherine Keener, Chase Crawford, Liz Olsen, Nat Wolff and many Cocktail party in Gallery. others including local featured actors and extras. Look for the release sometime in 2011. 8:15pm Seating for awards begins. TRAILBLAZER AWARD: 9:00pm: Award Ceremony with presentations to our honorary The Trailblazer award, which recognizes an innovative leader and pioneer in the field industry will be presented to distribution guru Bob recipients in the categories of: Berney.
    [Show full text]
  • Wide Angle a Journal of Literature and Film
    Wide Angle a journal of literature and film Volume 8, Issue 1 Fall 2018 Published by Department of English Samford University 3 Mission Statement Literature and film continually reimagine an ever-changing world, and through our research we discover our relationships to those art forms and the cultures they manifest. Publishing one issue each semester, Wide Angle serves as a conduit for the expression and critique of that imagination. A joint publication between English majors and faculty, the journal embodies the interdisciplinary nature of the Department of English at Samford University. It provides a venue for undergraduate research, an opportunity for English majors to gain experience in the business of editing and publishing, and a forum for all students, faculty, and staff to publish their best work. As a wide-angle lens captures a broad field of vision, this journal expands its focus to include critical and creative works, namely academic essays, book and film reviews, and commentaries, as well as original poetry, short fiction and non-fiction, and screenplays. Editorial Staff 2018-‘19 Managing Editor……………………Hannah Warrick Assistant Managing Editor…………Emily Youree Literature Editor…………………....Claire Davis Film Editor………………………....Annie Brown Creative Writing Editor…………….Regan Green General Editor……………………...Dr. Geoffrey A. Wright Copyright © 2018 Wide Angle, Samford University. All rights reserved. Wide Angle 8.1 4 Contents Literature “Love’s a Drag: Reconciling Gender, Sexuality, and Attraction in Sonnet 20” Jillian Fantin……………………………………………………………………………………6
    [Show full text]
  • The Coen Brothers Reshooting America: Genre, Regionalism, and the Cinematography of Detail
    The Coen Brothers Reshooting America: Genre, Regionalism, and the Cinematography of Detail ENFM #484 01 Fall 2014 T/R 9:10-11:30 Office: LA 111 Instructor: Katie Kane Phone #: 243-5231 Assistant Instructor: Brady Schwertfeger O. Hours: T: 11:40-12:30 JRH 205 R 11:40-12:30 Email: [email protected] M: 12:00-1:00 & By Appointment Policy Statement Required Texts and Films: Conrad, Mark, ed. The Philosophy of the Coen Brothers. (NB: this text is available electronically through the Mansfield Library.) Robson, Eddie. Coen Brothers. Van Sijll, Jennifer. Cinematic Conventions. N.B. You MUST bring the requisite text with you to class. Coursework: Final grades will be determined by your performance in three separate categories of coursework: 1. Short Essays 50% 2. Abstracts/Participation/Quizzes 10% 3. Final Essay 40% 100% Daily Response Essays: Once a week (usually on Thursday students will submit a two to three page paper. These writing assignments will be graded on a 1 to 5 scale for their engagement with the topic and on their demonstration of writing skills (spelling, grammar, 1 etc.) Aspects of student writing that will be assessed in writing assignments: . voice that is consistent & appropriate to the audience & purpose; . correct diction & sentence structure; . sound judgments unified by a clear message; . evidence or reasons supporting all judgments; . logical linkage of judgments and evidence; . transitions that connect a series of ideas and evidence; . strong paragraph structure; . correct spelling and punctuation; . proper MLA style documentation If writing is an issue for you—as it is for many of us—please do take your work to the writing center.
    [Show full text]
  • FOX SEARCHLIGHT PICTURES Presents A
    FOX SEARCHLIGHT PICTURES Presents A DOUBLE DARE YOU Production A GUILLERMO DEL TORO Film SALLY HAWKINS MICHAEL SHANNON RICHARD JENKINS DOUG JONES MICHAEL STUHLBARG and OCTAVIA SPENCER DIRECTED BY ............................................................. GUILLERMO DEL TORO SCREENPLAY BY ....................................................... GUILLERMO DEL TORO & ....................................................................................... VANESSA TAYLOR STORY BY .................................................................... GUILLERMO DEL TORO PRODUCED BY ........................................................... GUILLERMO DEL TORO, p.g.a. ....................................................................................... J. MILES DALE, p.g.a. DIRECTOR OF PHOTOGRAPHY .............................. DAN LAUSTSEN, DFF PRODUCTION DESIGNER ......................................... PAUL DENHAM AUSTERBERRY FILM EDITOR .............................................................. SIDNEY WOLINSKY, ACE ASSOCIATE PRODUCER ........................................... DANIEL KRAUS VISUAL EFFECTS SUPERVISOR .............................. DENNIS BERARDI MUSIC BY .................................................................... ALEXANDRE DESPLAT COSTUME DESIGNER ............................................... LUIS SEQUEIRA CASTING BY ............................................................... ROBIN D. COOK, CSA www.foxsearchlight.com/press Rated R Running time 123 minutes Publicity Contacts: Los Angeles New York Regional
    [Show full text]
  • A Serious Man Written & Directed by Joel and Ethan Coen 2009 (100’)
    A Serious Man Written & directed by Joel and Ethan Coen 2009 (100’) Larry Gopnik, a physics professor, lives in Minnesota with his family and he is a serious man. So why does his wife want to leave him for his best friend? Why are his kids such a mystery to him? Why is someone trying to make him lose his job? Why won’t his brother get off his sofa? Why is his life suddenly going so wrong? Maybe his rabbi can help him find some answers in this darkly funny film. “A Serious Man”... has a way of creeping into the spirit. It's not an easy movie to shake off, even days later, even if you want to. San Francisco Chronicle Dark, dry and masterfully restrained, “A Serious Man” is plotted with the peculiarities of life Chicago Tribune Admirers of the Coens will rejoice in their best film for a long while.... It's also their most personal film, and their most Jewish. The Independent Vocabulary and Phrases Dybbuk: In Jewish folklore a dybbuk is a spirit (usually bad spirit) which is believed to be the soul of a dead person. The dybbuk then attaches itself to a living person. A dybbuk doesn't eat. Mitzvah: Mitzvah is a word used in Judaism to refer to the 620 commandments of the faith. Bar Mitzvah: According to Jewish law this is the age (12 for girls, 13 for boys) when children become responsible for their actions. Bar Mitzvah also refers to the ceremony that occurs at this time. Rabbi: In Judaism, a rabbi is a religious teacher.
    [Show full text]