POD Farm 2 Recording Setup Guide ( Rev a )
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How to Get There
USEFUL INFORMATION FOR VISITORS AND HOW TO REACH AEMET HEADQUARTERS AEMET Headquarters: How to get there AEMET’s address is Leonardo Prieto Castro, 8 within Ciudad Universitaria (University City), not far from Madrid downtown. It is located over a small hill behind the Faculty of Chemistry and can be easily identified by the big satellite antenna. Nearest Metro (underground railway) stations are Vicente Aleixandre and Ciudad Universitaria, both in Line 6 (the grey circular line). From these stations AEMET can be reached in about 10 minutes on foot. Buses G, 82, and 132 have stops at a 5 minutes walking distance from AEMET. These lines depart from Moncloa Square in front of the big building of the Air Force Headquarters (“Ejercito del Aire”), Metro station Moncloa (lines 3 & 6) is also there. Bus fare can be paid to the driver directly (1,50 €. No change given for more than 5€), or using a rechargeable card which are mandatory for the Metro. Rechargeable cards may be purchased at vending machines in the airport or every Metro station for 2.50 €. Then several tickets may be charged in the card. An airport Metro ticket costs 4.50 €. A 10 trips ticket for Metro or buses costs 12.20 € but is not valid for the airport. January 2020 USEFUL INFORMATION FOR VISITORS AND HOW TO REACH AEMET HEADQUARTERS How to reach downtown and AEMET Headquarters from the airport By Metro (underground railway) (recommended). Line 8 of “Metro” connects the airport with Nuevos Ministerios (final stop) the trip taking 15 minutes. Once in Nuevos Ministerios station, change to line 6 (5 minutes underground walk for this change). -
4. Hooking up Audio and MIDI to the US-428
TASCAM TEAC Professional Division Version 3.0 Edition Universal Serial Bus Digital Audio Workstation Controller OWNER’S MANUAL Important Safety Precautions CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. The lightning flash with arrowhead symbol, within equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons For U.S.A WARNING: TO PREVENT FIRE OR SHOCK HAZARD, This appliance has a serial number located on the DO NOT EXPOSE THIS APPLIANCE TO RAIN OR rear panel. Please record the model number and MOISTURE. serial number and retain them for your records. Model number ______________________ Serial number IMPORTANT (for U.K. Customers) For U.S.A TO THE USER DO NOT cut off the mains plug from this equipment. This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of If the plug fitted is not suitable for the power points in your home the FCC Rules. These limits are designed to provide or the cable is too short to reach a power point, then obtain an reasonable protection against harmful interference when the equipment is operated in a commercial environment. -
Best Daw to Record Vocals
Best Daw To Record Vocals Mickie tidy her dikas distrustfully, alchemic and executorial. Barton disqualifies disguisedly? Skell usually potes divinely or invert conjugally when unsizable Giuseppe skydive permeably and beneficently. Your cakewalk sonar, editing tools called a video as possible to choose one daw to daw over Pro recording vocal recorded badly will record many years, best tone match the microphone in on though. The mc recorded with a timeline, walls like all: these daws are some digital alternative to provide you clarify this question for complete audio aficionados will record vocals a version! Cubase comes with live performance out their main differences can accept responsibility or soloed. The daw that can buy that instead just alter the next, as ebooks and records like a laptop does what i get. Thank you far less solid stuff, but has been to use a lot of these are a good. These daws mentioned in vocal recording vocals without a daw! Give you can be best. Whatever you heard about my best daw to record vocals? Being a couple different sound thicker, best daw to record vocals, best suited for producing hip hop and machines should be as a few years of a certain sound. If you have to another track should be able to install was my computer and if you cannot record audio server. My resume due to. Logic if needed. When vocal audio input and vocals either way for years of stock plugins explains mastering capabilities will remain in. Spire pro music or logic, best daw to record vocals. Id accepted in. -
Studio 1810C and 1824C Owner's Manual
Studio 1824c and 1810c High-definition USB-C Audio Interfaces Owner’s Manual ® English www.presonus.com Table of Contents 5 Studio One Artist Quick Start — 18 1 Overview — 1 5.1 Installation and Authorization — 18 5.2 Setting Up Studio One — 19 1.1 Introduction — 1 5.2.1 Configuring Audio Devices — 20 1.2 What is in the Box — 1 5.2.2 Configuring MIDI Devices — 20 1.3 Companion PreSonus Products — 2 5.3 Creating a New Song — 24 2 Hookup — 3 5.3.1 Configuring Your I/O — 25 2.1 Front Panel Connections and Controls — 3 5.3.2 Creating Audio & MIDI Tracks — 26 5.3.3 Recording an Audio Track — 27 2.2 Back Panel Connections — 5 5.3.4 Adding Virtual Instruments 2.3 Connection Diagram — 7 and Plug-in Effects to Your Song — 28 2.3.1 Studio 1824c — 7 5.4 Monitor Mixing with Z-Mix — 29 2.3.2 Studio 1810c — 8 5.4.1 Z-Mix Functions — 30 3 Connecting to a Computer — 9 6 Technical Information — 32 3.1 Installation for Windows — 9 6.1 Specifications — 32 3.2 Installation for macOS — 9 7 Warranty — 34 3.3 Firmware Updates — 9 7.1 Warranty Information — 34 3.4 Using the Studio-series interfaces with Popular Audio Applications — 10 4 UC Surface Monitor Control Software — 12 4.1 UC Surface Launch Window — 12 4.1.1 Loopback Recording (Windows only) — 13 4.2 UC Surface Controls — 15 4.2.1 Channel Controls — 16 4.2.2 Device Controls — 16 4.3 The Settings Page — 17 Studio Series 1810c and 1824c 1 Overview Owner’s Manual 1.1 Introduction 1 Overview 1.1 Introduction Thank you for purchasing a PreSonus High-definition Studio-series Audio Interface. -
Sonivox VOCALIZER™ Quick Start Guide
SONiVOX VOCALIZER Quick Start Guide SONiVOX Vocalizer Quick Start Guide Copyright © 2010 Sonic Network, Inc. Page 1 License and Copyrights Copyright © 2010 Sonic Network, Inc. Internationally Secure All rights reserved SONiVOX 561 Windsor Street, Suite A402 Somerville, MA 02143 617-718-0202 www.sonivoxmi.com This SONiVOX product and all its individual components referred to from this point on as Vocalizer are protected under United States and International copyright laws, with all rights reserved. Vocalizer is provided as a license to you, the customer. Ownership of Vocalizer is maintained solely by Sonic Network, Inc. All terms of the Vocalizer license are documented in detail in Vocalizer End-User License Agreement on the installer that came with this manual. If you have any questions regarding this license please contact Sonic Network at [email protected]. Trademarks SONiVOX is a registered trademark of Sonic Network Inc. Other names used in this publication may be trademarks and are acknowledged. Publication This publication, including all photographs and illustrations, is protected under international copyright laws, with all rights reserved. Nothing herein can be copied or duplicated without express written permission from Sonic Network, Inc. The information contained herein is subject to change without notice. Sonic Network makes no direct or implied warranties or representations with respect to the contents hereof. Sonic Network reserves the right to revise this publication and make changes as necessary from time to time -
CIEMAT (Madrid, Spain)
FAIRMODE TECHNICAL MEETING 2019 Monday 7th – Wednesday 9th October 2019 CIEMAT (Madrid, Spain) Venue CIEMAT, Avenida Complutense 40. 28040, Madrid, Spain. Building 1. General map with venue, transportation and accommodation options (available on-line). An on-line version of this map is accesible at: https://drive.google.com/open?id=1pZNawnuOY3y2YZNu4CwpQTIAUL4&usp=sharing (CTRL+left click for opening). You can click on the markers of the on-line map to get further information (links to hotel websites). 1 Getting to CIEMAT/hotels By air Madrid-Barajas Airport (http://www.aeropuertomadrid-barajas.com/eng/home.html) is located at a 20-30 minutes ride by taxi (without traffic delays) from CIEMAT or accommodation options (fix price of 30€) or 50 minutes by metro (5 € one way). To come by metro you will need to take the line 8 in the airport Terminal 2 until “Nuevos Ministerios” station and connect with the ring line 6 until “Moncloa” or “Cuatro Caminos” or “Argüelles” stations for hotels or “Ciudad Universitaria” station for CIEMAT. Travel to/from the hotels to CIEMAT The venue can be reached by public transport using the metro line 6 stop “Ciudad Universitaria” plus a 20 minute walk through the campus (see map below) or by public bus, lines 82 from Moncloa (stops at Ciudad Universitaria metro station and CIEMAT) or F from Cuatro Caminos (stops at “Escuela Superior de Ingenieros de Telecomunicaciones”, 3 minutes walking to CIEMAT). Please consult the Google map above for locating the nearest stops between CIEMAT and hotels. Walk between the Ciudad Universitaria metro stop (line 6) and CIEMAT. -
Schwachstellen Der Kostenfreien Digital Audio Workstations (Daws)
Schwachstellen der kostenfreien Digital Audio Workstations (DAWs) BACHELORARBEIT zur Erlangung des akademischen Grades Bachelor of Science im Rahmen des Studiums Medieninformatik und Visual Computing eingereicht von Filip Petkoski Matrikelnummer 0727881 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Mitwirkung: Univ.Lektor Dipl.-Mus. Gerald Golka Wien, 14. April 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Disadvantages of using free Digital Audio Workstations (DAWs) BACHELOR’S THESIS submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in Media Informatics and Visual Computing by Filip Petkoski Registration Number 0727881 to the Faculty of Informatics at the Vienna University of Technology Advisor: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Assistance: Univ.Lektor Dipl.-Mus. Gerald Golka Vienna, 14th April, 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Filip Petkoski Wienerbergstrasse 16-20/33/18 , 1120 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit – einschließlich Tabellen, Karten und Abbildungen –, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. Wien, 14. April 2016 Filip Petkoski v Kurzfassung Die heutzutage moderne professionelle Musikproduktion ist undenkbar ohne Ver- wendung von Digital Audio Workstations (DAWs). -
6 Circular - Andén 2 / Platform 2
De 6:00 de la mañana a 1:30 de la madrugada / From 6:00 a.m. to 1:30 a.m. Intervalo medio entre trenes / Average time between trains Línea / Line 6 Circular - Andén 2 / Platform 2 Lunes a jueves (minutos) Viernes (minutos) Sábados (minutos) Domingos y festivos (minutos) / Period / Period Período Monday to Thursday (minutes) Fridays (minutes) Saturdays (minutes) Sundays & public holidays (minutes) Período 6:05 - 7:00 4 ½ - 8 ½ 4 ½ - 8 ½ 7 - 9 7 - 9 6:05 - 7:00 7:00 - 7:30 4 ½ - 5 ½ 4 ½ - 5 ½ 7:00 - 7:30 7 - 8 7:30 - 9:00 7:30 - 9:00 3 ½ - 4 ½ 3 ½ - 4 ½ 7 - 8 9:00 - 9:30 9:00 - 9:30 6 ½ - 7 ½ 9:30 - 10:00 9:30 - 10:00 4 ½ - 5 ½ 4 ½ - 5 ½ 10:00 - 14:00 10:00 - 14:00 14:00 - 17:00 4 - 5 3 ½ - 4 ½ 14:00 - 17:00 5 - 6 17:00 - 20:00 3 ½ - 4 ½ 5 - 6 17:00 - 20:00 20:00 - 21:00 4 ½ - 5 ½ 20:00 - 21:00 4 ½ - 5 ½ 21:00 - 22:00 7 - 8 21:00 - 22:00 22:00 - 23:00 6 ½ - 7 ½ 22:00 - 23:00 7 ½* 7 ½* 7 ½* 23:00 - 0:00 7 ½* 23:00 - 0:00 0:00 - 1:00 12 ½ * 0:00 - 1:00 15 * 15 * 15 * 1:00 - 2:00 15 * 1:00 - 2:00 Nota: Note: Los intervalos medios se mantendrán de acuerdo con este cuadro, salvo incidencias en la línea. Average times will be in accordance with this table, unless there are incidents on the line. -
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 519 Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020) Advantages of "DAW" Composing Music for the Effectiveness of Learning the Process of Musical Practice Kurnia Eka Fajar*, Yudi Sukmayadi Sekolah Pascasarjana Universitas Pendidikan Indonesia Bandung, Indonesia *[email protected] Abstract—Digital audio workstation (DAW) is an electronic recording engineer as to the so-called “bedroom” producer. It device or application software used to record, edit, and produce proves that music digital production can be done anywhere and audio files. DAW comes in a variety of configurations from a anytime in line with the use of time and ideas. single software program on a laptop or computer, to an integrated standalone unit, to a highly complex configurations of Technological advances in the music industry have various components controlled by the central computer. unleashed a phenomenon in the application of Digital Audio Regardless of configuration, the modern DAW has a central Workstation (DAW) among them artists in the task of interface that allows users to convert and merge multiple composing, recording, mixing and mastering music. A recordings and tracks into the final part produced. In the process computer-based DAW is an electronic system consisting of of making it, musical works are designed according to what the basic components such as audio interfaces, computers, digital composer wants based on the structured imagination poured into audio editor software, input devices, designed to record, edit, the DAW to facilitate the composition of the music. One of the and play digital audio. -
Cakewalk Sonar 4 DAW Issue 38
E Q U Cakewalk Sonar 4 I Cal Orr ‘ups periscope’ on the features of the latest version of Sonar. P M E lways around November each year, as predictably Some very obvious examples of this include: invalu- as clockwork, the team at Cakewalk releases a able workflow enhancements like an updated Freeze N Amammoth program upgrade replete with tons of function to free up those precious CPU cycles; folders T increased features to its beloved Sonar. The version and multiple take lanes within the Project window for number invariably mirrors the year we’re in: the end of a less cluttered project view; and presets for changing 04 saw the release of Sonar 4 and I would put money the key commands to the default used by other major T on it that at the end of 05 we’ll see Sonar 5. Until then, sequencers. E to entice old and new users to make the move to v4, If you’re a user of Sonar’s Producer Edition and Cakewalk has once again introduced numerous ‘must have enjoyed receiving a new set of high-quality third S have’ and worthwhile features. With the host of major party plug-ins with each incremental update, you T updates that appeared in Sonar 3 now settled into might be a bit disappointed in the current lack of new the DAW landscape (such as VST implementation developers flying under the Sonar wing in v4. But don’t despair. Many of the plug-ins from Sonar 3 (including the Sonitus compressor and Lexicon Pantheon reverb) have been updated to operate with Sonar 4’s new major drawcard: Multi-Format Surround Sound. -
6 Circular - Andén 1 / Platform 1
De 6:00 de la mañana a 1:30 de la madrugada / From 6:00 a.m. to 1:30 a.m. Intervalo medio entre trenes / Average time between trains Línea / Line 6 Circular - Andén 1 / Platform 1 Lunes a jueves (minutos) Viernes (minutos) Sábados (minutos) Domingos y festivos (minutos) / Period / Period Período Monday to Thursday (minutes) Fridays (minutes) Saturdays (minutes) Sundays & public holidays (minutes) Período 6:05 - 7:00 4 - 8 ½ 4 - 8 ½ 7 - 9 7 - 9 6:05 - 7:00 7:00 - 9:00 7 - 8 7:00 - 9:00 2 ½ - 3 ½ 2 ½ - 3 ½ 9:00 - 9:30 7 - 8 9:00 - 9:30 6 ½ - 7 ½ 9:30 - 10:00 9:30 - 10:00 10:00 - 21:00 4 - 5 4 - 5 5 - 6 10:00 - 21:00 5 - 6 21:00 - 22:00 7 - 8 21:00 - 22:00 22:00 - 23:00 6 - 7 22:00 - 23:00 7 ½* 7 ½* 7 ½* 23:00 - 0:00 7 ½* 23:00 - 0:00 0:00 - 2:00 15 * 15 * 15 * 15 * 0:00 - 2:00 Nota: Note: Los intervalos medios se mantendrán de acuerdo con este cuadro, salvo incidencias en la línea. Average times will be in accordance with this table, unless there are incidents on the line. *Consúltese el horario de trenes. * Check the train timetable. Horario de trenes / Train timetable Línea / Line 6 Andén 1 / Platform 1 Todos los días a partir de las 22:00 horas / Every day from 10:00 p.m. Correspondencias Estaciones Primer tren Todos los días de 22:00 a 23:00 horas Todos los días de 23:00 a 24:00 horas Todos los días a partir de las 24:00 horas Estaciones Connections Stations First train All days from 10:00 p.m. -
Useful Information for Visitors and How to Reach the Headquarters of Aemet
USEFUL INFORMATION FOR VISITORS AND HOW TO REACH THE HEADQUARTERS OF AEMET Transport from Madrid airport to AEMET By Metro (underground railway) (Highly recommended). Line 8 of “Metro” connects the airport with Nuevos Ministerios (final stop) the trip taking 15 minutes. There are metro stations in Terminal 2, at walking distance from Terminals 1 & 3, and in Terminal 4. Trains depart every 5 minutes. Once in Nuevos Ministerios , change to line 6 (5 minutes underground walk for this change). It’s a circular line and you must take the westbound direction to the third station, Metropolitano, or the fourth, Ciudad Universitaria . Both stations are at 10 minutes walk to AEMET. See the map of the area on the images below, and the map of the Metro network among the attached links. The airport is in the upper right corner of the network. The Metro fare for a single ticket from the airport is 4.50 € (including airport supplement). By taxi . Regular taxis are available right outside the terminals. A run to the AEMET HQs can take 30 minutes in normal traffic conditions and the cost should be around 35 €. Transport from Madrid Airport to downtown Madrid By Metro (underground railway) (Highly recommended). Line 8 of “Metro” connects the airport with the rest of the Metro Network. There are metro stations in Terminal 2, at walking distance from Terminals 1 & 3, and in Terminal 4. Trains depart every 5 minutes. Line 8 ends at Nuevos Ministerios station in downtown Madrid, where you can transfer to other metro lines and other means of transportation.