Best Daw to Record Vocals
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Computer Music Products Guide 2010
Computer Music Products Guide 2010 Computer Music Products Guide 2010 V-STUDIO MIDI KEYBOARD CONTROLLERS AUDIO INTERFACES MICRO MONITORS Cakewalk is a registered trademark and SONAR, V-STUDIO 700, Active Controller Technology, Dimension Pro, Rapture and the Cakewalk logo are trademarks of Cakewalk, Inc. Roland, BOSS, COSM, EDIROL, SuperNATURAL, VariPhrase, V-LINK and V-Vocal are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. Mac and Mac OS are trademarks of Apple Inc. ASIO and VST are trademarks of Steinberg Media Technologies AG. ReWire is a trademark of Propellerhead Software, AB. iZotope Radius copyright c 2005-2010 iZotope, Inc. Other trademarks mentioned are held by their respective owners. All specifications and appearances are subject to change without notice. All specifications and appearances are subject to change without notice. All trademarks are the property of their respective companies. MIDI INTERFACES MUSIC SOFTWARE www.cakewalk.com | (888) CAKEWALK | +1 (617) 423-9004 outside the US May. 2010 RAM-4594 GR-UPR-SS B1EC1 Made for Musicians By Musicians Cakewalk Computer Music Products These products are created by musicians who listen, understand, and respond to the needs of our customers, who include award-winning producers, engineers, composers, and musicians. Our mission is to inspire your creativity through the combination of superior sound quality, industry-leading technology, and unmatched ease of use. There are Cakewalk products that are right for you at every stage of your musical career and ability. Read on to learn more... V-STUDIO 04 MIDI INTERFACES 15 MICRO MONITORS 18 AUDIO INTERFACES 11 MIDI KEYBOARD CONTROLLERS 16 MUSIC SOFTWARE 19 visit us online at V-STUDIO www.cakewalk.com WDM VS-700R V-STUDIO I/O VS-700C V-STUDIO Console Windows® Windows® High-speed USB 2.0 audio interface that provides all the recording and routing The VS-700C Console offers broader ranging control and deeper editing and AUDIO AUDIO MIDI capabilities needed to handle any music production task. -
Wing Daw-Control
WING DAW-CONTROL V 1.0 2 WING DAW-CONTROL Table of Contents DAW-Setup ...................................................................... 3 Settings WING .............................................................................. 3 Settings DAW ............................................................................... 3 CUBASE/NUENDO .................................................................... 4 ABLETON LIVE ........................................................................... 5 LOGIC ........................................................................................... 5 STUDIO ONE .............................................................................. 6 REAPER ......................................................................................... 7 PRO TOOLS ................................................................................. 8 Custom Control Section ................................................. 9 Overview........................................................................................ 9 Assign Function to CC-Section............................................... 9 Store Preset ................................................................................ 10 Share Preset ................................................................................ 10 MCU – Implementation ................................................ 11 Layer Buttons ............................................................................. 11 Upper CC-Section .................................................................... -
4. Hooking up Audio and MIDI to the US-428
TASCAM TEAC Professional Division Version 3.0 Edition Universal Serial Bus Digital Audio Workstation Controller OWNER’S MANUAL Important Safety Precautions CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. The lightning flash with arrowhead symbol, within equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons For U.S.A WARNING: TO PREVENT FIRE OR SHOCK HAZARD, This appliance has a serial number located on the DO NOT EXPOSE THIS APPLIANCE TO RAIN OR rear panel. Please record the model number and MOISTURE. serial number and retain them for your records. Model number ______________________ Serial number IMPORTANT (for U.K. Customers) For U.S.A TO THE USER DO NOT cut off the mains plug from this equipment. This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of If the plug fitted is not suitable for the power points in your home the FCC Rules. These limits are designed to provide or the cable is too short to reach a power point, then obtain an reasonable protection against harmful interference when the equipment is operated in a commercial environment. -
DAW Control Manual
ModelMultitrack Recording Console12 DAW Controlmode MANUAL Introduction Contents Overview The Model 12 has DAW control functions. By setting it to DAW Introduction .............................................................................. 2 control mode, its controls can be used for basic operation of Overview .................................................................................................... 2 the DAW application. This includes fader operation, muting, Trademarks ................................................................................................ 2 panning, soloing, recording, playing, stopping and other transport functions. Model 12 operations ................................................................ 3 Mackie Control and HUI protocol emulation are supported, so Preparing the unit ................................................................................... 3 Cubase, Digital Performer, Logic, Live, Pro Tools, Cakewalk and Connecting with a Computer ....................................................... 3 other major DAW applications can be controlled. Starting DAW control mode .......................................................... 3 Ending DAW control mode ............................................................ 3 MTR/USB SEND POINT screen settings ...................................... 4 Trademarks Mixer controls that can be used when in DAW control mode... 5 USB audio input and output when in DAW control mode ....... 6 o TASCAM is a registered trademark of TEAC Corporation. Making -
Studio 1810C and 1824C Owner's Manual
Studio 1824c and 1810c High-definition USB-C Audio Interfaces Owner’s Manual ® English www.presonus.com Table of Contents 5 Studio One Artist Quick Start — 18 1 Overview — 1 5.1 Installation and Authorization — 18 5.2 Setting Up Studio One — 19 1.1 Introduction — 1 5.2.1 Configuring Audio Devices — 20 1.2 What is in the Box — 1 5.2.2 Configuring MIDI Devices — 20 1.3 Companion PreSonus Products — 2 5.3 Creating a New Song — 24 2 Hookup — 3 5.3.1 Configuring Your I/O — 25 2.1 Front Panel Connections and Controls — 3 5.3.2 Creating Audio & MIDI Tracks — 26 5.3.3 Recording an Audio Track — 27 2.2 Back Panel Connections — 5 5.3.4 Adding Virtual Instruments 2.3 Connection Diagram — 7 and Plug-in Effects to Your Song — 28 2.3.1 Studio 1824c — 7 5.4 Monitor Mixing with Z-Mix — 29 2.3.2 Studio 1810c — 8 5.4.1 Z-Mix Functions — 30 3 Connecting to a Computer — 9 6 Technical Information — 32 3.1 Installation for Windows — 9 6.1 Specifications — 32 3.2 Installation for macOS — 9 7 Warranty — 34 3.3 Firmware Updates — 9 7.1 Warranty Information — 34 3.4 Using the Studio-series interfaces with Popular Audio Applications — 10 4 UC Surface Monitor Control Software — 12 4.1 UC Surface Launch Window — 12 4.1.1 Loopback Recording (Windows only) — 13 4.2 UC Surface Controls — 15 4.2.1 Channel Controls — 16 4.2.2 Device Controls — 16 4.3 The Settings Page — 17 Studio Series 1810c and 1824c 1 Overview Owner’s Manual 1.1 Introduction 1 Overview 1.1 Introduction Thank you for purchasing a PreSonus High-definition Studio-series Audio Interface. -
Sonivox VOCALIZER™ Quick Start Guide
SONiVOX VOCALIZER Quick Start Guide SONiVOX Vocalizer Quick Start Guide Copyright © 2010 Sonic Network, Inc. Page 1 License and Copyrights Copyright © 2010 Sonic Network, Inc. Internationally Secure All rights reserved SONiVOX 561 Windsor Street, Suite A402 Somerville, MA 02143 617-718-0202 www.sonivoxmi.com This SONiVOX product and all its individual components referred to from this point on as Vocalizer are protected under United States and International copyright laws, with all rights reserved. Vocalizer is provided as a license to you, the customer. Ownership of Vocalizer is maintained solely by Sonic Network, Inc. All terms of the Vocalizer license are documented in detail in Vocalizer End-User License Agreement on the installer that came with this manual. If you have any questions regarding this license please contact Sonic Network at [email protected]. Trademarks SONiVOX is a registered trademark of Sonic Network Inc. Other names used in this publication may be trademarks and are acknowledged. Publication This publication, including all photographs and illustrations, is protected under international copyright laws, with all rights reserved. Nothing herein can be copied or duplicated without express written permission from Sonic Network, Inc. The information contained herein is subject to change without notice. Sonic Network makes no direct or implied warranties or representations with respect to the contents hereof. Sonic Network reserves the right to revise this publication and make changes as necessary from time to time -
Best Recording Software for Mac
Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available. -
1820 Tutorial (FR), Version
Système Audionumérique Tutoriels • E-MU Proteus X LE • Steinberg Cubase LE • Steinberg WaveLab Lite • Cakewalk Sonar LE • Ableton Live Lite 4 pour E-MU Système audionumérique PCI E-MU 1212m/1820/1820m 1 E-MU 1212m, 1820, 1820m Système Audionumérique Tutoriels • E-MU Proteus X LE • Steinberg Cubase LE • Steinberg WaveLab Lite • Cakewalk Sonar LE • Ableton Live Lite 4 pour E-MU © 2005 E-MU Systems Tous droits réservés Version logicielle : 1.8 E-MU — Maison mère Europe, Afrique, Moyen- E-MU Japon Orient E-MU Systems Creative Media K K Creative Labs 1500 Green Hills Road Kanda Eight Bldg., 3F Ballycoolin Business Park Scotts Valley, CA 4-6-7 Soto-Kanda Blanchardstown 95067-0015 Chiyoda-ku, Tokyo 101-0021 Dublin 15 USA JAPAN IRELAND www.japan.creative.com 2 Creative Professional Table des matières Introduction ..................................................................... 5 Avant de commencer .......................................................................................................... 5 La session par défaut du produit ........................................................................................ 5 Ouverture de PatchMix ............................................................................................. 5 Steinberg Cubase LE ......................................................... 6 1 - Configuration de Cubase LE ......................................................................................... 6 2 - Enregistrement multipiste ............................................................................................ -
April 2017 ©2017 Music Maker Publications, Inc
APRIL 201 7 APRIL 2 017 USA $5.99 CANADA $5.99 VOL. THIRTY NUMBER SEVEN One of the important additions to the Mixcraft audio REVISITED engine is its support of VST3 plug-ins. Long supported by Steinberg and others, the VST3 infrastructure puts plug-in makers in the position to create much more flexible tools. VST3 support improves the performance, auto- mation capability, and routing functions of plug-ins. It’s supported by iZotope, Waves, and Softube— among many others, and with many more likely to follow. Moving forward with technology is important for DAW users, and it is great to see Mixcraft supporting this forward-looking standard. The UI has also undergone a revamp, with interface skins based on theme selection. More important, in my experience, is that the interface just seems to work better with the HiDPI display on my Lenovo display. This is important, since a comfortable work environment can help you enjoy the hours that you will spend on your productions. I personally like the default dark interface; it is similar to other software that I use each day, and my eyes are able to Acoustica pick out details against its muted background. Another update to the UI is not a technical feature, but rather Mixcraft 8 an extension to the way that you access audio files. In addition to accessing the files on your drive, you can do filename searches to quickly narrow down your options (critical when The Windows DAW “for the people” you have a large sample library—like the one that comes has grown up.. -
Schwachstellen Der Kostenfreien Digital Audio Workstations (Daws)
Schwachstellen der kostenfreien Digital Audio Workstations (DAWs) BACHELORARBEIT zur Erlangung des akademischen Grades Bachelor of Science im Rahmen des Studiums Medieninformatik und Visual Computing eingereicht von Filip Petkoski Matrikelnummer 0727881 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Mitwirkung: Univ.Lektor Dipl.-Mus. Gerald Golka Wien, 14. April 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Disadvantages of using free Digital Audio Workstations (DAWs) BACHELOR’S THESIS submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in Media Informatics and Visual Computing by Filip Petkoski Registration Number 0727881 to the Faculty of Informatics at the Vienna University of Technology Advisor: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Assistance: Univ.Lektor Dipl.-Mus. Gerald Golka Vienna, 14th April, 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Filip Petkoski Wienerbergstrasse 16-20/33/18 , 1120 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit – einschließlich Tabellen, Karten und Abbildungen –, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. Wien, 14. April 2016 Filip Petkoski v Kurzfassung Die heutzutage moderne professionelle Musikproduktion ist undenkbar ohne Ver- wendung von Digital Audio Workstations (DAWs). -
Interview Matthias Juwan
Studio One inventor Matthias Juwan in conversation Created by Lukas Ruschitzka When I learned about the »new« DAW for the first time at the Musikmesse 2009, I still had no idea what would connect me to this software over the next 10 years. One year later, in the summer of 2010, I had version 1 on the hard drive and star- ted producing my first song with Studio One. Now - almost a decade and hundreds of Studio One projects later - I did not miss the opportunity to ask Matthias Juwan, Studio One mastermind and CTO at Pre- Sonus Software a few questions about the creation and development of Studio One. In doing so, I have incorporated both my own questions and questions that have arisen in the RECORDING.de forum in recent years. I hope you enjoy reading the unabridged interview with Matthias Juwan! Matthias, Studio One will be 10 years old this year! In 2009 everyone was wonde- ring what they needed a new DAW for. Meanwhile, Studio One has become indispensable in the DAW market. What was the trigger for you to program the first prototype of Studio One? Everything started for me a few years earlier. When I released my 16-track freeware sequencer Kristal Audio Engine in 2004, there was a lot of positive feedback from the internet community and the press, and I decided to work on a more professional suc- cessor. The project ran for two years in my spare time in addition to the job as a soft- ware developer at Steinberg under the code name K2. -
Presonus Studio One Pro Enables Positive Or Negative Delay Values in Samples, to Compensate for Latency
REViEW hardware into the path, with trims, Phase Invert, and even a Wet/Dry parameter. Furthermore, Offset Presonus Studio One Pro enables positive or negative delay values in samples, to compensate for latency. GEORGE SHILLING bravely switches from the big boys to try out Presonus’ first foray into Editing audio and MIDI in the main and editor complete music creation and production software, a streamlined and loveable affair. windows is achieved easily using intuitive tools, and a handy optional crosshair cursor is superimposed to resonus, the hardware make locating exact spots easy. Keyboard shortcuts manufacturer, has moved into are comprehensive, and there are alternative setups software with this brand new that mirror key commands found in Logic, Pro Tools, DAW for Mac or PC. It was born and Cubase. One unique feature is the handy Trash fromP the company’s dissatisfaction with Bin. As well as unlimited Undo steps, everything you the established offerings it was bundling ditch at any stage ends up here, enabling Undo in a with its hardware; it felt many long- non-sequential manner, or grabbing odd rejected ideas established DAWs had become bloated at any later stage. with features rarely used by customers, Projects comprise collections of Songs, where and Presonus was probably also fed up albums or EPs are brought together; as Studio One with technical support calls relating to includes an intelligent management system along third-party product. In order to streamline with full mastering capabilities. Tweaking a Song the recording experience, Presonus teamed that is part of a Project results in the mastered album up with developers who had previously automatically updating to reflect the changed version been involved in the development of if required.