Kwasu D. Tembo Among Them but Not One of Them: a Xenological Exploration of the Otherness and Power of DC Comics’ Superman

Total Page:16

File Type:pdf, Size:1020Kb

Kwasu D. Tembo Among Them but Not One of Them: a Xenological Exploration of the Otherness and Power of DC Comics’ Superman Caietele Echinox, vol. 34, 2018: Posthumanist Configurations 181 Kwasu D. Tembo Among Them but Not One of Them: A Xenological Exploration of the Otherness and Power of DC Comics’ Superman Abstract: With a view to exploring the I. Introduction relationship between DC Comics’ Super- man’s engagement with posthumanism and hile the preceding and, most likely, science fiction, as well as posthumanism Wthe following decade will continue and planetarity, this paper will provide an to engage with the various onto-existential analysis of various xenological aspects of issues and debates surrounding the concepts of posthumanism, drawing on philosophi- the character, as an uncanny alien, in order cal, scientific, theological, anthropological, to explore a range of conclusions that can sociological, artistic, cinematic, literary and be drawn from my central hypothesis that theoretical frameworks and approaches in Superman is a character that is simultane- order to do so, the fundamental aspects of ously a representation of onto-existential DC Comics’ character Superman’s mythos familiarity as well as Otherness and power have been engaged with posthuman spec- that ultimately disrupts anthropocentric and ulation for nearly a century. With a view geocentric frames of reference. to exploring the relationship between the Keywords: Xenology; Superman; Power; character’s engagement with posthumanism Identity; Otherness. and science fiction, as well as posthuman- ism and planetarity, this paper will provide Kwasu D. Tembo an analysis of various xenological aspects of University of Edinburgh, Scotland the character, as an uncanny alien, in order [email protected] to explore a range of conclusions that can be drawn from my central hypothesis that Su- DOI: 10.24193/cechinox.2018.34.14 perman is character that is simultaneously a representation of onto-existential famil- iarity, as well as Otherness and power that ultimately disrupts anthropocentric and geocentric frames of reference. These will include providing a brief outline of contem- porary critical approaches to xenological 182 Kwasu D. Tembo speculation, so as to situate my own con- Another important term in this paper clusions about the character within a wider is “it”. Throughout this paper, I will refer stream of thought concerning onto-existen- to Superman as “it”. The convention of tial difference. I will then move on to dis- referring to the character using the pro- cuss one of the central shortcomings of the noun “he” already performs various kinds study of radical alterity, namely the prob- of reductive violence that I argue cannot lem of alien unknowability specifically, the be overlooked. “He” superimposes anthro- relationship between unknowability and pocentric codes, qualities and categories of Superman’s multiplicity of identities and being onto a being that is genetically and onto-existential instability. philosophically Other to them. As such, In science fiction studies and criti- the third-person neuter pronoun ‘it” is the cism, the term xenology refers to a hypo- most accurate and basic term with which thetical science whose goal is the study and to discuss any ontological or existential as- analysis of speculative extra-terrestrial so- pects of the character. The fact that Super- cieties as developed and inhabited by alien man is an alien is taken as a first principle life forms. As such, xenology finds its ter- here. It is an extra-terrestrial creature that restrial analogue in ethnology. Examples expresses many seemingly identical super- of xenological speculation in fiction and ficial traits with human beings that, how- literary criticism include: Fredric Jameson’s ever convincing, must not overlook the fact Archaeologies of the Future: The Desire Called of Superman’s essential difference from any Utopia and Other Science Fictions (2005); C. and everything human. Furthermore, “he”, J. Cherryh’s Foreigner series (1993-pres- when considered fully, only accurately re- ent); Donal Kingsbury’s The Moon Goddess fers to one third of the personae “worn” by and the Son (1986); and Ursula K. Le Guin’s “Superman/Kal-El,” namely “Clark Kent.” Planet of Exile (1966). Furthermore, relat- I have privileged the use of the pronoun ed to xenology is the term xenophilosophy, “it” in order to allow the being in question a which appears in the work of German In- greater degree of existential license, which dologist Wilhelm Halbfass. In Halbfass’s I argue better allows us to apprehend what cultural studies, his particular usage of the it is or can be without violently inscribing term xenology refers to the largely ethno- anthropocentric privileging and its various graphic study of how a culture positively or agendas onto the power it possesses and negatively defines and reacts to/against in- the Otherness that constitutes it. dividuals or groups outside, alien or Other My justification for discussing Super- to it. I have elected to use xenological spec- man by using the term “it” is due in part ulation as a strategy to explore the charac- to the underlying ethic of this thesis being ter’s diegetic power and Otherness because xenological. If, for example, I am to consid- such a strategy not only centralizes the fact er Jameson’s xenological approach to read- that Superman is an alien, but allows for a ing texts that feature alien beings seriously, fuller exploration of the tensions and in- then I think that the retention of the term teractions between extra-terrestrials and “it” is important because it highlights the human beings within the context of the fact that Superman is an alien. Regardless diegetic earths of the DC multiverse. of the methodological approach one brings A Xenological Exploration of the Otherness and Power of DC Comics’ Superman 183 to bare on the character, regardless of how in its noun form. As an adjective, the term complex or nuanced, it would not change means “stranger”, “wanderer”, and/or “ref- the fact that, diegetically speaking, the ugee”. Alternatively, in India and Europe: character is an alien. The combination of Perspectives on Their Spiritual Encounter this fact and my wish to maintain a care- (1981), Wilhelm Halbfass uses the term to ful sensitivity toward xenological apprais- describe the cultural study of ethnocentric als of Otherness would call for a strategy views held by different societies regard- that does not hem up the onto-existential ing different classes or types of foreign- complexities of the character by simply re- er. Within Halbfass’s Indological study, ferring to an alien being as “he” because it xenology refers to the ways that a given looks like a robust human man. To do so culture perceives, defines, and understands would simply be an inaccurate retention of individuals or cultures alien or Other to it. anthropocentric privileging, a privileging As such, Halbfass’ xenology is the that the central hypothesis seeks alterna- study of the various ways “self ” and “Oth- tives to. To be clear, I do not believe that er” are defined within a historical context referring to Superman as “it” objectifies of colliding cultures. According to Brian the character. On the contrary, I argue it Stableford’s Science Fact and Science Fic- draws attention to the fact that the char- tion: An Encyclopaedia (2006), xenology acter represents an interesting alternative can also be defined as “an associate concept to any human/inhuman dialectic precisely of exobiology, referring to a hypothetical because it is both in interesting and chal- science of extra-terrestrial, especially alien, lenging ways. society” with “analogical and extrapolative relationship to ethnology which is similar to that between exobiology and biology.”1 II. A Brief Outline of Xenological Similarly, Robert A. Freitas Jr.’s Xenology: Speculation An Introduction to the Scientific Study of Ex- n order to parse the concepts of Super- tra-terrestrial Life, Intelligence, and Civili- man’s disruptivity in terms of power and zation (1979) provides an exhaustive out- IOtherness xenologically, which I argue also line of the principles of xenology, including necessarily involves identity, I will open the following interests and sub-disciplines: this chapter by providing an overview of xenological speculation. The term “xenol- the history of the idea of extra-ter- ogy” has been used variably to describe restrial life; comparative planetology, and discuss the tension between concepts stars, and galaxies; xenobiology (defi- including difference, Otherness, and the nition/origin of life, exotic biochemis- interaction between the known and the tries, and possible alien bioenergetics, unknown, be it abstract or uncannily fa- biomechanics, sensations, reproduc- miliar. In A Greek-English Lexicon (1968), tion, and intelligence); extra-terrestrial Henry George Liddell and Robert Scott civilizations (energy sources, biotech- state that the terms “xenology” derives nology, interstellar travel, alien weap- from the Greek word xenos, meaning “for- ons, planetary and stellar engineering, eign”, “alien”, “strange”, and/or “unusual” xenosociology, and extra-terrestrial 184 Kwasu D. Tembo governments and culture); interstellar collaborative outcomes for humanity fol- communication techniques; and the lowing such contacts. Harrison and Dick sociology, legal issues, and appropri- go as far as to suggest that such encounters ate interaction protocols pertaining to might result in an advanced extra-terrestri- First Contact.2 al civilization imparting equally advanced knowledge to humankind in areas cur- There
Recommended publications
  • PDF Download in Plain Sight
    IN PLAIN SIGHT PDF, EPUB, EBOOK Fern Michaels | 368 pages | 30 Jun 2015 | Kensington Publishing | 9781420135923 | English | New York, United States In Plain Sight PDF Book Jinx and Brandy who is pregnant show up. While the term trafficking may conjure images of desperate illegal immigrants being forced into prostitution by human smugglers, over 80 percent of victims in confirmed sex trafficking cases in this country were American citizens. Retrieved March 20, Retrieved February 7, A counterfeiter witness Sherilyn Fenn is implicated in a murder. Take the quiz Forms of Government Quiz Name that government! After finding Elena Torres's apartment, Kara finds a piece of paper with a series of numbers written on it. Brandi tries to make amends after admitting to Peter Joshua Malina that she pretended to be Jinx. Contents [ show ]. Retrieved April 14, Brandi visits Mary and offers to adopt her child, then Brandi and Jinx repeat the offer plus additional support from Jinx. Sacrificial Lam Episode 7. She's allowed into WITSEC but she has to be told about her husband's other family and vice versa, and that's when things get messed up. Meanwhile, Mary's sister Brandi visits from New Jersey. You never needed me. Season 5. James and Kelly run into Simon Kirby at a local convenience store when he's caught shoplifting. Mary returns home to learn that Brandi's involvement with Chuck may cost her her career when Agent O'Connor Will McCormack begins searching for a scapegoat. Despite their best efforts, the informant refuses their protection and gets himself into a heap of trouble.
    [Show full text]
  • How Superman Developed Into a Jesus Figure
    HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations.
    [Show full text]
  • DC Comics Jumpchain CYOA
    DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe.
    [Show full text]
  • Costellazione Manga: Explaining Astronomy Using Japanese Comics and Animation
    Costellazione Manga: explaining astronomy using Japanese comics and animation Downloaded from: https://research.chalmers.se, 2021-09-30 20:30 UTC Citation for the original published paper (version of record): Dall` Olio, D., Ranalli, P. (2018) Costellazione Manga: explaining astronomy using Japanese comics and animation Communicating Astronomy with the Public Journal(24): 7-16 N.B. When citing this work, cite the original published paper. research.chalmers.se offers the possibility of retrieving research publications produced at Chalmers University of Technology. It covers all kind of research output: articles, dissertations, conference papers, reports etc. since 2004. research.chalmers.se is administrated and maintained by Chalmers Library (article starts on next page) Costellazione Manga: Explaining Astronomy Using Japanese Comics and Animation Resources Daria Dall’Olio Piero Ranalli Keywords Onsala Space Observatory, Chalmers Combient AB, Göteborg, Sweden; Public outreach, science communication, University of Technology, Sweden; Lund Observatory, Sweden informal education, planetarium show, ARAR, Planetarium of Ravenna and ASCIG, Italy [email protected] learning development [email protected] Comics and animation are intensely engaging and can be successfully used to communicate science to the public. They appear to stimulate many aspects of the learning process and can help with the development of links between ideas. Given these pedagogical premises, we conducted a project called Costellazione Manga, in which we considered astronomical concepts present in several manga and anime (Japanese comics and animations) and highlighted the physics behind them. These references to astronomy allowed us to introduce interesting topics of modern astrophysics and communicate astronomy-related concepts to a large spectrum of people.
    [Show full text]
  • The Impact of Globalization on the Malaysia Film Industry
    International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-7S2, May 2019 The Impact of Globalization on the Malaysia Film Industry Hizral Tazzif Hisham Statistics show that between 40 and 90 per cent of films Abstract: Malaysia’s film industry has a very long history. Its screened around the world are either produced in Hollywood first film Laila Majnun was produced in 1933 and directed by BS or by the United States-owned transnational companies Rajhans – an Indian director. After various companies produced (Wendy Su, 2010). that more Malay films. The acceptance of Malay film by local As in 2003, in the European continent, Hollywood films audiences has convinced China filmmaker Shaw Brothers to set up a studio and a company - Malay Film Production (MFP) that controlled 53% of the French film industry; Canada (87%); became a cornerstone in the local movie industry. Local films and the United Kingdom (73.5%). Among the contributing industry reached its pinnacle in the early 50s, and 60s with the factors to the Hollywood’s dominance are huge local market late Tan Sri P. Ramlee weaving its magic in producing award- (the United States), the use of English as the language winning films such as Pendekar Bujang Lapok, Anaku Sazali medium (opening doors to international market), the and Ibu Mertuaku that won him The Most Versatile Artist in inability of smaller domestic filmmakers in developing and 1962. The local film industry plummeted with the demised of the poor countries to compete on global scale, and the efficiency late P.
    [Show full text]
  • DC One Million Omnibus
    DC One Million Omnibus FORMAT FILE [ebook, pdf, epub, mobi pocket, audiobook, txt, doc, ppt, jpeg, chm, xml, azw, pdb, kf8, prc, tpz] Link Read Online : Read DC One Million Omnibus Link Download : Download DC One Million Omnibus Book Detail : Amazon Business : For business-only pricing, quantity discounts and FREE Shipping. Register a free business account Description Book : In the 853rd century--one million months after the publication of ACTION COMICS #1--Earth remains safe, thanks to the heroics of the JLA of the future. The ancestors of Batman, Superman, Wonder Woman, The Flash and others remain united in combating forces of evil, but perhaps have never met anything as deadly as the sentient super-computer Solaris, the Tyrant Sun. As this villainous threat becomes too much to handle, these heroes of the future turn to the only group they know can help: the original JLA. Written in the middle of Grant Morrison's smash-hit run on JLA, DC ONE MILLION was the first of the game-changing writer's mind-bending DC crossovers. With art by Val Semeiks and Prentis Rollins, the entire DC ONE MILLION series is reprinted here, along with every crossover issue and tie-in. This massive omnibus edition is a must-have for collectors of Grant Morrison's DC work. Includes the following issues: DC ONE MILLION 1-4, ACTION COMICS 1,000,000, ADVENTURES OF SUPERMAN 1,000,000, AQUAMAN 1,000,000, AZRAEL 1,000,000, BATMAN 1,000,000, BATMAN:SHADOW OF THE BAT 1,000,000, CATWOMAN 1,000,000, CHASE 1,000,000, CHRONOS 1,000,000, CREEPER 1,000,000, DETECTIVE COMICS
    [Show full text]
  • Costellazione Manga: Explaining Astronomy Using
    Costellazione Manga: Explaining Astronomy Using Japanese Comics and Animation Resources Daria Dall’Olio Piero Ranalli Keywords Onsala Space Observatory, Chalmers Combient AB, Göteborg, Sweden; Public outreach, science communication, University of Technology, Sweden; Lund Observatory, Sweden informal education, planetarium show, ARAR, Planetarium of Ravenna and ASCIG, Italy [email protected] learning development [email protected] Comics and animation are intensely engaging and can be successfully used to communicate science to the public. They appear to stimulate many aspects of the learning process and can help with the development of links between ideas. Given these pedagogical premises, we conducted a project called Costellazione Manga, in which we considered astronomical concepts present in several manga and anime (Japanese comics and animations) and highlighted the physics behind them. These references to astronomy allowed us to introduce interesting topics of modern astrophysics and communicate astronomy-related concepts to a large spectrum of people. In this paper, we describe the methodology and techniques that we developed and discuss the results of our project. Depending on the comic or anime considered, we can introduce general topics such as the difference between stars, planets and galaxies or ideas such as the possibility of finding life on other planets, the latest discoveries of Earth-like planets orbiting other stars or the detection of complex organic molecules in the interstellar space. When presenting the night sky and the shapes of constellations, we can also describe how the same stars are perceived and grouped by different cultures. The project outcomes indicate that Costellazione Manga is a powerful tool to popularise astronomy and stimulate important aspects of learning development, such as curiosity and crit- ical thinking.
    [Show full text]
  • Video-Windows-Grosse
    THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3
    [Show full text]
  • N˚ 160 Gratuit
    OLARI S Science-fiction et fantastique S Le volet en ligne Lectures 161 J.-O.Allard, R. Bozzetto, J. Pettigrew et R. D. Nolane Sci-néma 166 H. Morin et D. Sernine L’ANTHOLOGIE PERMANENTE N˚ 160 DES LITTÉRATURES DE L ’ IMAGINAIRE Gratuit Abonnez-vous ! Abonnement (toutes taxes incluses): Québec et Canada: 27 $ États-Unis: 27 $US Europe (surface): 32 euros Europe (avion): 35 euros Autre (surface): 40 $ Autre (avion): 46 $ Nous acceptons les chèques et mandats en dollars canadiens, américains et en euros seulement. On peut aussi payer par Internet avec Visa ou Mastercard. Toutes les informations nécessaires sur notre site: http://www.revue-solaris.com Par la poste, une seule adresse: Solaris, C.P. 85700, Succ. Beauport, Québec (Québec) Canada G1E 6Y6 Courriel:Téléphone: Fax: [email protected] (418) 525-6890 (418) 523-6228 Nom: Adresse: Veuillez commencer mon abonnement avec le numéro: Solaris est une revue publiée quatre fois par année par les Publications bénévoles des littératures de l’imaginaire du Québec. Fondée en 1974 par Norbert Spehner, Solaris est la première revue de science-fiction et de fantastique en français en Amérique du Nord. Ces pages sont offertes gratuitement. Elles constituent le Supplément en ligne du numéro 160 de la revue Solaris. Toute reproduction – à l’exclusion d’une impression unique en vue de joindre ce supplément au numéro 160 de Solaris –, est strictement interdite à moins d’entente spécifique avec les auteurs et la rédaction. Les collaborateurs sont responsables de leurs opinions qui ne reflètent pas nécessairement celles de la rédaction. Date de mise en ligne: septembre 2006 © Solaris et les auteurs K.
    [Show full text]
  • Customizing Charts Andrew Ba Tran
    Customizing charts Andrew Ba Tran Contents Reordering chart labels . .2 Lollipop plot . .4 Saving ggplots . .9 Scales . 12 Scales for color and fill . 14 Annotations . 16 Themes . 17 Your turn . 19 This is from the fourth chapter of learn.r-journalism.com. Let’s bring that data back in again. library(readr) ages <- read_csv("data/ages.csv") Remember that Dot Plot we made before? library(ggplot2) ggplot(ages, aes(x=actress_age, y=Movie)) + geom_point() 1 Working Girl Witness What's Eating Gilbert Grape What Lies Beneath Vanilla Sky Up in the Air Transcendence Training Day Top Gun The Tourist The Rum Diary The Preacher's Wife The Money Pit The Hoax The Good German The American Splash Sommersby Solaris Sleepy Hollow Sleepless in Seattle Six Days Seven Nights Shall We Dance Sabrina Rock of Ages Risky Business Remember the Titans Regarding Henry Random Hearts Raiders of the Lost Ark Pretty Woman Pirates of the Caribbean Out of Time Out of Sight One Fine Day Ocean's Eleven Oblivion O Brother, Where Art Thou? Movie Nights in Rodanthe Mo' Better Blues Mission Impossible III Malcolm X Losin It Leatherheads Knight and Day John Q Jerry Maguire Intolerable Cruelty He Got Game Forrest Gump Flight First Knight Firewall Far and Away Extremely Loud & Incredibly Close Empire Strikes Back Edward Scissorhands DejaVu Dark Shadows Cloud Atlas Chocolat Charlie Wilson's War Cast Away Captain Phillips Blow Blade Runner Bee Season Batman & Robin Autumn in New York Arbitrage Apollo 13 An Officer and a Gentleman American Ganster Amelia 20 30 40 50 actress_age It’s not that great, right? It’s in reverse alphabetical order.
    [Show full text]
  • Catalogo ARTISTA TITULO for ANO OBS STOCK PVP
    Catalogo ARTISTA TITULO FOR ANO OBS STOCK PVP 1927 ISH +2 CD 1989 20 th Anniversary Edition X 27,00 1927 THE OTHER SIDE CD 1990 AOR X 22,95 21 GUNS KNEE DEEP CDS 1992 Melodic Rock X 5,00 220 VOLT 220 VOLT CD Japanese Edition X 25,00 220 VOLT EYE TO EYE -Japan Edt.- CD 1988 Japan reissue remastered +2 tracks X 20,99 24 K PURE CD 2000 X 7,50 30 SECONDS TO MARS 30 SECONDS TO MARS CD X 17,95 38 SPECIAL FLASHBACK CD 1987 Best of 16,95 38 SPECIAL ICON CD 2011 Best of X 10,95 38 SPECIAL ROCK & ROLL STRATEGY CD 20,95 38 SPECIAL STRENGTH IN NUMBERS CD 1986 X 11,99 38 SPECIAL TOUR DE FORCE CD 1983 X 10,95 38 SPECIAL WILD-EYED SOUTHERN BOYS CD 1978 10,95 38 SPECIAL WILD-EYED SOUTHERN../SPECIAL FORCES CD 1978 1980 & 1982 2013 reissue 2 Albums 1 CD X 12,99 AB/CD CUT THE CRAO CD 12,95 AB/CD THE ROCK 'N''ROLL DEVIL CD 12,95 ABC THE CLASSIC MASTERS COLLECTION CD Best of X 12,95 AC/DC BACK IN BLACK CD 1980 2003 remastered X 14,95 AC/DC BACK IN BLACK -LTD 180G- CD 1980 2009 LTD 180G X 22,95 AC/DC BALLBREAKER CD 12,95 AC/DC BLACK ICE CD 2008 Remasters digipack X 17,95 AC/DC BONFIRE 5CD X 27,95 AC/DC DIRTY DEEDS DONE DIRT CHEAP 4DVD X 25,00 AC/DC DIRTY DEEDS DONE DIRT CHEAP CD 1976 Remasters digipack 9,95 AC/DC FLICK OF THE SWITCH CD 12,95 AC/DC FLY ON THE WALL CD 12,95 AC/DC HELL AIN'T A BAD PLACE TO BE BOOK X 8,95 AC/DC HIGHWAY TO HELL CD 12,95 ARTISTA TITULO FOR ANO OBS STOCK PVP AC/DC HIGHWAY TO HELL -180G- LP 1979 2009 ltd 180G X 22,95 AC/DC IF YOU WANT BLOOD YOU'VE GOT IT CD 12,95 AC/DC IN CONCERT BLRY 2012 98 min X 12,95 AC/DC IT''S A LONG WAY TO THE TOP DVD X 7,50 AC/DC LET THERE BE ROCK DVD X 10,95 AC/DC LIVE 92 2LP 1992 Live X 25,95 AC/DC LIVE 92 2CD 1992 Live X 24,95 AC/DC NO BULL DVD X 12,95 AC/DC POWERAGE CD 10,95 AC/DC RAZOR'S EDGE CD 1990 Remasters digipack X 14,95 AC/DC STIFF UPPER LIP CD Remasters digipack 10,95 AC/DC T.N.T.
    [Show full text]
  • GRANT MORRISON Great Comics Artists Series M
    GRANT MORRISON Great Comics Artists Series M. Thomas Inge, General Editor Marc Singer GRANT MORRISON Combining the Worlds of Contemporary Comics University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2012 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2012 ∞ Library of Congress Cataloging-in-Publication Data Singer, Marc. Grant Morrison : combining the worlds of contemporary comics / Marc Singer. p. cm. — (Great comics artists series) Includes bibliographical references and index. ISBN 978-1-61703-135-9 (cloth : alk. paper) — ISBN 978- 1-61703-136-6 (pbk. : alk. paper) — ISBN 978-1-61703-137-3 (ebook) 1. Morrison, Grant—Criticism and interpretation. 2. Comic books, strips, etc.—United States—History and criticism. I. Title. PN6727.M677Z86 2012 741.5’973—dc22 2011013483 British Library Cataloging-in-Publication Data available Contents vii Acknowledgments 3 Introduction: A Union of Opposites 24 CHAPTER ONE Ground Level 52 CHAPTER TWO The World’s Strangest Heroes 92 CHAPTER THREE The Invisible Kingdom 136 CHAPTER FOUR Widescreen 181 CHAPTER FIVE Free Agents 221 CHAPTER SIX A Time of Harvest 251 CHAPTER SEVEN Work for Hire 285 Afterword: Morrison, Incorporated 293 Notes 305 Bibliography 317 Index This page intentionally left blank Acknowledgments This book would not have been possible without the advice and support of my friends and colleagues. Craig Fischer, Roger Sabin, Will Brooker, and Gene Kannenberg Jr. generously gave their time to read the manuscript and offer feedback. Joseph Witek, Jason Tondro, Steve Holland, Randy Scott, the Michigan State University Library Special Collections, and the George Washington University Gelman Library provided me with sources and images.
    [Show full text]