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PADDISON Drawing the Movies.Indd
Who helped Cameron Crowe to visualize how he’d shoot the scenes for his latest movie ‘Elizabethtown’? Neil Paddison speaks to Alex Hillkurtz, the storyboard artist behind Crowe’s latest fi lm. ITH TEN YEARS experience a pile of storyboards in your hand, as a storyboard artist, work- you’re really prepared. Wing on movies as diverse as Almost Famous, Vanilla Sky and Lost How do you start work on a new in Space, Alex Hillkurtz is the ideal per- project? son to answer questions about what must be one of the most enviable jobs Usually I’ll meet with the director for in the fi lm industry. two or three hours at a time and we’ll go through one scene like this one [the Having just completed work on Eliza- bethtown, which will be released in Because when ‘Usually I’ll meet with the director for Australia this October, Hillkurtz took you’re working time out in January this year to talk on a fi lm there two or three hours at a time and we’ll about his work as a storyboard artist. are hundreds of go through one scene like this one different people So, what attracted you to the job? involved. Every- [the Vanilla Sky car crash]’ body needs to be ISSUE 39 I’ve been a fan of movies forever, and making the same movie; otherwise it’ll Vanilla Sky car crash, see pictures on SCREEN EDU I’ve always drawn, so when I learnt be just mass chaos. And fi lm produc- right]. -
Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-6-2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Film and Media Studies Commons Recommended Citation Semenza, Timothy, ""The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen" (2012). Honors Scholar Theses. 241. https://opencommons.uconn.edu/srhonors_theses/241 Semenza 1 Timothy Semenza "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Semenza 2 Timothy Semenza Professor Schlund-Vials Honors Thesis May 2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Preface Choosing a topic for a long paper like this can be—and was—a daunting task. The possibilities shot up out of the ground from before me like Milton's Pandemonium from the soil of hell. Of course, this assignment ultimately turned out to be much less intimidating and filled with demons than that, but at the time, it felt as though it would be. When you're an English major like I am, your choices are simultaneously extremely numerous and severely restricted, mostly by my inability to write convincingly or sufficiently about most topics. However, after much deliberation and agonizing, I realized that something I am good at is writing about film. -
Elizabethtown
Cineforum G. Verdi 31°anno 15° film 25 - 26 – 27 – 28 gennaio 2006 [email protected] Clare Colburn, un angelo biondo Elizabethtown interpretato da una splendida Kristen Dunst che con il suo carattere stralunato e ottimista, lo farà riflettere CAST TECNICO ARTISTICO sul vero senso della vita. Clear che ha fatto del viaggio un lavoro, possiede Regia: Cameron Crowe una dote speciale: riesce a risolvere Sceneggiatura: Cameron Crowe tutti i problemi degli altri. Fotografia: John Toll L’incontro tra i due protagonisti, inizia Scenografia: Clay Griffith per caso, anzi per errore. Drew dopo Montaggio: David Moritz aver parlato per tutta la notte con giornalista di “Rolling Stones” una Costumi: Nancy Steiner Clear, riuscirà a ritrovare uno spiraglio delle più famose riviste di musica) Musica: Nancy Wilson di luce nella sua vita: una nuova alba. che dichiara in una intervista: “scrivo Prodotto da: Tom Cruise, Paula Anche in questa sequenza il regista i miei film pensando ai brani Wagner, Donald Lee sottolinea con un sapiente uso della musicali che con loro si sposeranno (Usa, 2005) Fotografia gli umori degli interpreti; meglio”; da ricordare oltre a “Moon Durata: 111' interessante l’utilizzo della tecnologia river” già colonna sonora di Distribuzione cinematografica: UIP (telefono cellulare) nello sviluppo della “Colazione da Tiffany” di Billy trama narrativa. Wilder, tutta la parte finale del film PERSONAGGI E INTERPRETI Ma è il viaggio, il tema principale con brani storici o inediti di Tom dell’ultima fatica di Cameron Crowe Petty, Elton John, Ryan Adams fino Drew Baylor: Olrando Bloom regista e sceneggiatore (produce Tom a Helen Stellar una band Claire: Kirsten Dunst Cruise) di un film autobiografico, il sconosciuta scoperta di recente da Hollie Baylor: Susan Sarandon padre infatti nel 1989 si era recato nel Crowe. -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University
John Carroll University Carroll Collected 2018 Faculty Bibliography Faculty Bibliographies Community Homepage 6-2018 From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture Brian Collins Ohio University Kristen Tobey John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/fac_bib_2018 Part of the Religion Commons, and the Television Commons Recommended Citation Collins, Brian and Tobey, Kristen, "From Middlemarch to The aD Vinci Code: Portrayals of Religious Studies in Popular Culture" (2018). 2018 Faculty Bibliography. 55. https://collected.jcu.edu/fac_bib_2018/55 This Article is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2018 Faculty Bibliography by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. From Middlemarch to The Da Vinci Code: Portrayals of Religious Studies in Popular Culture TEMPLE MIDDLEMARCH Directed by Michael Barrett Television serial Screen Media, 2017. 78 minutes Directed by Anthony Page BBC, 1994 DEXTER. SEASON SIX Created by James Manos Jr. MIDDLEMARCH: THE SERIES Showtime, 2011 Directed by Rebecca Shoptaw DEATH DU JOUR YouTube, 2017 By Kathy Reichs New York: Pocket Books, 1999 ANGELS & DEMONS Pp. 480. $17.19 By Dan Brown New York: Washington Square Press, 2006 [2000] THE BLACK TAPES Pp. 496. $17.00 Podcast. Created by Paul Bae and Terry Miles 2015–2017 THE DA VINCI CODE By Dan Brown. THE REAPING New York: Anchor Books, 2009 [2003] Directed by Stephen Hopkins Pp. 597. $9.99 Warner Brothers, 2007. 99 minutes THE LOST SYMBOL SINISTER By Dan Brown Directed by Scott Derickson New York: Anchor Books, 2012 [2009] Blumhouse Productions, 2012. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
November 2015
November 2015 8:00 PM ET/5:00 PM PT 4:45 PM ET/1:45 PM PT 3:30 PM ET/12:30 PM PT 7:00 PM CT/6:00 PM MT 3:45 PM CT/2:45 PM MT 2:30 PM CT/1:30 PM MT Tears of the Sun For Love of the Game Down Periscope 10:05 PM ET/7:05 PM PT 7:15 PM ET/4:15 PM PT 5:05 PM ET/2:05 PM PT SUNDAY, NOVEMBER 1 9:05 PM CT/8:05 PM MT 6:15 PM CT/5:15 PM MT 4:05 PM CT/3:05 PM MT 12:15 AM ET/9:15 PM PT Man On Fire Blue Crush Biloxi Blues 11:15 PM CT/10:15 PM MT 9:00 PM ET/6:00 PM PT 7:00 PM ET/4:00 PM PT Scream MONDAY, NOVEMBER 2 8:00 PM CT/7:00 PM MT 6:00 PM CT/5:00 PM MT 1:15 AM ET/11:15 PM PT 12:35 AM ET/9:35 PM PT Wimbledon Primary Colors 1:15 AM CT/12:15 AM MT 11:35 PM CT/10:35 PM MT 10:45 PM ET/7:45 PM PT 9:30 PM ET/6:30 PM PT The Sixth Sense Tears of the Sun 9:45 PM CT/8:45 PM MT 8:30 PM CT/7:30 PM MT 3:15 AM ET/1:15 AM PT 2:45 AM ET/11:45 PM PT Blue Crush The Birdcage 2:15 AM CT/1:15 AM MT 1:45 AM CT/12:45 AM MT 11:30 PM ET/8:30 PM PT Hollywood’s Best Directors - M. -
What Is Necromedia? Marcel O’Gorman
Document generated on 09/24/2021 2:22 p.m. Intermédialités Histoire et théorie des arts, des lettres et des techniques Intermediality History and Theory of the Arts, Literature and Technologies What is Necromedia? Marcel O’Gorman Naître Article abstract Number 1, Spring 2003 This paper explores the collusion of death and technology by investigating: the military's early adoption of new technologies for the purpose of human URI: https://id.erudit.org/iderudit/1005450ar destruction; superstition and ghost industries invoked by the mainstreaming of DOI: https://doi.org/10.7202/1005450ar new technologies; the use of technology to push us into a posthuman era that heralds and celebrates the end of liberal humanism; technology's promise of See table of contents immortality, which causes us to forget our finitude. The exploration is framed by various media scenes extracted from two recent Hollywood movies, Vanilla Sky (Crowe, 2001) and American Beauty (Mendes, 1999). The paper is not about these movies, but rather, it draws on them as case studies, information Publisher(s) narratives about the incorporation of technology in American culture. By Centre de recherche sur l'intermédialité defining this new area of study and coining a new term, the author hopes to provoke interest in Necromedia Theory as an antidote to the uncritical incorporation of new technologies into everyday life, and to the relentless ISSN development of technology for technology's sake. 1920-3136 (digital) Explore this journal Cite this article O’Gorman, M. (2003). What is Necromedia? Intermédialités / Intermediality, (1), 155–164. https://doi.org/10.7202/1005450ar Tous droits réservés © Revue Intermédialités, 2003 This document is protected by copyright law. -
Season 2016-2017
23 Season 2016-2017 Friday, March 17, at 7:00 Saturday, March 18, at 7:00 The Philadelphia Orchestra Sunday, March 19, at 2:00 David Newman Conductor Paramount Pictures Presents A Lucasfilm Ltd. Production A Steven Spielberg Film in Concert Starring Harrison Ford Karen Allen Paul Freeman Ronald Lacey John Rhys-Davies Denholm Elliott Music by John Williams Executive Producers George Lucas and Howard Kazanjian Screenplay by Lawrence Kasdan Story by George Lucas and Philip Kaufman Produced by Frank Marshall Directed by Steven Spielberg Raiders of the Lost Ark licensed by Lucasfilm Ltd. and Paramount Pictures. This program licensed by Lucasfilm Ltd. and Paramount Pictures. Motion picture, artwork, photos © 1981 Lucasfilm Ltd. All Rights Reserved. Music written by John Williams, Bantha Music (BMI). All rights administered by Warner-Tamerlane Publishing Corp. (BMI). All rights reserved. Used by permission. This program runs approximately 2 hours, 15 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 25 PRODUCTION CREDITS Raiders of the Lost Ark—Film with Orchestra produced by Film Concerts Live!, a joint venture of IMG Artists, LLC, and the Gorfaine/Schwartz Agency, Inc. Producers: Steven A. Linder and Jamie Richardson Production Manager: Rob Stogsdill Production Coordinator: Rebekah Wood Worldwide Representation: IMG Artists, LLC Supervising Technical Director: Mike Runice Technical Director: Luke Dennis Music composed by John Williams Music Preparation: Jo Ann Kane Music Service Film Preparation for Concert Performance: Ramiro Belgardt Technical Consultant: Laura Gibson Sound Remixing for Concert Performance: Chace Audio by Deluxe The score for Raiders of the Lost Ark has been adapted for live concert performance. -
State Officials Tour Saxon Harbor by RICHARD JENKINS Into Place
Call (906) 932-4449 Getting to the next level Ironwood, MI Pistons land ex-Raptors coach Dwane Redsautosales.com Casey with 5-year deal SPORTS • 9 DAILY GLOBE Tuesday, June 12, 2018 Scattered thunderstorms yourdailyglobe.com | High: 73 | Low: 52 | Details, page 2 State officials tour Saxon Harbor By RICHARD JENKINS into place. It’s great to see section of the Oronto [email protected] the harbor is going to come Creek project, according to SAXON, Wis. – Sur- back,” Meyers said. “It’s a Peterson, but the new prise and delight seemed lot of money that is being floodplain has been built to be the dominant emo- spent and it could’ve went and the creek returned to tions Friday, as Iron Coun- the other way, it could have its former channel. ty’s state representatives been, ‘Nope, there just isn’t With the creek back in saw firsthand how much money to do this.’ its channel, and the sedi- progress had been made “But Iron County is a ment and debris removed, rebuilding Saxon Harbor small county in northern Peterson said the creek was since it was destroyed in Wisconsin and this is an reopened May 29. the July 2016 storm. economic agent for Iron The DOT is restoring “It’s really wonderful to County. It not only brings the section of creek as part come down here and final- people to the county who of its project rebuilding the ly see that the hard work of get to see the great beauty County A bridge over all of the people from the of the area, but it brings Oronto Creek. -
Costellazione Manga: Explaining Astronomy Using Japanese Comics and Animation
Costellazione Manga: explaining astronomy using Japanese comics and animation Downloaded from: https://research.chalmers.se, 2021-09-30 20:30 UTC Citation for the original published paper (version of record): Dall` Olio, D., Ranalli, P. (2018) Costellazione Manga: explaining astronomy using Japanese comics and animation Communicating Astronomy with the Public Journal(24): 7-16 N.B. When citing this work, cite the original published paper. research.chalmers.se offers the possibility of retrieving research publications produced at Chalmers University of Technology. It covers all kind of research output: articles, dissertations, conference papers, reports etc. since 2004. research.chalmers.se is administrated and maintained by Chalmers Library (article starts on next page) Costellazione Manga: Explaining Astronomy Using Japanese Comics and Animation Resources Daria Dall’Olio Piero Ranalli Keywords Onsala Space Observatory, Chalmers Combient AB, Göteborg, Sweden; Public outreach, science communication, University of Technology, Sweden; Lund Observatory, Sweden informal education, planetarium show, ARAR, Planetarium of Ravenna and ASCIG, Italy [email protected] learning development [email protected] Comics and animation are intensely engaging and can be successfully used to communicate science to the public. They appear to stimulate many aspects of the learning process and can help with the development of links between ideas. Given these pedagogical premises, we conducted a project called Costellazione Manga, in which we considered astronomical concepts present in several manga and anime (Japanese comics and animations) and highlighted the physics behind them. These references to astronomy allowed us to introduce interesting topics of modern astrophysics and communicate astronomy-related concepts to a large spectrum of people.