The Picts in Moray
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Talking Gothic! What Do We Mean by Gothic Architecture and How Can We Identify It?
Talking Gothic! What do we mean by Gothic architecture and how can we identify it? ‘Gothic’ is the name we give to a style of architecture from the Middle Ages. It is usually thought to have begun near Paris in the middle of the 1100s and, from there, it spread throughout Europe and continued into the 16th century. There are many marvellous examples of Gothic buildings throughout Scotland: from Elgin Cathedral in Moray, through amazing buildings like Glasgow Cathedral, Paisley Abbey and Edinburgh St Giles, down to Melrose Abbey in the Scottish Borders. All of these, and more, are well worth a visit! Gothic architecture developed from an earlier style we call Romanesque. Buildings made in the Romanesque style often have rounded arches on their (usually comparatively small) windows and doors, thick columns and walls, lots of ornamental patterns, and shorter structures than the buildings which came later. Dunfermline Abbey is a great example of a Romanesque building in Scotland. The people who paid for the earliest Gothic buildings expressed a wish to transport worshippers to a kind of Heaven on Earth by building higher and brighter churches. What emerged is what we now describe as Gothic. Fashions changed throughout the time that Gothic was the predominant style, and it also varied from place to place. However, the Classical revival made popular as part of the Italian Renaissance largely replaced the Gothic style, and it wasn’t fashionable again until the 19th century. During the Romantic Movement Medieval literature, arts and crafts enjoyed renewed popularity. As a result, Glasgow Cathedral was begun in the Gothic elements can be seen today in the churches, public buildings, and late 12th century and was at the hub of the Medieval city. -
North Vorthumberland
Midlothian Vice-county 83 Scarce, Rare & Extinct Vascular Plant Register Silene viscaria Vicia orobus (© Historic Scotland Ranger Service) (© B.E.H. Sumner) Barbara E.H. Sumner 2014 Rare Plant Register Midlothian Asplenium ceterach (© B.E.H. Sumner) The records for this Register have been selected from the databases held by the Botanical Society of Britain and Ireland. These records were made by botanists, most of whom were amateur and some of whom were professional, employed by government departments or undertaking environmental impact assessments. This publication is intended to be of assistance to conservation and planning organisations and authorities, district and local councils and interested members of the public. Acknowledgements My thanks go to all those who have contributed records over the years, and especially to Douglas R. McKean and the late Elizabeth P. Beattie, my predecessors as BSBI Recorders for Midlothian. Their contributions have been enormous, and Douglas continues to contribute enthusiastically as Recorder Emeritus. Thanks also to the determiners, especially those who specialise in difficult plant groups. I am indebted to David McCosh and George Ballantyne for advice and updates on Hieracium and Rubus fruticosus microspecies, respectively, and to Chris Metherell for determinations of Euphrasia species. Chris also gave guidelines and an initial template for the Register, which I have customised for Midlothian. Heather McHaffie, Phil Lusby, Malcolm Fraser, Caroline Peacock, Justin Maxwell and Max Coleman have given useful information on species recovery programmes. Claudia Ferguson-Smyth, Nick Stewart and Michael Wilcox have provided other information, much appreciated. Staff of the Library and Herbarium at the Royal Botanic Garden Edinburgh have been most helpful, especially Graham Hardy, Leonie Paterson, Sally Rae and Adele Smith. -
List of Lights Radio Aids and Fog Signals 2011
PUB. 114 LIST OF LIGHTS RADIO AIDS AND FOG SIGNALS 2011 BRITISH ISLES, ENGLISH CHANNEL AND NORTH SEA IMPORTANT THIS PUBLICATION SHOULD BE CORRECTED EACH WEEK FROM THE NOTICE TO MARINERS Prepared and published by the NATIONAL GEOSPATIAL-INTELLIGENCE AGENCY Bethesda, MD © COPYRIGHT 2011 BY THE UNITED STATES GOVERNMENT. NO COPYRIGHT CLAIMED UNDER TITLE 17 U.S.C. *7642014007536* NSN 7642014007536 NGA REF. NO. LLPUB114 LIST OF LIGHTS LIMITS NATIONAL GEOSPATIAL-INTELLIGENCE AGENCY PREFACE The 2011 edition of Pub. 114, List of Lights, Radio Aids and Fog Signals for the British Isles, English Channel and North Sea, cancels the previous edition of Pub. 114. This edition contains information available to the National Geospatial-Intelligence Agency (NGA) up to 2 April 2011, including Notice to Mariners No. 14 of 2011. A summary of corrections subsequent to the above date will be in Section II of the Notice to Mariners which announced the issuance of this publication. In the interval between new editions, corrective information affecting this publication will be published in the Notice to Mariners and must be applied in order to keep this publication current. Nothing in the manner of presentation of information in this publication or in the arrangement of material implies endorsement or acceptance by NGA in matters affecting the status and boundaries of States and Territories. RECORD OF CORRECTIONS PUBLISHED IN WEEKLY NOTICE TO MARINERS NOTICE TO MARINERS YEAR 2011 YEAR 2012 1........ 14........ 27........ 40........ 1........ 14........ 27........ 40........ 2........ 15........ 28........ 41........ 2........ 15........ 28........ 41........ 3........ 16........ 29........ 42........ 3........ 16........ 29........ 42........ 4....... -
Scotland and the North
Edinburgh Research Explorer Scotland and the North Citation for published version: Fielding, P 2018, Scotland and the North. in D Duff (ed.), Oxford Handbook of British Romanticism. Oxford Handbooks, Oxford University Press, Oxford, pp. 106-120. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Oxford Handbook of British Romanticism Publisher Rights Statement: This is the accepted version of the following chapter: Fielding, P 2018, Scotland and the North. in D Duff (ed.), Oxford Handbook of British Romanticism. Oxford University Press, Oxford, pp. 106-120. Reproduced by permission of Oxford University Press https://global.oup.com/academic/product/the-oxford-handbook-of-british-romanticism- 9780199660896?cc=gb&lang=en&# General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 1 SCOTLAND AND THE NORTH Penny Fielding To think about Romanticism in national terms -- the possibility that there might be a ‘Scottish Romanticism’ distinct from an English, British, German, European, or any other national form -- asks us first to set down some ideas about space and time upon which such a concept might be predicated. -
Celticism, Internationalism and Scottish Identity Three Key Images in Focus
Celticism, Internationalism and Scottish Identity Three Key Images in Focus Frances Fowle The Scottish Celtic Revival emerged from long-standing debates around language and the concept of a Celtic race, a notion fostered above all by the poet and critic Matthew Arnold.1 It took the form of a pan-Celtic, rather than a purely Scottish revival, whereby Scotland participated in a shared national mythology that spilled into and overlapped with Irish, Welsh, Manx, Breton and Cornish legend. Some historians portrayed the Celts – the original Scottish settlers – as pagan and feckless; others regarded them as creative and honorable, an antidote to the Industrial Revolution. ‘In a prosaic and utilitarian age,’ wrote one commentator, ‘the idealism of the Celt is an ennobling and uplifting influence both on literature and life.’2 The revival was championed in Edinburgh by the biologist, sociologist and utopian visionary Patrick Geddes (1854–1932), who, in 1895, produced the first edition of his avant-garde journal The Evergreen: a Northern Seasonal, edited by William Sharp (1855–1905) and published in four ‘seasonal’ volumes, in 1895– 86.3 The journal included translations of Breton and Irish legends and the poetry and writings of Fiona Macleod, Sharp’s Celtic alter ego. The cover was designed by Charles Hodge Mackie (1862– 1920) and it was emblazoned with a Celtic Tree of Life. Among 1 On Arnold see, for example, Murray Pittock, Celtic Identity and the Brit the many contributors were Sharp himself and the artist John ish Image (Manchester: Manches- ter University Press, 1999), 64–69 Duncan (1866–1945), who produced some of the key images of 2 Anon, ‘Pan-Celtic Congress’, The the Scottish Celtic Revival. -
The Celtic Revival in Scotland Timetable
The Celtic Revival in Scotland Timetable Thursday 1 May 2014 1:00–1:30: Registration and Reception 1:30–1:50: Welcome and opening remarks Panel 1 Panel 2 2:00–2:30 Nicola Gordon Bowe, ‘Embroideries Liam Mac Mathúna, Douglas Hyde and out of old mythologies’: analogies between the wider world of the Gael inspiration and practice in the arts of the Celtic Revival in Dublin and Edinburgh 2:30–3:00 Sally Foster, Celtic collections and Wilson McLeod, Gaelic learners and the imperial connections: the V&A, language movement, 1870-1930 Scotland and the multiplication of plaster casts of ‘Celtic crosses’ 3:00–3:30 Elizabeth Cumming, Here Come the Rob Dunbar, Was there a Celtic Revival Celts! The Scottish National Pageant of in Canada? 1908 3:30–4:00 pm: Tea Panel 3 Panel 4 4:00–4:30 Stuart Eydmann, The harp as an Stuart Wallace, John Stuart Blackie and emblem of the Celtic Revival, with the Celtic Revival in Scotland particular reference to Scotland 4:30–5.15 John Purser, ‘The Lay of the Last Bernhard Maier, ‘Widening the Jacket’: Minstrel? Don’t count on it’: The Celtic John Stuart Blackie and Germany Revival in Scottish Classical Music 5:15–5:30: Break 5:30–6:30: Murdo Macdonald, The Art of the Scottish Celtic Revival Hawthornden Lecture Theatre, Scottish National Gallery 7:00–8:30: Drinks reception and private view of A Wide New Kingdom: The Celtic Revival in Scotland, Talbot Rice Gallery. Friday 2 May 2014 10:00–11:00: Donald Meek, The Celtic Revival and the beginnings of Celtic scholarship in Scotland Hawthornden Lecture Theatre, Scottish -
A Geophysical Survey of Rhynie, Aberdeenshire, and the Excavation of a Middle Bronze Age Structure Near the Craw Stane, Barflat
Proc Soc Antiq Scot 145 (2015), 125–151 THE LAND BEFORE SYMBOL STONES | 125 The land before symbol stones: a geophysical survey of Rhynie, Aberdeenshire, and the excavation of a Middle Bronze Age structure near the Craw Stane, Barflat Meggen Gondek* and Gordon Noble† with contributions from Susan Ramsay and Alison Sheridan ABSTRACT This article outlines the results of two related but distinct aspects of fieldwork: a geophysical survey of the Rhynie cropmark complex and a small targeted excavation conducted in 2005–6, which are both part of the Rhynie Environs Archaeological Project (REAP). The geophysical surveys included a substantial gradiometer and a smaller resistivity survey that aimed to characterise and explore the extent and survival of archaeology around the Craw Stane Pictish symbol stone (NJ42NE 35) and two other symbol stone findspots. The results showed several discrete anomalies; one of these was targeted by a small-scale excavation and proved to be a burnt Middle Bronze Age timber structure. This article describes the geophysical survey results and the excavation of the MBA structure and sets both within their landscape context. INTRODUCTION & Noble 2010). The work was undertaken in 2005–6 as Phase One of the Rhynie Environs The Rhynie Environs Archaeological Project Archaeological Project, directed by Gordon (REAP) was initially started in 2005 as a three- Noble and Meggen Gondek. year programme of research and fieldwork Remarkably little modern invasive work or based in and around the village of Rhynie, even non-invasive survey has specifically targeted Aberdeenshire; the main aim was to study the the archaeological context of symbol stones, landscape context of an important group of despite the attention they receive in art historical Pictish symbol stones. -
Of 5 Polling District Polling District Name Polling Place Polling Place Local Government Ward Scottish Parliamentary Cons
Polling Polling District Local Government Scottish Parliamentary Polling Place Polling Place District Name Ward Constituency Houldsworth Institute, MM0101 Dallas Houldsworth Institute 1 - Speyside Glenlivet Moray Dallas, Forres, IV36 2SA Grant Community Centre, MM0102 Rothes Grant Community Centre 1 - Speyside Glenlivet Moray 46 - 48 New Street, Rothes, AB38 7BJ Boharm Village Hall, MM0103 Boharm Boharm Village Hall 1 - Speyside Glenlivet Moray Mulben, Keith, AB56 6YH Margach Hall, MM0104 Knockando Margach Hall 1 - Speyside Glenlivet Moray Knockando, Aberlour, AB38 7RX Archiestown Hall, MM0105 Archiestown Archiestown Hall 1 - Speyside Glenlivet Moray The Square, Archiestown, AB38 7QX Craigellachie Village Hall, MM0106 Craigellachie Craigellachie Village Hall 1 - Speyside Glenlivet Moray John Street, Craigellachie, AB38 9SW Drummuir Village Hall, MM0107 Drummuir Drummuir Village Hall 1 - Speyside Glenlivet Moray Drummuir, Keith, AB55 5JE Fleming Hall, MM0108 Aberlour Fleming Hall 1 - Speyside Glenlivet Moray Queens Road, Aberlour, AB38 9PR Mortlach Memorial Hall, MM0109 Dufftown & Cabrach Mortlach Memorial Hall 1 - Speyside Glenlivet Moray Albert Place, Dufftown, AB55 4AY Glenlivet Public Hall, MM0110 Glenlivet Glenlivet Public Hall 1 - Speyside Glenlivet Moray Glenlivet, Ballindalloch, AB37 9EJ Richmond Memorial Hall, MM0111 Tomintoul Richmond Memorial Hall 1 - Speyside Glenlivet Moray Tomnabat Lane, Tomintoul, Ballindalloch, AB37 9EZ McBoyle Hall, BM0201 Portknockie McBoyle Hall 2 - Keith and Cullen Banffshire and Buchan Coast Seafield -
Ronnie's Cabs
transport guide FOREWORD The Moray Forum is a constituted voluntary organisation that was established to provide a direct link between the Area Forums and the Moray Community Planning Partnership. The Forum is made up of two representatives of each of the Area Forums and meets on a regular basis. Further information about The Moray Forum is available on: www.yourmoray.org.uk Area Forums are recognised by the Moray Community Planning Partnership as an important means of engaging local people in the Community Planning process. In rural areas - such as Moray - transport is a major consideration, so in September 2011 the Moray Forum held its first transport seminar to look at the issues and concerns that affect our local communities in respect of access to transport. Two actions that came from that event was the establishment of a Passenger Forum and a Transport Providers Network. This work was taken forward by the Moray Forum Transport Working Group made up of representatives of the Area Forums, Moray Council, NHS Grampian, tsiMORAY, and community transport schemes. In September 2013 the Working Group repeated the seminar to see how much progress had been made on the actions and issues identified in 2011. As a direct result of the work of the Group this Directory has been produced in order to address an on-going concern that has been expressed of the lack of information on what transport is available in Moray, the criteria for accessing certain transport services, and where to go for further advice. The Moray Forum Transport Working Group would like to acknowledge the help of all the people who provided information for this Directory, and thereby made a contribution towards the integration of public, private and community transport services within Moray. -
Catalogue Description and Inventory
= CATALOGUE DESCRIPTION AND INVENTORY Adv.MSS.30.5.22-3 Hutton Drawings National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © 2003 Trustees of the National Library of Scotland = Adv.MSS.30.5.22-23 HUTTON DRAWINGS. A collection consisting of sketches and drawings by Lieut.-General G.H. Hutton, supplemented by a large number of finished drawings (some in colour), a few maps, and some architectural plans and elevations, professionally drawn for him by others, or done as favours by some of his correspondents, together with a number of separately acquired prints, and engraved views cut out from contemporary printed books. The collection, which was previously bound in two large volumes, was subsequently dismounted and the items individually attached to sheets of thick cartridge paper. They are arranged by county in alphabetical order (of the old manner), followed by Orkney and Shetland, and more or less alphabetically within each county. Most of the items depict, whether in whole or in part, medieval churches and other ecclesiastical buildings, but a minority depict castles or other secular dwellings. Most are dated between 1781 and 1792 and between 1811 and 1820, with a few of earlier or later date which Hutton acquired from other sources, and a somewhat larger minority dated 1796, 1801-2, 1805 and 1807. Many, especially the engravings, are undated. For Hutton’s notebooks and sketchbooks, see Adv.MSS.30.5.1-21, 24-26 and 28. For his correspondence and associated papers, see Adv.MSS.29.4.2(i)-(xiii). -
THE HISTORIC ARCHITECTURE of MORAY Ronald G
THE HISTORIC ARCHITECTURE OF MORAY Ronald G. Cant In this paper the term 'historic architecture' has been taken, arbitrarily perhaps but conveniently, to cover the period from the early twelfth cen tury onwards when Moray came to be effectively absorbed into the medi eval Scottish kingdom, itself being integrated into a pattern of life developed in most parts of Europe in what has sometimes been called 'the medieval renaissance'. In terms of organisation this pattern involved four major elements. First was the authority of the King of Scots based on royal castles like those of Elgin and Forres under such officers as constables or sheriffs. Second, associated with certain castles, were settlements of merchants and crafts men that might (as at Elgin and Forres) develop into organised urban communities or burghs. Third, in the surrounding countryside, were the defensible dwellings of greater and lesser lords holding lands and authority directly or indirectly from the king and ultimately answerable to him. Fourth was the medieval church, an international organisation under the Pope but enjoying a certain autonomy in each of the countries in which it functioned and closely associated with these other elements at every level. Kings, Barons, and Burghers Each element in this 'medieval order' had its distinctive building require ments. For the king control of the previously strongly independent regional dominion of Moray stretching from west of the River Ness to east of the Spey was secured by the building of castles (with associated sheriffs) at Inverness, Nairn, Forres, and Elgin. Beyond the Spey was another at Banff but in civil affairs most of the area there had little direct association with Moray until comparatively recently, while in the west Inverness became the seat of a different and more extensive authority. -
Our Guide to Moray's Forests (PDF 2.5MB)
© Crown copyright and database right Explore Quarry Wood on the network of paths through [2018]. All rights reserved. Ordnance Survey Licence number [100021242]. 4 Quarry Wood pines, larch and native oakwood. 5 Torrieston Sands of time As you wander through the woods, you’ll come across It’s trailtastic! disused sandstone quarries. Remarkable fossils have been found here of reptiles which lived in the desert sands 250 million years ago, well before the dinosaurs. One creature, named Elginia mirabilis, Moray was about the size of a Labrador but armed with protective spines. Gentle trails and family friendly forests along You can see some of the fossils in the Moray coastline Elgin museum, where you can also Model replica of discover the rich human history of the area. Elginia mirabilis The ancient oakwood on the east side of the hill is an From Torrieston car park, head out on the trails to easy stroll from Elgin. If you’re quiet, you might spot roe explore the peaceful woodland on either side of the road. Elginia Trail deer as well as a variety of woodland birds. In springtime, listen out for the distinctive ‘drumming’ of great spotted Just across the road, the gentle all-abilities trail is a lovely Follow in the footsteps of a remarkable reptile, whose woodpeckers as they declare their territory. loop for the whole family, through open pinewoods with ancient fossils have been found in the sandstone picnic tables and benches. Linger by the Black Burn where There is also an orienteering course in Quarry Wood. quarries here.