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La Piana Fiorentina, Potenzialità E Progetti Per Il Futuro
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Sviluppo interculturale dei sistemi turistici Tesi di Laurea La piana fiorentina, potenzialità e progetti per il futuro Relatore Prof. Francesco Vallerani Correlatore Prof. Carlo Giupponi Laureando Elisa Bellini Matricola 855618 Anno Accademico 2015 / 2016 Ringraziamenti Ringrazio innanzitutto la mia famiglia, che mi ha sempre sostenuta ed appoggiata nelle mie scelte e desideri, standomi costantemente accanto. Lorenzo, punto fermo ed ancora, pronto ogni volta ad aiutarmi ed a camminare insieme. Gli amici di una vita, sempre disponibili ad accogliermi ad ogni mio ritorno a casa e con i quali condivido ogni esperienza. Alle amicizie che ho instaurato durante gli anni di università, con le quali non ho spartito solo stress e studio, ma veri momenti di vita di quotidiana ricchi di emozioni ed avventure. Agli amici dell’Erasmus, che nonostante abbia condiviso con loro solo 5 mesi, sono diventati una vera e propria familia madrileña. A tutti coloro che mi hanno aiutato a portare a termine il mio progetto di tesi, con il loro contributo e saggezza. 1 2 Indice Indice delle figure……………………………………………………………………. pag.5 Abstract………………………………………………………………………………..pag.9 Introduzione………………………………………………………………………….pag.11 Capitolo 1: Individuazione del luogo e peculiarità geo-storiche……………………...pag.13 1.1 Ombrone: caratteri geostorici…………………………………………….pag.15 1.1.1 Il contesto idrografico………………………………………………pag.16 1.1.2 Biodiversità…………………………………………………………pag.18 1.1.3 Cenni storici………………………………………………………...pag.19 -
Painting Perspective & Emotion Harmonizing Classical Humanism W
Quattrocento: Painting Perspective & emotion Harmonizing classical humanism w/ Christian Church Linear perspective – single point perspective Develops in Florence ~1420s Study of perspective Brunelleschi & Alberti Rules of Perspective (published 1435) Rule 1: There is no distortion of straight lines Rule 2: There is no distortion of objects parallel to the picture plane Rule 3: Orthogonal lines converge in a single vanishing point depending on the position of the viewer’s eye Rule 4: Size diminishes relative to distance. Size reflected importance in medieval times In Renaissance all figures must obey the rules Perspective = rationalization of vision Beauty in mathematics Chiaroscuro – use of strong external light source to create volume Transition over 15 th century Start: Expensive materials (oooh & aaah factor) Gold & Ultramarine Lapis Lazuli powder End: Skill & Reputation Names matter Skill at perspective Madonna and Child (1426), Masaccio Artist intentionally created problems to solve – demonstrating skill ☺ Agonistic Masaccio Dramatic shift in painting in form & content Emotion, external lighting (chiaroscuro) Mathematically constructed space Holy Trinity (ca. 1428) Santa Maria Novella, Florence Patron: Lorenzo Lenzi Single point perspective – vanishing point Figures within and outside the structure Status shown by arrangement Trinity literally and symbolically Vertical arrangement for equality Tribute Money (ca. 1427) Brancacci Chapel in Santa Maria del Carmine, Florence Vanishing point at Christ’s head Three points in story Unusual -
Contents Inhalt
34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
The Best of Renaissance Florence April 28 – May 6, 2019
Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies. -
To Be Visited in Florence
10 Places you can’t miss… 1. Piazza Duomo In Piazza Duomo there are three masterpieces that cannot be missed. Florence’s beautiful Gothic cathedral, named Santa Maria del Fiore (Saint Mary of the Flower) can hold 20.000 people. Its exterior is made of green, pink, and white marble. Brunelleschi's Dome, La Cupola, is a masterpiece. You can climb the 463 steps to its top. The Baptistery is one of Florence's oldest buildings. It is made of green and white marble and has three sets of amazing bronze doors, one of them is so beautiful that Florentine people named it The Door of Paradise. The bell tower, known as the Campanile di Giotto, was designed by the famous artist Giotto. 2. Piazza della Signoria and Palazzo della Signoria Piazza della Signoria, Signorìa Square, is the heart of the historic center. It has been Florence's political center since the middle ages and Florence's town hall, the beautiful medieval Signoria Palace, sits on the piazza. 3. The Uffizi Loggia and the Uffizi Gallery This is one of the most famous museums of paintings and sculpture in the world. Its collection includes several universally acclaimed masterpieces of all time, including works by Michelangelo, Leonardo da Vinci, Raffaello, Botticelli, Giotto, Simone Martini, Piero della Francesca, Frà Angelico, Filippo Lippi, Mantegna, Correggio, and Caravaggio. German, Dutch and Flemish masters are also well represented with important works by Dürer, Rembrandt and Rubens. The Uffizzi Loggia can be visited anytime even when the gallery is closed. 4. Ponte Vecchio The Ponte Vecchio, the old bridge, was Florence's first bridge across the Arno River and is the only surviving bridge from Florence's medieval days as the others were destroyed in World War II. -
Sponsor-A-Michelangelo Works Are Reserved in the Order That Gifts Are Received
Sponsor-A-Michelangelo Works are reserved in the order that gifts are received. Please call 615.744.3341 to make your selection. Michelangelo: Sacred and Profane, Masterpiece Drawings from the Casa Buonarroti October 30, 2015–January 6, 2016 Michelangelo Buonarroti. Man with Crested Helmet, ca. 1504. Pen and ink, 75 Michelangelo Buonarroti. Study for a x 56 mm. Casa Buonarroti, Florence, inv. Draped Figure, ca. 1506. Pen and ink over 59F black chalk, 297 x 197 mm. Casa Buonarroti, Florence, inv. 39F Sponsored by: Michelangelo Buonarroti. Study for the Leg of the Christ Child in the “Doni Sponsored by: Tondo,” ca. 1506. Pen and ink, 163 x 92 mm. Casa Buonarroti, Florence, inv. 23F Sponsored by: Michelangelo Buonarroti. Study for the Apostles in the Transfiguration (Three Nudes), ca. 1532. Black chalk, pen and Michelangelo Buonarroti. Study for the ink. 178 x 209 mm. Casa Buonarroti, Michelangelo Buonarroti. Study for Christ Head of the Madonna in the “Doni Florence, inv. 38F Tondo,” ca. 1506. Red chalk, 200 x 172 in Limbo, ca. 1532–33. Red chalk over black chalk. 163 x 149 mm. Casa mm. Casa Buonarroti, Florence, inv. 1F Sponsored by: Buonarroti, Florence, inv. 35F Reserved Sponsored by: Sponsored by: Patricia and Rodes Hart Michelangelo Buonarroti. The Sacrifice of Isaac, ca. 1535. Black chalk, red chalk, pen and ink. 482 x 298 mm. Casa Michelangelo Buonarroti. Studies of a Horse, ca. 1540. Black chalk, traces of red Michelangelo Buonarroti. Study for the Buonarroti, Florence, inv. 70F chalk. 403 x 257 mm. Casa Buonarroti, Risen Christ, ca. 1532. Black chalk. 331 x 198 mm. -
Enhance Your Stay in Florence with Additional Privately Guided Sightseeing
Enhance your Stay in Florence with Additional Privately Guided Sightseeing Half-Day Walking Tour: Enjoy this comfortably paced walk through the centre of town, enhanced by history and insights from your personal guide. Admire treasured landmarks and city sites including the Duomo with its spectacular cupola designed by Brunelleschi; Giotto’s Bell Tower – one of the city’s greatest Gothic landmarks; the Baptistry with its celebrated gilded bronze doors; and the Piazza della Signoria. $164 per person based on a minimum of 2 guests 3 Hours • Offered Daily Walking Tour + Accademia: Departing from your hotel with your personal guide, you’ll discover the city’s greatest highlights including the Duomo with its spectacular cupola designed by Brunelleschi; Giotto’s Bell Tower, one of the city’s most impressive Gothic landmarks; and the Baptistry with its famous gilded bronze doors. Arriving at the Accademia, one of the world’s finest art museums, enjoy a narrated tour of its most important masterpieces including, of course, Michelangelo’s David. $184 per person based on a minimum of 2 guests 3 Hours • Offered Tue, Wed, Thu, Fri, Sat + Sun Walking Tour + Uffizi Gallery: Set out from your hotel with your personal guide to explore some of the city’s most important landmarks including the Duomo with its spectacular cupola designed by Brunelleschi; Giotto’s Bell Tower, one of the city’s most impressive Gothic landmarks; and the Baptistry with its famous gilded bronze doors. Arriving at the Uffizi, your guide will share historic insights and colorful stories about the wondrous Renaissance masterpieces you’ll see on display here in the gallery - including works by Botticelli, Giotto, Michelangelo, and da Vinci. -
Notes on a Florence Visit
Notes on A Florence Visit For Great Views of Florence without the Steps Frescoes of the Last Supper in Florence Roof of the Rinascente Department store Roof of the Ospedele degli Innocenti Upper floor of the Orsanmichele Church Recectory at San Marco Piazzale Michelangelo – take the #12 or #13 bus Refectory at St. Maria del Carmine Roof of the Oblate Library – 2 blocks from Duomo Refectory of Ognissante Church Take the bus from San Marco up to Fisole Refectory at Santa Maria Novella -painted by a nun- Sister Trattoria Le Mossacce Nelli Refectory at Santa Croce Videos to View Refectory of San Salvi Refectory at Sant’Apollonia Cenacolo of Fuligno The Medicis – on Netflick Rick Ruggiero on Road Scholar’s Virtual Lecture Medici: Godfathers of the Renaissance -PBS YouTube – 3 hour walking tour of Florence Room With a View Secrets of Florence (on Hoopla) Books To Read Brunelleschi’s Dome – Ross King The Lives of the Artists – Vasari The Stones of Florence – McCarthy Birth of Venus – Dunant Looking at Painting in Florence – Paterson The Light in the Piazza - Spencer Places Not to Miss Mercato Centrale –Market, Food Court, Cooking School Grom Gelato Badia Fiorentina - for Night Vespers Duomo – inside without line – side entrance for English Mass on Sat. PM or Sun. Amici Card at the Uffizi for immediate entry Officina Profumo-Farmaceutica di Santa Maria Novella Ognissante Church – tomb of Botticello Giotto Crucifix Pazzi Chapel next to Santa Croce Leather School and Factory behind Santa Croce Vasari Corridor – expected to be opened this year Galileo Museum San Miniato Church Santissima Annunziata Church – painting of Mary completed by an angel Museum of Precious Stones Riccardo- Medici Palace – Chapel of the Magi San Maria dell Carmine Church -Brabcacci Chapel Santo Spirito Church – Michelangelo’s Crucifix . -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church. -
LDC2018 Classifica Definitiva Toscana.Xlsx
9° CENSIMENTO NAZIONALE I LUOGHI DEL CUORE CLASSIFICA REGIONALE TOSCANA POS. POS. REGIONE PROVINCIA COMUNE LUOGO TOTALE VOTI REGIONALE NAZIONALE 1 1 TOSCANA PISA CALCI MONTE PISANO 114.670 2 7 TOSCANA PISA PISA CHIESA DI SAN FRANCESCO A PISA 24.997 3 26 TOSCANA PRATO PRATO ORATORIO DI SAN BARTOLOMEO 14.162 4 35 TOSCANA PISTOIA PISTOIA IL PARTERRE DI PISTOIA 11.030 5 44 TOSCANA PISA SAN GIULIANO TERME ROCCA DI RIPAFRATTA 8.922 6 46 TOSCANA FIRENZE GREVE IN CHIANTI PIEVE DI SAN PIETRO A SILLANO 8.536 LA GUALCHIERA DI COIANO, O MULINO 7 55 TOSCANA PRATO PRATO NALDINI 7.180 GIARDINO ATELIER DI SCULTURA DEL 8 59 TOSCANA PISA SAN GIULIANO TERME MAESTRO SPOSITO 6.838 9 61 TOSCANA FIRENZE VINCI SAN DONATO IN GRETI-VINCI 6.651 10 71 TOSCANA GROSSETO MONTE ARGENTARIO TORRE DI CAPO D'OMO 5.617 11 130 TOSCANA LUCCA CASTELNUOVO DI GARFAGNANA FORTEZZA DI MONTALFONSO 3.573 12 136 TOSCANA PISA CAPANNOLI MARGINETTE, LE VIE DEL CUORE 3.372 13 137 TOSCANA FIRENZE BAGNO A RIPOLI GUALCHIERE DI REMOLE 3.360 14 143 TOSCANA FIRENZE VICCHIO EX STAZIONE DI FORNELLO 3.312 15 183 TOSCANA PISTOIA PESCIA CARTIERA LE CARTE 2.611 16 186 TOSCANA MASSA CARRARA TEATRO POLITEAMA 2.485 17 193 TOSCANA FIRENZE REGGELLO CASTELLO E PARCO DI SAMMEZZANO 2.382 18 208 TOSCANA PISA CALCI CERTOSA DI CALCI 2.001 19 209 TOSCANA GROSSETO ROCCASTRADA CRIPTA DELL'ABBAZIA GIUGNANO 1.982 20 228 TOSCANA FIRENZE FIRENZE GALLERIA RINALDO CARNIELO 1.512 21 230 TOSCANA GROSSETO ARCIDOSSO STRIBUGLIANO 1.486 22 242 TOSCANA LUCCA BAGNI DI LUCCA CHIESA DI SAN CASSIANO IN CONTRONE 1.253 23 245 TOSCANA -
EXPLORE OLTRARNO Duration: 4 Hours Availability: Daily Price: € Additional Guests: € Additional Time: € Transfer: €
Florence & Tuscany D E TAIL S EXPLORE OLTRARNO Duration: 4 hours Availability: Daily Price: € Additional guests: € Additional time: € Transfer: € CONTACT ME Agent Name Ph: Mob: Email: Explore Florence’s trendiest neighborhood on this tailored private tour Literally meaning ‘Across the River Arno’, Oltrarno is a winding medieval quarter of artisan workshops and Renaissance palaces. This tour introduces your clients to its most famous: Palazzo Pitti, the former residence of the Medici, Napoleon, and the last king of Italy. Stretching out behind the palace are the lush Boboli Gardens, boasting beautiful fountains and flora and a breathtaking view over Florence. Discover all of Oltrarno’s treasures at your own pace with a private expert guide. Private tour 4 hours English first Family friendly, Kids REASONS TO BOOK THIS EXPERIENCE What we are going to see Exploring the cobbled street's Walking tour of Oltrarno Palazzo Pitti of Florence's artisan quarter Boboli Gardens Piazzale Michelangelo Discovering the stunning artistic collection of Palazzo Pitti What’s Included Enjoying a breathtaking Private licensed guide Skip-the-line tickets panorama from the lush to the Boboli Gardens Boboli Gardens Skip-the-line tickets to Palazzo Pitti ITALY IS BEAUTIFUL LIKE NEVER BEFORE We cannot wait to welcome you to the most beautiful country in the world. In compliance with our Covid-free policy, we will provide full assistance and flexibility. We will also accept reservations and allow cancellations even if given at short notice. OUR RESERVATION AND CANCELLATION POLICY We accept reservations and allows cancellations with a 100% refund up to 48h. Please note this might not include entrance tickets booked in advance. -
Florence Celebrates the Uffizi the Medici Were Acquisitive, but the Last of the Line Was Generous
ArtNews December 1982 Florence Celebrates The Uffizi The Medici were acquisitive, but the last of the line was generous. She left all the family’s treasures to the people of Florence. by Milton Gendel Whenever I vist The Uffizi Gallery, I start with Raphael’s classic portrait of Leo X and Two Cardinals, in which the artist shows his patron and friend as a princely pontiff at home in his study. The pope’s esthetic interests are indicated by the finely worked silver bell on the red-draped table and an illuminated Bible, which he has been studying with the aid of a gold-mounted lens. The brass ball finial on his chair alludes to the Medici armorial device, for Leo X was Giovanni de’ Medici, the second son of Lorenzo the Magnificent. Clutching the chair, as if affirming the reality of nepotism, is the pope’s cousin, Cardinal Luigi de’ Rossi. On the left is Cardinal Giulio de’ Medici, another cousin, whose look of reverie might be read, I imagine, as foreseeing his own disastrous reign as Pope Clement VII. That was five years in the future, of course, and could not have been anticipated by Raphael, but Leo had also made cardinals of his three nephews, so it wasn’t unlikely that another member of the family would be elected to the papacy. In fact, between 1513 and 1605, four Medici popes reigned in Rome. Leo X was a true Renaissance prince, whose civility and love of the arts impressed everyone - in the tradition of his father, Lorenzo the Magnificent.