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House Is a Feeling Die Crowd Mit Sich

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House Is a Feeling Die Crowd Mit Sich Titelstory Titelstory ums Gesehen werden, In the beginning there was Jack, COKE DJ CULTURE: ROBERT OWENS – THEO PARRISH - OMAR S. es ging um den Sound, And Jack had a groove, den er spielte. Er war And from this groove wahnsinnig und riss Came the groove of all grooves. HOUSE IS A FEELING die Crowd mit sich. And while one day viciously throwing down in his box. Im Rhythmus skan- Jack boldly declared, Let there be house, dierten sie seinen BRONX, NEW YORK, 1976. In den Straßen des Ghettos entsteht der Rap. Zwei Teenies sind nicht And House music was born. Namen. Minuten- dabei: Sie sind schwul und in der Disco-Music zuhause. Ihre Namen: Larry Levans und Frankie I am, you see, lang.“ Knuckles. Levans wird 1977 Resident der PARADISE GARAGE, ein Schwulenclub ohne Alkoho- I am the Creator, And this is my House, lausschank. Seinen Freund Frankie Knuckles vermittelt er an eine neue Diskothek in Chicago: „Mit 15 kam ich And in my House there is only House music. Das WAREHOUSE. But I am not so selfish, Legenden des Lebens: Unabhängig voneinander beginnen die beiden die größte musikalische zum ersten Mal in die Box. Kurz Because once you ve entered my House, Revolution des 20. Jahrhunderts – während Levans in der Garage seine Soundexperimente auf It then becomes our House and our House music. danach hatte ich dem schwarzen Soul aufbaut, spielt Knuckles im Warehouse mit der Disco-Rythmik. Die Clubs And you see, werden Namensgeber der Musik: GARAGE aus New York, HOUSE aus Chicago. meinen ersten No one then owns House, DJ-Gig, auf einer Because House music is a universal language, Party. Es war für Spoken and understood overall. 1983 verdoppelt der Warehouse-Chef Robert Owens ist nicht nur die Stimme von Mr. Fingers 23 Dollar, und ich war un- You see, House is a feeling, die Preise, Knuckles kündigt aus Protest, – auch die Vocals auf dem Discohouse-Track „Tears“ endlich glücklich. Plötzlich war ich für alle That no one can understand really, und nebenan in der MUSIC BOX entwi- von Frankie Knuckles (1989) kommen von ihm, und viele Unless he s deep into the vibe of House. der Typ im Block, der diese Musik spielen konnte.“ ckelt DJ Ron Hardy weiter, was im Ware- mehr. Bevor er zur „Stimme des House“ wird, ist er DJ in House is an uncontrollable desire, house begann. „The Music Box is what Chicago: „Wir alle standen total auf Disco. Ich mixte die To jack your body, Zwei Schüler aus Detroit verschlägt es beim Familien- the Warehouse turned into after I left it,“ Talking Heads und Police, dann konnte ich James Brown And as I told you before, besuch in Chicago in die Box: Derrick May und Kevin This is our House and our House music. sagt Knuckles. spielen, dann eine zerstückelte Rythmusspur, aus der sich Saunderson. Tief beeindruckt beschließen sie, ebenfalls Ron Hardy, natürlich selbst schwul, lässt damals allmählich der typische House-Beat herausschälte. And in every House, you‘ll understand, elektronische Musik zu produzieren. Mit ihrem Freund There is a keeper, den neuen Sound in kürzester Zeit ex- Es kamen diese kleinen Drumcomputer der Fa. Roland auf. Juan Atkins begünden sie die Erste Welle des Detroit And in this House the keeper is Jack. plodieren, weit über die Grenzen Chi- Wir fanden heraus, dass wir mit diesen Maschinen sim- Techno. Die Produzenten der Auto-Stadt integrieren Some of you might wonder, cagos und Amerikas hinaus. House wird ple Sounds kreieren konnten. Wenn wir darüber Gesang europäische Einflüsse - Kraftwerk, EBM und Industrial. Who is Jack and what is it that Jack does. Weltmusik. Die wenigen Produzenten legten, sprangen die Leute sofort darauf an. Es war einzig- Jack is the one, Detroit beschränkt sich zunehmend auf fette Drumma- bringen ihm ihre Tapes mit. MR. FIN- artig, was da passierte“. Who gives you the power to jack your body. chines und sparsame Melodiefragmente. Aus dem De- Jack is the one, GERS zum Beispiel, ein Projekt von RO- troit House entwickeln nachfolgende Künstlergenerati- Who gives you the power to do the snake. BERT OWENS, CHUCK ROBERTS und Wenn Ron Hardy ein Tape gefällt, spielt er es. „Wenn Ron Jack is the one, onen den härteren Techno. OMAR S. ist einer der aktuell LARRY HEARD. Ihr Track „Can you gesagt hätte, Acid ist Scheisse, dann hätte es nie Acid ge- Who gives you the key to the whiggly world. angesagtesten Vertreter des originären Detroits: Sein Jack is the one, feel it“gehört bis heute zu den Monster- geben“, erinnert sich DJ Pierre – sein Projekt Phuture löste aktuelles Album: „Just Ask The Lonely“ ist perfekt gelun- Who learns you how to rock your body. tracks, die jeder kennt. die große Acid-Welle der 80er aus. Jack is the one, gener Motown-House. THEO PARRISH ist einer der jüngsten der Szene. Er er- That can bring nations and nations of all jackers together under the one House. innert sich: „Ron Hardy war der wichtigste Selektor des 20. Jahrhunderts. Er hatte nicht nur die Energie und den You may be black, You may be white, emotionalen Zugang zu jedem einzelnen Song. Er hatte You may be Jew or gentile, die Eier, zu tun, was er wollte. Er brach mit allem, was wir It don t make a differnce in our House. kannten. Es gab keine Lightshow, keinen Nebel. Ein Strobo And this is fresh! in der Ecke, ein Blaulicht, sonst Dunkelheit. Es ging nicht (Chuck Roberts/ Robert Owens Chicago 1988) ROBERT OWENS THEO PARRISH Das erste Album von dem Pionier elektronischer Dancemu- Wie Ron Hardy verweigert sich auch Parrish allen Regeln. Er fu- sic erschien 1990. Nach 18 Jahren Stille ist „Die Stimme des sioniert den Disco-basierten House von Chicago mit Detroit und House“ 2008 mit einem neuen Album zurück – witzigerwei- Hightech-Jazz. „Great Black Music“ nennt er es, Housemusic, die se mit Compost auf einem Münchner Label. „Nighttime Sto- westafrikanische Percussion, House und Jazz vereint. Theo sieht rys“ bringt seine emotional-soulige Housestimme voll zur sich als Detroiter Produzent und Labelchef – er lebt seit 1994 in Geltung und hat Hitqualität. Owens lebt heute in London. der Motown. Eines seiner musikalischen Highlights entstand ge- meinsam mit Omar S.: „Synthetic Flemm“ (2007). 024 03/2008 | MUC | freshguide.de 03/2008 | MUC | freshguide.de 025.
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