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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Scout and Guide Stamps Club BULLETIN #335
Scout and Guide Stamps Club BULLETIN Volume 58 No. 3 (Whole No. 335) See article starting on page 13. MAY / JUNE 2014 1 Editorial Sorry this issue is a bit late but I gave Colin Walker extended time as he is finishing his new book on Scouting in the First World War. Since my last Editorial I have completed my last Gang Show - which went very smoothly from my point of view but I’m afraid there were a lot of complaints to the DC about my going and also the prohibiting of over 25's from appearing on stage, which he has also enforced. They are trying to put together a new team so it will be interesting to see how matters progress. I have missed out the humorous postcards from this issue as I have two interesting, but longer articles, to include. I hope that you like them. As I am typing this I have just finished watching the 70th Anniversary of D-Day events on television and the more that I watch the more that I come to admire the bravery of ordinary people - on both sides of the divide. My own father was a gunner on merchant ships during the later stages of the war (having been on a reserved occupation in the Police for the first few years). His vessel was due to be part of the first wave of the invasion and they duly left the UK loaded up with troops early on the morning of 6th June, 1944. However they only got about half way across the English Channel when the boiler on the ship failed and they then had to limp back to Portsmouth for repairs - and in the process no doubt saving a lot of lives. -
Liberal Feminism's Aspect in Katy Perry's Songs
ISSN: 1979-4975 PROGRESSIVE Vol. XII, No. 2 September 2017 LIBERAL FEMINISM‘S ASPECT ,1 KATY PERRY‘S S21GS Rini Martiwi1, Eulin Karlina2, Dedi Suharyadi3 1ASM BSI Jakarta/Manajemen Administrasi [email protected] 2AMIK BSI Jakarta/Komputerisasi Akuntansi [email protected] 3AMIK BSI Bekasi/Komputerisasi Akuntansi [email protected] Abstract ± The objective of this study is to analyze the basic aspects of liberal feminism and explain the representation of liberal feminism ideology in the lyrics of .aty 3erry‘s songs. The Data of research are taken from six songs, there are "One of the boys", "Pearl", "Part of me", "Dark Horse", "Roar" and "International Smile". This study used a qualitative descriptive method to collect data and required information. The results of this research indicated that: (1) There are 14 data containing liberal feminist ideology which is based on the value of personal autonomy of freedom. The basic values of freedom seen of personal autonomy that mostly found are being free of the limits set by patriarchal paternalistic (6 data). (2) The lyrics of Katy Perry songs have a criticism of women who should be free from all form of threats of violence, have a facilities in various field and should not always subservient to the men and social law. (3) Katy Perry wants to tell the women, they have power, the form of power is in physical and psychological strength. Keywords: Liberal feminism, Songs, lyric I. INTRODUCTION rhythms that are tailored to the type of song lyrics Humans are the most perfect creatures of God. -
AMBASSADOR BIO Is All In
is all in AMBASSADOR BIO is all in KATY PERRY BIOGRAPHY “I can’t run from where I came from, nobody can,” says Katy Perry. When it came time to make her exhilarating second album “Teenage Dream,” Katy found herself increasingly drawn back home to Santa Barbara, Calif. Back to where they knew her before she became a superstar. Before she kissed a girl and liked it. And, certainly, before she sold 5 million copies of her Capitol Records blockbuster, “One of the Boys.” “I love the vibe that Santa Barbara gives off and I wanted to really tap into the purity of my childhood and that feeling,” says the two-time Grammy nominated singer. “It was really fun to get away and walk into the studio with no make-up on.” “Teenage Dream,” out Aug. 24, will move you, both emotionally and physically. “When I was touring, I wanted people to dance more,” Katy says. “So I wrote an album that made people move, yet didn’t sacrifice the story substance that I had on the last record.” The album, whose producers include Max Martin, Tricky Stewart, Stargate, Dr. Luke and Greg Wells, is a glorious evolution from “One of The Boys,” It showcases an artist who dares us to join her as she experiences every facet of life. 17 is all in “I’m giving everyone the full spectrum on this record,” Katy says. “You’re getting the sugary sweet, but you’re also getting the ‘Oh my goodness, she had to sit down for a minute and let some things off her chest’.” Fun first single, “California Gurls,” declared by Entertainment Weekly as “unforgettable,” is the undeniable summer anthem of 2010. -
The Derailment of Feminism: a Qualitative Study of Girl Empowerment and the Popular Music Artist
THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST A Thesis by Jodie Christine Simon Master of Arts, Wichita State University, 2010 Bachelor of Arts. Wichita State University, 2006 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts July 2012 @ Copyright 2012 by Jodie Christine Simon All Rights Reserved THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Masters of Arts with a major in Liberal Studies. __________________________________________________________ Jodie Hertzog, Committee Chair __________________________________________________________ Jeff Jarman, Committee Member __________________________________________________________ Chuck Koeber, Committee Member iii DEDICATION To my husband, my mother, and my children iv ACKNOWLEDGMENTS I would like to thank my adviser, Dr. Jodie Hertzog, for her patient and insightful advice and support. A mentor in every sense of the word, Jodie Hertzog embodies the very nature of adviser; her council was very much appreciated through the course of my study. v ABSTRACT “Girl Power!” is a message that parents raising young women in today’s media- saturated society should be able to turn to with a modicum of relief from the relentlessly harmful messages normally found within popular music. But what happens when we turn a critical eye toward the messages cloaked within this supposedly feminist missive? A close examination of popular music associated with girl empowerment reveals that many of the messages found within these lyrics are frighteningly just as damaging as the misogynistic, violent, and explicitly sexual ones found in the usual fare of top 100 Hits. -
A Case Study of Female Detectives on HBO
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-26-2017 10:00 AM (Not) One of the Boys: A Case Study of Female Detectives on HBO Darcy Griffin The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Darcy Griffin 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons, Television Commons, and the Women's Studies Commons Recommended Citation Griffin, Darcy, "(Not) One of the Boys: A Case Study of Female Detectives on HBO" (2017). Electronic Thesis and Dissertation Repository. 4995. https://ir.lib.uwo.ca/etd/4995 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In 1997 HBO aired its first original drama series, Oz. In the years that have followed the network has positioned itself as vanguard in the television landscape, however, HBO drama series have remained a complicated, and often dangerous site for female characters. Moreover, with a few exceptions (Sex and the City, or True Blood for example), original HBO drama series remain focused on the network’s primary audience demographic: the predominantly male, relatively affluent consumers of quality television. This research explores the representation of female detectives within original HBO crime drama series, The Wire (2002--8) and Season Two of True Detective (2014 -), in order to examine how female officers, operate within the male-dominated world of HBO drama. -
Download PDF / Katy Perry: One of the Boys (Paperback
VZ5GSYCBCPWD // eBook ^ Katy Perry: One of the Boys (Paperback) Katy Perry: One of th e Boys (Paperback) Filesize: 6.92 MB Reviews The ideal ebook i actually study. It usually does not expense too much. You wont really feel monotony at at any time of your own time (that's what catalogs are for relating to should you request me). (Mrs. Jacklyn Simonis) DISCLAIMER | DMCA DNN6SQH4QGXX « eBook > Katy Perry: One of the Boys (Paperback) KATY PERRY: ONE OF THE BOYS (PAPERBACK) To save Katy Perry: One of the Boys (Paperback) PDF, make sure you refer to the link listed below and save the ebook or have access to other information which are have conjunction with KATY PERRY: ONE OF THE BOYS (PAPERBACK) book. Alfred Publishing Company, United States, 2009. Paperback. Condition: New. Language: English . Brand New Book. American singer-songwriter and rock sensation, Katy Perry releases her 2008 breakthrough album, One of the Boys, which includes chart-topping singles such as I Kissed a Girl and more. This album-matching folio features four pages of color photos. All songs are arranged for Piano/Vocal/Chords. Titles: One Of The Boys * I Kissed A Girl * Working Up In Vegas * Thinking Of You * Mannequin * Ur So Gay * Hot N Cold * If You Can Aord Me * Lost * Self Inflicted * I m Still Breathing * Fingerprints. Read Katy Perry: One of the Boys (Paperback) Online Download PDF Katy Perry: One of the Boys (Paperback) Download ePUB Katy Perry: One of the Boys (Paperback) A70T8IKBJ7I4 \ eBook / Katy Perry: One of the Boys (Paperback) You May Also Like [PDF] The Adventures of Sheriff Williker: /Book 1: The Case of the Missing Horseshoe Click the web link below to get "The Adventures of Sheriff Williker: /Book 1: The Case of the Missing Horseshoe" document. -
One of the Boys Album Download Zip One of the Boys Album Download Zip
one of the boys album download zip One of the boys album download zip. DOWNLOAD LINK HERE - Katy Perry – Witness Full Album leak Download link MP3 ZIP RAR Katy Perry Witness - Katy Perry Witness Full Album Download MP3 (ZIP & Torrent) Katy Perry Witness Thank [FULL ALBUM][DOWNLOAD] 2017 [ ] Katy Perry Witness Full Album Download [GET] Katy Perry Witness - Katy Perry Witness + Free Download Full Album Katy Perry Witness – Katy Perry Witness ::FULL [[Album]] ‘Download’ – & Katy Perry Witness ..Full Album ‘Download’ Free LEAK! Katy Perry Witness – Katy Perry Witness Download 2017 [ZIP TORRENT RAR] mp3 Katy Perry Witness fullalbum2017download Katy Perry Witness (FULL ALBUM + FREE DOWNLOAD) (Zip+Mp3) Katy Perry Witness Download Full Album Download DOWNLOAD ALBUM # Katy Perry Witness Download Full Album HQ ZIP MP3. Artist: Katy Perry Album: Witness (Deluxe Edition) Year: 2017 Genre: Club, Dance, Pop. Track list: 1. Witness 2. Hey Hey Hey 3. Roulette 4. Swish Swish feat. Nicki Minaj 5. Déjà Vu 6. Power 7. Mind Maze 8. Miss You More 9. Chained to the Rhythm feat. Skip Marley 10. Tsunami 11. Bon Appétit feat. Migos 12. Bigger Than Me 13. Save As Draft 14. Pendulum 15. Into Me You See. Maglera Doe Boy – 2Player [The Digital Score] Album. It’s a new day and we have a new compilation from Maglera Doe Boy, titled “2Player [The Digital Score]” album, which you can stream here on UbeToo, South Africa’s premier music hub. Maglera Doe Boy is he man of the season or rather one of the boys of the season. He’s been on the crosshairs of msic buffs since he popped on the music scene in South Africa. -
Katy Perry's Pinup Perfect
Culture MONDAY, AUGUST 9, 2010 an you read sheet music?” asks Katy a rocket and you’re hanging on for dear life and Perry as we climb the stairs of a photo you’re like, ‘Gooooooo!’ The second record I’m studio on Broadway. more buckled in because, God, how many times do “A little,” I say. you see people slump on their sophomore record? She stops and holds out the edges Katy Perry’s Nine out of 10. But I’m still working, like, 13-hour “Cof her dress, patterned with a series of ascending days, five, six days a week and singing on top of it. quavers and semiquavers. “Then what song am I?” she And knowing that there’s someone right behind me, asks, twirling. ready to go, ready to push me down the stairs, just “Three Blind Mice?” like in Showgirls.” “The Girl From Ipanema,” she says, before The middle child of three, her parents were breaking into song. “I feel like I’m squeezed into a pinup both born-again Pentecostal ministers in southern giant condom in this dress,” she adds. California — Christian camp, Christian friends, no Retro pop reference, modern twist, smutty MTV, no radio — but press stories of a parental punchline: I’m with the right Katy Perry, then. It’s a rift over Perry’s lyrics ignore the “born again” bit. sweltering day in Manhattan — temperatures are in Before they came to their faith, her parents were the 30s — but Perry, who arrived from Los Angeles perfect 60s scenesters, her mother briefly dating Jimi a few days ago, isn’t complaining. -
Ling001 December 2015 from Hudson to Perry
Mark Liberman (T.A. ) Ling001 December 2015 From Hudson to Perry: A Linguistic Analysis of Katy Perry’s Transformation from Gospel Girl to Pop Powerhouse I. Introduction The first time I ever heard the pop sensation Katy Hudson, more popularly known by her stage name, Katy Perry, was in 2008 on a road trip with my family. The soon-to-be hit song, “I kissed a Girl” came on the radio, and with the simple lyrics “I kissed a girl and I liked it,” a small firestorm erupted within our Honda CR-V. However, after listening to many of her earlier songs and more recent songs as they came out, I noticed that Perry’s linguistic style changed significantly from her first Christian Rock album, Katy Hudson, released in 2001, to her first major popular music album, One of the Boys, released in 2008, to her most recent popular music album, Prism, released in 2013. From a linguistic perspective, I noticed semantic, pragmatic, and phonological changes. This essay will evaluate this through the lens of several factors such as a simplification of verse structure, and a decrease in formality over time. I will evaluate word frequency, word associations, pronunciation variations, verse length, and metric structure. I propose that, for the sake of increasing her popularity, Perry simplified her language to appeal to a broader audience through phonological, pragmatic and semantic means. Because I wanted to focus on several levels of linguistic analysis, I decided that I would need to take a two-pronged approach to evaluating Katy Perry’s linguistic change. -
Bulletin of the Rossica Society of Russian Philately
BULLETIN OF THE ROSSICA SOCIETY OF RUSSIAN PHILATELY Bulletin 49 Fall / Winter 2011 PRESIDENT’S REPORT vignette honoring Eugene Arkhangelsky (CHICAGOPEX 2007) was followed by issues commemorating Gregory Salisbury (BALPEX 2008), ROSSICA AND BALTIC AREA SHOW AT S.V. Prigara (ROSSICAPEX 2009) and Alexander BALPEX 2011 Chebotkevich (RMSS 2010). Each one appeared in both an English and a Russian version, and this souvenir The big “Rossica and Baltic sheet will be no different. Unfortunately, the firm in Area” show – our Annual Berlin, Germany that produces these vignettes didn’t General Meeting – will be held have the machinery to perform internal perforations, so this year at BALPEX on 2-4 these two souvenir sheets will be produced imperforate. September, with 131 frames of material in our area on display. (See below for a list of the exhibits.) This event – for us, at least – will be second only to ROSSICAPEX 2009 in size. Those interested in attending may access the BALPEX website at www.balpex.org/balpex.html for further information. The jury consists of Dr. Peter P. McCann (Chairman), Akthem Al-Manaseer, John M. Hotchner, Dr. Yamil H. Kouri and Yacov Tsachor. Our featured speaker will be our Editor, Dr. William Moskoff, who will give a talk on “The People's War: Defiance and Resistance During World War II in the Soviet Union.” Bill is no stranger to this kind of presentation, having given one of the three Rossica papers at the National Postal Museum’s Blount Symposium last year. The Annual General Meeting will give members a chance to toss kudos or hurl invective at the officers in person, and there will be news and an announcement or two that should be of considerable interest to everyone. -
"History of Youth Work in Europe", Volume 7
Youth Knowledge # 25 THE HISTORY OF YOUTH WORK IN EUROPE Why have political, social or environmental causes often been behind the origin and evolution of youth organisations? Have other ideas been influential too? Why have some organisations expanded well beyond their countries of origin? To what extent have they held firm to their original 7 Volume – history in Europe The work of youth values and purpose, and to what extent have they adapted and evolved in changing circumstances? How have they related to youth policy or youth work agendas? How vulnerable have they been to ideology, context or political influences? Which of their characteristics have persisted over time? These are some of the questions that are explored in this book, which draws on contributions from the last seminar on the history of transnational youth organisations and their relation to youth work today. This book has three parts. The first explores the evolution of transnational youth organisations and movements over the past 100 years. The second adds two more country histories of youth work to the body of knowledge already established in earlier volumes in the series. The third and final part focuses on 12 “trilemmas” and reflections that have emerged from the 10-year History of Youth Work in Europe project. This anchors an invitation to the youth work community to consider and debate each trilemma, independently and in relation to each other, in the context of both the local environments of youth work delivery and across the wider European youth policy context, in anticipation of the 3rd European Youth Work Convention.