The Boys Next Door: Progressing Disability Awareness and Representation Through Inclusive Production Practices Shelby Lewis
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Domestic Blitz: a Revisionist History of the Fifties
Domestic Blitz: A Revisionist History of the Fifties Gaile McGregor The fir st version of this paper was written for a 1990 conference at the University of Kansas entitled "Ikë s America." It was an interesting event—though flawed somewhat by the organizers' decision to schedule sessions and design program flow according to academic category. Eminently sensible from an administrative standpoint, this arrangement worked counter to the articulated aim of stimulating interdisciplinary dialogue by encouraging participants to spend all their time hanging out with birds of their own feather—economists with economists, historians with historians, literati with literati. Like many of the would-be innovative conferences, symposia, andevenfull-scale academic programsmounted over the last decade, this one was multi- rather than truly inter-disciplinary. This didn' t mean that I wasn t able to find any critical grist for my mill. Substantive aspects aside, the two things I found most intriguing about what I heard during those few days were, first, the number and variety of people who had recently "rediscovered" the fifties, and second, the extent to which the pattern of their rediscovery paralleled my own. Arriving there convinced I had made a major breakthrough in elucidating the darker and more complex feelings that undercolored the broadly presumed conservatism of the decade, what I heard over and over again from presenter s was the same (gleeful or earnest) revisions, the same sense of surprise at how much had been overlooked. Two messages might be taken from this. The first is that the fifties is suddenly relevant again. The second and perhaps more sobering concerns the mind-boggling power of 0026-3079/93/3401 -005$ 1.50/0 5 American culture to foster an almost complete collective amnesia about events and attitudes of the not-very-distant past. -
Liberal Feminism's Aspect in Katy Perry's Songs
ISSN: 1979-4975 PROGRESSIVE Vol. XII, No. 2 September 2017 LIBERAL FEMINISM‘S ASPECT ,1 KATY PERRY‘S S21GS Rini Martiwi1, Eulin Karlina2, Dedi Suharyadi3 1ASM BSI Jakarta/Manajemen Administrasi [email protected] 2AMIK BSI Jakarta/Komputerisasi Akuntansi [email protected] 3AMIK BSI Bekasi/Komputerisasi Akuntansi [email protected] Abstract ± The objective of this study is to analyze the basic aspects of liberal feminism and explain the representation of liberal feminism ideology in the lyrics of .aty 3erry‘s songs. The Data of research are taken from six songs, there are "One of the boys", "Pearl", "Part of me", "Dark Horse", "Roar" and "International Smile". This study used a qualitative descriptive method to collect data and required information. The results of this research indicated that: (1) There are 14 data containing liberal feminist ideology which is based on the value of personal autonomy of freedom. The basic values of freedom seen of personal autonomy that mostly found are being free of the limits set by patriarchal paternalistic (6 data). (2) The lyrics of Katy Perry songs have a criticism of women who should be free from all form of threats of violence, have a facilities in various field and should not always subservient to the men and social law. (3) Katy Perry wants to tell the women, they have power, the form of power is in physical and psychological strength. Keywords: Liberal feminism, Songs, lyric I. INTRODUCTION rhythms that are tailored to the type of song lyrics Humans are the most perfect creatures of God. -
Bearing Witness to Female Trauma in Comics: An
BEARING WITNESS TO FEMALE TRAUMA IN COMICS: AN ANALYSIS OF WOMEN IN REFRIGERATORS By Lauren C. Watson, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2018 Committee Members: Rebecca Bell-Metereau, Chair Rachel Romero Kathleen McClancy COPYRIGHT by Lauren C. Watson 2018 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Lauren C. Watson, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION For my Great Aunt Vida, an artist and teacher, who was the star of her own story in an age when women were supporting characters. She was tough and kind, stingy and giving in equal measures. Vida Esta gave herself a middle name, because she could and always wanted one. Ms. Light was my first superheroine and she didn’t need super powers. ACKNOWLEDGMENTS Three years ago, I woke up in the middle of the night with an idea for research that was daunting. This thesis is the beginning of bringing that idea to life. So many people helped me along the way. -
Scuttlebutt from the Spermaceti Press 2015
Jan 15 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 161st birthday during the long weekend from Jan. 7 to Jan. 11. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at Annie Moore's, and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morn- ing, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Alan Bradley, co-author of MS. HOLMES OF BAKER STREET (2004), and author of the award-winning "Flavia de Luce" series; the title of his talk was "Ha! The Stars Are Out and the Wind Has Fallen" (his paper will be published in the next issue of The Baker Street Journal). The William Gillette Luncheon at Moran's Restaurant was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton and An- drew Joffe) entertained the audience with an updated version of "The Sher- lock Holmes Cable Network" (2000). The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber), which honors the most whimsical piece in The Ser- pentine Muse last year: the winner (Jenn Eaker) received a certificate and a check for the Canonical sum of $221.17. And Otto Penzler's traditional open house at the Mysterious Bookshop provided the usual opportunities to browse and buy. -
Bloomsbury Adult Catalog Fall 2020
BLOOMSBURY Fall 2020 September – December BLOOMSBURY PUBLISHING SEPTEMBER 2020 The Apology Eve Ensler From the bestselling author of The Vagina Monologues—a powerful, life-changing examination of abuse and atonement. Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father’s point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology, Eve has set out to provide a new way for herself and a BIOGRAPHY & AUTOBIOGRAPHY possible road for others so that survivors of abuse may finally envision how to / LITERARY be free. She grapples with questions she has sought answers to since she first Bloomsbury Publishing | 9/15/2020 9781635575118 | $16.00 / $22.00 Can. realized the impact of her father’s abuse on her life: How do we offer a doorway Trade Paperback | 128 pages rather than a locked cell? How do we move from humiliation to revelation, from 8.3 in H | 5.5 in W curtailing behavior to changing it, from condemning perpetrators to calling Other Available Formats: them to reckoning? What will it take for abusers to genuinely apologize? Hardcover ISBN: 9781635574388 Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to reemerge and heal. -
June 2009 Through Oct 2019 Approved Kentucky Production Industry Incentive Applicants/Incentives Awarded
June 2009 through Oct 2019 Approved Kentucky Production Industry Incentive Applicants/Incentives Awarded Maximum Project Overview Date of Maximum Tax Tax Credit Total Approved Tax Credit Date Credit Approved Company Approved Approval Credit Approved Status Expenditures Awarded Awarded Expenditures Feature film based upon the life of the Fast Track Films, Inc. 8/29/2009 $4,000,000 $800,000 4 thoroughbred Secretariat. Feature film based upon the life of the Fast Track Films, Inc. (Amended App) 10/13/2009 $7,000,000 $1,400,000 1 $6,137,990 $1,227,598 2/11/2011 thoroughbred Secretariat. Feature film based upon a fictional story taking place in south central Kentucky. Green Nation Entertainment, LLC 10/13/2009 $1,100,000 $220,000 2 Written, produced and directed by a Kentucky native now residing in California. Multi-state television commercial campaign Darling Advertising Agency, Inc. 4/7/2010 $208,016 $41,603 3 for Insight Communications. Episode of Extreme Makeover: Home Lock & Key Productions, LLC 10/14/2010 $857,593 $171,519 1 $695,473 $140,647 1/21/2011 Edition filmed in Fairdale. Feature length film indicating locations to Boo Partners, LLC 5/19/2011 $1,057,000 $211,400 4 be primarily in the Stanford area. Feature length film indicating locations to be primarily in the northern Kentucky area ADH Productions, Inc. 11/22/2011 $4,091,069 $1,047,767 4 between Covington and Louisville. Documentary on the history of Woodford Marvo Entertainment Group, LLC 2/28/2012 $90,000 $18,000 County and historically significant Woodford County natives. -
AMBASSADOR BIO Is All In
is all in AMBASSADOR BIO is all in KATY PERRY BIOGRAPHY “I can’t run from where I came from, nobody can,” says Katy Perry. When it came time to make her exhilarating second album “Teenage Dream,” Katy found herself increasingly drawn back home to Santa Barbara, Calif. Back to where they knew her before she became a superstar. Before she kissed a girl and liked it. And, certainly, before she sold 5 million copies of her Capitol Records blockbuster, “One of the Boys.” “I love the vibe that Santa Barbara gives off and I wanted to really tap into the purity of my childhood and that feeling,” says the two-time Grammy nominated singer. “It was really fun to get away and walk into the studio with no make-up on.” “Teenage Dream,” out Aug. 24, will move you, both emotionally and physically. “When I was touring, I wanted people to dance more,” Katy says. “So I wrote an album that made people move, yet didn’t sacrifice the story substance that I had on the last record.” The album, whose producers include Max Martin, Tricky Stewart, Stargate, Dr. Luke and Greg Wells, is a glorious evolution from “One of The Boys,” It showcases an artist who dares us to join her as she experiences every facet of life. 17 is all in “I’m giving everyone the full spectrum on this record,” Katy says. “You’re getting the sugary sweet, but you’re also getting the ‘Oh my goodness, she had to sit down for a minute and let some things off her chest’.” Fun first single, “California Gurls,” declared by Entertainment Weekly as “unforgettable,” is the undeniable summer anthem of 2010. -
The Derailment of Feminism: a Qualitative Study of Girl Empowerment and the Popular Music Artist
THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST A Thesis by Jodie Christine Simon Master of Arts, Wichita State University, 2010 Bachelor of Arts. Wichita State University, 2006 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts July 2012 @ Copyright 2012 by Jodie Christine Simon All Rights Reserved THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Masters of Arts with a major in Liberal Studies. __________________________________________________________ Jodie Hertzog, Committee Chair __________________________________________________________ Jeff Jarman, Committee Member __________________________________________________________ Chuck Koeber, Committee Member iii DEDICATION To my husband, my mother, and my children iv ACKNOWLEDGMENTS I would like to thank my adviser, Dr. Jodie Hertzog, for her patient and insightful advice and support. A mentor in every sense of the word, Jodie Hertzog embodies the very nature of adviser; her council was very much appreciated through the course of my study. v ABSTRACT “Girl Power!” is a message that parents raising young women in today’s media- saturated society should be able to turn to with a modicum of relief from the relentlessly harmful messages normally found within popular music. But what happens when we turn a critical eye toward the messages cloaked within this supposedly feminist missive? A close examination of popular music associated with girl empowerment reveals that many of the messages found within these lyrics are frighteningly just as damaging as the misogynistic, violent, and explicitly sexual ones found in the usual fare of top 100 Hits. -
A Case Study of Female Detectives on HBO
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-26-2017 10:00 AM (Not) One of the Boys: A Case Study of Female Detectives on HBO Darcy Griffin The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Darcy Griffin 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons, Television Commons, and the Women's Studies Commons Recommended Citation Griffin, Darcy, "(Not) One of the Boys: A Case Study of Female Detectives on HBO" (2017). Electronic Thesis and Dissertation Repository. 4995. https://ir.lib.uwo.ca/etd/4995 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In 1997 HBO aired its first original drama series, Oz. In the years that have followed the network has positioned itself as vanguard in the television landscape, however, HBO drama series have remained a complicated, and often dangerous site for female characters. Moreover, with a few exceptions (Sex and the City, or True Blood for example), original HBO drama series remain focused on the network’s primary audience demographic: the predominantly male, relatively affluent consumers of quality television. This research explores the representation of female detectives within original HBO crime drama series, The Wire (2002--8) and Season Two of True Detective (2014 -), in order to examine how female officers, operate within the male-dominated world of HBO drama. -
Download PDF / Katy Perry: One of the Boys (Paperback
VZ5GSYCBCPWD // eBook ^ Katy Perry: One of the Boys (Paperback) Katy Perry: One of th e Boys (Paperback) Filesize: 6.92 MB Reviews The ideal ebook i actually study. It usually does not expense too much. You wont really feel monotony at at any time of your own time (that's what catalogs are for relating to should you request me). (Mrs. Jacklyn Simonis) DISCLAIMER | DMCA DNN6SQH4QGXX « eBook > Katy Perry: One of the Boys (Paperback) KATY PERRY: ONE OF THE BOYS (PAPERBACK) To save Katy Perry: One of the Boys (Paperback) PDF, make sure you refer to the link listed below and save the ebook or have access to other information which are have conjunction with KATY PERRY: ONE OF THE BOYS (PAPERBACK) book. Alfred Publishing Company, United States, 2009. Paperback. Condition: New. Language: English . Brand New Book. American singer-songwriter and rock sensation, Katy Perry releases her 2008 breakthrough album, One of the Boys, which includes chart-topping singles such as I Kissed a Girl and more. This album-matching folio features four pages of color photos. All songs are arranged for Piano/Vocal/Chords. Titles: One Of The Boys * I Kissed A Girl * Working Up In Vegas * Thinking Of You * Mannequin * Ur So Gay * Hot N Cold * If You Can Aord Me * Lost * Self Inflicted * I m Still Breathing * Fingerprints. Read Katy Perry: One of the Boys (Paperback) Online Download PDF Katy Perry: One of the Boys (Paperback) Download ePUB Katy Perry: One of the Boys (Paperback) A70T8IKBJ7I4 \ eBook / Katy Perry: One of the Boys (Paperback) You May Also Like [PDF] The Adventures of Sheriff Williker: /Book 1: The Case of the Missing Horseshoe Click the web link below to get "The Adventures of Sheriff Williker: /Book 1: The Case of the Missing Horseshoe" document.