Noel Stock Papers, 1886-2007, MSS-009
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Mythic Metamorphosis: Re-Shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis Submitted to the Faculty of the Virgin
Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Thomas Gardner, Chair Frederick M. D’Aguiar Paul Sorrentino April 13, 2007 Blacksburg, Virginia Keywords: H.D., Imagism, Mythic Metamorphoses, Asklepios Copyright (Optional) Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Abstract In section fifteen of the poem The Walls Do Not Fall author Hilda Doolittle (H.D.) address her audience and articulates the purpose of the poet in the following lines: “we are the keepers of the secret,/ the carriers, the spinners/ of the rare intangible thread/ that binds all humanity/ to ancient wisdom,/ to antiquity;/…every concrete object/ has abstract value, is timeless/ in the dream parallel” (Trilogy 24). H.D. mined her own life for charged relationships which she then, through writing, connected to the mythic characters of antiquity whose tales embodied the same struggles she faced. Reading concrete objects as universal symbols which transcend time, her mind meshed the 20th century with previous cultures to create a nexus where the questions embedded in the human spirit are alive on multiple planes. The purpose of this research project is not to define her works as “successful” or “unsuccessful,” nor to weigh the works against each other in terms of “advancement.” Rather it is to describe the way she manipulates this most reliable of tools, mythic metamorphosis, in works stretching from her early Imagist poetry, through her long poem Trilogy, and finally into her last memoir End To Torment, taking note of the way she uses this tool to form beauty from harsh circumstances and help heal her shattered psyche. -
William Carlos Williams' Indian Son(G)
The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India. -
Matthew Nickel and H
1 Matthew C. Nickel Mercy Hall 368 Misericordia University 301 Lake Street Dallas, PA 18612 [email protected] Academic Credentials Education PhD, English, University of Louisiana at Lafayette. 2011. Dissertation: Hemingway’s Dark Night: Catholic Influences and Intertextualities in the Work of Ernest Hemingway Supervisors: Dr. Mary Ann Wilson, Dr. Marcia Gaudet, Dr. Joseph Andriano, Dr. H. R. Stoneback MA, English, The State University of New York at New Paltz. 2007. Thesis: “He Felt Almost Holy About It”: Hemingway’s “Lifelong Subject” of “Saintliness”—or, Pilgrimages Through Sacred Landscapes Supervisor: Dr. H. R. Stoneback BA, English, The State University of New York at New Paltz. 2002. Teaching Experience Assistant Professor of English, Misericordia University. Aug 2013-Present. Instructor, Department of English, SUNY-New Paltz. Aug 2011-2013, 2007. Instructor, Department of English, Marist College. Aug 2012-Dec 2012. Instructor, Department of English, Mount Saint Mary College. Aug 2011-Dec 2011. Instructor of Record, Department of English, University of Louisiana at Lafayette. Aug 2007-May 2011. Instructor of Record, SUNY-New Paltz. Aug 2003-Dec 2006. Courses Taught At Misericordia University: ENG 151: University Writing Seminar (Fall 2013-Spring 2015) ENG 321: 20th Century American Literature (Spring 2015) 2 ENG 341: Imaginative Writing (Spring 2014) ENG 415: Christianity and Literature (Fall 2014) At the State University of New York at New Paltz: ENG 160: Composition I (Fall 2003-Fall 2006) ENG 180: Composition II (Fall -
Michael Alexander. What Ezra Pound Meant to Me
MEMORIES ABOUT POUND UDC 821.111 DOI 10.22455/2541-7894-2019-7-186-201 Michael ALEXANDER WHAT EZRA POUND MEANT TO ME Abstract: The memoir about personal meetings with Ezra Pound in Rapallo in 1962 and 1963, at T. S. Eliot’s memorial service in London in 1965, and finally in Venice in the later 1960s, dwells also on the reception of the poet’s work in postwar Britain and in the USA. In the 1960s England largely forgot Pound; his role was historic, his name and his presence faded: in a version of literary history current in British universities in 1960, Ezra Pound figured as “the precursor of Eliot”. In the USA, on the contrary, his breakthrough in modernist poetry as well as his anti-Semitism and admiration for Italian Fascism were well recognized, thanks to the controversy over the award of the Bollingen Prize to Pound’s Pisan Cantos. The memoir shows how a name from literary history becomes a part of personal experience after meeting the man himself, and how it leads to a new understanding of the poet’s legacy – against wider historical, cultural, and literary background. The memoir also provides interesting facts that stimulate reflections on the literary canon, its constant change and flux despite its apparently stable nature. Keywords: memoir, Ezra Pound, T.S. Eliot, Olga Rudge. 2019 Michael Alexander (translator, poet, Professor Emeritus, University of St Andrews, Scotland) [email protected] 186 ВОСПОМИНАНИЯ О ПАУНДЕ УДК 821.111 DOI 10.22455/2541-7894-2019-7-186-201 Майкл АЛЕКСАНДЕР ЭЗРА ПАУНД В МОЕЙ ЖИЗНИ Аннотация: Публикация представляет собой мемуарный материал, в центре которого – личные воспоминания о встречах с Эзрой Паундом в Рапалло в 1962 и 1963 гг., на похоронах Т.С. -
Ideas About Ezra Pound
A Handful of Ideas about Ezra Pound Work in Progress Press Release Thursday 1 January 2015 Contemporary Literature Press The University of Bucharest Online publication A Handful of Ideas about Ezra Pound Work in Progress ISBN 978-606-8592-43-5 In 2015, Ezra Pound would have been 130 years old. When you are looking for the author of thoughts you want to understand, images can offer a handful of ideas. The graduate students of the University of Bucharest have done just that. They have started a research of their own, which opens one possible way into Ezra Pound’s thinking. This is no more than a Work in Progress. ISBN 978-606-8592-43-5 © Universitatea din Bucureşti © MTTLC IT Expertise: Simona Sămulescu Publicity: Violeta Baroană Acknowledgments This volume is the outcome of research done for didactic purposes by graduate students in the English Department of the University of Bucharest, the MA Programme for the Translation of the Contemporary Literary Text. All the images included in this book exist as such on the Internet. Work in Progress (Ezra Pound: ABC of Reading, Chapter Three, 1934) A Handful of Ideas About Ezra Pound. Work in Progress 1 Contents Late 1890s Thaddeus Pound, Ezra Pound’s grandfather. p. 10 30 October 1885 Birthpace of Ezra Pound. Hailey, Idaho. p. 11 1898 Ezra Pound with his mother. p. 12 Venice, June 1908 The first book of poetry published by Ezra p. 13 Pound. 1909 Portrait of Ezra Pound by Eugene Paul p. 14 Ullmann. 1910 Ezra Pound. p. 15 January 1910 Calendar card for Ezra Pound lecture series p. -
From Idaho to Confucius, Or, from the American West to the Far East— on Explaining a Poet Misguided Or Misunderstood Mary De Rachewiltz
CONVERSATION Michael Wutz in Conversation with Mary de Rachewiltz on Ezra Pound From Idaho to Confucius, or, from the American West to the Far East— On Explaining a Poet Misguided or Misunderstood Mary de Rachewiltz Niccoló Caranti Mary de Rachewiltz and Erza Pound, following his release from St. Elisabeths Hospital and his return to Italy, at Schloss Brunnenburg, ca. 1958. Ezra Pound (1885-1972) INTRODUCTION Ezra (Weston Loomis) Pound may well (in collaboration with the poets H.D. and be the most famous (and perhaps misun- William Carlos Williams, and in com- derstood) American literary figure born petition with the poet Amy Lowell) with west of the Mississippi. Born in Hailey, developing the poetic aesthetic of Imagism, then still the Idaho Territory, in 1885, he and of importing classical Chinese and is often considered to be among the chief Japanese poetry into the modernist canon. architects of classical Anglo-American During his further migrations, first, to modernism, who helped launch the careers Paris, and eventually to Italy, where Pound of T.S. Eliot, James Joyce, Robert Frost, would spend most of his life (and where in and Ernest Hemingway, among others. 1972 he would be buried near Igor Stravin- Influential as the foreign editor of several sky and Sergei Dhiagilev in Venice), the literary magazines in London, he is credited Chinese philosopher Confucius resides likes a tutelary deity over much of his thinking, six-foot outdoor cage and where he wrote particularly in his unfinished 120-section the first drafts, often for days and nights on epic The Cantos (1917-1969), but also in end, of what later came to be known as The his writings on economics and politics. -
Bradley Mcduffie 2010 Arts and Sciences Emerging Scholar of the Year
Bradley McDuffie 2010 Arts and Sciences Emerging Scholar of the Year Lecturer of English 1 South Boulevard North Campus, Room 201 Nyack, NY. 10960 [email protected] 845.675.4520 Education Ph.D. Candidate, Indiana University of Pennsylvania M.A. State University of New York, New Paltz B.A. Nyack College Areas of Specialization/Expertise • Modern Literature • Creative Writing Current Areas of Research • Ernest Hemingway • J. D. Salinger • Cormac McCarthy • Modern Poetry • Modern Film Courses Taught • Modern Poetry • Modern American Novel • Modern British Novel • Victorian Literature • American Romanticism • American Realism • Introduction to TV/Film • Scriptwriting • English 101 & 102 Membership in Professional Societies • Robert Penn Warren Circle • Elizabeth Madox Robert’s Society • Hemingway Society • Richard Aldington Society • Sports Literature Association • The Nick Adams Society Publications & Presentations Books • And The West Was Not So Far Away. West Park, NY: Des Hymnagistes, 2009. • Seven Hymns from the West. Babylon, NY: Dying Tree, 2010. Poems • The North Dakota Quarterly. “Teaching In Our Time to Freshmen” (Forthcoming) • Des Hymnagistes: An Anthology. Lafayette, LA: Des Hymnagistes: Pgs. 40-47: “Seven Hymns From the West” • The South Carolina Review 2010: 42.2 Spring: "Visiting Coney Island, January 2005" • Shawangunk Review 2009: Vol. XX: “Fidelity” and “On Through to Sundown” • Aethlon: The Journal of Sport Literature 2008: Vol. XXV:1: Pgs. 86-87: “Grace Rituals” • Shawangunk Review 2008: Vol. XIX: Pg. 103: “The Gulls Leave Gentle Traces” • Florida English: Special Imagist Issue 2008 : Vol. 6: Pgs. 29-32: “In Season,” “Morse Codes,” and “To Go Home” • Hurricane Poems: An Anthology: “Last Call Before the Flood” • Homage to RPW: An Anthology of Poems For Robert Penn Warren: “God Have Mercy on the Mariner...” • North Dakota Quarterly 2007: Vol. -
Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading. -
Alexander Howard
MR. POUND GOES TO WASHINGTON Alexander Howard Nothing foretells tomorrow to man neither horrors in dreams nor in oracles ef thet night-sight dont damn well smash ‘em. – Sophocles It often seems difficult to get a fix on Ezra Pound. He was a variety of things to a range of different people at various stages of his working life. Think here on how the young poet chose to present himself not long after his arrival in London in 1908. Pound “would approach with the step of a dancer,” Ford Madox Ford recalled, “making passes with an imaginary cane. He would wear trousers made of green billiard cloth, a pink coat, a blue shirt, a tie hand- painted by a Japanese friend, an immense sombrero, a flaming beard cut to a point, and a single, large blue earring.”1 As that evocative statement attests, this early version of Pound, who seems very much to have fancied himself as an updated and urbane version of the sort of medieval troubadour that so vividly captured his imagination as a university student enrolled at the University of Pennsylvania, was every inch the visually flamboyant and self-conscious literary stripling. Fast forward a few years to 1914. Pound is now working— alongside his Vorticist comrade Wyndham Lewis—in what purports to be a properly iconoclastic mode. But then the conflagration of the First World War changed everything. The death and destruction meted out during this four-year period leaves Pound bereft and disenchanted. He soon ups sticks for Italy by way of Paris. Respite was sought and found in Rapallo. -
20Th Anniversary Issue Fall 2009 GUEST EDITORS for 2Oth Anniversary Issue H
Shawangunk Review State University of New York at New Paltz New Paltz, New York 20th Anniversary Issue Fall 2009 GUEST EDITORS for 2oth Anniversary Issue H. R. Stoneback Joann K. Deiudicibus Dennis Doherty REVIEW EDITORS Daniel Kempton H. R. Stoneback Cover art: Jason Cring The Shawangunk Review is the journal of the English Graduate Program at the State University of New York, New Paltz. TheReview publishes the proceedings of the annual English Graduate Symposium and literary articles by graduate students as well as poetry and book reviews by students and faculty. The views expressed in the Shawangunk Review are those of the authors and not necessarily those of the Department of English at SUNY New Paltz. Please address correspondence to Shawangunk Review, Department of English, SUNY New Paltz, New Paltz, NY 12561. Copyright © 2009 Department of English, SUNY New Paltz. All rights reserved. Contents From the Editors 1 No Lady of Shallot William Bedford Clark 3 Preventive Grace William Bedford Clark 4 Yellow House Pauline Uchmanowicz 5 Reader to the Page Pauline Uchmanowicz 6 It Is Marvelous To Sleep Together Joann K. Deiudicibus 7 I Have an Obligation to Chaos Joann K. Deiudicibus 8 Prodigal James Sherwood 10 Now: Light Rain and Freezing Rain and 32°F James Sherwood 11 Pedagogical Dilemma #1 Christopher Tanis On “Rereading Whitman” (and Pound) 13 Editorial Note 15 Rereading Whitman Mary de Rachewiltz 16 Song and Letter to be Delivered to Brunnenburg Castle H. R. Stoneback 18 The Shifty Night William Boyle 19 Micel biþ se Meotudes egsa Daniel Kempton 20 The Enormous Tragedy of the Dream Brad McDuffie (“On Christ’s Bent Shoulders”) 22 The Poet Did Not Answer Matthew Nickel 24 Buying Pound’s Cantos Alex Andriesse Shakespeare 27 Mothers and Sons William Boyle 29 Father Kafka His Long Lost Helmet Lynn Behrendt 30 If This is New Jersey Lynn Behrendt 32 July 15, 2002: A Meditation on My Last Tour de France H .R. -
Gregory Corso - Poems
Classic Poetry Series Gregory Corso - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Gregory Corso(26 March 1930 – 17 January 2001) Gregory Nunzio Corso was an American poet, youngest of the inner circle of Beat Generation writers (with <a href="http://www.poemhunter.com/jack- kerouac/">Jack Kerouac</a>, <a href="http://www.poemhunter.com/allen- ginsberg/">Allen Ginsberg</a>, and William S. Burroughs). He was beloved by the other "Beats". “<i>… a tough young kid from the Lower East Side who rose like an angel over the roof tops and sang Italian song as sweet as Caruso and Sinatra, but in words… Amazing and beautiful, Gregory Corso, the one and only Gregory, the Herald.”</i> ~Jack Kerouac <i>"Corso's a poet's Poet, a poet much superior to me. Pure velvet... whose wild fame's extended for decades around the world from France to China, World Poet".</i> ~Allen Ginsberg "<i>Gregory's voice echoes through a precarious future.... His vitality and resilience always shine through, with a light this is more than human: the immortal light of his Muse... Gregory is indeed one of the Daddies". </i>~William S. Burroughs <b>Poetry</b> Corso's first volume of poetry The Vestal Lady on Brattle was published in 1955 (with the assistance of students at Harvard, where he had been auditing classes). Corso was the second of the Beats to be published (after only Kerouac's The Town and the City), despite being the youngest. His poems were first published in the Harvard Advocate. -
FOREWORD This Volume Gathers Papers Given at the 21St Ezra Pound International Conference (4-7 July 2005), the Second to Be Held
FOREWORD I will arise & go NOW, & go to Rappalloo, Where the ink is mostly Green, & the pencils mostly Blue. T. S. Eliot This volume gathers papers given at the 21st Ezra Pound International Conference (4-7 July 2005), the second to be held in Rapallo. The Conference took place in the former Convent of the Clarisse, near the promenade Pound took every day as he walked along the shore or set off from his downtown attic for the hill of Sant’Ambrogio. The Conference theme, “Ezra Pound, Language and Persona,” provided an opportunity to consider some central issues raised by Pound’s work. Who speaks in the literary text? In what language(s)? Pound can be very direct, as well as devious and sly, and hide behind assumed names and masks. The papers selected for this volume among those presented at the Conference offer solid contribu - tions and insights into these and related questions. Among the extras offered at the Conference was a concert of music by Vivaldi, Mozart, and Pound (performed by Roberto Mazzola, violin, and Alessandro Magnasco, piano), and a poetry reading in homage to the Miglior Fabbro. A selec - tion of poems by the writers present is included here. There Quaderni di Palazzo Serra 15 (2008): 13-18. 14 Foreword were also hikes to Poundian places: Portofino, Portovenere, Sant’ Am-brogio (where we were amicably entertained by the present owners of the house where Olga Rudge lived). A brochure published for the occasion, Tigullio Itineraries: Ezra Pound , included a map of places in Rapallo and Zoagli associ - ated with Pound and his circle.