Ezra Pound - Poems
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Mythic Metamorphosis: Re-Shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis Submitted to the Faculty of the Virgin
Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Thomas Gardner, Chair Frederick M. D’Aguiar Paul Sorrentino April 13, 2007 Blacksburg, Virginia Keywords: H.D., Imagism, Mythic Metamorphoses, Asklepios Copyright (Optional) Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Abstract In section fifteen of the poem The Walls Do Not Fall author Hilda Doolittle (H.D.) address her audience and articulates the purpose of the poet in the following lines: “we are the keepers of the secret,/ the carriers, the spinners/ of the rare intangible thread/ that binds all humanity/ to ancient wisdom,/ to antiquity;/…every concrete object/ has abstract value, is timeless/ in the dream parallel” (Trilogy 24). H.D. mined her own life for charged relationships which she then, through writing, connected to the mythic characters of antiquity whose tales embodied the same struggles she faced. Reading concrete objects as universal symbols which transcend time, her mind meshed the 20th century with previous cultures to create a nexus where the questions embedded in the human spirit are alive on multiple planes. The purpose of this research project is not to define her works as “successful” or “unsuccessful,” nor to weigh the works against each other in terms of “advancement.” Rather it is to describe the way she manipulates this most reliable of tools, mythic metamorphosis, in works stretching from her early Imagist poetry, through her long poem Trilogy, and finally into her last memoir End To Torment, taking note of the way she uses this tool to form beauty from harsh circumstances and help heal her shattered psyche. -
1 a Lincolnshire Boyhood 2 Cambridge
Notes 1 A LINCOLNSHIRE BOYHOOD 1. J. 0. Hoge, ed., 'Emily Tennyson's Narrative for her Sons', Texas Studies in Literature and Language XIV (1972), 96. 2. H. D. Rawnsley, Memories of the Tennysons (1900), p. 225. 3. See C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', Tennyson Research Bulletin II, iii (1974), 121-3 [hereafter TRB]. 4. A. Pollard, 'Three Horace Translations by Tennyson', TRB IV, i (1982), 16. 5. H. D. Paden, Tennyson in Egypt (1942), p. 103. 6. C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', p. 121. 7. This painting is still at Farringford. I am grateful to Dr Christopher Brown, Chief Curator of the National Gallery, for the attribution. 8. A. G. Weld, Glimpses of Tennyson (1903), p. 12. 9. J. Kolb, ed., The Letters of A. H. Hallam (1981), p. 457. 10. R. B. Martin, Tennyson: The Unquiet Heart (1980), p. 48. 11. E. A. Knies, ed., Tennyson at Aldworth: The Diary off. H. Mangles, (1984), p. 122. 2 CAMBRIDGE 1. C. Tennyson, Alfred Tennyson (1949), p. 55. 2. E. A. Knies, ed., Tennyson at Aldworth: The Diary of f. H. Mangles, p. 97. 3. S. T. Coleridge, Aids to Reflection, ed. D. Coleridge (7th edn, London, 1854), p. 155. 4. Arthur Hallam visited Coleridge at Highgate, but Tennyson, although invited, never went. Coleridge's rude remarks on Tennyson's han dling of metre would not have encouraged him. 5. Shelley's Adonais: A Critical Edition, ed. A. D. Knerr (New York, 1984), pp. 445-6. 6. H. B. Bryant, 'The African Genesis of Tennyson's "Timbuctoo"', TRB, III v (1981), 200. -
The Dawn in Erewhon"
University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences December 2007 Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Patrick Dillon [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Recommended Citation Dillon, Patrick, "Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon"" 10 December 2007. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/23. Revised version, posted 10 December 2007. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/23 For more information, please contact [email protected]. Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Abstract In "The Dawn in Erewhon", the concluding novella of Tatlin!, Guy Davenport explores the myth of Orpheus in the context of two storylines: Adriaan van Hovendaal, a thinly veiled version of Ludwig Wittgenstein, and an updated retelling of Samuel Butler's utopian novel Erewhon. Davenport tells the story in a disjunctive style and uses the Orpheus myth as a symbol to refer to a creative sensibility that has been lost in modern technological civilization but is recoverable through art. Keywords Charles Bernstein, Bernstein, Charles, English, Guy Davenport, Davenport, Orpheus, Tatlin, Dawn in Erewhon, Erewhon, ludite, luditism Comments Revised version, posted 10 December 2007. This article is available at ScholarlyCommons: https://repository.upenn.edu/curej/23 Dimensions of Erewhon The Modern Orpheus in Guy Davenport’s “The Dawn in Erewhon” Patrick Dillon Introduction: The Assemblage Style Although Tatlin! is Guy Davenport’s first collection of fiction, it is the work of a fully mature artist. -
Guy Davenport's Literary Primitivism
National Library Bibliothèque nationale 1+1 of Canada du Canada Acquisitions and Direction des acquisitions el Bibliographie Services Branch des services bibliographiques 395 Wcllnglon Slreel 395. rue Wellington Ottawa. Onl.lfIQ Ollowo (Onlorio) KIA ON4 K1AON4 NOTICE AVIS The quality of this microform is La qualité de cette microforme heavily dependent upon the dépend grandement de la qualité quality of the original thesis de la thèse soumise au submitted for microfilming. microfilmage. Nous avons tout Every effort has been made to fait pour assurer une qualité ensure the highest quality of supérieure de reproduction. reproduction possible. If pages are missing, contact the S'il manque des pages, veuillez university which granted the communiquer avec l'université degree. qui a conféré le grade. Some pages may have indistinct La qualité d'impression de print especially if the original certaines pages peut laisser à pages were typed with a poor désirer, surtout si les pages typewriter ribbon or if the originales ont été university sent us an inferior dactylographiées à l'aide d'un photocopy. ruban usé ou si l'université nous a fait parvenir une photocopie de qualité inférieure. Reproduction in full or in part of La reproduction, même partielle, this microform is governed by de cette microforme est soumise the Canadian Copyright Act, à la Loi canadienne sur le droit R.S.C. 1970, c. C-30, and d'auteur, SRC 1970, c. C-30, et subsequent amendments. ses amendements subséquents. Canada '. GUY DAVENPORT'S LITERARY PRIMITIVISM séan A. Q'Reilly -
Ezra Pound His Metric and Poetry Books by Ezra Pound
EZRA POUND HIS METRIC AND POETRY BOOKS BY EZRA POUND PROVENÇA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910) THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre-renaissance literature of Latin-Europe. (Dent, London, 1910; and Dutton, New York) THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912) RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913) DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others GAUDIER-BRZESKA: A memoir. (John Lane, London and New York, 1916) NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917) LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917) PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York) EZRA POUND HIS METRIC AND POETRY I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in _Poetry_, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though Mr. Pound is well known, even having been the victim of interviews for Sunday papers, it does not follow that his work is thoroughly known. There are twenty people who have their opinion of him for every one who has read his writings with any care. -
Czech Portraits Friday, Mar
Czech Portraits Friday, Mar. 4 10:30am Vítězslav NovákNovák, Czech composer (1870-1949) Vítězslav Novák held an almost “cult status” popu- larity among his native Czech people. Like his mentor Antonín Dvořák, he used thematic mate- rial from Czech folk melodies in his music and was inspired by the landscape of his native country in South Bohemia. In 1908 he succeeded Dvořák as professor of composition at the Prague Conserva- tory and helped lead the next generation of Czech composers into the new age. Lady Godiva Overture Composed in 1907, duration is 15 minutes This piece was commissioned to open a Czech play of the same name and is taken from a 13th century story about the noble-hearted and beautiful Lady REPERTOIRE Godiva. It tells the story of the Lady’s efforts to end the suffering and oppression of the people in Coventry under her husband’s rule, Count Leofric. After multiple pleas to ask the Count to lower the • NOVÁK taxes, Leofric finally offers her a deal. Lady Godiva Overture The terms, which she ultimately ac- cepts, require her to ride through • ELGAR town naked in exchange for an end to Concerto in E Minor for the heavy taxation. The piece portrays Cello and Orchestra the characters, Count Leofric and • NOVÁK Lady Godiva through contrasting Eternal Longing Op. 33 melodies. Count Leofric has a very fierce motif in C minor while Lady • SMETANA Godiva is delicately portrayed in Eb Moldau from Má Vlast major. The music moves back in forth Coventry painted by Herbert Edward Cox, United Kingdom between the two as if in argument. -
Rhythm in Modern Poetry and Cinema Sarah Keller
Document généré le 29 sept. 2021 22:13 Intermédialités Histoire et théorie des arts, des lettres et des techniques Intermediality History and Theory of the Arts, Literature and Technologies “As Regarding Rhythm”: Rhythm in Modern Poetry and Cinema Sarah Keller rythmer Résumé de l'article rhythmize Cet essai s’intéresse à la relation qu’entretiennent la poésie moderne et le Numéro 16, automne 2010 cinéma dans leur rapport privilégié au rythme. Notre étude établit que le rythme offre un mode alternatif de structuration des films non narratifs tout URI : https://id.erudit.org/iderudit/1001959ar en fournissant une explication sur la conception des mécanismes du cinéma DOI : https://doi.org/10.7202/1001959ar chez les réalisateurs des cercles modernistes. Aller au sommaire du numéro Éditeur(s) Revue intermédialités (Presses de l’Université de Montréal) ISSN 1705-8546 (imprimé) 1920-3136 (numérique) Découvrir la revue Citer cet article Keller, S. (2010). “As Regarding Rhythm”: Rhythm in Modern Poetry and Cinema. Intermédialités / Intermediality, (16), 129–143. https://doi.org/10.7202/1001959ar Tous droits réservés © Revue Intermédialités, 2010 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. -
[Jargon Society]
OCCASIONAL LIST / BOSTON BOOK FAIR / NOV. 13-15, 2009 JAMES S. JAFFE RARE BOOKS 790 Madison Ave, Suite 605 New York, New York 10065 Tel 212-988-8042 Fax 212-988-8044 Email: [email protected] Please visit our website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers These and other books will be available in Booth 314. It is advisable to place any orders during the fair by calling us at 610-637-3531. All books and manuscripts are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. ALGREN, Nelson. Somebody in Boots. 8vo, original terracotta cloth, dust jacket. N.Y.: The Vanguard Press, (1935). First edition of Algren’s rare first book which served as the genesis for A Walk on the Wild Side (1956). Signed by Algren on the title page and additionally inscribed by him at a later date (1978) on the front free endpaper: “For Christine and Robert Liska from Nelson Algren June 1978”. Algren has incorporated a drawing of a cat in his inscription. Nelson Ahlgren Abraham was born in Detroit in 1909, and later adopted a modified form of his Swedish grandfather’s name. He grew up in Chicago, and earned a B.A. in Journalism from the University of Illinois Urbana-Champaign in 1931. In 1933, he moved to Texas to find work, and began his literary career living in a derelict gas station. A short story, “So Help Me”, was accepted by Story magazine and led to an advance of $100.00 for his first book. -
Criticism of “Fascist Nostalgia” in the Political Thought of the New Right
ACTA UNIVERSITATIS WRATISLAVIENSIS No 3866 Studia nad Autorytaryzmem i Totalitaryzmem 40, nr 3 Wrocław 2018 DOI: 10.19195/2300-7249.40.3.6 JOANNA SONDEL-CEDARMAS ORCID: 0000-0002-3037-9264 Uniwersytet Jagielloński Criticism of “fascist nostalgia” in the political thought of the New Right The seizure of power by the National Liberation Committee on 25th April, 1945 and the establishment of the republic on 2nd June, 1946 constituted the symbolic end to Mussolini’s dictatorship that had lasted for more than 20 years. However, it emerged relatively early that fascism was not a defi nitively closed chapter in the political and social life of Italy. As early as June of 1946, after the announcement of a presidential decree granting amnesty for crimes committed during the time of the Nazi-Fascist occupation between 1943 and 1945, the country saw a withdrawal from policies repressive towards fascists.1 Likewise, the national reconciliation policy gradually implemented in the second half of the 1940s by the government of Alcide De Gasperi, aiming at pacifying the nation and fostering the urgent re- building of the institution of the state, contributed to the emergence of ambivalent approaches towards Mussolini’s regime. On the one hand, Italy consequently tried to build its institutional and political order in clear opposition towards fascism, as exemplifi ed, among others, by a clause in the Constitution of 1947 that forbade the establishment of any form of fascist party, as well as the law passed on 20th June, 1 Conducted directly after the end of WW II, the epurazione action (purifi cation) that aimed at uprooting fascism, was discontinued on 22nd June 1946, when a decree of president Enrico De Nicola granting amnesty for crimes committed during the Nazi-Fascist occupation of Italy between 1943–1945 was implemented. -
The Poetry of Alice Meynell and Its Literary Contexts, 1875-1923 Jared Hromadka Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 The al ws of verse : the poetry of Alice Meynell and its literary contexts, 1875-1923 Jared Hromadka Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Hromadka, Jared, "The al ws of verse : the poetry of Alice Meynell and its literary contexts, 1875-1923" (2013). LSU Doctoral Dissertations. 1246. https://digitalcommons.lsu.edu/gradschool_dissertations/1246 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE LAWS OF VERSE: THE POETRY OF ALICE MEYNELL AND ITS LITERARY CONTEXTS, 1875-1923 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Jared Hromadka B.A., Louisiana State University, 2004 M.A., Auburn University, 2006 August 2013 for S. M. and T. ii ACKNOWLEDGMENTS Special thanks is due to Dr. Elsie Michie, without whose encouragement and guidance this project would have been impossible. iii TABLE OF CONTENTS ACKNOWLEDGMENTS..............................................................................................................iii -
FIGHT BACK the INVADERS 1.0.1 Italian Right Wing Tentacles on the Struggle for Animals and Environment INDEX Intro
FIGHT BACK THE INVADERS 1.0.1 Italian right wing tentacles on the struggle for animals and environment INDEX Intro ......................................................................................................... pag. 3 ANARCHO-NATIONALISTS....................................................................... pag. 5 RESISTENZA NAZIONALE and AUTONOMI NAZIONALISTI National Resistance and Autonomous Nationalist ....................................... pag. 6 I LUPI DANNO LA ZAMPA Wolves landing the paw .............................................................................. pag. 7 MASSIMO TURCI ..................................................................................... pag. 10 ROBERTA CAPOTOSTI ............................................................................ pag. 11 MICHELA VITTORIA BRAMBILLA ............................................................ pag. 12 IL ROSSOBRUNISMO Redbrownism ............................................................................................ pag. 13 LA FORESTA CHE AVANZA The forrest moving forward .................. pag. 20 MEMENTO NATURAE ........ ................. pag. 23 100% ANIMALISTI AND DERIVATES ..... pag. 26 RECOGNIZED AND ISOLATED in the No Muos movement ........................ pag. 31 PAE - European Animal-rights Party ....... pag. 35 Sources ................................................ pag. 39 2 ANTISPEFA – Antispeciecists Antifa- In this first work, we start exami- scist Milan wants to be a counter- ning some of these movements, information archive -
DU CENTRE Et La France, Sauf Les Sept Départements R
NEUVIEME ANNEE. - H» 155 VINQT-CINQ CENTIMES ONNEMENTS AB âdmînlstratîoo et Rédactioni 7 2fr. 9, PlAtt PeafâiNS-OEï-BASRSfc 9 LIMOGES 27.21 Téléphone.. | 27" POPULAIRE 22 PUBLICITÉ , h Hgn» 3 fr. ADRESSE TÉLÉGRAPHIQUE t La Publicité pour la région i " ,, — 4 fr. La Publicité pour la région parisienne " — 8 fr. Haute-Vienne. Creuse, Corrèze, Dordogne, NALPOPUL, LIMOGES locale Charente Vienne, Indre DU CENTRE et la France, sauf les sept départements R. C Limoge* 1814 est reçue aux bureaux du journal, nHiiiiniuuiiiiiiiiHiiMliiiiiiiui^uiiriiiiiiiiiMiiiiiiiiMiiiiiniMiiniiiiiiniHliiiiiiiniiniiinniiiiiiiiiiiiiiiiniilli: du Centre, est reçue : . popolaire têt dtêtgni Bureaux du POPULAIRE DD CENTRE, à PARIS, iiZ*,tio» </« etmonctê ludictairté 9. Place Fontaine-des-Barres • LIMOGES Compte courant postal » ■ r*" ,i légales Journal Quotidien Régional 5, Rue Saint-Augustin. Chèques Postauj : limoges 107 «s» Téléphone: 27-21. 27-22 Organe do Socialisme Téléphone : Richelieu 69-00 Trois lignes groupées. LIMOGES 107 de la République et de la Démocratie La Conférence du Désarmement CONSEIL DE CABINET La crise ministérielle belge LES NEGOCIATIONS COMMERCIALES UNE HISTOIRE EXTRAORDINAIRE DUMPING JAPONAIS FRANCO-BRITANNIQUES LES MACHINES japonais sont, dès à présent, obligés de Barthou UN EXPOSE LA COMPOSITION UN ACCORD Les A CALCULER compter avec les réactions économiques du nouveau ministère des autres nations. est de retour SUR LES TRAVAUX SEMBLE PROCHAIN des Assurances SIX MINISTRES CONSERVENT LE CONTINGENTEMENT Sociales VANDERVELDE à Paris DE GENEVE LEUR PORTEFEUILLE DES SOIERIES Emile Bruxelles, 9 juin. LE MINISTRE DU TRAVAIL DIVERSES PERSONNALITES M. DOUMERGUE Suivant le Malin, sauf imprévu, la Londres, 0 juin. TRANSMET LE DOSSIER AU GARD8 est difficile, par le re que cinq. D'où avantage tempo- L'ACCOMPAGNAIENT DES SCEAUX OSIBIEN AU NOM DU CABINET, FELICITE nouvelle combinaison ministérielle se .