I Spit on Your Graves Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

I Spit on Your Graves Pdf, Epub, Ebook I SPIT ON YOUR GRAVES PDF, EPUB, EBOOK Boris Vian,Vernon Sullivan | 178 pages | 31 Oct 2013 | Tam Tam Books | 9780966234602 | English | Los Angeles, United States I Spit on Your Graves PDF Book Well, it doesn't. Edit page. They collected the traumatized girl, returned the daughter home, and quickly decided it was best to take the girl to the police rather than a hospital, lest the attackers escape and find further victims. Help Learn to edit Community portal Recent changes Upload file. Enabling JavaScript in your browser will allow you to experience all the features of our site. As such, he made a film that while it had an extremely low budget and no-name performers though Camille Keaton was the grand-daughter of Hollywood acting legend Buster Keaton , was nonetheless compelling, challenging, and shocking. Asia Global. Theatrical release poster. The initial criticism was followed by reappraisals of the film. When he wakes up, Jennifer stuffs his shotgun into his anus and reminds him that she was just as innocent as his own daughter. Ebert Presents. October Streaming Picks. This new work offers a clear and thorough account of the threats posed by bioterrorism Sarah Butler Jennifer. Photo Gallery. Thompson of The New Times stated that "defenders of the film have argued that it is actually pro-woman, due to the fact that the female lead wins in the end, which is sort of like saying that cockfights are pro-rooster because there is always one left standing". Rotten Tomatoes. Edit Cast Complete credited cast: Sarah Butler Later that night, Johnny hears noises outside his house and finds evidence that suggests Matthew had been hiding in the yard. View Product. Matthew then tells Johnny and his friends Andy and Stanley about his visit. It was at this time the film was retitled I Spit on Your Grave. By John Hopewell. The Guardian. Expand the sub menu More Variety. I Spit on Your Graves Writer Remember Me. Clash of Identities: Explorations in Israeli and Palestinian. Add to Wishlist. When Matthew wakes up, his movements trigger the shotgun, which fires a round that tears through Storch's anus and mouth before hitting Matthew in the chest, leaving both men dead. Table of Contents Acknowledgements Introduction 1. From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. She rewards him with an abrupt kiss of gratitude. Jacques Tati is widely regarded as one of the greatest postwar European filmmakers. As time passes, the men slowly stop searching for her body and try to go back to life as usual. Matthew returns to the cabin where he finds Jennifer. The Guardian. However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. Expand the sub menu Music. Expand the sub menu Digital. See how Rotten Tomatoes ranks them and some of their scathing reviews. Sitting outside, Jennifer hears the gunshot and sits quietly listening to the birds while they sing. Username or Email Address. The men learn that Jennifer has survived and beat Matthew up for deceiving them. In this remake of the cult classic, I Spit On Your Grave tells the tale of a woman who is brutally attacked by four men, survives, and takes the law into her own hands and seeks revenge against her attackers. After the association gave I Spit on Your Grave an R rating, the producer of the film added rape scenes, making it an X-rated movie. Theatrical release poster. It always courts controversy; since its release in , the film has been vilified by many, including Roger Ebert in his now famous review. Storch Daniel Franzese Keep track of everything you watch; tell your friends. She takes the daughter to the park and, when Storch tracks her there, Jennifer knocks him unconscious. And no jury in America would ever convict her. She stops halfway to her house, points a gun at him, and orders him to remove all his clothing. These are some of the most talked about, controversial films around the world. At the gas station, Jennifer seductively directs Johnny to enter her car. Soon, adulthood is here with all the catcalls and social graces underhanded intentions can muster… We have to walk or run in pairs, go to events in groups, and watch out for where conversations will go. Written by ahmetkozan. Home 1 Books 2. Victoria Robertson Dec 18, After a series of auditions to test Keaton's suitability to the role, Zarchi was convinced that she can play it effectively. The arrival of the attractive and independent young woman attracts the attention of Johnny Stillman, the gas station manager, and Stanley Woods and Andy Chirensky, two unemployed men. Monroe Director. Quotes [ first lines ] Jennifer : Hello? Select an issue: All Issues Vol. Expand the sub menu Dirt. Director: Steven R. Her life echoes our own in a way that men will never understand, no matter how well-intentioned or understanding. Stanley records everything with his video camera. The authors examine thirteen disease-causing agents, including those responsible for anthrax, the plague, smallpox, influenza, and SARS. The Village Voice. By comparison, Monroe's film doesn't carry the same visceral punch to the gut that Zarchi's original did. Members save with free shipping everyday! Dread Central Media. Ebert Presents. I Spit on Your Graves Reviews Vian died twelve years later of heart failure while viewing the film adaptation, which he had no part in producing. Expand the sub menu VIP. He wrote, "I wanted to ask if she'd been appalled by the movie's hour of rape scenes. Additional information Directors Steven R. Andy tries to attack her but she escapes with the axe. Running time. October Streaming Picks. When Johnny mentions that Matthew has been reported missing, Jennifer states that she killed him; as he nears his orgasm, she takes the knife Matthew brought with him and severs Johnny's genitals. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. All subsequent releases of the film have received similar cuts. Duration 1 h 48 min. By revisiting the past hundred years of shared Palestinian and Jewish-Israeli history, Baruch Kimmerling reveals surprising relations of influence between a stateless indigenous society and the settler-immigrants who would later form the state of Israel. Disturbing Movies i watched. Windows Windows 8, Windows 8. It always courts controversy; since its release in , the film has been vilified by many, including Roger Ebert in his now famous review. As time passes, the men slowly stop searching for her body and try to go back to life as usual. Expand the sub menu TV. Switch to the dark mode that's kinder on your eyes at night time. In , the film survived an appeal to ban it. By revisiting the past hundred years of shared Palestinian and Jewish-Israeli history, Baruch Kimmerling reveals Company Credits. Monroe Director. A condition of this re- release was that they could change the title to anything they wished. Martin Guiney , Kenyon College. Clear your history. I Spit on Your Graves Read Online Switch skin Switch to the light mode that's kinder on your eyes at day time. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. To rate and review, sign in. Earl Mollie Milligan Columbia University Press. Johnny Andrew Howard Javascript is not enabled in your browser. October Streaming Picks. Earl : Oh, yeah. The Irish Film Board has again banned the film from sale. Over the course of his literary career, he repeatedly tried to reclaim his novel as legitimate political commentary and "art. Encyclopedia of Horror , Octopus Books, Expand the sub menu Digital. The very reason why that woman reacted in that manner is a great place to start in the mythology of Jennifer Hills. Hidden categories: All articles with dead external links Articles with dead external links from November Articles with permanently dead external links Articles with short description Short description matches Wikidata Template film date with 2 release dates. Edit Storyline Writer Jennifer Hills Butler takes a retreat from the city to a charming cabin in the woods to start on her next book. Read an excerpt of this book! Remember Me. In this remake of the cult classic, I Spit On Your Grave tells the tale of a woman who is brutally attacked by four men, survives, and takes the law into her own hands and seeks revenge against her attackers. Hannah Shaw-Williams Nov 27, Paul Young May 5, As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Anyone who watches the film with an open mind will indeed find a powerful and angry film, one that takes no prisoners, nor does it try to play it safe for the safety and comfort of the audience. Check system requirements. Stanley Rodney Eastman But when she is brutally raped by a group of sadistic rednecks, Jennifer has plans for more than mere revenge. Log in Privacy Policy To use social login you have to agree with the storage and handling of your data by this website. Uh-oh, it looks like your Internet Explorer is out of date. As time passes, the men slowly stop searching for her body and try to go back to life as usual. It's less raw and rugged, but it's somehow slightly more enjoyable. Stanley moves towards the boat and grabs hold of the motor to climb aboard, begging Jennifer not to kill him.
Recommended publications
  • Just How Nasty Were the Video Nasties? Identifying Contributors of the Video Nasty Moral Panic
    Stephen Gerard Doheny Just how nasty were the video nasties? Identifying contributors of the video nasty moral panic in the 1980s DIPLOMA THESIS submitted in fulfilment of the requirements for the degree of Magister der Philosophie Programme: Teacher Training Programme Subject: English Subject: Geography and Economics Alpen-Adria-Universität Klagenfurt Evaluator Univ.-Prof. Dr. Jörg Helbig, M.A. Alpen-Adria-Universität Klagenfurt Institut für Anglistik und Amerikanistik Klagenfurt, May 2019 i Affidavit I hereby declare in lieu of an oath that - the submitted academic paper is entirely my own work and that no auxiliary materials have been used other than those indicated, - I have fully disclosed all assistance received from third parties during the process of writing the thesis, including any significant advice from supervisors, - any contents taken from the works of third parties or my own works that have been included either literally or in spirit have been appropriately marked and the respective source of the information has been clearly identified with precise bibliographical references (e.g. in footnotes), - to date, I have not submitted this paper to an examining authority either in Austria or abroad and that - when passing on copies of the academic thesis (e.g. in bound, printed or digital form), I will ensure that each copy is fully consistent with the submitted digital version. I understand that the digital version of the academic thesis submitted will be used for the purpose of conducting a plagiarism assessment. I am aware that a declaration contrary to the facts will have legal consequences. Stephen G. Doheny “m.p.” Köttmannsdorf: 1st May 2019 Dedication I I would like to dedicate this work to my wife and children, for their support and understanding over the last six years.
    [Show full text]
  • From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film)
    Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) by Agnieszka Mlynarz A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Theatre Studies Guelph, Ontario, Canada © Agnieszka Mlynarz, April, 2017 ABSTRACT Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) Agnieszka Mlynarz Advisor: University of Guelph, 2017 Professor Alan Filewod This thesis is an investigation of five Canadian genre films with female leads from the Tax Shelter era: The Pyx, Cannibal Girls, Black Christmas, Ilsa: She Wolf of the SS, and Death Weekend. It considers the complex space women occupy in the horror genre and explores if there are stylistic cultural differences in how gender is represented in Canadian horror. In examining variations in Canadian horror from other popular trends in horror cinema the thesis questions how normality is presented and wishes to differentiate Canuxploitation by defining who the threat is. ACKNOWLEDGEMENTS I would like to express my deepest gratitude to Dr. Paul Salmon and Dr. Alan Filewod. Alan, your understanding, support and above all trust in my offbeat work ethic and creative impulses has been invaluable to me over the years. Thank you. To my parents, who never once have discouraged any of my decisions surrounding my love of theatre and film, always helping me find my way back despite the tears and deep- seated fears. To the team at Black Fawn Distribution: Chad Archibald, CF Benner, Chris Giroux, and Gabriel Carrer who brought me back into the fold with open arms, hearts, and a cold beer.
    [Show full text]
  • Re-Reading the Monstrous-Feminine : Art, Film, Feminism and Psychoanalysis Ebook
    RE-READING THE MONSTROUS-FEMININE : ART, FILM, FEMINISM AND PSYCHOANALYSIS PDF, EPUB, EBOOK Nicholas Chare | 268 pages | 18 Sep 2019 | Taylor & Francis Ltd | 9781138602946 | English | London, United Kingdom Re-reading the Monstrous-Feminine : Art, Film, Feminism and Psychoanalysis PDF Book More Details Creed challenges this view with a feminist psychoanalytic critique, discussing films such as Alien, I Spit on Your Grave and Psycho. Average rating 4. Name required. Proven Seller with Excellent Customer Service. Enlarge cover. This movement first reached success in the Pitcairn Islands, a British Overseas Territory in before reaching the United States in , and the United Kingdom in where women over thirty were only allowed to vote if in possession of property qualifications or were graduates of a university of the United Kingdom. Sign up Log in. In comparison, both films support the ideas of feminism as they depict women as more than the passive or lesser able figures that Freud and Darwin saw them as. EMBED for wordpress. Doctor of Philosophy University of Melbourne. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts. Physical description viii, p. The Bible, if read secularly, is our primal source of horror. The initial display of women as villains despite the little screen time will further allow understanding of the genre of monstrous feminine and the roles and depths allowed in it which may or may not have aided the feminist movement.
    [Show full text]
  • Marketing Swedish Crime Fiction in a Transnational Context
    UC Santa Barbara Journal of Transnational American Studies Title Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context Permalink https://escholarship.org/uc/item/6308x270 Journal Journal of Transnational American Studies, 7(1) Author Nilsson, Louise Publication Date 2016 DOI 10.5070/T871030648 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California SPECIAL FORUM Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context LOUISE NILSSON Key to the appeal of Scandinavian crime literature is the stoic nature of its detectives and their peculiarly close relationship with death. One conjures up a brooding Bergmanesque figure contemplating the long dark winter. [. .] Another narrative component just as vital is the often bleak Scandinavian landscape which serves to mirror the thoughts of the characters. ——Jeremy Megraw and Billy Rose, “A Cold Night’s Death: The Allure of Scandinavian Crime Fiction”1 The above quote from the New York Public Library’s website serves as a mise-en-place for introducing Scandinavian crime fiction by presenting the idea of the exotic, mysterious North. A headline on the website associates the phrase “A Cold Night’s Death” with the genre often called Nordic noir. A selection of Swedish book covers is on display, featuring hands dripping with blood, snow-covered fields spotted with red, and dark, gloomy forests. A close-up of an ax on one cover implies that there is a gruesome murder weapon. At a glance it is apparent that Scandinavian crime fiction is set in a winter landscape of death that nevertheless has a seductive allure.
    [Show full text]
  • Proquest Dissertations
    Juridically Minded, Justifiably Frightened: Academic Legitimacy and the Suspension of Horror Graeme Langdon A Thesis In the Department of Film Studies Presented in Partial Fulfillment of the Requirements For the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada April 2010 © Graeme Langdon, 2010 Library and Archives Bibliothèque et ?F? Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-67155-9 Our file Notre référence ISBN: 978-0-494-67155-9 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Island Focus. Now in Crystal Clear, on Demand HD
    JUNE 21 - 27, 2020 staradvertiser.com SPOTLIGHT ON CHICAGO In a crowded space of Chicago-based television dramas, Showtime’s The Chi stands out. Starring Alex Hibbert, Ntare Guma Mbaho Mwine and Birgundi Baker, The Chi tells personal stories of south side Chicago residents that are glossed over by sensational news headlines about gun violence and out-of-touch procedurals. Back for its third season! Premiering Sunday, June 21, on Showtime. Island Focus. Now in crystal clear, on demand HD. For Spectrum customers, ¶Ōlelo’s Island Focus program and other local favorites can now be viewed on demand in High Definition on channel 1961. It’s the power of ¶Ōlelo, made even clearer. olelo.org 590208_SpectrumHD_2in.indd 2 6/16/20 6:12 PM ON THE COVER | THE CHI SEASON 3 South side stories Chicago-based drama ‘The crossed and another young man is killed in ret- er cast members. They give the series some ribution. A boy, Kevin (Alex Hibbert, “Moonlight,” levity portraying Kevin and his preteen friends, Chi’ returns for a third season 2016), happens to be in the wrong place at as they get into typical preteen mischief, and the wrong time that night and locks eyes with Kevin’s sister, Keisha, who is figuring things out By Sarah Passingham the murderer. The killer, Ronnie (Ntare Guma for herself as a teenager. Keisha is portrayed TV Media Mbaho Mwine, “Queen of Katwe,” 2016), un- by Birgundi Baker, who you may recognize from able to help himself out of the web in which her first role as young Carol in Fox’s music in- n the crowded space of Chicago-based tele- he’s become tangled, tries to keep word of dustry drama “Empire.” From trailers released vision dramas, Showtime’s “The Chi” stands what he did from spreading, even chasing by Showtime previewing Season 3 of “The Chi,” Iout.
    [Show full text]
  • Developments in Revenge, Justice and Rape in the Cinema
    Int J Semiot Law https://doi.org/10.1007/s11196-019-09614-7 Developments in Revenge, Justice and Rape in the Cinema Peter W. G. Robson1 © The Author(s) 2019 Abstract The index to the 2018 VideoHound Guide to Films suggests that under the broad heading of “revenge” there have been something in excess of 1000 flms. This appears to be the largest category in this comprehensive guide and suggests that this is, indeed, a theme which permeates the most infuential sector of popular cul- ture. These flms range from infuential and lauded flms with major directors and stars like John Ford (The Searchers (1956) and Alejandro González Iñárritu (The Revenant (2015)) to “straight to video” gorefests with little artistic merit and a spe- cifc target audience (The Hills Have Eyes (1977)). There is, as the Film Guide numbers suggest much in between like Straw Dogs (1972) and Outrage (1993). The making and re-making of “revenge” flms continues with contributions in 2018 from such major stars as Denzel Washington in The Equalizer 2 and Brue Willis in Death Wish. Within this body of flm is a roster of flms which allow us to speculate on the nature of the legal system and what individual and to a lesser extent commu- nity responses are likely where there appears to be a defcit of justice. One of the sub-groups within the revenge roster is a set of flms which focus on revenge by the victim for rape which are discussed for their rather diferent approach to the issue of justice.
    [Show full text]
  • To Download The
    Las Cruces Transportation July 30 - August 5, 2021 YOUR RIDE. YOUR WAY. Las Cruces Shuttle – Taxi Charter – Courier Veteran Owned and Operated Since 1985. Call us to make a reservation today! We are Covid-19 Safe-Practice Compliant Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com Joseph Gordon-Levitt stars in “Mr. Corman,” premiering Friday on For breaking news Apple TV+. follow us on social media ‘Mr. Corman’ a funny, Check out the entire Bulletin in our weekly e-edition. poignant character study www.lascrucesbulletin.com2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section July 30 - August 5, 2021 What’s Available NOW On “Movie: The Artist” “Movie: Raiders!: The Story of the “Movie: The Keeping Room” “Movie: Mood Indigo” This best-picture Oscar winner is an From French filmmaker Michel Gondry Greatest Fan Film Ever Made” From director Daniel Barber (“Harry Brown”) affectionate tribute to movie history, with (“Eternal Sunshine of the Spotless Mind”) This 2015 documentary from first-time comes this 2014 Western about three women director Michel Hazanavicius going so far as comes this surreal 2013 comedy drama about a filmmakers Jeremy Coon and Tim Skousen who must fight to defend themselves and their to make it a silent film. Jean Dujardin also young inventor (Romain Duris, “The Spanish tells the story of three childhood friends homes from two rogue soldiers who broke earned a statuette as an actor who fears what Apartment”) who seeks a cure for his lover — Chris Strompolos, Eric Zala and Jayson off from the advancing Union Army in the the dawn of talking pictures may mean for (Audrey Tautou, “Coco Before Chanel”), who Lamb — who spent their teen years doing waning days of the Civil War.
    [Show full text]
  • The Rhetoric of Rape-Revenge Films
    THE RHETORIC OF RAPE-REVENGE FILMS: ANALYZING VIOLENT FEMALE PORTRAYALS IN MEDIA FROM A NARRATIVE PERSPECTIVE OF STANDPOINT FEMINISM Rachel Jean Turner Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of Communication Studies, Indiana University September 2018 Accepted by the Graduate Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master's Thesis Committee ______________________________________ Catherine A. Dobris, Ph.D., Chair ______________________________________ Jennifer J. Bute, Ph.D. ______________________________________ Krista Hoffmann-Longtin, Ph.D. ii © 2018 Rachel Jean Turner iii DEDICATION This thesis is dedicated to my husband, three children, mother, father, three younger brothers, and best friend Mysty. But most of all, to God, who I know I would not have had the grace to make it this far without. I thank my husband for the inspiration he gave me to be true to myself. My three children I give thanks to for giving me a reason to keep going when I just wanted to give up. I am also immensely grateful to my mom for instilling values in me that helped to make the concepts taught in academia much easier to understand. To my dad, I give you thanks for giving me a shoulder to cry on. Thank you to my three younger brothers for being my competition. To Mysty, I dedicate this thesis to you for the curiosity and inspiration you ignited within me in the first place. And finally, God, thank you for being my rock and my salvation.
    [Show full text]
  • The Contemporary American Horror Film Remake, 2003-2013
    RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.
    [Show full text]
  • Sadistic Scopophilia in Contemporary Rape Culture: I Spit on Your Grave (2010) and the Practice of “Media Rape"
    Sadistic scopophilia in contemporary rape culture: I Spit On Your Grave (2010) and the practice of ªmedia rape" Article (Accepted Version) Mantziari, Despoina (2018) Sadistic scopophilia in contemporary rape culture: I Spit On Your Grave (2010) and the practice of “media rape". Feminist Media Studies, 18 (3). pp. 397-410. ISSN 1468-0777 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/84794/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Sadistic Scopophilia in Contemporary Rape Culture: I Spit on Your Grave (2010) and the Practice of ‘Media Rape’ Dr.
    [Show full text]
  • Newsletter 02/14 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 02/14 DIGITAL EDITION Nr. 337 - März 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 02/14 (Nr. 337) März 2014 editorial Hallo Laserdisc- und DVD-Fans, neuestes Filmprojekt REMEMBERING nen perfekten Heimkinoabend an. Garan- liebe Filmfreunde! WIDESCREEN wird seine Weltpremiere tiert. auf dem “Widescreen Weekend” in Haben Sie sich schon einmal mit veganer Bradford erleben. Inzwischen ist der Ist bei Ihnen auch schon der Frühling aus- Lebensweise beschäftigt oder sind Sie be- Screening-Termin bekannt: Samstag, 12. gebrochen? Uns zumindest lächelt die Son- reits Veganer? Wie auch immer – Marc April 2014, 10:00 Uhr. Wir freuen uns ne ständig durch die Bürofenster auf derart Pierschels Dokumentarfilm LIVE AND darauf! Alle weiteren Infos zum Festival nette Weise an, dass es uns als eine gute LET LIVE bringt Wissende wie Unwissen- gibt es im Netz unter http:// Idee erscheint, dieses Editorial hiermit zu de auf den neuesten Stand und beleuchtet www.nationalmediamuseum.org.uk/ beenden und den Newsletter schleunigst alle Aspekte des Veganismus. Der Filmema- bradfordinternationalfilmfestival fertigzustellen, um uns einem ausführlichen cher, der seine abendfüllende Dokumentati- Spaziergang hinzugeben. Wäre mal etwas on während seiner Freizeit angefertigt hat, Freunden harter Thriller sei ein Film ganz anderes als nur im Heimkino Filme zu präsentierte das Werk vor Kurzem in Stutt- besonders ans Herzen gelegt, der uns im schauen, oder? gart einem interessierten Kinopublikum.
    [Show full text]