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SHREK the MUSICAL Official Broadway Study Guide CONTENTS
WRITTEN BY MARK PALMER DIRECTOR OF LEARNING, CREATIVE AND MEDIA WIldERN SCHOOL, SOUTHAMPTON WITH AddITIONAL MATERIAL BY MICHAEL NAYLOR AND SUE MACCIA FROM SHREK THE MUSICAL OFFICIAL BROADWAY STUDY GUIDE CONTENTS INTRODUCTION 3 Welcome to the SHREK THE MUSICAL Education Pack! A SHREK CHRONOLOGY 4 A timeline of the development of Shrek from book to film to musical. SynoPsis 5 A summary of the events of SHREK THE MUSICAL. Production 6 Interviews with members of the creative team of SHREK THE MUSICAL. Fairy Tales 8 An opportunity for students to explore the genre of Fairy Tales. Feelings 9 Exploring some of the hang-ups of characters in SHREK THE MUSICAL. let your Freak flag fly 10 Opportunities for students to consider the themes and characters in SHREK THE MUSICAL. One-UPmanshiP 11 Activities that explore the idea of exaggerated claims and counter-claims. PoWer 12 Activities that encourage students to be able to argue both sides of a controversial topic. CamPaign 13 Exploring the concept of campaigning and the elements that make a campaign successful. Categories 14 Activities that explore the segregation of different groups of people. Difference 15 Exploring and celebrating differences in the classroom. Protest 16 Looking at historical protesters and the way that they made their voices heard. AccePtance 17 Learning to accept ourselves and each other as we are. FURTHER INFORMATION 18 Books, CD’s, DVD’s and web links to help in your teaching of SHREK THE MUSICAL. ResourceS 19 Photocopiable resources repeated here. INTRODUCTION Welcome to the Education Pack for SHREK THE MUSICAL! Increasingly movies are inspiring West End and Broadway shows, and the Shrek series, based on the William Steig book, already has four feature films, two Christmas specials, a Halloween special and 4D special, in theme parks around the world under its belt. -
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
The Nitch Witch's Guide to Business Book Publishers, 2Nd Edition
Profiles of business book publishers; how to write, pitch, promote. The Nitch Witch's Guide to Business Book Publishers, 2nd edition Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/2008.html?s=pdf ™ The Nitch Witch's Guide to Business Book Publishers Prepare, Publish, and Promote Your Business Book to Increase Sales, Improve Profits, and Enhance Your Credibility With Clients, Colleagues, and the Competition 2nd Edition 9 Discover the essential components to a successful book proposal 9 Get insider information on US business book publishers—how they deal and who to contact 9 Learn how to promote your book for maximum impact ii The Nitch Witch’s Guide to Business Book Publishers, 2nd Edition Acknowledgements iWrite Publications Inc. gratefully acknowledges all of the publishers who took the time to verify their information and complete our questionnaire. It is their efforts that make this guide valuable to the writers, editors, and associated freelancers who wish to do business with them. Copyright © 2009 iWrite Publications Inc. All rights reserved. This publication may not be reproduced in whole or in part without written permission of: iWrite Publications Inc. 2100 Lincoln Park West, Suite 6ES, Chicago, IL 60614 [email protected] Chicago Writer Keep up-to-date with issues that affect writers, editors, and publishing professionals. Visit our web site at http://www.ChicagoWriter.com or http://NitchWitch.com. The Nitch Witch’s Guide to Business Book Publishers, 2nd Edition iii Contents Introduction -
William Steig Illustrations, Circa 1969 FLP.CLRC.STEIG Finding Aid Prepared by Lindsay Friedman
William Steig illustrations, circa 1969 FLP.CLRC.STEIG Finding aid prepared by Lindsay Friedman This finding aid was produced using the Archivists' Toolkit April 12, 2012 Describing Archives: A Content Standard Free Library of Philadelphia: Children's Literature Research Collection February 2012 1901 Vine Street Philadelphia, PA, 19103 215-696-5370 William Steig illustrations, circa 1969 FLP.CLRC.STEIG Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................5 Administrative Information .........................................................................................................................5 Related Materials ........................................................................................................................................ 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory..................................................................................................................................... -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
W Talking Pictures
Wednesday 3 June at 20.30 (Part I) Wednesday 17 June at 20.30 Thursday 4 June at 20.30 (Part II) Francis Ford Coppola Ingmar Bergman Apocalypse Now (US) 1979 Fanny And Alexander (Sweden) 1982 “One of the great films of all time. It shames modern Hollywood’s “This exuberant, richly textured film, timidity. To watch it is to feel yourself lifted up to the heights where packed with life and incident, is the cinema can take you, but so rarely does.” (Roger Ebert, Chicago punctuated by a series of ritual family Sun-Times) “To look at APOCALYPSE NOW is to realize that most of us are gatherings for parties, funerals, weddings, fast forgetting what a movie looks like - a real movie, the last movie, and christenings. Ghosts are as corporeal an American masterpiece.” (Manohla Darghis, LA Weekly) “Remains a as living people. Seasons come and go; majestic explosion of pure cinema. It’s a hallucinatory poem of fear, tumultuous, traumatic events occur - projecting, in its scale and spirit, a messianic vision of human warfare Talking yet, as in a dream of childhood (the film’s stretched to the flashpoint of technological and moral breakdown.” perspective is that of Alexander), time is (Owen Gleiberman, Entertainment Weekly) “In spite of its limited oddly still.” (Philip French, The Observer) perspective on Vietnam, its churning, term-paperish exploration of “Emerges as a sumptuously produced Conrad and the near incoherence of its ending, it is a great movie. It Pictures period piece that is also a rich tapestry of grows richer and stranger with each viewing, and the restoration [in childhood memoirs and moods, fear and Redux] of scenes left in the cutting room two decades ago has only April - July 2009 fancy, employing all the manners and added to its sublimity.” (Dana Stevens, The New York Times) Audience means of the best of cinematic theatrical can choose the original version or the longer 2001 Redux version. -
The Last Good Kiss Online
iqo7p [Read and download] The Last Good Kiss Online [iqo7p.ebook] The Last Good Kiss Pdf Free James Crumley *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #109880 in eBooks 2016-04-20 2016-04-20File Name: B01CWZH7JC | File size: 36.Mb James Crumley : The Last Good Kiss before purchasing it in order to gage whether or not it would be worth my time, and all praised The Last Good Kiss: 9 of 9 people found the following review helpful. ... have ever read any of the following titles enjoyed them, buy this book immediatelyBy joshua rhoadesIf you have ever read any of the following titles enjoyed them, buy this book immediately. These will seem like strange bedfellows, but they all have traces in Crumley's work; whether he's read any of them or not.Fear Loathing in Las Vegas. Naked Lunch. Cryptonomicon /or Snow Crash. The Road (Kerouac, philistine - actually, strike that, McCarthy works here too - see "Blood Meridian", though). Up Jumped the Devil. Any book written by James Ellroy.If you enjoy gritty, perverse, darkly humorous, archetypal, depressingly-ruinous-but- somehow-cheerful writing in your fiction, this book will take all of an afternoon to finish. Upon completion, I immediately logged in and purchased every novel of Crumley's mentioning the anti-hero "Sughrue" in their descriptions.I'm sincerely hoping the other characters; particularly old-man "Trahearne" make additional appearances. I have always loved self-depreciation in a novel - a wink and nod to reader letting us know we are in on the joke. -
Books at 2016 05 05 for Website.Xlsx
Australian Lesbian and Gay Archives Book Collection Author or editor last Author or editor first name(s) name(s) Title : sub-title Place of publication Publisher Date Special collection? Fallopian Tube [Antolovich] [Gaby] Fallopian tube : fallopiana Sydney, NSW Pamphlet July, 1974 December, [Antolovich] [Gaby] Fallopian tube : madness Sydney, NSW Fallopian Tube Press 1974 GLBTIQ with cancer Network, Gay Men's It's a real bugger isn't it dear? Stories of Health (AIDS Council of [Beresford (editor)] Marcus different sexuality and cancer Adelaide, SA SA) 2007 [Hutton] (editor) [Marg] Your daughter's at the door [poetry] Melbourne, VIC Panic Press, Melbourne March, 1975 Inequity and hope : a discussion of the current information needs of people living [Multicultural HIV/AIDS with HIV/AIDS from non-English speaking [Multicultural HIV/AIDS November, Service] backgrounds [NSW] Service] 1997 "There's 2 in every classroom" : Addressing the needs of gay, lesbian, bisexual and Australian Capital [2001 from 100 [no author identified] transgender (GLBT) young people Territory Family Planning, ACT yr calendar] 1995 International Year for Tolerance : gay International Year for and lesbian information kit : milestones and Tolerance Australia [no author identified] current issues Melbourne, VIC 1995 1995 [no author identified] About AIDS in the workplace Massachusetts, USA Channing L Bete Co 1988 [no author identified] Abuse in same sex relationships [Melbourne, VIC] not stated n.d. Acquired Immune Deficiency Syndrome : [New York State [no author identified] 100 questions & answers : AIDS New York, NY Department of Health] 1985 AIDS : a time to care, a time to act, towards Australian Government [no author identified] a strategy for Australians Canberra, ACT Publishing Service 1988 Adam Carr And God bless Uncle Harry and his roommate Jack (who we're not supposed to talk about) : cartoons from Christopher [no author identified] Street Magazine New York, NY Avon Books 1978 [no author identified] Apollo 75 : Pix & story, all male [s.l.] s.n. -
Portrayals of Ethnicities Discrimination in Education Themed Movies: a Game Theoretic Analysis
UNIVERSITY OF PIRAEUS SCHOOL OF ECONOMICS, BUSINESS AND INTERNATIONAL STUDIES DEPARTMENT OF INTERNATIONAL AND EUROPEAN STUDIES POSTGRADUATE PROGRAMME “INTERNATIONAL AND EUROPEAN POLICIES ΟN EDUCATION, TRAINING AND RESEARCH” THESIS Portrayals of Ethnicities Discrimination in Education Themed Movies: A Game Theoretic Analysis Postgraduate Student Name: Symeon Tsamkosoglou Piraeus 2018 Ο Συμεών Τσαμκόσογλου βεβαιώνω ότι το έργο που εκπονήθηκε και παρουσιάζεται στην υποβαλλόμενη διπλωματική εργασία είναι αποκλειστικά ατομικό δικό μου. Όποιες πληροφορίες και υλικό που περιέχονται έχουν αντληθεί από άλλες πηγές, έχουν καταλλήλως αναφερθεί στην παρούσα διπλωματική εργασία. Επιπλέον τελώ εν γνώσει ότι σε περίπτωση διαπίστωσης ότι δεν συντρέχουν όσα βεβαιώνονται από μέρους μου, μου αφαιρείται ανά πάσα στιγμή αμέσως ο τίτλος. Υπογραφή Acknowledgements Before the presentation of this thesis concerning “Portrayals of ethnicities discrimination in education themed movies: A Game Theoretic Analysis” on behalf of the Postgraduate Program “International and European Policies in Education, Training and Research” at the Department of International and European Studies of the University of Piraeus, I would like to express my gratitude to special people who offered their valuable help to me in order to proceed with this work. At first, I would like to thank my supervisor Associate Professor John Paravantis for the time he spent motivating me and urging me to develop this thesis and offering me the opportunity to become a better student, a better scientist and a better person through him. I would like to express my thanks to Professors Athanasios Samaras and Foteini Asderaki for their comments on my work, encouraging me to continue with further university studies and research. Last but not least, I want to thank my family, my wife for putting up with me and my frustration and my newborn son for the “joyful delay” to finish my thesis. -
History of Arena Stage: Where American Theater Lives the Mead Center for American Theater
History oF arena Stage: Where American Theater Lives The Mead Center for American Theater Arena Stage was founded August 16, 1950 in Washington, D.C. by Zelda Fichandler, Tom Fichandler and Edward Mangum. Over 65 years later, Arena Stage at the Mead Center for American Theater, under the leadership of Artistic Director Molly Smith and Executive Director Edgar Dobie, is a national center dedicated to American voices and artists. Arena Stage produces plays of all that is passionate, profound, deep and dangerous in the American spirit, and presents diverse and ground- breaking work from some of the best artists around the country. Arena Stage is committed to commissioning and developing new plays and impacts the lives of over 10,000 students annually through its work in community engagement. Now in its seventh decade, Arena Stage serves a diverse annual audience of more than 300,000. When Zelda and Tom Fichandler and a handful of friends started Arena Stage, there was no regional theater movement in the United States or resources to support a theater committed to providing quality work for its community. It took time for the idea of regional theater to take root, but the Fichandlers, together with the people of the nation’s capital, worked patiently to build the fledgling theater into a diverse, multifaceted, internationally renowned institution. Likewise, there were no professional theaters operating in Washington, D.C. in 1950. Actors’ Equity rules did not permit its members to perform in segregated houses, and neither The National nor Ford’s Theatre was integrated. From its inception, Arena opened its doors to anyone who wished to buy a ticket, becoming the first integrated theater in this city. -
Catalog Sixty-Five Log Sixty-Five
Royal Books Royal Royal Cata Books catalog sixty-five log Sixty-Five log royalbooks.com THE CELLULOID PAPER TRAIL Royal Books is pleased to announce the publication of The Celluloid Paper Trail by Terms and Conditions Oak Knoll Press, the first book All books are first editions unless indicated otherwise. ever published on film script All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected identification and description, by new archival covers. Single, unframed photographs lavishly illustrated and detailed, housed in new, archival mats. designed for any book scholar, In many cases, more detailed physical descriptions for including collectors, archivists, archives, manuscripts, film scripts, and other ephemeral items can be found on our website. librarians, and dealers. Any item is returnable within 30 days for a full refund. Books may be reserved by telephone, fax, or email, Available now at royalbooks.com. and are subject to prior sale. Payment can be made by credit card or, if preferred, by check or money order with an invoice. Libraries and institutions may be billed Please feel free to let us know if you would like according to preference. Reciprocal courtesies extended your copy signed or inscribed by the author. to dealers. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS Priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.