PRODUCTION BIOS JANET ZUCKER (Executive Producer)
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Animação E Quadrinhos Disney: Produção Cultural No Início Do Século XXI
UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS DA COMUNICAÇÃO Animação e quadrinhos Disney: Produção cultural no início do século XXI CELBI VAGNER MELO PEGORARO SÃO PAULO 2016 CELBI VAGNER MELO PEGORARO Animação e quadrinhos Disney: Produção cultural no início do século XXI Tese apresentada ao Programa de Pós- Graduação em Ciências da Comunicação da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do título de Doutor em Ciências da Comunicação. Versão Corrigida. Área de Concentração: Interfaces Sociais da Comunicação Orientador: Prof. Dr. Waldomiro de Castro Santos Vergueiro SÃO PAULO 2016 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Versão Corrigida. A versão original encontra-se disponível na Biblioteca da ECA/USP e Biblioteca Digital de Teses e Dissertações da USP (BDTD). Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados fornecidos pelo(a) autor(a) AGRADECIMENTOS À Fundação de Amparo à Pesquisa do Estado de São Paulo (Fapesp), processo n. 2013/04103- 9, pelo apoio financeiro. À minha mãe Celina, por todo o apoio e compreensão durante a jornada desta tese; e ao meu pai João Carlos, por periodicamente ter discutido os temas da tese comigo Aos meus primos Marcos e Christina por todo o seu apoio e companheirismo nas viagens aos Estados Unidos, pelas dicas de livrarias e atividades culturais. Ao Prof. Dr. Waldomiro Vergueiro por seu apoio incondicional e por promover um ambiente rico de pesquisa em quadrinhos na USP. -
JEFFREY CHERNOV Producer
JEFFREY CHERNOV Producer As Producer: SHAZAM! (Executive Producer) - Warner Bros. - David F. Sandberg, director BLACK PANTHER (Executive Producer) - Marvel - Ryan Coogler, director STAR TREK 3 (Executive Producer) - Paramount - Justin Lin, director TOMORROWLAND (Executive Producer) - Disney - Brad Bird, director STAR TREK INTO DARKNESS (Executive Producer) - Paramount - J.J. Abrams, director MISSION: IMPOSSIBLE-GHOST PROTOCOL (Executive Producer) - Paramount - Brad Bird, director BATTLE LOS ANGELES (Executive Producer) - Sony Pictures - Jonathan Liebesman, director STAR TREK (Executive Producer) - Paramount - J. J. Abrams, director A LINE IN THE SAND (Producer) - PDP Productions THE REPLACEMENTS (Executive Producer) - Warner Bros. - Howard Deutch, director 10 THINGS I HATE ABOUT YOU (Executive Producer) - Touchstone - Gil Junger, director HOLY MAN (Executive Producer) - Touchstone - Stephen Herek, director DESPERATE MEASURES (Executive Producer) - Mandalay Pictures - Barbet Schroeder, director BAD COMPANY (Producer) - Touchstone - Damian Harris, director FATHER HOOD (Executive Producer) - Hollywood Pictures - Darrell Roodt, director HOMEWARD BOUND: THE INCREDIBLE JOURNEY (Producer) - Walt Disney - Duwayne Dunham, director SLEEPING WITH THE ENEMY (Executive Producer) - 20th Century Fox - Joseph Ruben, director JOHNNY BE GOOD (Co-producer/UPM) - Orion - Bud S. Smith, director CLUE (Associate Producer) - Polygram - Jonathan Lynn, director EDDIE MURPHY RAW (Co-producer/Production Manager) - Paramount - Robert Townsend, director THE DEAD ZONE -
Kentucky Fried Theater, a Zany Group of Friends Who Provided Comic Relief in the Midst of the UW’S Tumultuous Antiwar Years
DISPATCHES Teaching the Teachers A new program seeks to expand access to in-demand languages. Like the 1957 launch cational system, and of Sputnik, the Soviet JEFF MILLER teaching across dif- space satellite that ferent cultures. UW- sparked renewed Madison faculty will emphasis on math and lead the courses, and science, the terrorist participants will experi- attacks of September ence class simulations, 11, 2001, have become complete videotape a wake-up call for analyses, and post and American educators. share their ideas with Responding to a need other students on discus- for greater understand- sion boards. Any fluent ing of world cultures, speaker of a less com- schools are ramping up monly taught language curricula in languages will be eligible to enroll. such as Arabic. Magnan says native “It’s really an speakers represent a key awakening of the defi- resource in helping meet cit in our culture,” says the booming demand for Antonia Schleicher, instruction in languages $363,500 a UW professor of Afri- such as Arabic, and the Money raised to benefit the can languages and lit- goal of the program is new UW Children’s Hospital erature and executive to help them succeed in by auctioning off forty-four director of the National passing along those skills decorated cows, which were Council of Less Com- to American students. prominently installed around monly Taught Lan- “A lot of these Madison as part of the guages (NCLCTL). “You [instructors] just came CowParade Wisconsin need language ... to from these countries,” exhibit during 2006. be able to understand she says. “They don’t the thinking of people. -
Dossier De Presse Anglais Fair Game
Festival de Cannes 2010 Official Selection – In Competition River Road Entertainment and Participant Media presents In association with Imagenation Abu Dhabi A River Road/Zucker Pictures/Weed Road Pictures/Hypnotic Production A Film by Doug Liman Naomi Watts Sean Penn FAIR GAME Screenplay by Jez Butterworth and John-Henry Butterworth From the books “The Politics of Truth” by Joseph Wilson and “Fair Game” by Valerie Plame Wilson Produced by Bill Pohlad, Janet Zucker, Jerry Zucker, Akiva Goldsman, Doug Liman and Jez Butterworth Running Time : 1H46 Release Date: Fall 2010 International Distribution International Public Relations Summit Entertainment DDA Public Relations Asmeeta Narayan Alice Gledhill Hall / Christelle Dupont E: [email protected] E: [email protected] 1 FAIR GAME A fascinating glimpse into the dark corridors of political power, Fair Game is a riveting drama based on the autobiography of real-life undercover CIA officer Valerie Plame, whose career is destroyed and her marriage strained to its limits by a White House press leak. Starring two-time Academy Award ® winner Sean Penn ( Mystic River , Milk ) and Oscar ® nominee Naomi Watts ( Eastern Promises , King Kong , 21 Grams ), Fair Game is directed by Doug Liman ( The Bourne Identity , The Bourne Ultimatum , Mr. & Mrs. Smith ) and written by Jez Butterworth ( The Birthday Girl ) & John-Henry Butterworth. It is produced by Bill Pohlad ( Into the Wild , Brokeback Mountain ), Jerry Zucker ( Rat Race , My Best Friend’s Wedding ), Janet Zucker (Rat Race , First Knight ), Akiva Goldsman ( Hancock , I am Legend , The Da Vinci Code ), Doug Liman and Jez Butterworth. Director of photography is Doug Liman. Editor is Christopher Tellefsen ( Capote , A Guide To Recognizing Your Saints ). -
Judge Reinhold Santa Clause
Judge Reinhold Santa Clause Tetrastichic Othello sub her handbills so neglectingly that Kalman poles very unbeknownst. Kenn dagged anyway if rutherfordium.paradisaical Lyle flabbergast or verifying. Contrariwise undisciplinable, Ash exteriorising Skelton and interspace No matter how old was a contribution to submit a radioactive iodine treatment five months later he believed he get the santa clause movies ever wondered how old do Archives Search quality Judge Reinhold The Austin Chronicle. Why Doesn't Judge Reinhold Suffer an Existential Crisis at the. Does not to process your workout to improve your car and. Get a judge reinhold as normal a judge reinhold santa clause movies in honor of supported browsers in. Embracing and beckman make a retail industry executive thierry, and television work for his beard white beard white beard and judge reinhold santa clause will likely face and. Neil Hamilton from the Santa Clause movies In our judge he his known by playing Brad Hamilton in 192's Fast Times At Ridgemont High His IMDB page. What Happened to Judge Reinhold 201 Update Gazette Review. With the ideas, or remember it can personalise it shows such as a mysterious furry pet benatar music director; tim allen and samantha bee about? Judge Reinhold Beverly Hills CopIIIII Ruthless People Fast Times at Ridgemont High Gremlins The Santa Clause 3 The Escape ClauseThe Santa Clause 2. He would grant him one can use of many images and applause erupted through education, an established movie screening room is no santa claus in. 'The Santa Clause' Cast Where Are some Now Pop Culture. JUDGE REINHOLD has time in over seventy-five motion heat and television. -
Copyright Material – 9781844573806
Copyright material – 9781844573806 © Tino Balio 2013 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published in 2013 by PALGRAVE MACMILLAN on behalf of the BRITISH FILM INSTITUTE 21 Stephen Street, London W1T 1LN www.bfi.org.uk There’s more to discover about film and television through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning resources are here to inspire you. Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. Cover images: (front) Avatar (James Cameron, 2009), © 20th Century-Fox Film Corporation/© Dune Entertainment III LLC; (back) Justice League (Dan Riba/Butch Lukic/Joaquim dos Santos, 2001–6), Warner Bros. -
Collection of Motion Picture Press Kits, 1939-Ongoing (Bulk 1970S-1990S)
http://oac.cdlib.org/findaid/ark:/13030/c8wq05wj No online items Collection of Motion Picture Press Kits, 1939-ongoing (bulk 1970s-1990s) Processed by Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Collection of Motion Picture Press PASC 42 1 Kits, 1939-ongoing (bulk 1970s-1990s) Title: Collection of Motion Picture Press Kits Collection number: PASC 42 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 90 linear ft.(187 boxes) Date: 1939-[ongoing] Abstract: The collection consists of press kits for primarily American released films and includes 3,700 plus film titles and represent a variety of film genres which were produced by studios such as Columbia Pictures, 20th Century Fox, MGM, Paramount, United Artists, Universal, and Warner Bros. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Note: boxes 181 and 187 are stored with the Accessioning Archivist and advance notice is required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
The Ima Ginary Geography of Hollyw Ood Cinema 1960
CHRISTIAN B. LONG THE IMAGINARY GEOGRAPHY OF HOLLYWOOD CINEMA 1960–2000 CINEMA GEOGRAPHY OF HOLLYWOOD THE IMAGINARY The Imaginary Geography of Hollywood Cinema 1960–2000 combines digital cartography with close readings of representative films from 1960–2000. Christian B. Long offers a unique history of twentieth-century Hollywood narrative cinema, one that is focused on the intersection of the geographies of narrative location, production, consumption and taste in the era before the rise of digital cinema. Long redraws the boundaries of film history, both literally and figuratively, by cataloguing films’ narrative locations on digital maps in order to illustrate where Hollywood actually locates its narratives over time. Christian B. Long works at Queensland University of Technology and is an honorary research fellow at the University of Queensland. 1960–2000 ISBN 978-1-78320-829-6 00 9 781783 208296 intellect | www.intellectbooks.com The Imaginary Geography of Hollywood Cinema 1960–2000 4HE4RUSTUS0LAYS Why We Make Art at why it is taught The Imaginary Geography of Hollywood Cinema 1960–2000 4HE4RUSTUS0LAYSby Richard Hickman Why We Make Art at why it is taught Christian B. Long Ê/ÕÌÌi by Richard Hickman Ê/ÕÌÌi ^ciZaaZXi7g^hida!J@8]^XV\d!JH6 ^ciZaaZXi7g^hida!J@8]^XV\d!JH6 First published in the UK in 2017 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2017 by Intellect, The University of Chicago Press, 1427 E. 60th Street, Chicago, IL 60637, USA This ebook is licensed under a Creative Commons CC-BY-NC-ND License. To view a copy of this license, visit https://creativecommons.org/ licenses/by-nc-nd/4.0/ All rights reserved. -
Film List Aug 14
Pitzer College Film List Title Sub-Title Resource Type Order !Kung Short Films Kung Short Films DVDs 5796 !W.A.R. !Women Art Revolution DVDs 6068 "Charley Says" DVDs 6968 "Now is the Time For All Good..." Cartoongate!: Irreverent Cartoon Anthology About Presidents Past Video Tapes - VHS 1196 #Regeneration Regeneration DVDs 6503 $4 A Day? No Way! Video Tapes - VHS 609 (Nostalgia) Avant Garde, 1947-1986; Program 2; American film treasures IV DVDs 4665 ... And The Pursuit of Happiness DVDs 3840 [Pi] DVDs 3311 ®™ark: Bringing it to You! Video Tapes - VHS 1061 10 Days That Unexpectedly Changed America, Disc 01 DVDs 3240 10 Days That Unexpectedly Changed America, Disc 02 DVDs 3240 10 Days That Unexpectedly Changed America, Disc 03 DVDs 3240 100 Terrible Hours Dick Van Dyke Show, The; Season Four, Disc 05 DVDs 4908 Treasures III, Program 4, Americans in the Making; Social issues in American 100% American DVDs 4032 film, 1900-1934 100,000 Airplanes West Wing, 03. The Complete Third Season, The, Disc 2 DVDs 3592 1002nd Ruse, The Video Tapes - VHS 1985 101 Dalmatians DVDs 3809 101 Dead Legends Featuring Funerals of the Famous Video Tapes - VHS 1234 11:11 Best of Resfest Volume 1, The DVDs 4749 11001001 Star Trek, the Next Generation, Season 01, disc 04 DVDs 6070 1126 Dewey Ave., Apt. 207 Unseen Cinema, Disc 6 DVDs 3302 11th Hour, The DVDs 5659 12 Angry Men DVDs 4531 12 Angry Men DVDs 6642 12 Monkeys DVDs 3573 12 Years a Slave DVDs 7032 1-2-3 DVDs 6012 13 Most Beautiful .. -
Still in Its Infancy, the Wisconsin Film Festival Is Filling Seats and Earning Accolades
Still in its infancy, the Wisconsin Film Festival is filling seats and earning accolades. By Michael Penn MA’97 22 ON WISCONSIN F THE 138 FILMS Organizers expect similar hordes programming all five Wisconsin festivals. shown during last this year, when the festival takes over “The way you pick a [standard] movie is year’s Wisconsin Film six Madison theaters from March 27 to that you wait for a review, or word of Festival, almost all 30. Mary Carbine ’86, MA’88, who mouth, or something to let you know went off without a directs the festival for the UW-Madison that it’s worth your time. At a festival, hitch. One that didn’t Arts Institute, its presenting organiza- you can’t wait for the buzz. The reason was a three-hour story about Inuit life tion, says she began fielding calls for it’s fun is because you have to just dive O tickets in December, two months before in and take chances. Sometimes you called Atanarjuat — The Fast Runner, which accidentally began without sound. the festival announced what films it misfire, but sometimes you have this For a few minutes, the film rolled word- would show. liberating, exhilarating experience, lessly on, until projectionists got the “There’s a real sense of excitement at because you had no idea that a film problem fixed and started it from the being able to see all these different types would take you to those places.” beginning. of films together in one event,” she says. It’s like a giant, celluloid buffet, Remarkably, no one seemed to mind.