JOURNAL 0 F the B B C July 1 7

Total Page:16

File Type:pdf, Size:1020Kb

JOURNAL 0 F the B B C July 1 7 PROGRAMMES FOR July 1�7 JOURNAL 0 F THE B B C H.M. The King at the Isle of Man Tynwald Ceremony Thursday, 6.20 p.m. Canada's Dominion Day Programme ...... Sunday, 7.0 p.m. ' Good Old London ' : a tribute to the wartime Civil Defence Services and personnel of the L.C.C. From Royal Albert Hall Sunday, 7.30 p.m.* 'Independence, Missouri,' President Truman's home- town : a 'Transatlantic Call' Programme Tuesday, 6.30 p.m. 'The War in the Pacific,' part 1 : The months of Defeat .................................... Thursday, 8.0 p.m. Perchance to Dream,' thirty-five-minute excerpt from The London Hippodrome ...............Friday, 6.55 p.m. PLAYS ' Poor Dear Mr. Overt,' by Henry James Sunday, 3.45 p.m. 'Squirrel's Cage,' byTyroneGuthrie. Monday, 9.30 p.m. 'Mr. Lucas,' by Francis Durbridge ...... Tuesday, 8.15 p.m. 'Love from a Stranger,' by Agatha Christie and Frank Vosper '. Wednesday, 7.30 p.m.* 'King Henry the Fourth' episode 6 Thursday, 9.30 p.m. Marius Goring in 'Edmund Kean, by Hugh Miller Friday, 8.0 p.m. Edward Chapman and Adele Dixon in J. B. Priestley's 'The Good Companions' ............. Saturday, 9.20 p.m. VARIETY ' Fools' Paradise,' with Naunton Wayne and Basil Radford: part 4 Monday, 8.30 p.m. The Carroll Levis Show .................. Tuesday, 8.15 p.m.* 'Stanelli Throws a Party' Tuesday, 9.15 p.m.* Henry Hall's Guest Night ............ Wednesday, 6.30 p.m. 'Northern Music-Hall: from Carlisle ...Thursday, 8.30 p.m. Merry-Go-Round' : Air Force Edition ... Friday, 7.15 p.m.* 'Music-Hall,' including Vera Lynn, Vic Oliver, and Maudie Edwards ........................ Saturday, 8.0 p.m. MUSIC Eda Kersey: Memorial Concert with Myra Hess and the Sunday is Canada's Dominion Day. This year Yehudi Menuhin's Return. On Saturday Boyd Neel String Orchestra ......... Sunday, 2.30 p.m. the Dominion Day fnarks seventy-eighth at 8 p.m. in the G.F.P. the famous violinist Seventeenth-century Italian Music ... Sunday, 10.38 p.m. of Confederation which was will take in a studio concert with the BBC anniversary the part William Byrd: Margaret Hodsdon and the BBC Singers the foundation of modern Canada. Symphony Orchestra under its Sir political conductor, Monday, 10.20 p.m. Canadians have played a valiant part in this Adrian Boult. Menuhin will play Beethoven's Rimsky-Korsakov's 'Scheherazade,' played by the BBC war, and many people in Britain have had Violin Concerto in D. It was with the BBC Symphony Orchestra .................. Tuesday, 1.15 p.m.* their first chance to meet and to make friends Symphony Orchestra that Menuhin gave the BBC Orchestra and Bernard Shore with men and women from the Dominion across first performance in England of the Bartok Symphony (viola) the Atlantic-a Dominion great in size as in Violin Concerto. Wednesday, 7.45 p.m. spirit, stretching three thousand miles from 'Ring Up the Curtain' : BBC Theatre Orchestra Atlantic to Pacific and two thousand miles * In Town Tonight' Again. This popular Saturday, 9.15 p.m.* from the Arctic to Lake We in Superior. Saturday-evening miscellany is to be re- Yehudi Menuhin Saturday, 8.0 p.m.* Britain find it difficult to life in such imagine introduced, and the first programme of the LIGHT MUSIC vast spac.es, and difficult also to understand new series, will be heard on Saturday at 6.30 the problems and the opportunities which are in the Home Service. The will be p.m. edition 'Sunday Rhapsody': The Story of the Waltz the birthright of every Canadian. the 303rd. on (See story page three.) 9.30 On this Dominion Day Canada herself is Sunday, p.m. 'Rose Marie,' radio version of the famous musical going to give listeners over here a picture of China's Double Seventh. On the seventh day Canadians, and of their way of life. A special comedy Sunday, 8.0 p.m.* of the seventh month eight years ago China programme has been recorded for the BBC in The Richard Tauber Programme, with Richard Tauber was attacked by Japan. To mark the anni- Canada with the co-operation of the Canadian and the British Band of the A.E.F... Thursday, 10.0 p.m.* versary there will be a talk at 7.45 p.m. on Broadcasting Corporation and will be heard Saturday in the Home Service by the Rt. Rev. TALKS at 7.0 p.m.: it will also be broadcast throughout R. D. Hall, Bishop of Hong Kong and South the Dominion. Million Pounds in Gifts.' The Lord China. He has recently returned from a 'Fifty Iliffe, C.B.E., on the Red A Week of Radio Drama. Lovers of radio journey all over Free China and will give Cross and St. John......Monday, 7.45 p.m. into the drama can look forward to an exciting week, listeners his impressions of China today. 'Seeing Future,' by S. G. Soal, D.Sc. as the brief synopsis shows. The Wednesday, 9.15 p.m. programme ' starred programme, introduced by Felix Felton Seeing Into the Future.' Is there a scien- Britain's Aircraft Exhibition, described by Macdonald on page five, is Squirrel's Cage, an experimental tific method of seeing into the future? It is Hastings .................................... Friday, 7.45 p.m. play by Tyrone Guthrie which has had a marked a question of absorbing interest to everyone, 'China's Double Seventh,' by the Rt. Rev. R. D. Hall, of radio drama. in view of recent on influence on the development particularly speculations Bishop of Hong Kong and South China Theatre will present a new the nature of time. On Wednesday at 9.15 Saturday-Night Saturday, 7.45 p.m. radio version of J. B. Priestley's The Good p.m. in the Home Service an eminent mathe- Companions, with Edward Chapman as Jess matician, Dr. S. G. Soal, will talk about the * In the General Forces Programme Oakroyd. (See also page three.) scientific approach to the subject. THURSDAY Home Service 203.5 m. 391.1 m. 449.1 m. 48.43 m. (1.474 kc/s) (767 kc/s) (668 kc/s) (6.195 Mc/s) 7.0 a.m. Big Ben : NEWS The Barnyard Song; Turn the Glasses over (American 'traditional songs). Programme Parade (BBC recording) 11.20 GEOGRAPHY. Recent Develop- ments in the Americas: ' The Forests 7.15 THE DAILY DOZEN and Grasslands of the Far South Exercises for men and women (S. Chile and Patagonia) ' 11.40 ENGLISH FOR UNDER-NINES: The Weakling Flea,' by Diana Ross, 7.30 This Week's Composer adapted for broadcasting: and a sequel written by some children who BEETHOVEN listened when it was first broadcast Gramophone records of movements in January, 1943 from his violin sonatas War in the Pacific-a programme to be broadcast in three parts-is really the story of our unfinished business with the Axis Powers. Part one, to be heard LIFT UP YOUR 12 noon 'TWO'S COMPANY' 7.55 ' HEARTS!' today, is called 'The Months of Defeat,' and tells of the long-prepared amphibious and Famous double acts, on records Readings prayers blitzkrieg which swept the Japs to the outer defences of Australia in less than four months. Part two, to be heard at the same time next week, is called 'The Months of 8.0 Time, Greenwich : NEWS 12.30 WORKERS' PLAYTIME Building,' and recalls the critical period during which the Jap advance was halted Programme Parade Lunch-time entertainment for factory- and the United States began the vast task of establishing bases and supply lines. from a in Britain. workers. factory Part to be heard on is 'The Months of and describes the (BBC recording) three, July 19, Victory' slow and costly struggle to roll the Japs back to where they came from. 8.15 Time. Greenwich in War in the the listener realises that the Allies have to General Weather Forecast Early Pacific fight and forecast'for farmers and shipping Time, Greenwich two enemies in the East: the Japanese and distance. Of the two, distance-has NEWS been the more formidable, certainly in terms of money, time, and effort, if not in terms of lives. From the the has been to conquer distance 8.20 app. THE KITCHEN FRONT beginning problem before the other, more malevolent, enemy could be reached. (The area of the Pacific Freddy Grisewood speaking 1.15 SCOTTISH C.W.S. BAND Conductor, Gregor' Grant Ocean is sixty-eight million square miles.) The story of the Pacific War is therefore as March: The Voice of the Guns...Alford much a story of supply and technical advances as it is of naval and military triumphs. 8.25 TROISE Overture: The Black Domino... Auber Trombone solo: Berceuse de and his Mandoliers, with Ivor Adams Jocelyn A BBC-New York Production At 8.0 p.m. a and Jean Askew Godard (Soloist: T. Telfer) The Phantom Caravan............Ralston Selection : Snow White and the Seven Spazzacamino (Chimney-Sweep) Dwarfs ................................ Churchill Rusconi When you're away......Victor Herbert (BBC recording) Your Evening Listening The Boulevardier......Frederic Curzon White Flower of the Island....Abrahams Torna a Sorriento (Come back to 5.20 CHILDREN'S HOUR Big Ben Minute 1.40 IN BRITAIN TODAY 9.0 Sorrento) ........................... de Curtis 'The Black Arrow': story of the NEWS Seflra Siede Topical magazine programme Robert Louis Un Wars of the Roses by soir a Madrid Maciocchi Stevenson, adapted by David Close- 9.15 AMERICAN Barcarolle (Tales of Hoffmann) Thomas. Produced by Nan Mac- Offenbach COMMENTARY FOR THE SCHOOLS donald.
Recommended publications
  • University of Huddersfield Repository
    University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context.
    [Show full text]
  • The Genius of Hitchcock Part One: August 2012
    12/44 The Genius of Hitchcock Part One: August 2012 Special events include: x Tippi Hedren in Conversation x TV Preview + Q&A: THE GIRL – new BBC2 drama telling the full story of Hitchcock’s relationship with Tippi Hedren x Camille Paglia: Women & Magic in Hitchcock x The Lodger + composer Nitin Sawhney in Conversation Over the course of almost three months, Hitchcock’s surviving body of work as director will be presented in its entirety at BFI Southbank. The films will be grouped together, taking inspiration from one his most famous films to present the 39 Steps to the Genius of Hitchcock to help audiences increase their understanding of this complex and fascinating director. The first part of the BFI Southbank season in August, with special thanks to Sky Movies/HD, focuses on the first 12 steps, beginning with The Shaping of Alfred Hitchcock. The recent discovery in New Zealand of several reels of The White Shadow, scripted by Hitchcock, made international headlines. But other material, too, survives from his apprentice years, prior to The Pleasure Garden. In The Shaping of Hitchcock: Reflections on The White Shadow author Charles Barr will present a richly illustrated narrative of Hitchcock’s formative years, as an introduction to a screening of the thus-far incomplete The White Shadow (1924). BFI Future Film presents The DIY Thriller Film Fortnight to accompany the second step: The Master of Suspense. This course will give participants aged 15-25 the chance to make short thriller films inspired by Hitchcock. The Evolution of Style will look at the development of Hitchcock’s style – described by the director as ‘the first true Hitchcock film’, The Lodger (1926) introduces themes that would run through much of Hitchcock’s later work.
    [Show full text]
  • Films & Major TV Dramas Shot (In Part Or Entirely) in Wales
    Films & Major TV Dramas shot (in part or entirely) in Wales Feature films in black text TV Drama in blue text Historical Productions (before the Wales Screen Commission began) Dates refer to when the production was released / broadcast. 1935 The Phantom Light - Ffestiniog Railway and Lleyn Peninsula, Gwynedd; Holyhead, Anglesey; South Stack Gainsborough Pictures Director: Michael Powell Cast: Binnie Hale, Gordon Harker, Donald Calthrop 1938 The Citadel - Abertillery, Blaenau Gwent; Monmouthshire Metro-Goldwyn-Mayer British Studios Director: King Vidor Cast: Robert Donat, Rosalind Russell, Ralph Richardson 1940 The Thief of Bagdad - Freshwater West, Pembrokeshire (Abu & Djinn on the beach) Directors: Ludwig Berger, Michael Powell The Proud Valley – Neath Port Talbot; Rhondda Valley, Rhondda Cynon Taff Director: Pen Tennyson Cast: Paul Robeson, Edward Chapman 1943 Nine Men - Margam Sands, Neath, Neath Port Talbot Ealing Studios Director: Harry Watt Cast: Jack Lambert, Grant Sutherland, Gordon Jackson 1953 The Red Beret – Trawsfynydd, Gwynedd Director: Terence Young Cast: Alan Ladd, Leo Genn, Susan Stephen 1956 Moby Dick - Ceibwr Bay, Fishguard, Pembrokeshire Director: John Huston Cast: Gregory Peck, Richard Basehart 1958 The Inn of the Sixth Happiness – Snowdonia National Park, Portmeirion, Beddgelert, Capel Curig, Cwm Bychan, Lake Ogwen, Llanbedr, Morfa Bychan Cast: Ingrid Bergman, Robert Donat, Curd Jürgens 1959 Tiger Bay - Newport; Cardiff; Tal-y-bont, Cardigan The Rank Organisation / Independent Artists Director: J. Lee Thompson Cast:
    [Show full text]
  • File Stardom in the Following Decade
    Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • "Enhanced Filmography." Hitchcock's Appetites
    McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waifi sh fi gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C.
    [Show full text]
  • Ealing Studios with Major New Project Ealing: Light & Dark
    BFI SHEDS NEW LIGHT ON EALING STUDIOS WITH MAJOR NEW PROJECT EALING: LIGHT & DARK London - Wednesday 19th September 2012 For the first time in a generation the BFI will present a major project celebrating the ŚŝƐƚŽƌŝĐŽƵƚƉƵƚŽĨŽŶĞŽĨƌŝƚĂŝŶ͛ƐďĞƐƚůŽǀĞĚĂŶĚŵŽƐƚŝŶĨůƵĞŶƚŝĂůƐƚƵĚŝŽƐǁŝƚŚĂƚǁŽ month retrospective at BFI Southbank Ealing: Light and Dark from 22 October to 30 December 2012. This is a chance to enjoy the great classics and comedies but also to discover the little known and unheralded more serious side of Ealing Studios during ƚŚĞ ϭϵϰϬ͛Ɛ ĂŶĚ ϱϬ͛Ɛ, with its rich vein of challenging, provocative and sometimes subversive films, often surprisingly radical in their implications. The project will include a national re-release of It Always Rains On Sunday (1947) and a new digital clean-up of the neglected They Came to a City, a major new book of essays Ealing Revisited, and special guests and events including an exhibition of ĂůŝŶŐ ƉŽƐƚĞƌƐ͕ ƐƚŝůůƐ ĂŶĚ ŵĞŵŽƌĂďŝůŝĂ ĚƌĂǁŶ ĨƌŽŵ ƚŚĞ &/ EĂƚŝŽŶĂů ƌĐŚŝǀĞ͛Ɛ ƌŝĐŚ holdings and a new collection in the BFI Mediatheques. A parallel season celebrating director Alexander Mackendrick will feature all of his Ealing films from October 22 to November 30 at BFI Southbank. Ealing Studios has a unique place in the history of British cinema and it has become a byword for a certain type of British whimsy and eccentricity. But the studio's films boasted a surprising variety. Many of the films of Ealing rank among the undisputed classics of the period, among them Dead of Night, The Blue Lamp, The Cruel Sea, The Man in the White Suit and Passport to Pimlico.
    [Show full text]
  • TPTV Schedule Nov 26Th - Dec 2Nd 2018
    TPTV Schedule Nov 26th - Dec 2nd 2018 DATE TIME PROGRAMME SYNOPSIS Mon 26 6:00 The Million Pound 1954. Comedy. Director: Ronald Neame. Stars Gregory Peck, Wilfrid Nov 18 Note Hyde-White, Ronald Squire & Joyce Grenfell. Two wealthy brothers loan a penniless man 1 million pounds, in the form of one note. Mon 26 7:45 HG Wells' Invisible The Gun Runners. 1959. Stars Tim Turner, Deborah Watling & Lisa Nov 18 Man Daniely. Peter accompanies a diplomat on a visit to Bay Akim to prove they're gun running Mon 26 8:15 Stagecoach West Image of A Man. Western with Wayne Rogers & Robert Bray, who run a Nov 18 stagecoach line in the Old West where they come across a wide variety of killers, robbers and ladies in distress. Mon 26 9:15 The Sandwich Man 1966. Comedy. Director: Robert Hartford-Davis. Stars Michael Bentine, Nov 18 Harry H Corbett & Norman Wisdom. A man with a sandwich-board goes around London meeting people from all walks of life. Mon 26 11:15 Death Goes To 1953. Crime drama with Barbara Murray and Gordon Jackson in the Nov 18 School lead role. A rare, old British mystery surrounding a strangulation at a school that needs Scotland Yard to investigate. Mon 26 12:30 Time Lock 1957. Adventure. Director: Gerald Thomas. Stars Robert Beatty, Betty Nov 18 McDowall & Vincent Winter. It's a race against time to save six-year old, Stephen, after he locks himself in a time locked vault. Mon 26 14:00 A Family At War 1971. The 48 Hour Pass.
    [Show full text]
  • Ealing: Light & Dark
    BFI SHEDS NEW LIGHT ON EALING STUDIOS WITH MAJOR NEW PROJECT EALING: LIGHT & DARK London - Wednesday 19th September 2012 For the first time in a generation the BFI will present a major project celebrating the historic output of one of Britain’s best loved and most influential studios with a two month retrospective at BFI Southbank Ealing: Light and Dark from 22 October to 30 December 2012. This is a chance to enjoy the great classics and comedies but also to discover the little known and unheralded more serious side of Ealing Studios during the 1940’s and 50’s, with its rich vein of challenging, provocative and sometimes subversive films, often surprisingly radical in their implications. The project will include a national re-release of It Always Rains On Sunday (1947) and a new digital clean-up of the neglected They Came to a City, a major new book of essays Ealing Revisited, and special guests and events including an exhibition of Ealing posters, stills and memorabilia drawn from the BFI National Archive’s rich holdings and a new collection in the BFI Mediatheques. A parallel season celebrating director Alexander Mackendrick will feature all of his Ealing films from October 22 to November 30 at BFI Southbank. Ealing Studios has a unique place in the history of British cinema and it has become a byword for a certain type of British whimsy and eccentricity. But the studio's films boasted a surprising variety. Many of the films of Ealing rank among the undisputed classics of the period, among them Dead of Night, The Blue Lamp, The Cruel Sea, The Man in the White Suit and Passport to Pimlico.
    [Show full text]
  • Moma to OCNCLUDE PART ONE of BRITISH FILM RETROSPECTIVE
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART #81 FOR IMMEDIATE RELEASE MoMA TO CONCLUDE PART ONE OF BRITISH FILM RETROSPECTIVE WITH POST-WAR FILMS OF EALING STUDIOS MICHAEL BALCON: THE PURSUIT OF BRITISH CINEMA, Part One of The Museum of Modern Art's massive survey of British film history, will be devoted in its final weeks to the post-war work of producer Michael Balcon at Ealing Studios. This section of the two-part series, shown in the Museum's Roy and Niuta Titus Theater 1, will conclude on February 5. The period after World War II was one of the most productive for Balcon, who, as the unofficial statesman and spokesman of the British film industry, worked tire­ lessly to help create an indigenous British cinema. The January and February pro­ grams at MoMA will include not only the celebrated Whisky Galore (known in the U.S. as Tight Little Island) but also three of Alec Guinness's most famous comedies, The Lavender Hill Mob, The Man in the White Suit, and The Ladykillers. Also among the best-known Ealings are the moving, almost pacific reminiscence of corvette duty during World War II, The Cruel Sea, and Alexander Mackendrick's poignant and unsen­ timental account of a deaf child's education, Mandy. From Basil Dearden come two thrillers: the popular police procedural The Blue Lamp, in which a young Dirk Bo- garde plays a murderous delinquent, and the lesser-known Pool of London, a shadowy dockside drama.
    [Show full text]
  • September 9, 2014 (Series 29:3) William Cameron Menzies, H.G
    September 9, 2014 (Series 29:3) William Cameron Menzies, H.G. WELLS’ THINGS TO COME (1936, 97 min) Directed by William Cameron Menzies Written by H.G. Wells (screenplay/novel "The Shape of Things to Come") Produced by Alexander Korda Music by Arthur Bliss Cinematography by Georges Périnal Settings Designed by Vincent Korda Special Effects Camera Operated by Jack Cardiff Film Editing by Charles Crichton and Francis D. Lyon Costume Design by John Armstong, René Hubert, Cathleen Mann (The Marchioness of Queensberry), and Sam Williams Special Effects Director Ned Mann Musical Director Muir Mathieson Raymond Massey ... John Cabal / Oswald Cabal Edward Chapman ... Pippa Passworthy / Raymond Passworthy Ralph Richardson ... The Boss Margaretta Scott..Roxana/Rowene Cedric Hardwicke ... Theotocopulos George Sanders ... Pilot H.G. Wells (Writer, screenplay/novel) (b. Herbert George Wells, Terry Thomas ... Man of the Future September 21, 1866 in Bromley, Kent, England—d. August 13, 1946 Margaretta Scott ... Roxana / Rowena (age 79) in London, England) became an overnight literary sensation Maurice Braddell ... Dr. Harding with the publication of The Time Machine in 1895. The novel was an Sophie Stewart ... Mrs. Cabal instant success and he went on to produce a series of science fiction novels which pioneered our ideas of the future. While entertaining, William Cameron Menzies (Director) (b. July 29, 1896 in New his works also explored social and Haven, Connecticut—d. March 5, 1957 (age 60) in Beverly Hills, Los scientific topics, from class Angeles, California) won two 1929 Academy Awards for Best Art conflict to biological evolution. Direction for The Dove (1927) and Tempest (1928), and a 1940 Wells continued to write what Honorary Academy Award for his use of color in Gone with the Wind some have called scientific (1939).
    [Show full text]
  • Ealing Studios with Major New Project Ealing: Light & Dark
    BFI SHEDS NEW LIGHT ON EALING STUDIOS WITH MAJOR NEW PROJECT EALING: LIGHT & DARK London - Wednesday 19th September 2012 For the first time in a generation the BFI will present a major project celebrating the ŚŝƐƚŽƌŝĐŽƵƚƉƵƚŽĨŽŶĞŽĨƌŝƚĂŝŶ͛ƐďĞƐƚůŽǀĞĚĂŶĚŵŽƐƚŝŶĨůƵĞŶƚŝĂůƐƚƵĚŝŽƐǁŝƚŚĂƚǁŽ month retrospective at BFI Southbank Ealing: Light and Dark from 22 October to 30 December 2012. This is a chance to enjoy the great classics and comedies but also to discover the little known and unheralded more serious side of Ealing Studios during ƚŚĞ ϭϵϰϬ͛Ɛ ĂŶĚ ϱϬ͛Ɛ, with its rich vein of challenging, provocative and sometimes subversive films, often surprisingly radical in their implications. The project will include a national re-release of It Always Rains On Sunday (1947) and a new digital clean-up of the neglected They Came to a City, a major new book of essays Ealing Revisited, and special guests and events including an exhibition of ĂůŝŶŐ ƉŽƐƚĞƌƐ͕ ƐƚŝůůƐ ĂŶĚ ŵĞŵŽƌĂďŝůŝĂ ĚƌĂǁŶ ĨƌŽŵ ƚŚĞ &/ EĂƚŝŽŶĂů ƌĐŚŝǀĞ͛Ɛ ƌŝĐŚ holdings and a new collection in the BFI Mediatheques. A parallel season celebrating director Alexander Mackendrick will feature all of his Ealing films from October 22 to November 30 at BFI Southbank. Ealing Studios has a unique place in the history of British cinema and it has become a byword for a certain type of British whimsy and eccentricity. But the studio's films boasted a surprising variety. Many of the films of Ealing rank among the undisputed classics of the period, among them Dead of Night, The Blue Lamp, The Cruel Sea, The Man in the White Suit and Passport to Pimlico.
    [Show full text]