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Metrosexuals Take on Gay Sensibilities to Boost Their Personal Aesthetic. P14
Metrosexuals take on gay sensibilities to boost their personal aesthetic. p14 LS IN KristineW to 'FlyAgain' Sandals says no to gay couple, Houstonian Barrie Mitchell nus _ UE with new release. Rosiegets her day in court, likes to work his fingers , Interview, p10 Anti-gay Episcopalians meet in Texas. '~j" through jet black hair. Gaydar, p4 Our Guy, p8 500 Lovett, Suite 200 • Houston, TX77006 Phone: 713-529-8490 • Fax: 713-529-9531 A Window Media TollFree Out-of-State: 877-966-3342 Publication PUBLISHER Window Media LLC All content of Eclipse GENERAL MANAGER magazine copyrighted Mike Kitchens ©2003 by Window Media, LLC,and is ADVERTISING SALES Brett Cullum protected by federal Tom Jones (Classifieds) copyright law and may not be reproduced EDITORIAL DIRECTOR without the written Chris Crain consentof the publisher, The sexual orientation EDITORS Matt Hennie • Mike Fleming of advertisers, photographers, writers WEBMASTER and cartoonistspub- Aram Vartian lished herein is neither inferred nor ART DIRECTOR implied. The appear- Rob Boeger ance of names or PRODUCTION MANAGER pictorial representation John Nail does not necessarily indicate the sexual ori- GRAPHIC DESIGNER entation of the person Joey Carolino or persons. PHOTOGRAPHER Eclipse isfor adults Dalton Dehart only and is published weekly and distributed CONTRIBUTORS free throughout the Jim Buck, Raquel Chevallier, Michael Derry, Deep South. Greg Fox, Glenn Hanson, Woody Miller, Allen Neuwirth, Christopher Seely, Arjan Timmermans, Romeo San Vicento NATIONAL ADVERTISING REPRESENTATIVE Rivendell -
It's Garfield's World, We Just Live in It
Bard College Bard Digital Commons Senior Projects Fall 2019 Bard Undergraduate Senior Projects Fall 2019 It’s Garfield’s World, We Just Live in It: An Exploration of Garfield the Cat as Icon, Money Maker, and Beast Iris B. Engel Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2019 Part of the American Art and Architecture Commons, Animal Studies Commons, Arts Management Commons, Business Intelligence Commons, Commercial Law Commons, Contemporary Art Commons, Economics Commons, Finance and Financial Management Commons, Folklore Commons, Historic Preservation and Conservation Commons, Modern Art and Architecture Commons, Operations and Supply Chain Management Commons, Social Influence and oliticalP Communication Commons, Social Media Commons, Strategic Management Policy Commons, and the Theory and Criticism Commons This work is licensed under a Creative Commons Attribution-Share Alike 4.0 License. Recommended Citation Engel, Iris B., "It’s Garfield’s World, We Just Live in It: An Exploration of Garfield the Cat as Icon, Money Maker, and Beast" (2019). Senior Projects Fall 2019. 3. https://digitalcommons.bard.edu/senproj_f2019/3 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. -
Leon Bridges Black Moth Super Rainbow Melvins
POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges. -
This Is No Laughing Matter: How Should Comedians Be Able to Protect Their Jokes?
Hastings Communications and Entertainment Law Journal Volume 42 Number 2 Summer 2020 Article 3 Summer 2020 This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? Sarah Gamblin Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Sarah Gamblin, This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes?, 42 HASTINGS COMM. & ENT. L.J. 141 (2020). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol42/iss2/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. 2 - GAMBLIN_CMT_V42-2 (DO NOT DELETE) 4/8/2020 11:18 AM This is No laughing Matter: How Should Comedians Be Able to Protect Their Jokes? by SARAH GAMBLIN1 The only honest art form is laughter, comedy. You can’t fake it . try to fake three laughs in an hour—ha ha ha ha ha—they’ll take you away, man. You can’t.2 – Lenny Bruce Abstract This note will discuss the current state of protection for jokes and comedy. As it is now, the only protection comics have is self-help, meaning comedians take punishing thefts into their own hands. This note will dive into the reasons why the current legislature and courts refuse to recognize jokes as copyrightable. -
Garfield Minus Garfield
[Online library] Garfield Minus Garfield Garfield Minus Garfield Jim Davis *Download PDF | ePub | DOC | audiobook | ebooks #369139 in Books Ballantine BooksModel: FBA-|282944 2008-10-28 2008-10-28Original language:EnglishPDF # 1 5.30 x .40 x 8.30l, .42 #File Name: 0345513878128 pages | File size: 64.Mb Jim Davis : Garfield Minus Garfield before purchasing it in order to gage whether or not it would be worth my time, and all praised Garfield Minus Garfield: 9 of 9 people found the following review helpful. Very clever, indeed...By NecrJoeSome of the strips in this book are worth a half-smile...but others are worth a full-on out-loud laugh. It did make me notice, though, how many of the original "Garfield" strips were already all about Jon. For instance, some of the strips only remove Garfield's reaction after Jon has done something absolutely nutso. But don't let that take anything away from the heart of this book. There is some hilarious stuff there.Another interesting thing was the forward by the "editor" of the Garfield comics, and how he received fan mail from people who suffered from things like depression and other mental issues, and how they identified with Jon. I initially read through the book without having read the forward, but then after reading said forward...I read the book again, and from an entirely different set of eyes and enjoyed it on a whole 'nother dimension.You do really have to feel sorry for Jon by the end of the book, though. That guy's so sad. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO. -
A Garfield Fan Reviews the Garfield Movie for As Long As I Can
A Garfield fan reviews The Garfield Movie For as long as I can remember, I have been a very huge fan of Garfield. My parents owned a couple of the reprint books when I was a kid, and I loved to read and re-read them over and over again. I watched the Garfield and Friends TV show whenever I could, and I also got a lot of the Garfield books put out alongside the comics, like the Pet Force series. I probably got on the nerves of my parents and a lot of my friends just talking about Garfield constantly. And I loved his cartoons so much that he was one of my biggest inspirations to become a cartoon artist myself. If it weren’t for Garfield, I probably would have never set foot into art school, and you probably would have never seen me here on Deviant Art (or Furaffinity, or whichever website you‘re reading this from). So you could imagine when around 2002 or 2003 how excited I was when the Garfield website announced a movie adaptation. Around this time the comic was turning 25 years old, and the movie seemed like it would be a landmark commemoration. I remember checking the site constantly to get updates on who was being cast, which characters from the comic were appearing, and new characters created specifically for the movie. I didn’t like that the movie was going to be live action with a CGI Garfield rather than completely animated, but that wouldn’t mean the movie would be bad, would it? When I started seeing the first trailers for the movie, I didn‘t know what to think of them. -
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The Chipmunks Chipmunk Punk Mp3, Flac, Wma
The Chipmunks Chipmunk Punk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Children's Album: Chipmunk Punk Country: Australia Released: 1980 Style: Pop Rock, Parody, Punk MP3 version RAR size: 1252 mb FLAC version RAR size: 1616 mb WMA version RAR size: 1595 mb Rating: 4.9 Votes: 688 Other Formats: TTA MP1 AIFF AA MOD AC3 ASF Tracklist Hide Credits Let's Go A1 Written-By – R. Ocasek* Good Girls Don't A2 Written-By – D. Fieger* How Do I Make You A3 Written-By – B. Steinberg* Refugee A4 Written-By – M. Campbell*, T. Petty* Frustrated A5 Written-By – B. Averre*, D. Fieger* Call Me B1 Written-By – D. Harry*, G. Moroder* You May Be Right B2 Written-By – B. Joel* Crazy Little Thing Called Love B3 Written-By – F. Mercury* My Sharona B4 Written-By – B. Averre*, D. Fieger* Credits Art Direction – Yves Roux Bass, Vocals – Simon Co-producer – Bob McNabb Cover – Doug Oudekerk Drums, Vocals – Theodore Guitar [Lead], Vocals – Alvin Producer – Steve Vining Producer [Production Consultant] – Ross Bagdasarian Other versions Category Artist Title (Format) Label Category Country Year Chipmunk Punk XLP-6008 The Chipmunks Excelsior XLP-6008 US 1980 (LP, Album) Chipmunk Punk 6302 064 The Chipmunks Mercury 6302 064 UK 1980 (LP, Album) Chipmunk Punk (8- USA & XLT-6008 The Chipmunks Excelsior XLT-6008 1980 Trk, Album) Canada XLP-6008, Chipmunk Punk Excelsior, XLP-6008, The Chipmunks Canada 1980 XLP 6008 (LP, Album) Excelsior XLP 6008 Chipmunk Punk Chipmunk Unknown The Chipmunks Unknown US 2005 (CD) Records Related Music albums to Chipmunk Punk by The Chipmunks The Chipmunks - You May Be Right The Chipmunks - The A Files Alvin And The Chipmunks - Original Motion Picture Soundtrack The Chipmunks And David Seville - The Chipmunk Song / Almost Good The Gaylads - You Should Never Do That / Chipmunk Ska The Chipmunks - Around The World With The Chipmunks The Chipmunks - Urban Chipmunk Canned Heat & The Chipmunks - The Chipmunk Song / Christmas Blues The Chipmunks - The Chipmunk Song The Chipmunks : Alvin, Simon & Theodore With David Seville - Christmas With The Chipmunks Vol. -
You Won't Be Able to Stand Still When You Hear This
New Release Information uu April SINK THE SHIP Release Date Pre-Order Start Persevere uu 27/04/2018 uu 16/03/2018 uu Available as CD and LP Price Code: CD11 ST 4266-2 CD uu advertising in many important music magazines MAR/APR 2018 uu album reviews, interviews in all important Metal magazines in Europe’s MAR/APR 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube Price Code: LP15 ST 4266-1 LP in sleeve uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a back- ground on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Territory: World YOU WON’T BE ABLE TO STAND STILL uu Tracklists: CD: 01. Second Chances 02. Out Of Here WHEN YOU HEAR THIS ALBUM 03. Domestic Dispute (Feat. Bert Poncet) 04. Everything (Feat. Levi Benton) 05. Nail Biter Just about anyone who has ever encountered adversity can tell you they have their own method of coping. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music.