Ambrose Bierce Is Missing: and Other Historical Mysteries
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The Ethnographer's Apprentice: Trying Consumer Culture Fron1. the Outside in John F
Journal of Business Ethics (2008) 80:85-95 © Springer 2007 DOl 10.1007/s10551-007-9448-7 The Ethnographer's Apprentice: Trying Consumer Culture fron1. the Outside In John F. Sherry, Jr. ABSTRACT. Anthropologists have long wrestled with professor of marketing and an industry consultant, I their impact upon the people they study. Historically, the advise students and clients how best to accommodate discipline has served and subverted colonial agendas, but and resist this culture. I believe that an ethical views itself traditionally as an advocate for the disem approach to marketplace behavior is possible and powered and as an instrument ofpublic policy. Marketing necessary, but my grasp of such an approach more is now among the pre-eminent institutions of cultural resembles the Buddhist parable of the blind men and stability and change at work on the planet. Currently, the elephant with each recounting. Depending upon ethnography is assuming a growing importance in the marketer's effort to influence the accommodation and which horn of a dilenmu I grab, I sense a snake, a resistance of consumers to the neocolonial forces of coluom or a granary, as my (mis)understanding shifts globalization. The ethical consequences of market-ori with each new purchase. That's why I've adopted such ented ethnography are explored in this essay. a punning title for this effort. I provide a personal account, through the prism of KEY WORDS: anthropology, consumerism, ethnogra my experience as a disciplinary interloper, of phy, globalization, marketing anthropology's engagement with the marketplace. The ambivalence of my home discipline has increased, as ethnography has become a current methodological darling of the market research community. -
A Definition of Folklore: a Personal Narrative
University of Pennsylvania ScholarlyCommons Department of Near Eastern Languages and Departmental Papers (NELC) Civilizations (NELC) 2014 A Definition of olklorF e: A Personal Narrative Dan Ben-Amos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/nelc_papers Part of the Folklore Commons, Near and Middle Eastern Studies Commons, and the Oral History Commons Recommended Citation Ben-Amos, D. (2014). A Definition of olklorF e: A Personal Narrative. Estudis de Literatura Oral Popular (Studies in Oral Folk Literature), 3 9-28. Retrieved from https://repository.upenn.edu/nelc_papers/141 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/nelc_papers/141 For more information, please contact [email protected]. A Definition of olklorF e: A Personal Narrative Abstract My definition of folklore as "artistic communication in small groups" was forged in the context of folklore studies of the 1960s, in the discontent with the definitions that were current at the time, and under the influence of anthropology, linguistics - particularly 'the ethnography of speaking' - and Russian formalism. My field esearr ch among the Edo people of Nigeria had a formative impact upon my conception of folklore, when I observed their storytellers, singers, dancers and diviners in performance. The response to the definition was initially negative, or at best ambivalent, but as time passed, it took a more positive turn. Keywords context, communication, definition, performance, -
The Collected Works of Ambrose Bierce
m ill iiiii;!: t!;:!iiii; PS Al V-ID BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Henrg W, Sage 1891 B^^WiS _ i.i|j(i5 Cornell University Library PS 1097.A1 1909 V.10 The collected works of Ambrose Blerce. 3 1924 021 998 889 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021998889 THE COLLECTED WORKS OF AMBROSE BIERCE VOLUME X UIBI f\^^°\\\i COPYHIGHT, 1911, Br THE NEALE PUBLISHING COMPANY CONTENTS PAGE THE OPINIONATOR The Novel 17 On Literary Criticism 25 Stage Illusion 49 The Matter of Manner 57 On Reading New Books 65 Alphab£tes and Border Ruffians .... 69 To Train a Writer 75 As to Cartooning 79 The S. p. W 87 Portraits of Elderly Authors .... 95 Wit and Humor 98 Word Changes and Slang . ... 103 The Ravages of Shakspearitis .... 109 England's Laureate 113 Hall Caine on Hall Gaining . • "7 Visions of the Night . .... 132 THE REVIEWER Edwin Markham's Poems 137 "The Kreutzer Sonata" .... 149 Emma Frances Dawson 166 Marie Bashkirtseff 172 A Poet and His Poem 177 THE CONTROVERSIALIST An Insurrection of the Peasantry . 189 CONTENTS page Montagues and Capulets 209 A Dead Lion . 212 The Short Story 234 Who are Great? 249 Poetry and Verse 256 Thought and Feeling 274 THE' TIMOROUS REPORTER The Passing of Satire 2S1 Some Disadvantages of Genius 285 Our Sacrosanct Orthography . 299 The Author as an Opportunity 306 On Posthumous Renown . -
Rebuttal to Joe Nickell
Notes Lorenzi, Rossella- 2005. Turin shroud older than INQUIRER 28:4 (July/August), 69; with thought. News in Science (hnp://www.abc. 1. Ian Wilson (1998, 187) reported that the response by Joe Nickell. net.au/science/news/storics/s 1289491 .htm). 2005. Studies on die radiocarbon sample trimmings "are no longer extant." )anuary 26. from the Shroud of Turin. Thermochimica 2. Red lake colors like madder were specifically McCrone, Walter. 1996. Judgment Day for the -4CM 425: 189-194. used by medieval artists to overpaim vermilion in Turin Shroud. Chicago: Microscope Publi- Sox, H. David. 1981. Quoted in David F. Brown, depicting "blood" (Nickell 1998, 130). cations. Interview with H. David Sox, New Realities 3. Rogers (2004) does acknowledge that Nickell, Joe. 1998. Inquest on the Shroud of Turin: 4:1 (1981), 31. claims the blood is type AB "are nonsense." Latest Scientific Findings. Amherst, N.Y.: Turin shroud "older than thought." 2005. BBC Prometheus Books. News, January 27 (accessed at hnp://news. References . 2004. The Mystery Chronicles. Lexington, bbc.co.uk/go/pr/fr/—/2/hi/scicnce/naturc/421 Damon, P.E., et al. 1989. Radiocarbon dating of Ky.: The University Press of Kentucky. 0369.stm). the Shroud of Turin. Nature 337 (February): Rogers, Raymond N. 2004. Shroud not hoax, not Wilson, Ian. 1998. The Blood and the Shroud New 611-615. miracle. Letter to the editor, SKEPTICAL York: The Free Press. Rebuttal to Joe Nickell RAYMOND N. ROGERS oe Nickell has attacked my scien- results from Mark Anderson, his own an expert on chemical kinetics. I have a tific competence and honesty in his MOLE expert? medal for Exceptional Civilian Service "Claims of Invalid 'Shroud' Radio- Incidentally, I knew Walter since the from the U.S. -
Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance. -
Vanausdall on Duncan and Klooster, 'Phantoms of a Blood- Stained Period: the Complete Civil War Writings of Ambrose Bierce'
H-Indiana Vanausdall on Duncan and Klooster, 'Phantoms of a Blood- Stained Period: The Complete Civil War Writings of Ambrose Bierce' Review published on Thursday, August 1, 2002 Russell Duncan, David J. Klooster, eds. Phantoms of a Blood-Stained Period: The Complete Civil War Writings of Ambrose Bierce. Amherst: University of Massachusetts Press, 2002. xiv + 343 pp. $60.00 (cloth) ISBN 1-55849-327-1; $19.95 (paper), ISBN 978-1-55849-328-5. Reviewed by Jeanette Vanausdall (independent historian, Indianapolis)Published on H-Indiana (August, 2002) Writer as Witness Writer as Witness Phantoms of a Blood-Stained Period: The Complete Civil War Writings of Ambrose Bierce, edited by Russell Duncan and David J. Klooster, is a useful addition to the small assortment of Bierce collections available to students and scholars today. Bierce was perhaps the most significant American writer to have actually been a soldier throughout the war. For this reason alone he would be worth reading. But Bierce holds special interest for the student of the war because his work was so markedly different from most first-hand accounts, particularly the revisionist regimental histories that littered the literary landscape during the decades after the war. Rather than glorify the war and the soldiers who fought it, Bierce insisted upon exposing the bloodiness, brutality, stupidity, fear and cowardice to which he had been witness. Bierce genuinely deplored the war, but he also seemed to revel in his reputation as the foremost malcontent of his generation. Born in Meigs County, Ohio in 1842, Bierce's family was living in Indiana when the war broke out. -
FOLKLORE I N the MASS MEDIA Priscilla Denby Folklore Institute Indiana University As the Accompanying Cartoon (See Appendix ) Su
FOLKLORE IN THE MASS MEDIA Priscilla Denby Folklore Institute Indiana University As the accompanying cartoon (see Appendix ) suggests ,l the disclosure of the powerful phenomenon known as the "media" in contemporary society is analogous to the opening of Pandora's box. It would seem that the media, a relatively new societal force, has literally "sprung up, It full-grown, in some mysterious fashion to the surprise and bewilderment of many -- and the consternation of a few -- and become a dominant influence in our cul- ture. Moreover, in keeping with the mythological analogy, it may be safe to assume that the artist equates the media with the societal ills which were released st the touch of Pandora's hand. Whether the media is indeed a general evil in present-day American society is debatable; what is to be briefly discussed here, however, is its effect upon, and how it is affected by, folklore. Based upon the small sampling of data collected in this study, I would tentatively hold that the media's influence upon and use of folklore has undergone a great change. In the 1920's and 1930's when American society seemed to be in need of some kind of folk image as a means of self-definition and identification, the media graciously obliged; the result was a virtual inundation of the "fakelore" typified by the "folk hero" tradition of a Paul Bunyan or a Johnny Appleseed. Today such figures still inhabit the media. Yet as far as I can tell, contemporary media is less cmcerned with the invention and promulgation of non-traditional lore and more concerned with traditional texts used in various contexts. -
Science Without Integrity: Lessons from Investing Claims of The
ANNUAL MEETING REPORTS The Ethical Science Without Integrity: Lessons from Investigating Claims of the Para- Speaker: flash. There are no haunted houses, Nickell The Flying-Saucer Mystery Joe Nickell concluded, only haunted people. The media reported that a flying saucer Skeptical Inquirer had crashed on a ranch near Roswell, New Committee for the Scientific Investigation The Case of the Two Will Wests Mexico. Nickell investigated and found that of Claims of the Paranormal The widespread use of fingerprinting today the rancher on whose property the crash Amherst, New York is the result of this mysterious case of a took place never referred to the debris as a person who was thought to be in 2 places at flying saucer; only the media described it that Reporter: the same time. Will West was taken to Leav- way. The rancher described the material he Ann Morcos enworth Penitentiary to serve a term for found as light and consisting of foil, sticks, MorcosMedia manslaughter. Someone at the jail recognized rubber, string, and tape. The debris matched Metairie, Louisiana him, and indeed a look-alike criminal named a balloon with a radar target attached to it. Indeed, a spy balloon sent up by the US gov- Illusion—can a rope cut in half really be There are no haunted ernment, in what was termed Project Mogul, made whole again? is a ghost actually present was lost near Roswell. in a photograph?—was the focus of plenary houses, only haunted peo- speaker Joe Nickell, a former private inves- ple. The Nasca Lines tigator, stage magician, technical writer, and Another hoax that Nickell debunked was author of books investigating claims of the that of the Nasca drawings. -
PBS 'Secrets of the Dead' Buries the Truth About Turin Shroud
REPORT PBS 'Secrets of the Dead' Buries the Truth about Turin Shroud JOE NICKELL lthough science and scholarship forger's confession—were treated in ulous Easter-season audience. The fol- have demonstrated that the straw-man fashion: presented as virtu- lowing facts are an antidote to diat sci- Shroud of Turin is a medieval ally the sole impediment to authenticity. entific and historical revisionism: A Knowledgeable skeptics were avoided. fake, die-hard shroud endiusiasts con- • The shroud contradicts the Gospel tinue to claim otherwise. Just in time of John, which describes multiple for Easter 2004 viewing, a PBS tele- cloths (including a separate "napkin" vision documentary that aired over the face), as well as "an hundred Wednesday, April 7, gave diem a pound weight" of burial spices—not forum to state their conviction that a trace of which appears on the die image on the doth is a first- cloth. century picture—miraculous or oth- • No examples of the shroud erwise—of Jesus' crucified body. linen's complex herringbone twill As part of the Secrets of the Dead weave date from the first century, series, the "Shroud of Christ?" when burial cloths tended to be of presentation was a study in pseudo- plain weave in any case. science, faulty logic, and the sup- • The shroud has no known his- pression of historical facts. Omitted tory prior to the mid-fourteenth were mention of die contrary gospel century, when it turned up in the evidence, the reported forger's con- possession of a man who never fession, and the microanalytical explained how he had obtained the analyses that showed the "blood" most holy relic in Christendom. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
The Science of Mediumship and the Evidence of Survival
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses 2009 The cS ience of Mediumship and the Evidence of Survival Benjamin R. Cox III [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Recommended Citation Cox, Benjamin R. III, "The cS ience of Mediumship and the Evidence of Survival" (2009). Master of Liberal Studies Theses. 31. http://scholarship.rollins.edu/mls/31 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Science of Mediumship and the Evidence of Survival A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Benjamin R. Cox, III April, 2009 Mentor: Dr. J. Thomas Cook Rollins College Hamilton Holt School Master of Liberal Studies Winter Park, Florida This project is dedicated to Nathan Jablonski and Richard S. Smith Table of Contents Introduction ............................................................................................... 1 The Science of Mediumship.................................................................... 11 The Case of Leonora E. Piper ................................................................ 33 The Case of Eusapia Palladino............................................................... 45 My Personal Experience as a Seance Medium Specializing -
“An Occurrence at Owl Creek Bridge” (1891) Ambrose Bierce (1842-1914?)
ANALYSIS “An Occurrence at Owl Creek Bridge” (1891) Ambrose Bierce (1842-1914?) “[Stephen] Crane made no comment whatever, sliding his glass of whiskey up and down. Later he asked whether [journalist Robert H.] Davis had read Bierce’s ‘Occurrence at Owl Creek Bridge.’ ‘Nothing better exists. That story contains everything. Move your foot over,’ and he wanted to know what Bierce was like personally--especially whether he had plenty of enemies. ‘More than he needs,’ Davis said. ‘Good,’ said Crane. ‘Then he will become an immortal,’ and shook hands, just shaking his head when Davis gestured toward his untouched whiskey.” [1897] John Berryman Stephen Crane (World/Meridian 1962) 170 His best and most reprinted story is “An Occurrence at Owl Creek Bridge.” A captured Confederate is hung from a bridge by Union troops, but the rope breaks--and he falls into the creek! He escapes ashore and finally makes it back to his plantation: “He must have traveled the entire night.” He rushes toward the open arms of his wife coming down from the veranda to embrace him. “As he is about to clasp her he feels a stunning blow upon the back of the neck... His body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek Bridge.” The surprise ending and the gothic horror are in the tradition of Poe. As a whole, however, the story is a brilliant early example of Modernism, combining techniques of Realism, Impressionism and Expressionism with Naturalistic themes: “Objects were represented by their colors only; circular horizontal