The Canon Debate and the Use of Classics in the ESL Classroom a Compilation of Opinions
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What Is Literature? a Definition Based on Prototypes
Work Papers of the Summer Institute of Linguistics, University of North Dakota Session Volume 41 Article 3 1997 What is literature? A definition based on prototypes Jim Meyer SIL-UND Follow this and additional works at: https://commons.und.edu/sil-work-papers Part of the Linguistics Commons Recommended Citation Meyer, Jim (1997) "What is literature? A definition based on prototypes," Work Papers of the Summer Institute of Linguistics, University of North Dakota Session: Vol. 41 , Article 3. DOI: 10.31356/silwp.vol41.03 Available at: https://commons.und.edu/sil-work-papers/vol41/iss1/3 This Article is brought to you for free and open access by UND Scholarly Commons. It has been accepted for inclusion in Work Papers of the Summer Institute of Linguistics, University of North Dakota Session by an authorized editor of UND Scholarly Commons. For more information, please contact [email protected]. What is Literature? A Definition Based on Prototypes Jim Meyer Most definitions of literature have been criterial definitions, definitions based on a list of criteria which all literary works must meet. However, more current theories of meaning take the view that definitions are based on prototypes: there is broad agreement about good examples that meet all of the prototypical characteristics, and other examples are related to the prototypes by family resemblance. For literary works, prototypical characteristics include careful use of language, being written in a literary genre (poetry, prose fiction, or drama), being read aesthetically, and containing many weak implicatures. Understanding exactly what literature is has always been a challenge; pinning down a definition has proven to be quite difficult. -
Decolonizing Post-Colonial Studies and Paradigms of Political Economy: Transmodernity, Decolonial Thinking, and Global Coloniality
Decolonizing Post-Colonial Studies and Paradigms of Political Economy: Transmodernity, Decolonial Thinking, and Global Coloniality RAMÓN GROSFOGUEL UNIVERSITY OF CALIFORNIA, BERKELEY Can we produce a radical anti-systemic politics beyond identity politics? Is it possible to articulate a critical cosmopolitanism beyond nationalism and colonialism? Can we produce knowledges beyond Third World and Eurocentric fundamentalisms? Can we overcome the traditional dichotomy between political-economy and cultural studies? Can we move beyond economic reductionism and culturalism? How can we overcome the Eurocentric modernity without throwing away the best of modernity as many Third World fundamentalists do? In this paper, I propose that an epistemic perspective from the subaltern side of the colonial difference has a lot to contribute to this debate. It can contribute to a critical perspective beyond the outlined dichotomies and to a redefinition of capitalism as a world-system. In October 1998, there was a conference/dialogue at Duke University between the South Asian Subaltern Studies Group and the Latin American Subaltern Studies Group. The dialogue initiated at this conference eventually resulted in the publication of several issues of the journal NEPANTLA. However, this conference was the last time the Latin American Subaltern Studies Group met before their split. Among the many reasons and debates that produced this split, there are two that I would like to stress. The members of the Latin American Subaltern Studies Group were primarily Latinamericanist scholars in the USA. Despite their attempt at producing a radical and alternative knowledge, they reproduced the epistemic schema of Area Studies in the United States. With a few exceptions, they produced studies about the subaltern rather than studies with and from a subaltern perspective. -
The Humanities in Deconstruction: Raising the Question of the Post-Colonial University
ACCESS: CONTEMPORARY ISSUES IN EDUCATION 2007, VOL. 26, NO. 1, 1–10 The humanities in deconstruction: Raising the question of the post-colonial university Michael A. Peters University of Illinois at Urbana-Champaign ABSTRACT Derrida is, perhaps, the foremost philosopher of the humanities and of its place in the university. Over the long period of his career he has been concerned with the fate, status, place and contribution of the humanities. Through his deconstructive readings and writings he has done much not only to reinvent the Western tradition by attending closely to those texts which constitute it but also he has redefined its procedures and protocols, questioning and commenting upon the relationship between commentary and interpretation, the practice of quotation, the delimitation of a work and its singularity, its signature, and its context – the whole form of life of literary culture, together with textual practices and conventions that shape it. From his very early work he has occupied a marginal in-between space – simultaneously, textual, literary, philosophical, and political – a space that permitted him a freedom to question, to speculate and to draw new limits to humanitas. Derrida has demonstrated his power to reconceptualise and to reimagine the humanities in the space of the contemporary university. This paper discusses Derrida’s tasks for the new humanities (Trifonas & Peters, 2005). 1. Fundamentalisms and the need for a deconstructive humanities An appreciation of Derrida’s work can shed light on the growth and clash -
Literary Theory: a Guide for the Perplexed the Guides for the Perplexed Series
LITERARY THEORY: A GUIDE FOR THE PERPLEXED THE GUIDES FOR THE PERPLEXED SERIES Benjamin Hutchens, Levinas: A Guide for the Perplexed Alex Thomson, Adorno: A Guide for the Perplexed Claire Colebrook, Deleuze: A Guide for the Perplexed Mark Addis, Wittgenstein: A Guide for the Perplexed Andrew Chitty, Hegel: A Guide for the Perplexed Matheson Russell, Husserl: A Guide for the Perplexed Gary Kemp, Quine: A Guide for the Perplexed Gary Cox, Sartre: A Guide for the Perplexed Eric Matthews, Merleau-Ponty: A Guide for the Perplexed Steven Earnshaw, Existentialism: A Guide for the Perplexed LITERARY THEORY: A GUIDE FOR THE PERPLEXED MARY KLAGES Continuum International International Publishing Publishing Group Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York, NY 10038 www.continuumbooks.comFirst published 2006 Reprinted 2007 © Mary Klages 2006 First© Mary Published Klages 2006 2006 Reprinted 2007, 2011 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Mary Klages has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 0-8264-9072-7 (hardback) ISBN: 978-0-8264-9072-8 (hardback) Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset by Servis Filmsetting Ltd, Manchester Printed and bound in, Great Britain by Biddles Ltd, King s Lynn, Norfolk CONTENTS 1. -
Introduction to Literature I: Short Story and Novel Jennifer Cowgill Collin College
Collin College DigitalCommons@Collin Fall 2018 2018 8-27-2018 Introduction to Literature I: Short Story and Novel Jennifer Cowgill Collin College Follow this and additional works at: https://digitalcommons.collin.edu/english_syllabifall2018 Recommended Citation Cowgill, Jennifer, "Introduction to Literature I: Short Story and Novel" (2018). Fall 2018. 409. https://digitalcommons.collin.edu/english_syllabifall2018/409 This Article is brought to you for free and open access by the 2018 at DigitalCommons@Collin. It has been accepted for inclusion in Fall 2018 by an authorized administrator of DigitalCommons@Collin. For more information, please contact [email protected]. 1 COURSE SYLLABUS Fall 2018 Course Number: ENGL2342 CRN#14253- ML2 Course Title: Introduction to Literature I: Short Story and Novel Instructor’s Name: Jennifer Cowgill Office Number: Melissa High School A405B Office Hours: Tuesdays and Thursdays 8:30-11:30am Phone Number: Melissa High School Email: [email protected] In case of Emergency: Office of Academic Affairs, B122, 214-491- 6270. Class Information: Meeting Times: 8:30am-9:16am MWF Meeting Location: Melissa High School Room 419 Minimum Technology Requirement: Access to Cougar Web, your Collin email address, and a word processor to complete and submit papers in a typed format. Minimum Student Skills: Ability to type, edit, and submit a word document. Understanding of Blackboard in terms of locating assignments, posting assignments, posting to the discussion board, and accessing the grade book is vital to success. Course Description: ENGL 2342 is a reading and writing intensive course designed to introduce students to the elements of fiction--plot, character, point of view, symbol, style, theme--and to encourage critical thinking about literary topics. -
Recommended Reading for AP Literature & Composition
Recommended Reading for AP Literature & Composition Titles from Free Response Questions* Adapted from an original list by Norma J. Wilkerson. Works referred to on the AP Literature exams since 1971 (specific years in parentheses). A Absalom, Absalom by William Faulkner (76, 00) Adam Bede by George Eliot (06) The Adventures of Huckleberry Finn by Mark Twain (80, 82, 85, 91, 92, 94, 95, 96, 99, 05, 06, 07, 08) The Aeneid by Virgil (06) Agnes of God by John Pielmeier (00) The Age of Innocence by Edith Wharton (97, 02, 03, 08) Alias Grace by Margaret Atwood (00, 04, 08) All the King's Men by Robert Penn Warren (00, 02, 04, 07, 08) All My Sons by Arthur Miller (85, 90) All the Pretty Horses by Cormac McCarthy (95, 96, 06, 07, 08) America is in the Heart by Carlos Bulosan (95) An American Tragedy by Theodore Dreiser (81, 82, 95, 03) The American by Henry James (05, 07) Anna Karenina by Leo Tolstoy (80, 91, 99, 03, 04, 06, 08) Another Country by James Baldwin (95) Antigone by Sophocles (79, 80, 90, 94, 99, 03, 05) Anthony and Cleopatra by William Shakespeare (80, 91) Apprenticeship of Duddy Kravitz by Mordecai Richler (94) Armies of the Night by Norman Mailer (76) As I Lay Dying by William Faulkner (78, 89, 90, 94, 01, 04, 06, 07) As You Like It by William Shakespeare (92 05. 06) Atonement by Ian McEwan (07) Autobiography of an Ex-Colored Man by James Weldon Johnson (02, 05) The Awakening by Kate Chopin (87, 88, 91, 92, 95, 97, 99, 02, 04, 07) B "The Bear" by William Faulkner (94, 06) Beloved by Toni Morrison (90, 99, 01, 03, 05, 07) A Bend in the River by V. -
Literature Translation Fellowship Recipients Number of Grants: 24 of $12,500 Each Total Dollar Amount: $300,000
Fiscal Year 2020 Literature Translation Fellowship Recipients Number of Grants: 24 of $12,500 each Total Dollar Amount: $300,000 *Photos of the FY 2020 Translation Fellows and project descriptions follow the list below. Jeffrey Angles, Kalamazoo, MI . Nancy Naomi Carlson, Silver Spring, MD . Jessica Cohen, Denver, CO . Robyn Creswell, New York, NY . Marguerite Feitlowitz, Washington, DC . Gwendolyn Harper, Emeryville, CA . Brian T. Henry, Richmond, VA . William Maynard Hutchins, Todd, NC . Adriana X. Jacobs, New York, NY/Oxford, UK . Bill Johnston, Bloomington, IN . Elizabeth Lowe, Gainesville, FL . Rebekah Maggor, Ithaca, NY . Valerie Miles, Barcelona, Spain . Valzhyna Mort, Ithaca, NY . Armine Kotin Mortimer, Urbana, IL . Suneela Mubayi, New York, NY/Cambridge, UK . Greg Nissan, Tesuque, NM . Allison Markin Powell, New York, NY . Julia Powers, New Haven, CT . Frederika Randall, Rome, Italy . Sherry Roush, State College, PA . James Shea, Hong Kong . Kaija Straumanis, Rochester, NY . Spring Ulmer, Essex, NY Credit: Dirk Skiba Jeffrey Angles, Kalamazoo, MI ($12,500) To support the translation from the Japanese of the collected poems of modernist poet Nakahara Chūya. Chūya's poetry has been set to hundreds of pieces of music, ranging from classical art pieces to pop songs, and he has been the subject of biographies, studies, and creative pieces, including fiction, manga, and an opera libretto. Born in 1907, he published his first collection of poems, Songs of the Goat, when he was 27 and died at age 30 of cerebral meningitis, just before the release of his second book of poems, Songs of Days That Were. While some translations of his poems have appeared in anthologies, journals, and various books, all English translations of Chūya are long out of print. -
Classics and Ancient Studies 1
Classics and Ancient Studies 1 in Classics and related fields are advised to undertake at least three CLASSICS AND ANCIENT years in both languages as well as to begin acquiring the ability to read scholarship in French, German, or Italian. Study abroad for one semester STUDIES in either Greece or Rome is common and encouraged. 216 Milbank Hall Student Learning Objectives in Classics 212-854-2852 Students successfully completing a major in Classics should be able to 212-854-7491 (fax) attain the following objectives: Department Assistant: Tynisha Rue • Translate a range of Greek or Latin texts at a moderately advanced Greek and Roman Language, Literature, level and demonstrate an understanding of the grammar and syntax of ancient languages. and Culture; Ancient Studies; Modern • Read, analyze, and write about ancient texts persuasively and locate Greek texts in their historical and cultural contexts. Department of Classics and Ancient Studies (see below • Achieve familiarity with the methodologies and critical approaches and research tools deployed in classical scholarship that will be for Modern Greek) demonstrated in the successful completion of a senior research Mission project. The department of Classics and Ancient Studies aims to introduce • Demonstrate familiarity with the work of a variety of ancient writers, students to a knowledge of the languages and an understanding of literary styles, genres, and periods and their later influences. the literature and culture of ancient Greece and Rome in a broader Mediterranean context, as well as to develop an appreciation of how The Major in Ancient Studies Greco-Roman antiquity has been used and abused by later eras. -
Digitalcommons@Macalester College
Macalester International Volume 3 Literature, the Creative Imagination, and Article 15 Globalization Spring 5-31-1996 Response to Gamel Jeremiah Reedy Macalester College Follow this and additional works at: http://digitalcommons.macalester.edu/macintl Recommended Citation Reedy, Jeremiah (1996) "Response to Gamel," Macalester International: Vol. 3, Article 15. Available at: http://digitalcommons.macalester.edu/macintl/vol3/iss1/15 This Response is brought to you for free and open access by the Institute for Global Citizenship at DigitalCommons@Macalester College. It has been accepted for inclusion in Macalester International by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. 04/25/96 12:23 PM 1880ree3.qxd Response Jeremiah Reedy I. Secular Religions In 1976, the well-known philosopher and theologian Michael Novak was a Hubert Humphrey lecturer at Macalester College, and in the same year, his book The Joy of Sports was published.1 In this work, Novak analyzed football, baseball, and basketball as secular religions. He called them our Holy Trinity. Imagine that you are an anthropologist from Mars flying over the United States in your spaceship, Novak says, and you notice in most large cities huge oval-shaped structures that are used once a week. When you enter one of these, you find sacred space where the profane are not allowed to walk. There is sacred time and what happens outside of it does not count. The fans (short for “fanatics”) are very enthusiastic, which means there is a god in them. Ritual dances and ritual chants enliven the festivities. Sometimes a ritual meal precedes the sacred event itself, and ambrosial drinks are consumed. -
ENG-2410: Introduction to Literature: Poetry 1
ENG-2410: Introduction to Literature: Poetry 1 ENG-2410: INTRODUCTION TO LITERATURE: POETRY Cuyahoga Community College Viewing: ENG-2410 : Introduction to Literature: Poetry Board of Trustees: March 2021 Academic Term: Fall 2021 Subject Code ENG - English Course Number: 2410 Title: Introduction to Literature: Poetry Catalog Description: Critical analysis of selected works of poetry, designed to develop an understanding and appreciation of poetry as a literary form. Credit Hour(s): 3 Lecture Hour(s): 3 Lab Hour(s): 0 Other Hour(s): 0 Requisites Prerequisite and Corequisite ENG-1020 College Composition II, or ENG-102H Honors, or departmental approval. Outcomes Course Outcome(s): Read, interpret, and explicate poetic texts through discussion and collaborative activities Essential Learning Outcome Mapping: Critical/Creative Thinking: Analyze, evaluate, and synthesize information in order to consider problems/ideas and transform them in innovative or imaginative ways. Oral Communication: Demonstrate effective verbal and nonverbal communication for an intended audience that is clear, organized, and delivered effectively following the standard conventions of that language. Objective(s): 1. Explore themes as reflected in various poetic subgenres. 2. Recognize the various literary elements and conventions of poetry. 3. Identify the speaker of a poem and how the life situation of the speaker informs the poignancy of the poem. Course Outcome(s): Recognize poets by their significant works, characteristic style, influence on the genre, and cultural values Essential Learning Outcome Mapping: Cultural Sensitivity: Demonstrate sensitivity to the beliefs, views, values, and practices of cultures within and beyond the United States. 2 ENG-2410: Introduction to Literature: Poetry Objective(s): 1. Recognize significant works written by a wide variety of representative poets. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Literature and Philosophy - Sieghild Bogumil-Notz
COMPARATIVE LITERATURE:SHARING KNOWLEDGES FOR PRESERVING CULTURAL DIVERSITY - Literature And Philosophy - Sieghild Bogumil-Notz LITERATURE AND PHILOSOPHY Sieghild Bogumil-Notz Ruhr-Universität Bochum, Germany Keywords: Catharsis, classicism, deconstruction, diegesis, difference, hermeneutics, romantic irony, mimesis, phenomenology, self-reflexive poetry, didactic poetry, progressive universal poetry, transcendental poetry, verisimilitude. Contents 1. Literature under the Tutelage of Philosophy 2. The Age of Aesthetics 3. The Split between Literature and Philosophy 4. What it Means to Think in Literature Glossary Bibliography Biographical Sketch Summary Ever since the beginnings of speculative thought, the relationship between literature and philosophy has been so close, that one can speak about it in terms of a parental relation, even though Plato condemns literature, to which he attributes in his ontological chain, the position of a copy of a copy. Aristotle reasserts literature's value, assigns a moral effect to it, even a certain philosophical dimension, and at the same time subjects it to the speculative discourse. For nearly two thousand years, this judgment on literature guides the theoretical preoccupation about the relation between these two domains, from the philosophers' side as well as from the literary side. It is only the emphasis that changes over time. From a balance between 'prodesse' and 'delectare' in Horace, the accent shifts towards the demand for a literature of strong Christian morality, which is then replaced by the didactic spirit that imposes itself at the beginning of the Modern Age, which again has to give way to the demand for a philosophical and moral literature that can be traced back to classical humanism, i.e.